View allAll Photos Tagged warmtones
Wasdale Head, Cumbria. .
Photograph made with Bronica ETRSi + 40mm lens using Ilford FP4+. Film developed in Rodinal (1+1+100) for 60 minutes @20c (stand development). Warmtone added in Lightroom.
A recent darkroom print of Sandycove Dublin, negative is from the Holga tripod mounted with a long exposure last November. The print was made on Ilford Multigrade Warmtone Fibre with Ilford Warmtone developer a combination I'm going to stick with, I really like this mix it also works well with the new Ilford Art 300. For Holga negatives I generally print with a combination of Grade 4 and 2.
EOS3 + EF24-70 | Kodak TX400 in XTOL | Ilford Multigrade Warmtone in Moersch ECO.
Scan vom print auf Epson11000XL bei www.meinfilmlab.de
too long, too hot, too little contact with plant and paper surface
the emulsion melted and stuck on the glass and no amount of soaking got it off. so it tore.
this is after fixing.
Ilford MG RC warmtone paper. Shells from my collection which I started since I was a little girl. Exposed under the Philippine sun last 2013 vacation. :0
A picturesque autumn scene featuring a peaceful forest road surrounded by vibrant yellow, orange, and red trees. The colorful foliage and soft light create a warm and cozy atmosphere, capturing the true beauty of fall.
Teruel, 24/XI/2013 Mamiya 7II/80mm Tri-x 400/X-tol 1/1 10'30'', D72 Casero 1/1 3'00''
Papel Ilford Warmtone FB 24x30cm Virado Tiourea/Oro.
shot on my broken T*Sonnar 150\4, whitch has no shutter-leaves. Only was possible to make long exposures (here is 1 minute 30 seconds at f5.6)
Film - Rollei Retro 80s
Printed on ilford warmtone mg
Fed 4, Orion-15 28mm lens
Maco PTC traffic surveillance film
Lith printed on Oriental Seagull warmtone RC paper
of the mysterious door....shorter than usual but still wide enough, its faded paint charmed me at once. Today at Rüdesheim ....we've been really spending nice times...
Hope you are all well and had or are having nice days. I'll be coming over to say hello to your streams in a while :))
This old service truck is obviously no longer in use. Photographed with an infrared converted (830nm) Canon 5DMK2.
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Paper: Kodak Portralure G 1976 (warmtone enlarging paper similar to Ektalure G)
Developer: Ansco 108 1:0 for 2 min (high contrast developer)
Toner: Moersch MT5 (Polysulfide) followed by Ilford Selenium
This is a new interpretation of this rose picture I took in 2007. The negative was underexposed and quite thin so I mixed up some Ansco 108, a high contrast developer. Portralue's contrast supposedly is grade 1-3 with the use of filters (I haven't tried this).
I have started using Moersch's MT4 polysulfide toner for the first time. It's replacing Agfa's Virdon that I briefly experimented with (and later gave up on:). The saturation becomes much greater when followed by a strong selenium bath and becomes warmer.
...but not really; it was in the 20s with the wind chill today in Colorado!! This pic reminded me of the song "Tumbling Tumbleweeds" on Big Lebowski, here's the link to that song!!
www.youtube.com/watch?v=_UiSMyyj-Ac
I also uploaded this photo to my site here shotwilliam.smugmug.com/Landscapes/Sunsets/17819028_8RDFF... . Thank you for all the compliments, you're too kind!!
Back lit leaf in my dining room. Lith print on Ilford Warmtone using a 1:1:40 dilution and about couple of glugs of old brown, selenium toned taken on Acros film with Hasselblad 150mm at f4 with extension tubes
… in one of the most beautiful guest rooms I’ve stayed in for a long time. The image may lack perfect sharpness, yet it preserves something more valuable: the quiet atmosphere of arrival, the softness of light, and the feeling of a lived moment.
Taken at Maison Vive la Vie in Couiza, in the Aude Valley – once the villa of a hat and shoe manufacturer from Silesia – the room carries a subtle sense of history, comfort, and understated elegance. Sometimes, it is not technical perfection that matters, but the impression that remains.
I noticed this rock when I was walking in a part of the Reykjavik port. From a distance this looked like some pre-historic beast was crawling ashore.
Mamiya 645, Pan F at 32 ASA, developed in Adox ADX.
Fomatone 131 in Warmtone developer.
Block Island, RI.
Leica M6, Summitar 50mm, Ilford FP4+. Developed Xtol 1:1, printed on Oriental Warmtone FB, scanned on HP Photosmart 4599.