View allAll Photos Tagged Develop
Cyanotype toned with Tannic Acid. Hasselblad 501CM with 80mm Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
whatta mess.
but leon needs to do some repairs on it and I'll have to clean it then.
large format camera with paper negative
home developed
Local Woodland.
1930's Zeiss 515/2 6x9 folding camera, Fomapan 400.
Developed in Ilfasol 3, 8.5 minutes @ 20.0'C.
The HDR picture shows an old furnace at the LaPaDu, the old steelwork at Duisburg. In front there are the bunkers for the raw materials for cooking steel.
The HDR is developed by 5 different exposures.
"A little roughhousing amongst siblings."
The Urban Fox
Wild foxes have learned to adapt to the urban environment in order to survive. By nature, foxes are nocturnal and hunt at night, whereas the urban fox has adapted its behavior to survive and can be seen during daylight hours.
Locally, a fox vixen has located her den in the foundational remains of a razed building complex along the boardwalk at the Jersey Shore. She has six Kits, which can be seen frolicking in the debris and along the dunes during the day. The fox family has become local celebrities and unfortunately people have begun feeding them. Never feed wild animals. Although you may feel as if you’re helping them survive, you are actually harming them. Feeding foxes can alter their natural behavior and they may lose its fear of humans.
“Wildlife that is fed by people become less experienced at forging for their natural food and may become dependent on handouts that are not a part of their natural diets. This is especially true in juvenile animals that have not yet developed their own foraging skills and have little ability to fend for themselves once handouts cease.” ~ Julie King, Senior Wildlife Biologist
Please Do Not Feed the Wildlife!
Red Fox
The Red Fox, Vulpes vulpes, is the largest of the true foxes and the most abundant wild member of the Carnivora, being present across the entire Northern Hemisphere from the Arctic Circle to North Africa, North America and Eurasia. It is listed as least concern by the IUCN. Its range has increased alongside human expansion, having been introduced to Australia, where it is considered harmful to native mammals and bird populations. Due to its presence in Australia, it is included among the list of the "world's 100 worst invasive species".
For more info: en.wikipedia.org/wiki/Red_fox
film: Ilford HP5 @ 200
develop: Caffenol C-L, stand and salt
cam: Rolleiflex E2
stand alone tree in heather, developed in coffee
Sunday afternoon at the Kunstmuseum. “It’s a madhouse,” sighs the lady at the ticket check. Compared to the cheerful crowd she has to check in, her grey-blue uniform looks tired. Young and old have dressed up fashionably for the exhibition about Dior.
Uniforms should express authority, but how neutral do they have to be? “High time to put a good, preferably younger fashion designer in charge,” says an inner voice. A museum that - after many shows of famous designers - has developed into an epicenter of haute couture should surely have more courage. How else do you express the bond with ‘fashion’? A word that unites such a myriad of meanings – from cut to shape, from mannerism to creation – that everyone can identify with it.
LEFT OR RIGHT
In any case, at the top of the central stairs, a choice has to be made. Right to the ‘New Look’ by Dior – left to the ‘Night Animals’ by Spilliaert and Braeckman. We go left because that's why we came. In the dim silence that falls on us like a downy blanket, we focus our eyes on the introductory text. And on the image of a man descending a staircase in the semi-darkness. To be precise, we only see half a man. His face is barely visible, and his clothing reveals nothing special. Could that be a harbinger of what awaits us? Certainly.
Stairs are powerful metaphors. Up, down: life has its peaks and valleys. Platinum-blonde Hollywood stars made a great show of descending a staircase. A practice that Marcel Duchamp slyly commented on with 'Nu descendant un escalier'. In this sensational painting from 1912, a character strides down like an avalanche of cubist fragments. Naked? Down the stairs? The audience was stunned, moved by laughter and anger.
Admittedly, there was movement in the image. Or rather, that was suggested very nicely. Or was it a pile of firewood that came crashing down? The cartoons in the newspaper did not mince their words. The term ‘anti-art’ was used. Isn’t Braeckman’s intensification of the unfathomable also just a provocation? Yes, there is something in that… some photos are so black that you can only guess what you see.
(part of my review in Den Haag Centraal, October 31, 2024)
near the sauternes vineyards is the fabulous chateau cazeneuve, where many nobles including Henri IV and Queen Margot stayed. It began as a ninth century fortification and was further developed in the thirteenth and seventeenth centuries. It is furnished in the later period, and renewal occurs annually. Sony A6300 and PZ1650.
Holga 120N (Toy Camera)
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kodak BW400CN (Developed in Kodak D-76)
Expired in 2007
Holga 120N
Nik Silver Efex Pro 2
Lightroom 3
The indigenous Maori population used flax leaves for textiles, nets and traps, but by the 1860s, European settlers developed a flax trade using mechanised mills. NZ made twines and ropes were internationally famous and the Royal Navy was one of the largest customers for this trade.
A flax bush (harakeke) watches Train 934 scoot past.
21 May 2021, DXB 5016 & DC 4012, Maheno, SIMT-NZ
I was experimenting with developing a c-41 film, Ilford XP2, in black and white chemistry. I used Clayton F76+. There are no published times for this combination. So I took an educated guess. I was wrong. I developed at 1:14 for 9 minutes. I think I should have tried 12 minutes. Even though this was extremely underdeveloped, I really like the shot. It was shot in the daytime but kinda looks like night.
canon a2 with 40mm
️ilford xp2
Clayton f76+ 1:14 9min (underdeveloped)
scanned with Nikon d780 and slide duplicator
I’ve developed a fondness for a particular spot on the shores of Loch Leven to photograph sunsets. I’ve been there so many times now that I’m sure my Flickr feed is going to become even more repetitive. I’ve found that the local wildlife is also pretty accustomed to visitors to that spot and arriving with a few slices of bread brings in a multitude of interesting subjects. This is one of my favourites a very handsome young swan who is friendly enough to eat out of your hand. Not that getting that close is any good for photographs because he gets inside the minimum focus distance, however, throw some food out a few yards from the shore and he’ll pose for ages.
The Hog’s Back Park was developed in the 1950s and it occupies an area of over 20.8 hectares in the middle of the City of Ottawa. It offers many things to explore such as the beautiful Hog’s Back Falls (officially known as Prince of Wales Falls, the dam was built during the construction of the Rideau Canal between 1826 and 1832), a place to picnic and spend time in family as well as many trails for walking and biking. It is also near the Mooney’s Bay Beach on the Rideau River in the Mooney’s Bay Park. Ottawa, Ontario, Canada
Le parc Hog's Back a été aménagé dans les années 1950 et occupe une superficie de plus de 20,8 hectares au centre de la ville d'Ottawa. Il offre de nombreuses choses à explorer telles que les magnifiques chutes Hog's Back (officiellement connues sous le nom de chutes Prince of Wales, le barrage a été construit lors de la construction du canal Rideau entre 1826 et 1832), un endroit pour pique-niquer et passer du temps en famille aussi autant de sentiers pour la marche et le vélo. Il est également près de la plage de Mooney's Bay sur la rivière Rideau dans le parc de Mooney's Bay. Ottawa, Ontario, Canada
_Boîtier argentique réflex : Olympus OM20.
_Objectif : Vivitar 28-70 mm 1:3.9-4.8.
_Film : Agfa 100 asa.
_Dévelopement film: 2024 03 20.
_Ouverture: 3.9.
_Temps exposition: 15.
_Distance: 50.
_Mode: Automatique.
Yesterday a great wet plate Collodion workshop at Hans de Kort. We made tintypes and ambrotypes. I'm so happy, I wanted to do this for a long time. I think I'l order some collodion stuff today. (And cut my hair next week.)
Camera: Leica M6 2022
Lens: Leica Summilux 50mm f/1.4 Black Chrome
Film: Kodak Portra 400
Developing: Cinestill C41 104f for 4:10 (Chemistry getting to end of life)
Scanning: Valoi Easy 35 on Nikon Z9 and Z 105mm f/2.8 at f/8 and +1 exposure comp. Valoi set to full brightness and cool light temperature. Negative Lab Pro and Lightroom.
The film has been in the camera for well over a year. Finished it off today and developed. This one ws from todays hike - I walked up into the clouds.
Excerpt from artsandculture.google.com:
Houses at Argenteuil
Returning from London, where he had retired during the Franco-Prussian War, Monet settled in Argenteuil on the Seine, not far from Paris. Renoir came here to work together, and soon Sisley and Caillebotte also came. In Argenteuil, impressionism emerged as a group style. Monet and Renoir developed their fine line technique with which they tried to reproduce what the friends themselves called ›la sensation première‹. For them it was about pure impression.
Monet and his friends quickly painted on the spot. In this situation, the motif was of secondary importance to them, maybe it shouldn't even come to the fore. In this work, Monet depicted some of the newly built terraced houses in Argenteuil, which have been connected to nearby Paris by a railway since 1851. The simplicity of the motif is underlined by the simple parallel structure of the picture - meadow, row of houses, sky, no views, no space. The light green meadow with the blooming poppies, the moving sky, even the gray of the house walls and the red of the tiled roofs are reproduced with all the more delicacy.
Developing about sunset a line of storms moved south through central Kansas last night dumping a lot of rain in the mid-section of the state.
Pentax MX
SMC Pentax 50mm f1.7
Fuji Acros Neopan 100 asa
Canoscan 9000f
Developed by me in caffenol cm.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Photos From Home Project - Glasses in the driveway - Ilford HP5 Plus 400 - Roll #12 - shot 28 of 37 - home developed in D76 - Minolta SRT 200 - Albinar 28mm F2.8 macro - Epson V600.
Landschaftspark Duisburg-Nord --Importance of memory--
Landschaftspark is a public park located in Duisburg-Meiderich, Germany. It was designed in 1991 by Latz + Partner (Peter Latz), with the intention that it work to heal and understand the industrial past, rather than trying to reject it. The park closely associates itself with the past use of the site: a coal and steel production plant (abandoned in 1985, leaving the area significantly polluted) and the agricultural land it had been prior to the mid 19th century
Conception and creation
In 1991, a co-operative-concurrent planning procedure with five international planning teams was held to design the park. Peter Latz’s design was significant, as it attempted to preserve as much of the existing site as possible. Unlike his competitors, Latz recognized the value of the site’s current condition. He allowed the polluted soils to remain in place and be remediated through phytoremediation, and sequestered soils with high toxicity in the existing bunkers. He also found new uses for many of the old structures, and turned the former sewage canal into a method of cleansing the site.
Design
The park is divided into different areas, whose borders were carefully developed by looking at existing conditions (such as how the site had been divided by existing roads and railways, what types of plants had begun to grow in each area, etc.). This piecemeal pattern was then woven together by a series of walkways and waterways, which were placed according to the old railway and sewer systems. While each piece retains its character, it also creates a dialogue with the site surrounding it. Within the main complex, Latz emphasized specific programmatic elements: the concrete bunkers create a space for a series of intimate gardens, old gas tanks have become pools for scuba divers, concrete walls are used by rock climbers, and one of the most central places of the factory, the middle of the former steel mill, has been made into piazza. Each of these spaces uses elements to allow for a specific reading of time.
The site was designed with the idea that a grandfather, who might have worked at the plant, could walk with his grandchildren, explaining what he used to do and what the machinery had been used for. At Landschaftspark, memory was central to the design. Various authors have addressed the ways in which memory can inform the visitor of a site, a concept that became prevalent during Postmodernism.
Source: en.wikipedia.org/wiki/Landschaftspark_Duisburg-Nord
You might also look at these adresses:
Am Mittwoch waren Tina und ich im Studio um ein wenig auf den Spuren des Tanzes zu wandern. Unsere letzte Zusammenarbeit ist nahezu 2 Jahre her. Ich genieße all diese langen Zeiträume des Teamworks mit all den Menschen vor meiner Kamera. Ich freue mich schon auf die nächste Frage von irgendjemandem, Henning wollen wir nicht mal wieder.. Ich hätte da eine Idee..
Laborbuch: Ilford FP4+ @400ISO, entwickelt in HC110 1+31
Mamiya645, SekorC80/1.9 Scan vom Negativ On Wednesday, Tina and I went to the studio to do a little dance tracking. It's been almost 2 years since our last collaboration. I enjoy all these long periods of teamwork with all the people in front of my camera. I'm already looking forward to the next question from someone, Henning don't we want to do again.... I have an idea...
Lab book: Ilford FP4+ @400ISO, developed in HC110 1+31
Mamiya645, SekorC80/1.9 scan from negative
Luxoflex 50's TLR camera
Kodak Portra 160 Film
f 5.6 at 1/15
Home Developed with www.flickr.com/photos/ukke_photo/
Bellini C-41 chemistry