View allAll Photos Tagged warmtones

Pentax ME, 50mm 1,7, Red Filter, Black & White Ilford Warmtone Paper Print

Rolleiflex 2,8F.

Kodak tmax 400 pushed 1600.

D76.

Ilford Warmtone paper.

Meopta opemus 6.

rodenstock Rodagon 80mm f4.

Silvergelatin 6 x 8 3/4 " print, from Fuji HR2 Microfilm developed in Finol. Camera EOS 10s. Paper Tetenal Vario Matt. Paper Developer was a soup of film developers and olf ilford warmtone. Scanned and tweaked minimally.

Shen Hao 4x10

Fujinon 210mm W

Adox CHS100 in ID11 1+1

Fomalux 111 in Ilford Warmtone 1+9

Straight scan from contact print.

 

Not sure about this one, can't decide whether I like it or not...

Taken two weeks ago when out for a walk with the dog. I liked the tones from the light hitting the tree and the fact that this tree was different to all the other trees in the same area which were all the same

 

Taken on the Rolleiflex

Film was Kodak TMax 400 (at iso200) and developed in xtol 1+2.

Printed onto Kentmere FP Warmtone fiber paper.

Developed in fotospeed LD20 lith developer. A & B at 1+20.

There are many abandoned homes and businesses around Salton Sea. It was once a resort area, but the salinity increased to the point where it really didn't support many fish and the algal blooms were huge. Read Cadillac Desert for a little more context.

Fuji GA645zi with Tmax 400 film, printed on Ilford MGWT split toned with both sepia and selenium

darkroom print

Ilford warmtone fiber 8x10

osaka, japan

IKEA Candle Lanterns. If you known IKEA stuff then always can recognize it.

  

Camera: Pentax K-1000

Lens: SMC Pentax-M 1.4/50

Film: Legacy Pro 100

D-76 1:1 10.5 Min. 68 F.

Scanned from lith print (Arista Liquid Lith)

Ilford MG RC Warmtone.

 

SEE THE CAMERA AT THE LINK BELOW:

 

www.flickr.com/photos/vikingphotos/5344850292/

 

darkroom print

expired oriental warmtone fiber 8x10

tokyo, japan

Tughlakabad

 

Another simple test -- this contact print was scanned with a simple office scanner.

Camomile flowers shot with a Rittreck View and a 90mm Super Angulon.

13x18 x-ray film (green sensitive Fuji HR-E).

Rotary development in Ilford MG 1+50 in diy PVC tube for 8min.

Scan from contact print on Ilford MG Warmtone paper at grade 2.

 

We still have some warm, fall tones...but with a little frost in the morning :)

 

Leica M6, Visoflex II, Elmar 90mm. FP4, developed xtol 1:1, printed on Oriental Warmtone FB. Scanned on HP Photosmart 4599.

Another picture from this mornings walk.

 

(Dedicated To Laura Marie Scott =])

Holga 120N, Delta 400 @640 in Finol,

Omega-Lith onto Kentmere Fineprint VC Warmtone

Polysulfide toning - MT4 Siena 1+40 10 secs

Sinar X 4x5 large Format Ilford HP5 Multigrade Warmtone toned with FOMA sepia Print 30x40 Petzval lens

Millersville Car Show, Millersville, PA. May 2016.

Leica M6, Summitar 50mm.

Ilford FP4, developed Xtol 1:1, printed on Oriental Warmtone FB, scanned on HP Photosmart 4599.

On the so-called 'Malerweg' (painters path) in 'Bohemian Switzerland' on the German-Czech border you can step in the footsteps of the romantic painters, poets and writers that visited these hiking paths around 1800. It passes all kinds of 'picturesque scenery' and is very romantic indeed.

Warm-toned studio shot of a tulip

On Foma warmtone in Defender 55D

Gemma, 2021 (3). @gemita_herrero. Follow my Instagram account: @archerphoto. If you need pictures, contact me today. Sigue mi cuenta de Instagram, @archerphoto. Si necesitas fotos, contacta conmigo hoy mismo. IMG_1231

 

Fotógrafos València - Estudio fotográfico València

 

Pic by Sergi Albir, photographer in Tarragona, Trento, Toulouse, Torrent and even more places. and even more places. Contact me today if you need any kind of pictures.

Model: Petri

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Stone cairns know as Stone Men on the Summit Wild Boar fell in Cumbria. Taken with 1950's Schneider folding camera. Film was Ilford Delta 400 developed in PMK Pyro. The print was made with Ilford Warmtone developed in PQ uni developer

[ Fomatone MG Classic WarmTone 132 | Easy Lith 1:25 8m | +5stop | print scan v700 ]

"... would have my ears filled with the world's music, the grunts of hewers of wood, the cackle of old folks sitting in the last sunlight and the whir of busy bees in the early morning. I want to hear the sharp sound of tap dancing and the mournful murmur of a spiritual half remembered and then half sung. I want the clashing of cymbals of a marching band and the whisper of a lover entreating a beloved. Let me hear... "

Glass slides from 1950s unused (until now) - really slow.

Camera - a half-plate tailboard camera from c 1890. Lens - from c1915 a Rodenstock f 4.5.

Not designed for use in camera, the exposure guidance for contact printing the plates from a negative is to use a 15W lamp at 6 ft for 5 seconds.

Portrait made in the style of the 1930's

Printed on Foma warmtone Baryta in Defender 55D

rose, garden, eveninglight, sidelight, shortlight, warmtone

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