View allAll Photos Tagged warmtones
Hello there...feels kind of strange not posting and being around here...so despite not having checked the new uploads in your streams, I put together some of my favorite pictures to make this small version of a mosaic today.
I so much adore these warm bronws, peachy pinks and the beautiful feeling of cozyness, calm and beauty these pictures portay.
As for me,
I'm in Greece since Teusday evening....as I had expected it is difficult to get used to being here wihout our dog Bianca, who passed away this summer, after I had left. First time after 18 years without a dog around here....the atmosphere is rather heavy and at the moment I have but few energy & willingness to do something about it.
On the positive aspect, I'm meeting tonight with the wonderful couple we'
ll cooperate in renovating their son's room in a..flash and assist in choosing colours for their whole home. Some work therapy will do wonders I suspect...
Here are the direct links to the pictures & wonderful streams of these amazing people & photographers:
1. Cassia ~> Autumn Collection,
2. Laura ~> 146/365,
3. Hannah ~> circles,
4. Ciel ~> It's Pinecone Time
Wishing you all to be spending nice days, with happy feelings prevailing!
I'll be soon hopefully joining you on the bright side of life.
Love always,
Ivy ~ xx
Scanned IR print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter (cutting @ 700 nm).
Morning of Oct 12, 2024.
Rollei IR 400 in Adox Adonal 1+100, semistand 1 h.
Printed on Foma Fomatone 132 FB and developed in Moersch SE2 Warmtone.
Toned in Se 1+9, 30 sec.
Such a disappointment. The first Fomatone batch I bought before I really understood that this epic paper wasn't lithable anymore. Thanks for the information, Wolfgang.
But that dosen't mean that the paper is worthless, of course not.
It's still a very good warm tone FB paper, and as such, responds very well to Se toning. Which is obvious if you're looking at this one. How to get morning to look like night :-)
Not every flower blooms on a branch — some bloom in memories.
Beneath the fading golden light, a solitary flower rested gently upon the earth, glowing like a quiet memory left behind by the evening sun. Its fiery orange petals carried both tenderness and strength, while the dreamy background dissolved into soft whispers of warmth and silence. The image felt less like a photograph and more like a fleeting emotion — delicate, intimate, and beautifully timeless.
In that quiet moment, the flower seemed to tell a story of a forgotten love, it’s stillness, and graceful surrender — just a visual poem painted with light and softness.
Headed over to Moonie's to shoot the last five minutes of golden hour, got a neat photo of Nicole. I'm a sucker for that flare.
Let's be friends on twitter!
Freiburg Wiehre, Urachstraße
Nikon FM2, Kodak TriX 400, dev. in Moersch Pyro 48, printed on Ilford MG WT in Moersch Blue, toned in MT3
These appear to be moon snail shells, family Naticidae. The smaller, rounder examples are especially consistent with the common shark eye / Atlantic moon snail type, Neverita duplicata or a close naticid relative. The very large shell at the top may be a larger tropical moon shell rather than the exact same species.
Confidence: moderate to fairly high for family Naticidae; lower for exact species from this view alone.
Description
This is a group of smooth, glossy, nearly spherical marine gastropod shells arranged as a still life. They show the classic moon-snail form: a low spire, inflated body whorl, and tight central spiral. Color ranges from pale cream and blush pink to warm apricot, amber, and orange-brown, with subtle banding and polished sheen. Several shells have chipped edges or worn areas, which reveal white inner shell layers and signs of beach wear. The image emphasizes spiral geometry, lustrous surface texture, and tonal variation across the shells.
Moon snail shells are distinctive because they are:
* rounded and inflated rather than elongated
* smooth and highly polished in appearance
* dominated by one large body whorl
* marked by a small, neat spiral at the apex or umbilical area
Possible look-alikes
* Natica and related moon-shell genera
* Polinices species
* other naticid snails sold or collected simply as “moon shells”
These appear to be moon snail shells, family Naticidae. The smaller, rounder examples are especially consistent with the common shark eye / Atlantic moon snail type, Neverita duplicata or a close naticid relative. The very large shell at the top may be a larger tropical moon shell rather than the exact same species.
Confidence: moderate to fairly high for family Naticidae; lower for exact species from this view alone.
Description
This is a group of smooth, glossy, nearly spherical marine gastropod shells arranged as a still life. They show the classic moon-snail form: a low spire, inflated body whorl, and tight central spiral. Color ranges from pale cream and blush pink to warm apricot, amber, and orange-brown, with subtle banding and polished sheen. Several shells have chipped edges or worn areas, which reveal white inner shell layers and signs of beach wear. The image emphasizes spiral geometry, lustrous surface texture, and tonal variation across the shells.
Moon snail shells are distinctive because they are:
* rounded and inflated rather than elongated
* smooth and highly polished in appearance
* dominated by one large body whorl
* marked by a small, neat spiral at the apex or umbilical area
Possible look-alikes
* Natica and related moon-shell genera
* Polinices species
* other naticid snails sold or collected simply as “moon shells”
A glimpse into the changing nightlife of Sukhumvit Soi 24, Bangkok.
Warm red light, tropical planting, polished metal and layered interiors create a very different atmosphere from the nightlife Bangkok was once known for. This is a more curated, design-conscious urban experience—part restaurant, part bar, part social theatre.
For me, the photograph is less about a single venue and more about how this part of Bangkok has evolved. The land may be familiar, but the way people use it, experience it and present themselves within it has changed completely.
Part of my ongoing photographic exploration of Bangkok’s changing districts.
Photographed with a Nikon D7100.
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Self portraits of my days in quarantine.
Probably one of my favorite pics ever.
April, 2020.
alter, denkmalgeschützer Hof in Schwarzenberg bei Baiersbronn.
Nikon F4, Kodak TriX in Moersch EFD, printed on Ilford MGWT in ECO, toned MT3 and MT7
Hammarö Archipelago Museum
August 8, 2017
Scanned print
Rolleiflex T, Zeiss Tessar 75mm/f3.5
Fomapan 400 developed in Tetenal Ultrafin Liquid 1+20, 15 min @ 20°C
Fomatone MG 532 Nature (18x24cm) in Paterson Acugrade FX-31
Toned in selenium (1+9, 30s)
First experience with this warmtone paper from Foma, not as yellow as its "sister" paper Fomatone MG 542 Chamois. Delightful, eggshell-ish surface (a bit hard to scan due to "micro-reflections" in the surface, though).
Model: Zoe
Photo: Thomas Ohlsson Photography
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
Rollieflex Automat, Tessar 75mm. Ilford FP4+, Xtol 1:2. Printed on Oriental Warmtone FB, scanned on HP Photosmart 4599.
Theme suggested by him!
Not really satisfied with my photoshop skills, but i'll have to admit i really like the background :)
OH AND I'M SO RUDE, LOOK AT MY SHIRT D:
I was eating chocolate and a part of it is now under the "command" button.
ew.
Well, on Sunday i had the last afternoon at the lake.
:(
I took pictures like mad, even if i had to study. (then i got an 8 though :D)
You can check them out in comments or go to this blog. It has outtakes and random pictures taken by me during the week :)
Oh and i'll put some pictures taken with my stepfather's 8-15mm!
THEY ROCK! THAT LENS IS SO FREAKING AWESOME!
For those who like skrillex and dubstep and for those who like coldplay.
Do not forget to comment a topic for next week!
Tags will be published later on :)
Happy September 3rd :D
Good luck guys!
∞
Do not publish my pictures without my permission.
A lith print ode to my Oregon friend Travis Doane.
Dear Travis,
It's now been 4 years since you sent me this treasure of old lithable papers from big USA to small Sweden. This kind act of yours sends a message to all the world - we belong together and should not fight. And for me it's a treasure of old lithable papers I would never get hold of otherwise. This day I have gone through the remaining papers and - as to my ability - have made prints that are supposed to be as streamlined as possible from a given negative. But of course there's always the influence of "human variability" when it comes to snatch point and so forth...
Anyways, I hope you understand my gratitude for this possibility. Have a great rest of the year 2023, Travis and may we have lith contact for many years to come.
Best/Johan
Scanned lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2,8. Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev in Rodinal 1+100, semistand 1 h.
Lith printed and developed in Moersch SE5 (25A+25B+some OB+700H2O).
Untoned.
Shot with my Nikon F and Micro-Nikkor 55/3.5
Agfa APX-400 in D76 1+1 for 14:00 minutes
Printed on vari Fomabrom 112 with red filter ca. 80
Developed in Moersch warmtone 1+9
Toned in Foma sepia A 1:100 and B 1+19 for >10 min.
Border by GIMP
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Nikon FM2, Fuji Acros 100, Moersch EFD, printed on Ilford MG WT in Moersch Blue, Selenium toned.
Mid-Atlantic Air Museum, WWII Weekend 2019
Rolleicord II, Tri-X, developed Xtol 1:2, printed on Oriental Warmtone FB.
The canal from the St Johns River to the boat ramps at Ed Stone Park on the River. Shot in digital infrared.
hasslblad 500c, tmy400, self-development(extol), self print, oriental vc-fb warmtone
my most precious demitasse
Took a walk on my 50 acres this evening after a heavy rain, and brought my good boy, King, along for some company. I trick him into looking pretty by saying, “Doooo... youuuu... wannnnaaa... GO FOR A RIDE?!?!” — it works about twice before he realizes it’s a trap.
I couldn’t decide between my 105mm macro or my 135mm Plena today, but I went with the 105 since the mushrooms always smile for me. The light was perfect — soft, warm, and glowing through the trees.
Nikon Z6II
🔹 Nikkor Z 105mm f/2.8
🔹 ISO 200 | f/2.8 | 1/250 sec