View allAll Photos Tagged warmtones
"Where did they go?
Those long summer days of childhood.
Countless hours of fun and friendship,
Of endless possibilities and adventures in the sun.
As water in a stream,
Flowing under the bridge of time.
Unnoticed and unremarked,
The rushing, babbling brook of youth,
Becomes the languid river of maturity.
But special golden light forever shines,
on those memories of innocence and joy."
Poem by Jo Lawson, inspired by this picture
Darkroom print version of a previously uploaded picture.
Negative taken with Nikon F3 and Ai-S 85/2.0 on Ferrania P30
Print on Oriental Seagull RP-R portrait warmtone. Selective toning in thiourea, mixed for a brown image tone
New border added post-scanning
Equipment Used: Kodak 2D - 8" Darlot Petzval
Exposure: 2 sec f/3
Film & Developer: 8x10 TXP 320 - D76
Paper & Developer: (Contact Print) Ilford Warmtone - Dektol - Selenium
I'd driven by this old building in Harriman TN many times and always felt that the fallen gutter had the potential for an interesting photo. The strong sidelight on this morning created a nice shadow echoing the shape of the gutter and at the same time revealing the texture in the block wall. I decided it was time to stop and make the photograph.
Wisner 4x5 Technical Field Camera
12in f/9 Goerz-Robertson Artar
Ilford FP4 Plus stand developed in Caffenol C-L
Split grade printed on Ilford Warmtone FB paper developed in ID-78
Location: Lake Superior - Minnesota
Equipment Used: Hasselblad
Film & Developer: TMYII-Pyrocat HD
Paper & Developer :Ilford Warmtone - Dektol - Formulary Thiourea
Filter:ND - 3 stops
Split grade print.
Bronica C. Nikkor 75/2.8.
Kodak Tri X 120 400 @ 250.
Scan from 17x17 cm gelatine silver print. Ilford Warmtone RC paper developed in Ilford Harman Warmtone.
As the spring evening unfolds, Granton Harbour takes centre stage in a tableau of quiet elegance. The East Breakwater stretches purposefully into the Firth of Forth, its angular silhouette a bold contrast against the soft amber glow of the horizon. The lighthouse, a steadfast sentinel at the water’s edge, casts a commanding shadow, while two figures walk along the harbour wall, their presence adding a human connection to the vast, reflective expanse.
Above, the scene is framed by a rich tapestry of modern and historic architecture: the Queensferry Crossing towers in the distance, its cables delicately tracing the fading light, while the iconic Forth Rail Bridge offers a timeless silhouette against the dusky sky. Cramond Island’s treeline weaves natural beauty into this layered narrative, its dark forms melding seamlessly with the tranquil atmosphere.
The sky, painted in burnt orange and golden yellows, reflects in the calm waters below, where the subtle ripple of the Firth echoes the serenity of the moment. Shadows play across the scene, their depth and texture grounding the image in an earthy reality that contrasts the ethereal quality of the light.
The palette—warm, rich, and immersive—evokes a sense of peace and introspection, drawing viewers into a moment that feels both eternal and fleeting. This is more than a harbour at sunset; it is a place where the past meets the present, where structure meets nature, and where the quiet beauty of the evening invites you to linger and reflect.
___
This scene is a poetic maritime landscape, blending minimalist architecture with timeless natural beauty. The warm palette of burnt orange, golden yellows, and deep shadows evokes a tranquil and introspective mood. It resonates with photographers seeking atmospheric compositions, nature enthusiasts drawn to coastal serenity, and romantics captivated by harmonious contrasts of light and shadow.
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Film: Arista Premium 400
Scanned from lith print. Maco LP Superlith Developer (A+B mixture was 1 year old - is that why the green tones?)
Fomatone MG Warmtone RC 332
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
Originally intended to appease the Athenians that were spreading their influence, the Elymians never completed this temple, once relations with the Athenians improved.
Taken with my Anba Ikeda 4x5 with the f7.7/203 Ektar lens.
A view from Borgarnes in Iceland.
Taken on FP4+ and developed in Pyrocat HD. Printed on MGWT and developed in Ilford WT.
Mamiya RZ67II, 180mm Lens, Fuji Acros in Rodinal
Paper: Kentmere FP Warmtone Fiber, Fotospeed Lith LD20
Digital Photograph of Print
The Atlantic turns to gold as the old pier of Swakopmund stretches into the light. A warm, almost unreal moment on the Namibian coast.
Tower Folding by Sears, Roebuck & Co.
Tower Lens
1/50, B
120
2 1/4 x 3 1/4
Acros 100
D-76 1:2 12.5 Min. 68 F.
Scanned from print developed in Legacy Pro Liquid Paper Developer 1:14
Ilford MG RC Warmtone
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/15460555687/in/album-7...
This abstract photograph captures a mesmerizing pattern of hexagonal bokeh, created by out-of-focus lights glowing in warm golden and amber tones. The soft, diffused light creates a dreamy, atmospheric effect, with the geometric shapes floating against a dark, gradient background that fades from gray to deep shadow. The image is a study in texture and light, perfect for evoking a sense of warmth, celebration, or urban nightscapes.
changing from Donovan to Caravan
Holga 120N
Delta 400 in efd (N+2)
Kentmere Fineprint VC Warmtone
SE15 Polychrome (two tray Lith & Siena developer)
MT4 Siena (poysulfide toner) 1+50 20 secs
MT10 Gold toner 3 mins
Holga 120N, Plus-x @250ASA in efd
warmtone development
Overexposure and highly diluted developer causes warm tones.
Best suitable papers for this treatment are chloride- or chlorobromide emulsions without incorporated accelerators (phenidones) as some Foma or Forte papers, or this new one.
Of course the formulation of the developer is important, but some well known (old recipes) warmtone developers doesn´t match as expected with modern papers.
Best choice are hydroquinon or catechol, or glycine developers with low content of accelerators ("superadditive substances" - e.g. Metol , Phenidone), less sulfite and much bromide. Anyway the use of a common developer is possible when it is highly diluted, but with higher dilution the shades are muddy. Two tray development with lith developer solves this problem.
Erlkönig (#23)
1st developer lith (SE5 1+10) 5-6 minutes, followed by SE2 Warm 1+80 2 minutes
Mamiya 7ii, Mamiya 43mm f/4.5L, Orange filter, Shanghai GP3. XTOL 1:1 - negative printed on FB Warmtome paper and Selenium toned - this is all detail for my geeksome pleasure and you may forget it entirely.
Firstly, the darkroom is going very well. It is an immensely peaceful activity, very difficult and very time consuming. I revel in it. Please find a scan of a print which doesn't do justice to what is probably a middling sort of print. I am still coming to terms with photographs being physical objects. I've just made the step up to fibre based paper. The photograph becomes a weighty thing.
The tone seems impossible to get right with a scan though.
Secondly, oh dear, what were Yahoo thinking. You think they might have asked a few people. I ask you - how are you supposed to present your sets to people. They aren't going to go looking are they? And the black/white thing is quite visually jarring - the lightbox was fine before when you wanted to do that sort of thing. Tsk. I will be paying 50 bucks a year to get stats? Faaack. Anyway, I won't be going anywhere else but with my beloved Google Reader kicked into touch, it is difficult not to feel like the star's tennis balls innit.
❤️ More photos from this shooting → Patreon
❤️ Больше кадров с этой съемки → Boosty
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the light shifted, warming his face, and his eyes looked out with a quiet resolve. here, the artist is a man—human, reflective, steady. the colors around him muted, drawing you to the tones of his skin, the ink of his craft, and the calm in his gaze. kratos tattoo palma holds this moment like a still heartbeat.
📣 HEY! Come and meet this true beauty! FOR FREE! There you go!
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Hasselblad 500cm 80er Planar Efke IR 820 Xtol ; Adox Fineprint Variotone in Moersch Warmtone Selentoner
Ach das Kippt nicht, das wächst so...und zwar in Lipova an der Mures in Rümänien
The Deluxe Room feature elegant and contemporary design, with warm tones and a generous use of wood, with custom-made American chestnut furniture, and modern art prints on the walls.
The Deluxe Rooms have walk-in closets and come with either one double or two twin beds. Connecting rooms are available on request.
Room size:
From 40 to 51 square metres (from 431 to 549 square feet)