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Pentax MX, SMC Pentax-M 1:1.7 50mm lens, f1.7, 1/1000, Tri-X exp 12/13
Lab developed
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Develop your senses- especially learn how to see. Realize that everything connects to everything else.
A black-headed gull by the West Kirby marine lake well on the way to developing its summer plumage in late November!!
Luci soaking up what little sun we've had lately.
Rolleiflex 2.8E Planar
Kodak Tri-X developed in FX-55 (12.5 min)
This string of jetty jacks, positioned along the brush-covered east bank of the Mojave riverbed beside the Rocksprings trestle, helps to control erosion of the embankment where the rails leave the trestle and head across land; a matching set of jacks occupies the same position on the western shore. Each individual jack consists of three lengths of steel angle joined at their midpoints, producing a structure like a six-pronged jack from the child's game; the lengths of angle are held in place by wire, laced like a spider's web about the jack's center. The jacks are then attached along a cable anchored at each end, the whole length—in this case, half a dozen or so jacks—protecting the shoreline by catching sediment and debris, as the river, flush with water when the winter rains are heavy, courses beneath the trestle.
Camera: Univex Iris (1938, with Vitar 50mm f/7.9 lens). The Iris is an Art-Deco styled, cast-metal camera with adjustable aperture, fixed shutter speed, and fixed focus. Its native film is Universal No. 00, a proprietary film manufactured for the camera's maker, Universal Camera Corp., by Gevaert in Belgium. 00 film featured six 28 x 38 images per roll, and at 32mm wide was just slightly narrower than 35mm film. Universal filed for bankruptcy in 1952 and closed its doors in 1964, so there has been no new 00 film for the Iris and other early Universal cameras for several decades.
Film: I have read of people cutting down 120 film to make 00 film, but because 32mm is an odd width, one would have to develop it in open trays and make a special film holder for scanning. I decided instead to use the next smaller film size, 16mm or 110 film. I made 00 backing paper by cutting down 120 film backing paper. 00 film's image length is nearly the same as that of 828 film (00's image is 38mm long, 828's is 40mm), so I used my 828 backing paper template (www.pheugo.com/cameras/index.php?page=spool828), cutting it slightly narrower for the 00 spool (32mm rather than 828's 35mm), and reducing the length from 828 film's eight image length to 00's six. When cutting down 120 film for 127 film cameras, there is a strip of film about 15mm wide left over; I used one of these strips to roll up in the backing paper. I used my accustomed 100 ISO Arista.edu Ultra film, developed in Arista Liquid Developer for 8:15 minutes @ 65 degrees, and scanned with an Epson V600 scanner. This was my first time developing and scanning 110 film—thanks to my Flickr friend Nyms for her insight on the Yankee Clipper developing tank!
I found a couple rolls of film that I never developed from nearly 10 years ago. I was so happy to discover many beautiful moments. The age of the film before developing has given the pictures an even more nostalgic look.
This was shot was taken from the soccer field that was my back yard. I miss the beauty of countryside living in Hokkaido.
lilies
hydrangea
these are from the old diana mini roll I just developed. dunno when they were taken.
With apologies to Edvard Munch.
Along the ridge of the Blue Ridge Mountains, Virginia.
Olympus 35RD camera, f/5.6 @ 1/125th, Ilford FP4+ developed in Rodinal 1:50 14 minutes (N+1, to raise the fog level, lol) at 20C in a Jobo.
Digitized with a Fuji XT5 and Laowa macro lens.
Lets make a soundtrack, shall we....
The Washi S film is an emulsion designed for sound recording. Never intended for photography.
I enjoy shooting stuff like this. Crazy contrast you say? Yeah, you wanna put that on repeat!
This film is a bit of a challange to "nail", but I think the DD-X works well with this film. Sadly, Washi S is not available anymore. But if you want a to have a bit of fun and shot sound recording film, FPP has a cool film called Sonic 25. Simular contrast and results. An Orthochromatic film. Washi S is not completely red sensitive. Cheers, Jonny
Røros, Norway
Mamiya 7ii
35mm adapter kit
Film Washi S @ISO50
Dev; Ilford DD-X
Developed and scanned at home
Hier kann man sehen wie sich mein Bäumchen entwickelt hat, seit ich den Trieb in Wasser gestellt hatte vor einigen Monate und es vor wochen eingepflanzt habe.
Ich habe eine neue App auf einen Handy und kann dit einige Bilder verbessern. Also habe ich es versucht und voila,bilder in HDR.
Here you can see how my sapling has developed since I had put the drive in water a few months ago and planted it weeks ago.
I have a new app on a cell phone and can dit some pictures to improve it. So I tried it and voila, images in HDR.
Byzantine aesthetics had a developed theory of color symbolism to create an image of the Divine world. One of its cornerstones was the symbolism of golden light. In this symbolism, a special place was reserved for gold, it was the role of a kind of color module of the Divine world that belonged to it.
Нинішній сосново-липовий іконостас довжиною 25 м та висотою 21 м складається з п'яти ярусів і загалом відтворює пам'ятник часів Скоропадського.
«Збережений живопис українських православних храмів є віддзеркаленням розвитку естетичних поглядів від візантійського канону до модерну. На етнічних теренах України за часів правління Миколая І на державному рівні підтримувалась орієнтація на культурну спадщину Візантії. Візантійська естетика мала розвинуту теорію символіки кольору для створення образу Божественного світу. Однією з її наріжних засад була символіка золотого світла.
В цій символіці особливе місце відводила золоту, саме йому належала роль своєрідного колірного модуля Божественного світу. Золотий простір храму на візуально-чуттєвому рівні відтворював невимовно прекрасний Божественний світ, пронизаний Божою благодаттю, що сходила під час літургії, під час молитов. Золотий колірний модуль мозаїчних композицій створював надреальність, де перебували віруючі.
.......
Візантійську естетичну концепцію намагалися втілити в нових розписах Успенського собору Києво-Печерської лаври в 1894–1900 роках (В. Верещагін, В. Фартусов, Г. Попов та ін.). Маючи за мету наблизитися до стінопису візантійських церков ХІ–ХІІ століть, автори проекту (1894) побудували художній простір основного об‘єму храму за допомогою традиційного для сакрального мистецтва Візантії колірного модуля. На золотому тлі виконали композиції в центральній частині собору, яку вважали найдавнішою (нижні бічні приділи тоді не розписували). У головному квадраті церкви, в жертовнику і дияконнику від верху до рівня хорів, а в головному вівтарі – майже до підлоги, живопис було виконано на золотому тлі; таке ж тло мали плафони верхніх приділів Преображення Господнього та Андрія Первозваного. Нижче карнизів, що йдуть по лінії підлоги хорів, тло було виконано олійними фарбами із золотими вінчиками. Основний об‘єм та доступні для огляду знизу верхні компартименти собору вражали розкішшю і красою, нагадували про вічну красу Божественного світу і про далекі часи, коли церква була оздоблена мозаїкою грецькими художниками.»
/Бардік Марина Афанасіївна, кандидат мистецтвознавства,
Колірний модуль божественного світу в украінському сакральному стінописі 1850–1900-х років/
Developing a series for my final year of university took me to the top of the Churchill Square car park in Brighton. The city is relatively flat and so you can see quite a bit from up there, although always within the looming gaze of the two tallest buildings. Nearby stands Sussex Heights; a particularly horrible 20th Century tower. Right next to us was Chartwell Court, an unusual block of flats that begins on top of the car park itself.
It was a quiet night and, whilst sorting out the shot, I imagined a timelapse of the rust dripping down the white paint across from me.
Appleby developed as the market town of Westmorland after the Norman Conquest, having a strategic position in the Eden valley. It is an attractive market town with a great deal of interest and charm
Graham Log Cabin, constructed of hand hewn American chestnut logs, built in 1780 along the historic Nations Ford Road, part of the Great Philadelphia Wagon Road, in Fort Mill, South Carolina.
Shot on expired Kodak Tri-X 400 film with a Yashica Electro 35 GSN rangefinder camera and hand developed in Kodak D76.
Local Woodland.
1930's Zeiss 515/2 6x9 folding camera, Fomapan 400.
Developed in Ilfasol 3, 8.5 minutes @ 20.0'C.
"There is enough fear for everyone"
I forgot, where I took this photo, I think it was in Wiesbaden in January. Maybe someone can tell. Taken with the original Contax T (I love it) on Etude Pan 400 developed in Caffenol CL
And it seemed that many others weren't either.
I felt particularly sorry for the bikers.
Committed to Kodak Tmax 100 using a Rolleicord Va. Developed using Ars-Imago R9 (rodinal) 1:49, dev. time as per the massive dev chart, and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning and final contrast in Photoshop.
Robot II (24x24mm)
Schneider-Kreuznach 40mm F1.9
Film: Kodak Motion Picture 5203 ISO 50 push to ISO100
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins (Push 1 stop)
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
One of the first shots I've taken with the Rollei 35 - I had a few teething issues getting used to the camera and then some issues developing the film, however some images were good to go. I'm sure my next shoot after my test roll will go a lot more smoothly!
Rollei 35
Ilford HP5 Plus 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2025
Hasselblad 500CM
Hasselblad 40MM CF Lens
Hasselblad Yellow filter
Ilford Delta 400 developed in HC-110 for 7 minutes
Another picture from Pałac w Bożkowie.
Here is some information from my previous post; A historic palace from the 16th century. It was built by Count von Magnis (The palace, as it stands today, was constructed in 1787). Until 1945 the palace was owned by the von Magnis family. After 1945, the palace became the property of the state treasury. It has been abandoned since 1992.
Pałac w Bożkowie, Poland
Mamiya 7ii
Kodak T-Max 400 @ISO250
Dev; Ornano Gradual ST-20
(Developed for ISO400)
Developed and scanned at home
No prejudice, bias, or name calling. No holding grudges or favoritism. Just hanging together, relying on their common bovinity. Perhaps cattle aren't so stupid, after all?
Camera: Yashica TL Electro-X, Yashinon 50mm f1.7 www.flickr.com/photos/194048042@N06/51677954776/in/album-...
Film: HP5+ 400 ISO, shot at 800 ISO
Developing: Kodak HC-110, pushed +1
A pigeon standing on the Danube embankment, with the Hungarian Parliament in the background.
Shot on **Fomapan 100** and developed at home with **Adox Adonal 1+50 at 20 °C for 8:30**. Stop bath: **Adostop ECO 1+19**, 30 seconds. Fixer: **Adofix Plus 1+9**, 4 minutes.
The negative was scanned with a **Samsung NX300** and converted to a positive in Lightroom.
First development of this Fomapan 100 roll with Adonal. The result has a distinctly classic black-and-white character, with visible grain and strong tonal separation.
I had a spell of little enthusiasm, over Christmas and my wife new that I needed to get out to find my mojo! She called me this morning, though the forecast was for heavy cloud and when I saw stars from the bedroom window, I realised it could be nice. Having broken her wide angle lens on Christmas Day, I thought Bev would want to borrow mine - she chose instead to use her new 18-135 mm zoom, saying it made her think more. Good luck to you all for a healthy and productive New Year.