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Leica M6, Summicron 50/2, Kodak Vision 3 250D.

Lets make a soundtrack, shall we....

 

The Washi S film is an emulsion designed for sound recording. Never intended for photography.

 

I enjoy shooting stuff like this. Crazy contrast you say? Yeah, you wanna put that on repeat!

 

This film is a bit of a challange to "nail", but I think the DD-X works well with this film. Sadly, Washi S is not available anymore. But if you want a to have a bit of fun and shot sound recording film, FPP has a cool film called Sonic 25. Simular contrast and results. An Orthochromatic film. Washi S is not completely red sensitive. Cheers, Jonny

 

Røros, Norway

 

Mamiya 7ii

35mm adapter kit

Film Washi S @ISO50

Dev; Ilford DD-X

 

Developed and scanned at home

Develop your senses- especially learn how to see. Realize that everything connects to everything else.

Laowa FFii 90mm f/2.8 2x Ultra Macro APO, Developed in Affinity

Laowa FFii 90mm f/2.8 2x Ultra Macro APO, Stacked and developed in Affinity Photo

Developed with Darktable 3.6.0.

acros 100 developed Pyro 14min

IN ENGLISH BELOW THE LINE

 

Ningú havia vist aquestes fotos fins ara, sobretot els que les varen fer. Fins que jo les he revelat ara.

 

Aquestes finestres son la única imatge visible d'un rodet en un horrible estat de conservació. No només s'havia mullat completament en algun moment (el paper estava completament enganxat a la pel·licula), sino arrugat en més d'un punt, quasi no el vaig poder carregar al revelador.

 

S'anomena "found film" a aquelles fotografies en pel•licula o placa que es troben sense revelar dins càmeres velles o per altres racons. La gracia és que ningú ha vist mai aquestes fotografies.

 

Aquest rodet prové un conjunt comprat a algú de Barró, prop d'Angulema, a França.

 

Aquest rodet, de format 120, de Kodak Verichrome, i pertant segurament exposat entre els anys 40 i 50 (es produí entre 1931 i 1956). El vaig revelar amb HC110 uns 10 minuts.

 

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Nobody, even less the author, had seen these pictures until now. Until I've developed them in the dark room.

 

This façade is the only useable picture in a quite damaged roll of film. It had been completely damp at some point (the backing paper was glued to the film), and it was wrinkled so I almost couldn't load into the reel. The pictures were probably taken in the 40's or 50's of the XX Century.

 

They call "found film" at those images in film or plates that are find undeveloped inside old cameras or in other places, like boxes or old houses.

 

This film is part of a large pack I bought in the internet from somebody in Barro, near Angouleme, France.

 

This one was a 127 format Kodak Verichrome film, produced from 1931 to 1956; stand developed with HC110 in c.10 minutes.

Developed using darktable 2.6.1

Berlin-Schöneberg

 

Olympus OM2n

OM Zuiko 28mm f/2.8

Agfaphoto APX 100 film

Spur Acurol-N developer

Developed using darktable 3.0.0

Another photo from a wonderful summer evening in Hull in 2023.

 

Fed 2 camera

Industar 26M lens

Fuji Superia Xtra 400 film

Lab develop & scan

 

000011210023_0001

Last one from this set ... Promise..

 

Loving how that cloud caught the dawn rays..

 

Pentax K1 w DFA24-70/2.8

 

F11 ISO 100 -1.3ev

 

Raw developed in DxO PhotoLab 5 and ColorEfexPro 4

"Ciletuh - Palabuhanratu UNESCO Global Geopark is located on the island of Java, in the western Sukabumi Regency of Indonesia. The Geopark is located on the border of a tectonically active zone: the subduction zone between the Eurasian plate and the Indo-Australian plate, which continue to converge at 4 mm/year".....(from : en.unesco.org/global-geoparks/ciletuh-palabuhanratu)

 

Have a wonderful Sunday to all of you. Thank you for visiting my stream. Kindly leave your comments / notes...

 

Fuji GW 645

Super EBC Fujinon 45mm f/5.6

Fuji Velvia 50 Film

Self developed with Fujihunt CR56 Process with JOBO CPP3

Drumscanned with Heidelberg Linotype-Hell S3900 Chromagraph

  

Byzantine aesthetics had a developed theory of color symbolism to create an image of the Divine world. One of its cornerstones was the symbolism of golden light. In this symbolism, a special place was reserved for gold, it was the role of a kind of color module of the Divine world that belonged to it.

 

Нинішній сосново-липовий іконостас довжиною 25 м та висотою 21 м складається з п'яти ярусів і загалом відтворює пам'ятник часів Скоропадського.

 

«Збережений живопис українських православних храмів є віддзеркаленням розвитку естетичних поглядів від візантійського канону до модерну. На етнічних теренах України за часів правління Миколая І на державному рівні підтримувалась орієнтація на культурну спадщину Візантії. Візантійська естетика мала розвинуту теорію символіки кольору для створення образу Божественного світу. Однією з її наріжних засад була символіка золотого світла.

В цій символіці особливе місце відводила золоту, саме йому належала роль своєрідного колірного модуля Божественного світу. Золотий простір храму на візуально-чуттєвому рівні відтворював невимовно прекрасний Божественний світ, пронизаний Божою благодаттю, що сходила під час літургії, під час молитов. Золотий колірний модуль мозаїчних композицій створював надреальність, де перебували віруючі.

.......

Візантійську естетичну концепцію намагалися втілити в нових розписах Успенського собору Києво-Печерської лаври в 1894–1900 роках (В. Верещагін, В. Фартусов, Г. Попов та ін.). Маючи за мету наблизитися до стінопису візантійських церков ХІ–ХІІ століть, автори проекту (1894) побудували художній простір основного об‘єму храму за допомогою традиційного для сакрального мистецтва Візантії колірного модуля. На золотому тлі виконали композиції в центральній частині собору, яку вважали найдавнішою (нижні бічні приділи тоді не розписували). У головному квадраті церкви, в жертовнику і дияконнику від верху до рівня хорів, а в головному вівтарі – майже до підлоги, живопис було виконано на золотому тлі; таке ж тло мали плафони верхніх приділів Преображення Господнього та Андрія Первозваного. Нижче карнизів, що йдуть по лінії підлоги хорів, тло було виконано олійними фарбами із золотими вінчиками. Основний об‘єм та доступні для огляду знизу верхні компартименти собору вражали розкішшю і красою, нагадували про вічну красу Божественного світу і про далекі часи, коли церква була оздоблена мозаїкою грецькими художниками.»

/Бардік Марина Афанасіївна, кандидат мистецтвознавства,

Колірний модуль божественного світу в украінському сакральному стінописі 1850–1900-х років/

Flying Fox- Fruit Bat

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Several colonies of these creatures invade the formal gardens at Werribee Mansion. Unfortunatley they do quite a bit of damage to the trees they chose to roost in.

While I've been off Flickr I've been experimenting with the Nikon 180-600mm on the little Z50 and have developed a fairly reliable inflight technique.

The little camera is quite good at holding focus, its getting it in the first place that is the challenge

This must have been a sight to see. Teams of 18 mules and 2 horses pulling 24 tons of borate up and out of Death Valley. I shot this with a Bronica SQ-A and a Zenzanon 80mm f2.8 PS lens. Film is Fomopan 400 developed in Xtol.

Developing a series for my final year of university took me to the top of the Churchill Square car park in Brighton. The city is relatively flat and so you can see quite a bit from up there, although always within the looming gaze of the two tallest buildings. Nearby stands Sussex Heights; a particularly horrible 20th Century tower. Right next to us was Chartwell Court, an unusual block of flats that begins on top of the car park itself.

 

It was a quiet night and, whilst sorting out the shot, I imagined a timelapse of the rust dripping down the white paint across from me.

film: ilford hp5

develop: (coffee) caffenol c-l, salt, stand, less soda, no pre soak

cam: Rolleiflex E2

place: Amsterdam, March 2022

Developed using darktable 2.6.2

Developed using darktable 2.6.2

Camera: Toyo Field 45A

Lens: Rodenstock Sironar-N 150mm f:5.6 (yellowgreen filter)

Exposure: 1/4 @ F/22

Film: Foma Fomapan 400 Action 4x5" hand developed in Xtol Replenished

film: FP4

develop: Caffenol (coffe) C-L Salty stand

cam: Rolleiflex E2

"There is enough fear for everyone"

 

I forgot, where I took this photo, I think it was in Wiesbaden in January. Maybe someone can tell. Taken with the original Contax T (I love it) on Etude Pan 400 developed in Caffenol CL

IN ENGLISH BELOW THE LINE

 

Foto presa amb una càmera Ensign Commando fabricada el 1946; Kodak Ektar 100, revelat amb el kit C-41 de Tetenal.

 

El poble anglès de Lacock, a Wiltshire, és un dels més ben conservats i bonics del sud del país. S'hi han rodat moltes series i pel·licules, com Downton Abbey i Harry Potter.

 

Però per a mi és encara més rellevant per ser un dels llocs del món on es va inventar la fotografia. I el més ben documentat, en aquest aspecte.

 

=======================

 

Picture taken with an Ensign Commando camera made in 1946; Kodak Ektar 100, developed with the Tetenal C-41 kit.

 

This is one of the most photogenic corners of Lacock, in Wiltshire. This beautiful southern England village has been the location of the filming of several TV series and movies, most notably Downton Abbey and Harry Potter.

 

But for me, it's mostly relevant because it's one of the places where photography was invented, and the most interestig at that.

 

en.wikipedia.org/wiki/Lacock

 

www.nationaltrust.org.uk/lacock-abbey-fox-talbot-museum-a...

Sony Fe 200-600mm F5.6-6.3 G OSS, developed in Affinity

Developed in Lightroom using the HDR merge function, shot without tripod.

Burrowing Owl

 

The Burrowing Owl (Athene cunicularia) is a small, long-legged owl found throughout open landscapes of North and South America. Burrowing owls can be found in grasslands, rangelands, agricultural areas, deserts, or any other open dry area with low vegetation. They nest and roost in burrows, such as those excavated by prairie dogs. Unlike most owls, burrowing owls are often active during the day, although they tend to avoid the midday heat. Like many other kinds of owls, though, burrowing owls do most of their hunting from dusk until dawn, when they can use their night vision and hearing to their advantage. Living in open grasslands as opposed to forests, the burrowing owl has developed longer legs that enable it to sprint, as well as fly, when hunting.

 

Burrowing owls have bright eyes; their beaks can be dark yellow or gray depending on the subspecies. They lack ear tufts and have a flattened facial disc. The owls have prominent white eyebrows and a white "chin" patch which they expand and display during certain behaviors, such as a bobbing of the head when agitated.

 

For more info: en.wikipedia.org/wiki/Burrowing_owl

 

Cornell Lab of Ornithology: www.allaboutbirds.org/guide/Burrowing_Owl/overview

One of the first shots I've taken with the Rollei 35 - I had a few teething issues getting used to the camera and then some issues developing the film, however some images were good to go. I'm sure my next shoot after my test roll will go a lot more smoothly!

 

Rollei 35

Ilford HP5 Plus 400

Cinestill DF96 / 6 mins @ 27deg C

 

Camera Scanned

Sony A7M3 / SEL90M28 Macro

Essential Film Holder

Kaiser Copy Stand

Converted in Negative Lab Pro

 

© Dominic Scott 2025

Voigtlander 35mm 1.7 Ultron Aspherical VM, developed in Affinity

Developed using darktable 2.6.2

Laowa FFii 90mm f/2.8 2x Ultra Macro APO, developed in Affinity Photo

The day developed in such a way that the Ochrona appeared wherever we were. This was extremely unpleasant. We began to suspect that a transmitter had been attached under our car overnight. As a result, we decided to move our location to the east side of the complex. We parked the car in the shade near the eastern track entrance because we had seen that two locomotives were busy shunting there to bring fresh goods to the steelworks. And so the picture shown here emerged before the Ochrona approached again without contacting us. Clearly, we were supposed to be intimidated. And that worked and was more than enough for us; we calmly made our escape in the direction of Janaaul (=Жанааул).

 

Kasachstan, Казахстан

Oblast Karaganda, Temirtau, Карагандинская область, Темиртау

JSC Qarmet, АО «Кармет»

ТЭМ1-1918

I found this statue outside a school and it reminds me of the teacher from Pink Floyds "The wall". I simply could not resist taking a picture of it.

 

Taken with Yashica Minister D and Ilford Pan f Plus 50 at ISO 25. Developed in Fomadon Excel.

on the Kennet and Avon canal at Bathampton, Somerset.

The folks a board were wineing and dining.

 

The Kennet and Avon Canal is a waterway in southern England with an overall length of 87 miles (140 km),[1] made up of two lengths of navigable river linked by a canal. The name is commonly used to refer to the entire length of the navigation rather than solely to the central canal section. From Bristol to Bath the waterway follows the natural course of the River Avon before the canal links it to the River Kennet at Newbury, and from there to Reading on the River Thames. In all, the waterway incorporates 105 locks.

 

The two river stretches were made navigable in the early 18th century, and the 57-mile (92 km) canal section was constructed between 1794 and 1810. In the late 19th and early 20th centuries, the canal gradually fell into disuse after the opening of the Great Western Railway. In the latter half of the 20th century the canal was restored in stages, largely by volunteers. After decades of dereliction and much restoration work, it was fully reopened in 1990. The Kennet and Avon Canal has been developed as a popular heritage tourism destination for boating, canoeing, fishing, walking and cycling, and is also important for wildlife conservation.

 

I had a spell of little enthusiasm, over Christmas and my wife new that I needed to get out to find my mojo! She called me this morning, though the forecast was for heavy cloud and when I saw stars from the bedroom window, I realised it could be nice. Having broken her wide angle lens on Christmas Day, I thought Bev would want to borrow mine - she chose instead to use her new 18-135 mm zoom, saying it made her think more. Good luck to you all for a healthy and productive New Year.

I never thought one article of clothing could describe a person completely. I do believe this says all that needs to be said about myself.

Emerging on the other side of a Fully Developed wave is a natural approach for surfers. Here is a young surfer performing with a 6ft one.

 

#MookyBD

#Sony A1

#California

Nikon FM10 | Ilford HP5 400

 

Digitized with Sony A7riii | Skier Sunray Copy Box 3

 

Home developed in Cinestill Monobath | 3:30, 80 F

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Sony Fe 200-600mm F5.6-6.3 G OSS, developed in Affinity

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