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Well it’s almost that or this time of year again! Some people mark the Calendar by new years, birthday’s or holidays mine revolves around Peonies season! So what better way to shoot these flowers whose stock has been in the family for three generations than with a camera that was around three generations ago.
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Zeiss Icon Nattar
Novar-Anastigmat f 1.4,5 f=10,5cm lens
Ilford HP-5
Developed XTOL 1:1
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lilies
hydrangea
these are from the old diana mini roll I just developed. dunno when they were taken.
Developing a series for my final year of university took me to the top of the Churchill Square car park in Brighton. The city is relatively flat and so you can see quite a bit from up there, although always within the looming gaze of the two tallest buildings. Nearby stands Sussex Heights; a particularly horrible 20th Century tower. Right next to us was Chartwell Court, an unusual block of flats that begins on top of the car park itself.
It was a quiet night and, whilst sorting out the shot, I imagined a timelapse of the rust dripping down the white paint across from me.
This photo was shot on a sunny but cold winter day on Kodak Gold 200 in 135 (35mm) format. It was developed and digitized at home by yours truly. This is part of my continuing quest to achieve the best results possible from film at the lowest possible investment of production time and money. I'm not there yet, but I am quite happy with the improvements so far.
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Gold 200 (at ISO 160)
Developer: Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Graham Log Cabin, constructed of hand hewn American chestnut logs, built in 1780 along the historic Nations Ford Road, part of the Great Philadelphia Wagon Road, in Fort Mill, South Carolina.
Shot on expired Kodak Tri-X 400 film with a Yashica Electro 35 GSN rangefinder camera and hand developed in Kodak D76.
place: Peper straat (Pepper street) Amsterdam
film: Ilford FP4
develop: HC110, stand, new version, expired for two months.
cam: Olympus OM2n Zuiko lens.
Film: Rollei Ortho 25 Plus @ 25 ISO | Flash: National PE-30DC | Develop: D-76 1+1, 8:00 mins @ 20°C | Scan: Epson Perfection V800 Photo
North Portland, Oregon. Spring 2025.
Olympus Stylus Zoom 140, Kodak Tri-X 400. Lab developed and sloppy-border printed by Blue Moon Camera, home scan.
I had a spell of little enthusiasm, over Christmas and my wife new that I needed to get out to find my mojo! She called me this morning, though the forecast was for heavy cloud and when I saw stars from the bedroom window, I realised it could be nice. Having broken her wide angle lens on Christmas Day, I thought Bev would want to borrow mine - she chose instead to use her new 18-135 mm zoom, saying it made her think more. Good luck to you all for a healthy and productive New Year.
Emerging on the other side of a Fully Developed wave is a natural approach for surfers. Here is a young surfer performing with a 6ft one.
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Explore 08-16-09
- this is a painting i have done a couple of days ago with this.... my newly developed technique of "painting on cement" - texturizing my canvas with concrete, a sculpted mixed media painting. actually it is less forgiving to work this way, as the texture has to "sit" right, not much overpainting of mistkes or changes to the composition can be done afterwards (((:
© All rights reserved by the artist: Ute Hagen ~ uteart@gmail.com
This one is for Victor as he let me be inspired by his image of a narrow Guanajuato street - visit his beautiful photo stream here: www.flickr.com/photos/veejayidaho/
Yashica FX3 Super 2000 | Yashica ML 50mm F1.7
Fujifilm 400 | Home developed in Bellini
Scanned with EPSON V600
Sunday afternoon at the Kunstmuseum. “It’s a madhouse,” sighs the lady at the ticket check. Compared to the cheerful crowd she has to check in, her grey-blue uniform looks tired. Young and old have dressed up fashionably for the exhibition about Dior.
Uniforms should express authority, but how neutral do they have to be? “High time to put a good, preferably younger fashion designer in charge,” says an inner voice. A museum that - after many shows of famous designers - has developed into an epicenter of haute couture should surely have more courage. How else do you express the bond with ‘fashion’? A word that unites such a myriad of meanings – from cut to shape, from mannerism to creation – that everyone can identify with it.
LEFT OR RIGHT
In any case, at the top of the central stairs, a choice has to be made. Right to the ‘New Look’ by Dior – left to the ‘Night Animals’ by Spilliaert and Braeckman. We go left because that's why we came. In the dim silence that falls on us like a downy blanket, we focus our eyes on the introductory text. And on the image of a man descending a staircase in the semi-darkness. To be precise, we only see half a man. His face is barely visible, and his clothing reveals nothing special. Could that be a harbinger of what awaits us? Certainly.
Stairs are powerful metaphors. Up, down: life has its peaks and valleys. Platinum-blonde Hollywood stars made a great show of descending a staircase. A practice that Marcel Duchamp slyly commented on with 'Nu descendant un escalier'. In this sensational painting from 1912, a character strides down like an avalanche of cubist fragments. Naked? Down the stairs? The audience was stunned, moved by laughter and anger.
Admittedly, there was movement in the image. Or rather, that was suggested very nicely. Or was it a pile of firewood that came crashing down? The cartoons in the newspaper did not mince their words. The term ‘anti-art’ was used. Isn’t Braeckman’s intensification of the unfathomable also just a provocation? Yes, there is something in that… some photos are so black that you can only guess what you see.
(part of my review in Den Haag Centraal, October 31, 2024)
IN ENGLISH BELOW THE LINE
Fotografia feta amb la meva Hasselblad SWC, fabricada el 1976; pel·licula Ilford Delta 100 caducada el 2022 i revelada amb XTOL.
A les afores de Cerdanyola, prop del sincrotró Alba, han plantat senser tot un bosc amb arbres madurs. Literalment un bosc artificial. Em fa pensar en famós Dead Vlei".
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Picture taken with a Hasselblad SWC, made in 1976; Ilford Delta 100 (expired in 2022) film, developed in XTOL 1+1.
On the outskirts of Cerdanyola, near the Alba synchrotron, they have planted an entire forest with mature trees. Literally an artificial forest. It reminds me of the famous Dead Vlei."
Home developed and scanned.
Technical info:
Camera: Canon EOS 3
Lens: EF 35mm f/2.0 IS USM
Film: Portra 160
Developer: Cinestill CS41
Scanner: Nikon Super Coolscan 4000 ED (AKA LS-4000)
Scanned as a positive and converted with Negative Lab Pro 3.0
Another NoColorStudio No.25 panorama. Shot with my Mamiya 7ii. More information about this film and mine (see other photos from the site)
Location; Christianus Sextus mine, Røros, Norway
Mamiya 7ii
NoColorStudio No.25 @ISO25
Heliopan orange filter
Dev; Adox D-76
Developed and scanned at home
Ricoh KR-5, Rikenon 50/2, Kodak Tri-X 400@640, +1 developing, HC-110/dil. B, 8 min. Digitized with Nikon D700/ES-2.
Camera: Leica M6 2022
Lens: Leica Summilux 50mm f/1.4 Black Chrome
Film: Kodak Portra 400
Developing: Cinestill C41 104f for 4:10 (Chemistry getting to end of life)
Scanning: Valoi Easy 35 on Nikon Z9 and Z 105mm f/2.8 at f/8 and +1 exposure comp. Valoi set to full brightness and cool light temperature. Negative Lab Pro and Lightroom.
The future looms over the small twice-weekly freight dawdling through what is to become parkland in downtown Brampton. Headed south, the Orangeville Brampton Railway approaches Queen Street, passing the former site of the CPR station.
OBRY
GMTX 333
Owen Sound Spur
Brampton, ON
6 x 9 cm negative from a Brownie Flash Six-20 metal box camera. I've wanted one of these late 1940s cameras for a long time, and finally found an unused copy online. Never been used--because the shutter was broken! A little work and a little lithium grease put it in action for the first time. It's quite fun to shoot!
Camera: Brownie Flash Six-20
Film: Rollei RPX 400, 120-roll film
Developing: HC-110, Dilution B, 6 min.