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Iplehouse faceup on left and Elin's new faceup on right.
I just completed my second faceup yesterday. When my much-anticipated Iplehouse Elin arrived, I was very disappointed with her company faceup. It was so pale and washed-out she reminded me of a little ghost. I really didn't feel the faceup my doll came with looked at all like the one shown on the Iplehouse website.
So I decided to wipe the faceup and got my painting materials out for the second time. I am much happier now with my Elin - she is a lot closer to how I imagined her rosy-cheeked and with a shy expression.
Participants:
Arius: Nobilitydoll Raon NS + Luts Jr Delf NS + unknown jointed hands: stands about 61,5cm tall
Osamu: Ariadoll Van NS + DollnDoll King NS + Luts NS hands : stands about 57-58cm tall
Radul: SRDoll Zeev WS + Impldoll Model NSY : stands about 57-58cm tall
Marcel: 55HD-M01 head+ Obitsu 55cm White: stands about 58,5cm tall
Yazhu: Ios Co + 50 A WS: stands about 50cm tall
Thursday: DIM Laia + Soulkids boy NS: stands about 48cm tall
I apologize for the light in my room and the overal messy setting. I could barely fit them all together for this
Raon and Van are 8-9″ heads, while the Obitsu, Co and Laia are closer to 7-8″
Simple side by side comparison between having the polarizer off, and on. I think it was a good purchase.
Comparison: 77-79 Hunter St. Newcastle:
1896, Butchers / Boot Shop (photo by Ralph Snowball)
1986, Brown Derby Restaurant, prev. Cafe (photo by Percy Sternbeck, Coalfields Heritage Group Flickr page).
100mm Lens Comparison, Border
Sample pictures of this group of lenses. The same chart for the center, where is also a description of the set-up.
The black dot in the white rectangle displays the size and the position of the crop.
The focusing was done seperately for the border, so you have no conclusion regarding the field of curvature.
Here, in my opinion, the Pentax macro is the best lens. It suffers from purple fringing, but sharpness and contrast are very good from f2.8 on. The Sigma is also sharp from f5.6 on, but the images remain somewhat pale. The Pentax zoom lens has no chance here: low contrast and low sharpness, best performance not until f16. The Fujinon is fine at the border too, good performance from f8 on, but it can't reach the performance of the macro lenses.
The Pancolar has a good sharpness at f1.8, compared with some 50 mm lenses it is even remarkable good. Stopping down increases the contrast, but the sharpness is not improved very well. So the image quality is not sensational high, but has a constant level over the whole frame. The Jupiter is clearly the worst lens here, I would call it "rather soft", but eventually a welcome feature to keep the background blurred in a portrait shot.
Due to the limitation of the 3/3-design the Hanimex and the Steinheil are in trouble here, but the Hanimex is fighting bravely.
Pluto:
Photo collage to show the area of the video clip:
photojournal.jpl.nasa.gov/archive/PIA14457_05-26-16_Strip...
Original image Credit: NASA/JHUAPL/SwRI
Earth:
Image from Goolge Earth:
earth.google.com/web/@-82.43329039,111.35071978,-564.0445...
I tried to capture the shot from same angle but failed. See how many changes do you notice in 31 years
All we need now is a bunch of different comparisons of comparison websites and we can compare them too.
Temptation Vanessa = Japan Skintone
Night Warrior Vanessa = Japan
Shaken Not Shirred Vanessa = FR White (Caucasian)
A side-view comparison of the original WIP design in the black one and the new WIP design in the yellow one. (See older comparison shot.)
Most of the film in my film cache is from when I was shooting regularly before 2009. As a result, it's almost all expired. This is a comparison of the first two rolls of C-41 I developed myself at home. The top roll is some old Kodak 100 UC that expired sometime before 2010, and the bottom roll is a fresh roll of Ektar 100 that expires in 2017. They were shot no more than 15 minutes apart in the same conditions and developed together in the same can.
These two came out rather close to each other; other expired rolls I've shot have been far, far worse with the blue cast. It seems expired C-41 comes out better if processed by hand. I'm going to experiment with warming filters to try and mitigate the worst of it.
***View Large***
Just got a new (used) Vivitar 2x Teleconverter. It is the 7 element AF-D for Nikon mount. I was asked how it performs and took a couple shots for comparison. The camera used was a Nikon D3100 and the lens was a Tamron SP 70-300.
Details of each crop:
1. Tamron SP 70-300 @ 300mm 100% crop
2. Tamron SP 70-300 @ 300mm w/ 2x TC 100% crop
3. Image # 1 detail @ 200% crop
4. Image # 2 detail @ 100% crop
5. Image # 1 detail @ 400% crop
6. Image # 2 detail @ 200% crop
***Camera settings:
Image # 1: 1/400 | f/5.6 | ISO 100
Image # 2: 1/125 | f/5.6 | ISO 160
Other than cropping, the images are unedited jpg outputs directly from the camera. The photos were taken on different days and this may have affected the white balance and colors slightly. Also, the camera was hand held and I would expect a better result with a tripod.
Photos (NOT handheld shots) for comparison of the Nikkor 80-400 VR to the 70-200VR with and without the TC-20EII teleconverter. I have uploaded original full size photos for various focal lengths and apertures of each lens, along with two different crops of each photo.
All photos are unedited other than cropping.
The lens, focal length, and aperture data for each photo are given in the filenames.
All photos were taken with a Nikon D200 sitting on a stable piano bench approximately 8 feet from the feather, which was taped to a wall and sticking out horizontally into the air at about the same level as the camera, and roughly perpendicular to the camera's line of sight.
Auto focus was used to focus on the middle of the narrow blue stripe just to the left (in these photos) of the dark eye.
ISO was 100.
VR was off.
Mirror lockup and the default mirror lockup timed shutter release were used to prevent camera shake.
Illumination was from an SB800 flash mounted on the camera in TTL mode.
Spot metering was used.
Photos (NOT handheld shots) for comparison of the Nikkor 80-400 VR to the 70-200VR with and without the TC-20EII teleconverter. I have uploaded original full size photos for various focal lengths and apertures of each lens, along with two different crops of each photo.
All photos are unedited other than cropping.
The lens, focal length, and aperture data for each photo are given in the filenames.
All photos were taken with a Nikon D200 sitting on a stable piano bench approximately 8 feet from the feather, which was taped to a wall and sticking out horizontally into the air at about the same level as the camera, and roughly perpendicular to the camera's line of sight.
Auto focus was used to focus on the middle of the narrow blue stripe just to the left (in these photos) of the dark eye.
ISO was 100.
VR was off.
Mirror lockup and the default mirror lockup timed shutter release were used to prevent camera shake.
Illumination was from an SB800 flash mounted on the camera in TTL mode.
Spot metering was used.
I used portrait mode for this one and I like how the color turned out in the background. I wish it would have looked more like a leaf. 18/20
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