View allAll Photos Tagged warmtones
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: Yellow
Film: HP5 plus 400 @ 200 ISO
D-76 1+1 10 Min. 68°
Scanned from print on Ilford MGRC WT
Lecacy Pro Liquid Paper Developer
SEE THE CAMERA AT THE LINK BELOW:
© LoV-E. Smoking, drinking, never thinking
With some men in a restaurant
Is that all you really want? no
Sophisticated lady
You miss the love you lost
Long time ago
Sophisticated lady
Dancing ???, diamond shining
With some men in a restaurant
Is it all you really want? no
Sophisticated lady
I know you miss the love you lost
Long time ago
Sophisticated lady...
CAT POWER
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 10 Min. 68 F.
Microtek ScanMaker 6100
Ilford WT RC
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 90°F
Slightly bleached again.
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
This is a Lith print on Ilford Warmtone FB, using the Easy Lith kit by Wolfgang Moersch: works wonders and easy to use, as the name says! The negative left a lot to be desired, so with traditional developers and filters I was not able to bring out the photo that I wanted to see, but the lith technique did the job!
Built by Henry C. Mercer, Fonthill is one of three cast-in-place concrete structures built by him in 1898.
Mercer was involved with the turn of the century Arts and Crafts movement. He wanted to recreate early Pennsylvania pottery manufacturing techniques.
I wanted an image that reads like a musical staff — three silent bands, and four notes resting on the line. What stopped me there was the tension between the fullness below and the emptiness above, between something bursting with life and something still waiting. I was looking for patience — that particular quality of spring farmland that is both accomplished and unfinished, already generous and not quite decided yet. These trees do nothing, they have simply been there for a long time, and that is exactly what this frame needed.
Oriental warmtone paper. I prefer Ilford's warmtone, which is creamier.
(Wanna see the establishing shot I took with a digital cam?)
Shooting: 15 secs (long ex), Holga 120N, Ilford Delta Pro 400 film
Darkroom: 30 secs at f11 with 3.5 filter + 33 sec burn on top portion
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icemanphotos © 2026, All Rights Reserved. Do not use without a permission, please.
Photo posted with hidden watermark.
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Model: Zoe
Photo: Thomas Ohlsson Photography
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
Sinatra knew very well when he was singing in the rain....
We followed partly his advice and were...sightseeing in the rain...in Limburg.
Probably had the loveliest of times so far and enjoyed gorgeous - after rain - light along with delicious food.
Back home, tired but happy :)
the sun melts into the horizon, spilling its golden light across the waves. the silhouettes of two figures drift past like whispers, framed by palm trees standing still in the warm breeze. the air is thick with salt and fading light, the kind of evening that wraps you in quiet and leaves you somewhere between peace and longing. this is the city’s edge, where land kisses the sea and stories linger like footprints in the sand.
A simple and stately carpenter Gothic church done in wood. On S. Clara Ave. in downtown Deland, Florida. Shot in digital infrared and warm-toned.
I just wanted to give a pencil look to this branches arrangement.
This way, as a result, minimalism went trough this composition. I like the way the look of this one expressed what I was looking forward to reveal...
35mm print 5'' x 5'' scanned from the print.
Darkroom print from Forte Poly Warmtone Museum double weight paper.
München, Januar 2020
Rolleiflex 2,8F/80, Ilford HP5+, 800 ASA, in Moersch efd entwickelt
printed on Ilford MG FB Warmtone
Moersch SE4 Neutral (1+10), 3 min
Selentonung MT1, 1+10, 1 min
3347_18_I_WEB_Daxsha_ans_Bett_gekuschelt
Holga 120N, Rollei RPX 400 rated at ISO 640, eco film developer
First time I tried a warmtone Ziatype mixture with sodium ferric oxalate.
paper Fabriano Artistico
print negative 21x21cm on Wephota FO5 by reversal development
Back to some old pictures I found the beauty of Yosemite National Park
Join me:
11x14" Ilford Multigrade FB warmtone paper. The inflorescence is thick so it took a much longer period time to expose under the sun.
Model: Zoe
Photo: Thomas Ohlsson Photography
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
Rich autumn colours sweep across the Blayney district in Central West NSW, with golden trees and warm seasonal tones highlighting the rural landscape.
Under the arches of Obradoiro, time slows down.
Centuries of stone, warm lantern light, and the quiet echo of footsteps at sunset.
Santiago de Compostela never shouts — it whispers history. ✨
📍 Obradoiro Square, Galicia
Just some idle messing around in Color Efex :)
______
Nikon Z6, URTH m42-Z, Tessar 2.8/50 Carl Zeiss Jena DDR
Exposure X7, Color Efex Pro 4
The earring you see on the teaspoon, reminds me of a vintage diving helmet .
This is about 4,5 cm.
Happy Macro Monday
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Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
A Self-Portrait with my Youngest Child
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