View allAll Photos Tagged warmtones

The final trace of sunlight slips below the horizon at the southwestern tip of Jarlsø in Tønsberg. In this brief and fragile moment, Golden Hour quietly gives way to Blue Hour.

Warm tones linger just long enough to touch the water before cooler shades take over the sky, creating a subtle balance between day and night.

Across the water lies Husøy, resting in silhouette as the calm surface reflects the last glow of the sun and the first whisper of twilight.

 

💡 Fun fact

The transition from Golden Hour to Blue Hour can last only a few minutes at northern latitudes, making this one of the shortest — and most elusive — light conditions to capture.

Scanned IR lith print.

 

Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter.

Sept 12, 2024.

 

Rollei IR 400 in Adonal 1+100, semistand 1 h.

 

Same neg, different paper:

 

Lith printed on Fomabrom Variant IV 123 BO and developed in Moersch Easy Lith (25A+25B+40D+100OB+H2Oqs900).

 

Se 1+9 30 sec.

 

These are the differences between warmtone and coldtone lithable papers.

 

The Fomabrom Variant IV 123 BO was a "short living" attempt by Foma to make a paper which could be used for Bromoil (and maybe replace the original cold tone FB Variant IV 123, which was a very good lithable paper).

This one was good for both bromoil and lith printing :-).

 

When lithing coldtone papers, you want the "pepper" to appear. It's by far not as colourful as a warmtone papers. But on the other hand not so "high contrasty", so you can get more b&w nuances from the process. Which, btw, is much slower than the warmtone lith process. Expect exposure times to be around 5 min and developing times up to or above 20 (!) min. That of course depends on your "soup".

 

This was perhaps too much boring information, but if I can pass the knowledge ahead to coming b&w analog printers, it's worth it :-). And I'm of course not taking credit of any knowledge that Wolfgang Moersch possesses. Almost everything I've learned comes from him. Kudos, Wolfgang.

 

Location: Minneapolis

Equipment Used: Hasselblad 501cm

Film & Developer: TMY II - D76

Paper & Developer: Ilford Warmtone - Dektol - Formulary Thioure

April 27, 2014

 

"I like coffee because it gives me the illusion that I might be awake." - Lewis Black

 

-----

 

Woke up much too early this morning and decided to embrace it. Laundry is almost done, the house is clean and my Sweet Sunday is done for this week, all before 9:00am and all before breakfast.

 

Not a bad start to a Sunday; although, since I've made such a dent in the to-do list I'm not too sure what I'll do for the rest of the day now.

 

I'm sure I'll find something to keep me busy though. The sun is shining and the temperature is mild, so nothing to complain about today.

 

Hope everyone is having a good day.

 

Click "L" for a larger view.

 

December 21, 2017

Leica iiif, 35mm Summaron

Kentmere 100 in caffenol, 12:00

(per liter: soda 32g, vit C 18g, coffee 42.5g)

Print March 11, 2018 Bergger VC FB warmtone in Kodak D-52 1:2

Sepia toned Moersch MT3 (Toner solution C, 'reddish-brown')

 

A toning experiment

Yellowstone National Park sun breaking through a fog covered thermal pool.

the alley was a long tunnel of darkness, punctuated by islands of warm light. old stone buildings stood silent, their stories whispered only to the night wind. she walked down the center of this forgotten path, a single, vibrant thread of red against the muted tones of the city. her presence was a quiet hum in the vast silence, a human pulse in the heart of the sleeping labyrinth. she was a fleeting vision, moving through the soft glow, a momentary focus in the deep, inky canvas of the urban night.

The World Renowned Frazier Studio

Elgin, Illinois, USA - Near 42.0109, -88.3477

January 22, 2025

 

Tech: Reproduction ratio 1:1 using Nikkor Z MC 105mm f/2.8 VR S

 

COPYRIGHT 2025 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent from Jim Frazier.

  

20250122rz7-4268-2500

Lemont, Illinois 41.680144, -87.999118

October 28, 2024

 

From the satellite view, barges are tied up at this site. And I did a tiny amount of research and discovered that mulch is delivered by barge. This must be the place! TILT

 

BTW, if you're curious about the machine, as near as I can tell from google image search, it's a 5th wheel dolly. Heck, two TILTs in one day!!!

 

COPYRIGHT 2024, 2025 by Jim Frazier All Rights Reserved. This may NOT be used for ANY reason without written consent from Jim Frazier. 20241028cz7-0354-2500

Digital infrared photo of a road along a levee top in the Lake Woodruff National Wildlife Refuge in Volusia County, Florida.

Lith print on Ilford Warmtone FB

ahh..it's beginning to look a lot like christmas :]]

ps. please give them some names, i love pics with many notes :D

yo, explored, thank youu sooo much :D

pps. i've seen a pic like that before but i don't know on whose photostream :|

so if this was your idea, please tell me and i'add you to the pic :] oh and thanks for the idea :]]

darkroom print

expired oriental warmtone fiber 8x10

tokyo, japan

The Dom Luís I Bridge (Portuguese: Ponte de Dom Luís I), or Luís I Bridge, is a double-deck metal arch bridge that spans the river Douro between the cities of Porto and Vila Nova de Gaia in Portugal. At its construction, its 172 metres (564 ft) span was the longest of its type in the world. It can be confused with the nearby Maria Pia Bridge, a railway bridge that was built 9 years earlier (and is located 1 kilometre (0.62 mi) to the east), which is similar in aspect to the Luís I bridge.

Scan from darkroom print

 

Photo taken with Hasselblad 501 and 150 mm sonar lens.

 

Film; HP5+ in Xtol.

 

Printed on Fomatone and developed in Moersch SE2 warm. Toned in selenium 1 : 20 for four min.

 

Available light thru a window on left for the model.

A scan from a darkroom print made on Ilford Multigrade IV Warmtone

 

Glenade is off the beaten track in west Leitrim. Almost hidden in the Dartry Mountains, near Manorhamilton, it can have a foreboding appearance under dark clouds. Legend has it that the lake has hidden secrets; a mythical beast is said to haunt the depths….

Lightroom for exposure and color, PPS 9: AS warmer, DC natural, Glow White Soft and Darks, HDR subtle, PF 81A, Sharpening Screen High, Sunshine WH, Vignette BS

Rich autumn colours sweep across the Blayney district in Central West NSW, with golden trees and warm seasonal tones highlighting the rural landscape.

Chicago Botanic Gardens

 

Infrared film

Lith Photograph

Kentona VC Warmtone

Moersch Easy Lith

A calm autumn day at Lake Canobolas near Orange, NSW, with golden foliage reflecting softly across the still water. Warm seasonal colour, gentle light, and a peaceful regional landscape create a classic Central West autumn scene ideal for nature, travel, and outdoor themes.

Two boats rest quietly by the shore.

Autumn has softened the light, yet warmth still lingers in the colours.

A calm moment – between seasons, between motion and stillness.

 

Edited in Lightroom Cloud using the “Classic Warm Autumn Look” preset to enhance the gentle light and warm tones of late autumn.

A calm autumn day at Lake Canobolas near Orange, NSW, with golden foliage on the trees. Warm seasonal colour, gentle light, and a peaceful regional landscape create a classic Central West autumn scene ideal for nature, travel, and outdoor themes.

Happy Valentine's Day! 💖

 

My new original mixed-media artwork created with oils, acrylics, and collage elements. This piece captures a moment of passion, movement, and connection—two souls dancing together, locked in a romantic embrace. The textured layers and rich colors invite you to feel the depth and warmth of the scene.

   

A couple slowly walking along the shore, following the edge of water toward the horizon...

 

If you like my photos, please follow me on Instagram www.instagram.com/matviv23/ and come visit me and my girlfriend on my Facebook page Flickering Lights www.facebook.com/flickeringlightstuscany/ .

Aaand last but not least, my photos are available for printing on FineArtAmerica http://matteo-viviani.pixels.com/

 

See you!

 

According to the myth:

The lily sprang from Hera’s milk when (in one version) she was nursing the infant Heracles and milk spurted across the sky.

 

👉 Symbolically, this means:

 

The origin of life

 

Something physical becomes something beautiful

 

Closeness, intimacy, almost something secret

 

The connection between body → nature → beauty

A landscape version of a previous post taken from the top of the Campanile.

 

Venice, Italy.

 

Explore #74 08.02.11

The desert wakes without urgency. Light gathers over the dunes, revealing a landscape shaped by wind, silence, and time. Fleeting yet eternal, the horizon becomes a quiet invitation to pause and witness the day’s first breath.

München, November 2018

 

Rolleiflex 2,8F/80, Ilford HP5+, in Moersch efd entwickelt

 

printed on Ilford MG FB Warmtone

Moersch SE4 Neutral (1+10),

3 min

Selentonung MT1, 1+10, 60 sec

Adostab II, 1 min

 

3224_4_II_WEB_Carolin_locker_angelehnt

Studio photo of the back of a flower of Helianthus annulus (Sunflower) shot in black & white and warm tones. The first new sunflower I have shot since leaving Arizona for Florida.

8/10 Chamonix - 210 Super Symmar FP4 - Ilford Warmtone S/M selenium toned

Voigtlander Bessa 1 105mm Color-Skopar. 1/125sec @ f11. FP4 in DDX

Print on Ilford FB Warmtone warm tone developer.

Selenium tone.

Bracken fronds dying back at the end of their season, before new growth occurs in early summer at my local nature reserve in North West Cumbria. This common British heathland plant is a deciduous perennial, and it's fronds turn such beautiful tones of brown, copper and rust as it dies off during late autumn and the beginning of winter months. I nearly called our red dachshund 'Bracken' after this plant as the colours are so lovely in the light, just like his coat!

Camera: Honeywell Pentax Spotmatic F

Lens: Asahi Super Takumar 1.4/50

Filter: Yellow

Film: HP5 plus 400 @ 200 ISO

D-76 1+1 68° 10 min.

Scanned from Caffenol-C print on Ilford WT RC partially bleached.

Microtek ScanMaker 6100

 

SEE THE CAMERA AT THE LINK BELOW:

 

www.flickr.com/photos/vikingphotos/6899396719/in/photolis...

darkroom print

Ilford warmtone fiber 8x10

phu quoc, vietnam

Calumet Caltar II-N 90mm f/6.8 / Polaroid 55 on Ilford FB Warmtone paper

© julienbotella.com

Another from Budapest with model Sara. It looks like perhaps it was a fancy studio setup but it was just a room light in the apartment I was staying in sat in the lounge. No additional flash

 

Originally I shot this in B&W but when I saw the RAW colour version in Lightroom I decided to add my WarmTone preset instead

 

Leica CL + Leica Summilux 50mm ASPH f1.4 @1.4 + MrLeica-WarmTone preset

 

This new Leica Lightroom preset is now available for free on the blog -

 

mrleica.com/free-leica-presets/

 

www.instagram.com/mrleicacom/

 

View Large

 

Rollfilm 6x8 Kodak Plus-x mit 250 Asa beleichtet und im Moersch efd 2+1+40 bei 20° 12:15 Minuten entwickelt.

Geprintet auf Ilford Muligrade FB Warmtone im Moersch ECO 4812, MT1 Selentoner 1+10 30 sek., gebleicht 1+70 30 sek., MT3a Varioschwefeltoner 30 sek..

Don't really want to write in paragraph form, so here are some facts about the picture:

1. I wish my hair was out of my face so you could see my eyes

2. I'm addicted to cute photos like this, I love em'

3. That sweater is comfy

4. When taking pictures with my boyfriend, I don't tell him what to do. I just talk to him, and he tries to act all cute (well, he is!)

5. I think I like this photo better then the other upload

6. My favorite part about the photo is the exression on our faces

 

Have a great night everyone! More uploads tomorrow,

Love love always!

Chantel Baggley

April 24, 2023

Nikon F4, 80~200 zoom, Ilford Delta 400 in DD-X

Darkroom prints: Ilford MG FB warm in Moersch eco 4812,

Selenium and split tone sepia

 

I didn't realize what the eagle was doing in the tree until I saw him? her? fly off with a little branch. The chosen branch is clearly missing in the second photo, A little research revealed that both bald eagles of a pair gather material but the female does most of the design and construction. Their nests are quite large, up to 1.5 meters wide and nearly a meter deep.

 

I have to get rid of this Opemus, it's a shame to crop these 6x8 negatives... :|

 

Fomapan 400 @ 200 in EFD.

Bergger Prestige Warmtone in SE6 Blue 1+10, bleached, toned in MT3a, toned in MT1 Selen...

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