View allAll Photos Tagged viewcamera
Taken last week at a limestone pavement on the Burren, Co Clare.
Calumet cc402 - Wide Field Camera
120mm Schneider Angulon
f22 for 1/2 second
Fomapan 100 rated at 80 iso
Developed in Rodinal 1:100 for 30 mins semi stand
While I never attended the church, this church was my first school, nursery school that is. And while the building that housed the school is long demolished, I still remember it fondly.
Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C
Meter: Pentax Spotmeter V
Editor: Adobe Photoshop CC
The Kingston Inner Station would be the flagship station for the Kingston & Pembroke Railway line. Despite the name, the K&P line only reached Renfrew due to financial difficulties and that Canada Central had already reached Pembroke. Completed in 1885, the handsome Inner Station provided easy access to rail services in the large railyard downtown and a branch line to bring locomotives from the Canadian Locomotive Company plant further along the shoreline. Canadian Pacific continued to operate the station in 1913 as an easy way for passengers to move to an outer station on the mainline. The post-war service began to decline until a final shutdown in 1966; the station was sold to the city for conversion into a tourist information booth in 1970 during the construction of Confederation Park.
Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
©2010 Gary L. Quay
In the Winter, I tend to do more studio work, and there is nothing in the house that is spared from the agony.
Camera: Ansco Whole Plate Camera
Lens: 14 3/4” Voightlander Euryscop
Film: Ilford FP4+ developed in Kodak Xtol.
# #stilllife #filmphotography #largeformat #viewcamera #ilfordphoto
My Web Site and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
Feel free to join my Flickr groups
and Flickr Today 2
Some early images of Oakville Harbour at the mouth of 16 Mile Creek can be found here.
images.oakville.halinet.on.ca/15/Exhibit/4
Shot with an Eastman View Camera No. 2, Manufactured by Eastman Kodak Co., Rochester, N.Y., U.S.A. #16924
8x10 View Camera + Schneider-Kreuznach G-Claron 210mm F9.0 Lens
Shot @ F64 / 1/2 sec
8x10 Negative Scan
Arista EDU 100 @ 25 ISO + HC-110 H @ 8 mins
Canadian National 4803 is a rare surviving example of an EMP GP7 in a high-nose configuration. The GP7 saw production between 1949 and 1954, 4803 rolled out of the General Motors Diesel plant in 1953. As a Road-Switcher, the locomotive saw action both as a switcher in yards and on CNR mainlines in the early days of the move from steam to diesel motive power. Powered by a 16-cylinder two-cycle diesel eclectic engine which has the capacity of delivering 1600HP and 600V generator. CN 4803 is also equipped with an electrodynamic braking system and a single engineer can drive up to eight similar units. CN 4803 operated across Canada until retirement in 1984 and was donated to the Toronto Railway Museum where it was restored to its pre-1960 green/yellow paint scheme.
Graflex Crown Graphic - Nikon Nikkor-W 180mm 1:5.6 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
When Henry Ford established the Ford Motor Company in Detroit, the assembly line method revolutionised automobile production. Ford of Canada is unique in the sense that it was incorporated on 17 August 1904 without any real ownership from the parent company in the USA. Today it is a wholly own subsidiary. While originally located in Walkerville, the company moved it's headquarters and established a manufacturing plant in Oakville in the post-war boom. Purchasing a large poultry farm the plant and new HQ opened in 1953. The current HQ building opened in 2002 replacing the original one.
Graflex Crown Graphic - Schneider Kreuznach Symmar-S 1:5.6/210 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Having some small inconsistent light leak issues. Guess I need to be more diligent about draping my dark cloth over the film holders during exposure.
Toyo Field 4 3/4 x 6 1/2 Sakai Special
CM Fujinon W S 125mm f/5.6
Ilford HP5 plus @ 400iso
B+W 550/040 Orange filter
11:00 min in HC-110 (dil-h) 1:62 @ 20ºC.
Epson V800
2024012-5b
After leaving Zion National Park, I was thinking of heading down to Death Valley. But Bryce Canyon had a coat of snow, and was less than two hours away. I'd never been to Bryce before, and seeing it in winter had been on my bucket list for years, so I decided to go. Timing the weather forecast was essential, as the temperatures had been absolutely frigid, with nighttime lows hanging at double digits below zero. Camping in the cold wasn't as big of a deal as I'd thought it would be, as I sleep inside my 4Runner and have three 28F sleeping bags that I layer inside one another for warmth, plus a small tent-safe propane heater, which I didn't end up needing.
When I hiked the Navajo Loop trail, I found the trail closed at the beginning of the famed "Wall Street" section of the Bryce Canyon narrows, but this one area with the famous gateway cedars was open. I stood there for probably almost 2 hours staring up at the hoodoo walls and trees looking for a composition, trying my different lenses and moving the camera around checking different compositions. I did not want the same image I saw other photographers making over and over again, the one looking almost straight up with a wide-angle lens. I've seen tons of those. So I finally settled on a near-telephoto comp, looking across the alcove and up with some front rise at this pair of cedars. I like the image because it says Bryce Canyon in winter with the snow on the famed hoodoos and the juxtaposition of cedars against the desert sandstone. It also has strong metaphorical significance with the living trees surviving in the desert, one seeming to nurture and protect the other like a father and son standing tall together.
@intrepidcameraco 4x5
Fuji Provia 100F
Fujinon W 180mm ƒ/5.6
1s @ ƒ/28, front rise
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Shanghai 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
Growing out of a Methodist Revival which was sparked by noted preacher Edgerton Ryerson in 1841, a Methodist congregation quickly grew in the growing village of Georgetown connected to the Episcopal branch of the Methodist Church. Purchasing a lot in 1846, the congregation built a small wooden chapel and established a cemetery. The current brick structure went up in 1880 and in 1925 the church joined the United Church of Canada. The church name of St. John's came in 1949. The biggest renovation is recent in which the sanctuary was converted into a flexible space to allow for different forms of Sunday worship and other uses.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Adox CHS 100 II @ ASA-100
Adox Atomal 49 (Stock) 5:45 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
This is a modular view camera for Fuji GFX cameras. I built it using a combination of an Arca Swiss 69 rail and focus pillars with a Fuji G680 front standard. The rig is capable of mounting Fuji G680, Pentax 645, Mamiya 645 as well as standard view camera lenses from 45mm through 90mm. Front movements include swing, tilt, shift and drop. Rear movements are limited to shift and swing. The goal was to try and gain most of the movements and lens flexibility of the Cambo Arctus, without spending $4000. The Arca was not damaged in the process and can easily be reassembled using the original Arca standards, the most expensive part of the project was the sacrificial Fuji G680. Fortunately they appear from time time as-is on Ebay.
Late afternoon light.
Captured on Fuji AD-M xray film, with a Kodak Master View 8x10" camera and a Fujinon 180 lens.
Developed in Adox RO9 (10+1000) at 24C, in 11x14" trays, for 8'min with intermittent agitation.
Scan from negative, finished in PS.
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
Even if they haven't the wonderful rangefinder of the M series Leicas, one has to admit that Nikon rangefinders are a joy to use... nearly as much as they are a joy to see and to touch.
I truly think that Nikons are the pinnacle of rangefinder camera design. Besides, they have the finish of a Japanese camera from the fifties, which is the same to say that they are simply as well finished as a camera can be. The only other cameras that could match them are Leica M3/M2, Contax II/III and IIa/IIIa.
Scanned 8x10 Print
Camera:
Burke and James Orbit 4x5
f11 @ 1/50
Film:
Arista EDU Ultra B/W 100 4x5 Sheet Film
Acufine Diafine Developer
Arista Premium Odorless Powder Fixer
Paper:
Ilford Multligrade IV RC Deluxe
Ilford Paper Developing
Central Hong Kong as seen from Lugard Road on a Saturday evening in May 2014.
Taken with a Chamonix 045F1 large format view camera and a Rodenstock Grandagon-N 4.5/90 mm on Fuji Provia 100 (2 min and 30 sec at f/22).
As I explored a familiar canyon in the high country of Zion National Park, I came across these two maples completely covered in a thick blanket of fresh snow. The snow was so deep in this spot that I had to set my backpack in over a foot of powder and carefully extract each item of my camera gear one at a time without dropping anything into the deep white fluff, lest it disappear. I love the delicate nature of the Maples paired with the elegant purity of the snow, and the vivid red of the canyon wall really creates a strong contrast which isolates the trees. I’d visited these two trees only a month prior and found them covered in vivid red leaves at that time. It is amazing to experience these special places during different seasons and see how the season completely transforms them, creating a starkly different atmosphere during each distinct time of year. In the winter, the rugged yet delicate landscape seems to be in deep slumber under a thick blanket of pure white.
@intrepidcameraco 4x5
Fuji Provia 100F
Fujinon W 180mm ƒ/5.6
2s @ ƒ/22
4:56pm 12/27/2016
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Near the Sennett Hole on the ENO river
While officially founded in 1852, the Anglican church in Lowville traces itself to non-denominational sabbath schools being held in the historic village by missionary preachers from St. Luke's in Burlington. After outgrowing their original frame structure, the congregation completed their current stone building in 1896. A proper parish hall was opened in 1990. The hymn boards in the sanctuary were fashioned from wood taken from the original sanctuary.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Adox CHS 100 II @ ASA-100
Adox Atomal 49 (Stock) 5:45 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
If there is one place that anchors me to Oakville, it is Sheridan College. When I was at the end of my time in High School, Sheridan stood out as the college I wanted to pursue my further education. And I'm glad I picked the Trafalgar Campus, as it has become my second home. The college itself had a humble beginning in an old Brampton HS but found its course in Oakville.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Photographer Gregory Crewdson checks the image of Union street on the ground-glass ofhis large format cameras, Wed Feb 8, 2006 (GARVER) Pittsfield, Massachusetts
Constructed in the village of Ridgeway, this new station replaced the original Bertie Station completed in 1864 by the Buffalo & Lake Huron Railway. Grand Trunk replaced that station with the current station in 1900. It continued to serve the village of Ridgeway until 1974 when it was moved to the Fort Erie Railway Museum and serves as their primary exhibit building.
Graflex Crown Graphic - Nikon Nikkor-W 1:5.6/180 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scaner: Epson V700
Editor: Adobe Photoshop CC
Constructed by Grand Trunk Railroad in 1906, it replaced the original Hamilton & North-Western Station completed in 1879. The H&N-W station would see conversion to a freight shed. Being a small branch line with low passenger traffic, the small station built in the Queen Anne Revival Style had little amenities, a small waiting room and a baggage room. Ticket booth and telegraph room. Washrooms were located in a separate outdoor building. By 1906 only two passenger trains stopped at the station going between Hamilton and Allandale. Canadian National Continued this service after they took over the GTR network in 1923, even running some of the early diesel-electric self-propelled cars on the branch. The service was discontinued in 1961 as CN planned to reroute their tracks away from the downtown. While the old branch remained open, it also closed by the 1970s, and the old station faced demolition. The original station would be demolished, but 1906 was saved and moved to its current location in Chris Hadfield (earlier, Unity) Park in 1975 and restoration work completed by inmates at the Mimico Reformatory. It has since served as home to the Milton United Way and a Tourist Information Centre.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Film: Polaroid 55, Negative rated at ISO 25
Camera: Cambo 4X5
Lights:
Main Light from right: Monoblock Ultra600 Full Power through umbrella
Light from behind: Nikon SB 800 1/16 of Power with zoom 28mm
Light Left: Nikon SB 800 1/64 of power with zoom 105mm pointing to silver reflector.
Paper: Forte Polywarmtome Plus Glossy FB.
Development: & minutes on Moersch SE5 Lith.
Special Thanks to caoseducado, www.flickr.com/photos/29076247@N04/ , for the creative vision and production.
It was constructed for Canadian Pacific Railway by the Canadian Locomotive Company in Kingston. Canadian Pacific 1095 is a class D10h, a 4-6-0 "Ten-Wheeler" designed for mixed service. CP 1095 started its career in 1913, stationed out of Winnipeg before transferring to Southern Ontario and ending in Montreal. Throughout its service, the locomotive provided branch-line passenger service, freight service and ultimately yard switching duties. Retired in 1960, it underwent restoration before arriving in Kingston in 1967 as a display piece in Confederation Park. Restoration efforts started in 2006, with work being completed between 2010-2013; today, 1095 retains the name "Spirit of Sir John A" and is a popular tourist attraction in downtown Kingston.
Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
The Bromley Mill, located on the Cuttalossa Creek in Solebury Township, Bucks County Pennsylvania, not far from New Hope. The Mill has been known as Bromley Lowe’s Hobby Mill or simply Bromley’s Mill. It stands across the street from the Cuttalossa Inn. The name Cuttalossa comes from the name of an Indian village which existed in the area meaning "the place of the middle spring." The original mill dates back to 1752 and was in use until 1929. On the grounds of the mill, mini Baby Doll Sheep are raised alongside Chickens and Geese. You can purchase a handful of feed from a machine in front of the Inn and feed the animals. It's a very quiet and idyllic setting, great for photography.
4x5 for 365 Project details: greggobst.com/4x5-for-365/
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter. No filter.
Film: Arista EDU 200 Ultra B&W Negative Film, shot at box speed.
Exposure: 1/2 second @ F45.
Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 12 minutes @ 20 degrees Celsius. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo rinse.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Lightly warm toned in Lightroom.
La Gundlach Korona View és una càmera nord-americana de gran format, força lleugera i de gran qualitat.
Aquesta càmera en concret és la Korona View de segón model, fabricada entre 1909 i els anys 30; en tot cas aquesta data d'abans del 1926, ja que la companyia canvià de nom. És de format 5x7 polzades i la vaig comprar amb un objectiu Plaubel Anticomar f4.2 / 210mm montat en un gran obturador Compound; junt amb la càmera anaven tres portaplaques dobles amb el nom del antic propietari, Dr. H. B. Wright. Tot plegat sembla indicar que fou venguda als Estats Units als anys 20 o 30.
És molt curiós perquè la vaig comprar amb la idea exprés de fer-la servir per a fer plaques de col·lodió, i un dels tres portaplaques estava precisament adaptat per a col·lodió (i marcat com a tal).
Per cert, només em vaig adonar a posteriori que havia comprat una càmera que porta per nom KORONA just aquest any 2020.
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
==================
The Gundlach Korona View is a large format American camera, quite light and built in high quality materials.
This particular item is the 2nd. model Korona View, made between 1909 and the 1930s; but this one was made before changing the name of the company in 1926. It is a 5x7 format camera and I bought it with a Plaubel Anticomar f4.2 / 210mm lens mounted on a large Compound shutter; along with the camera were three double plate holders with the name of the former owner, Dr. H. B. Wright. All this seems to indicate that it was sold in the United States in the early 1920's.
It’s very curious because I bought it with the express idea of using it to make collodion wet plates, and one of the three plate holders was precisely adapted for collodion (and marked as such).
By the way, have you noted that I bought a camera named Korona pricely in this 2020? The year of what...?
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...
This is the 5x7 field camera I completed a few mouths ago. I’ve been shooting with it and have made a few changes since this photo was taken. Front has swing, shift, tilt, rise and fall. Back has tilt and swing. The top end of the camera is a traditional folding field camera design but the chassis is all aluminum and fiberglass.
"Easter Greetings."
See also Photo_History's copy of this postcard:
Rabbit with View Camera Photographing a Rabbit Couple.
Originally posted on Ipernity: Easter Bunny Photographer.
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
weight: 1.7kg
A church from the 13th century in Utrecht - not catholic anymore since centuries
This photo is not cropped in post, but is shot that way due to view camera adjustments.
Although artistically this is merely a snap for me it marks a photographic milestone as the first image produced from a large format view camera. I crouched sweating in the sun under a darkcloth muttering, swearing, adjusting and checking for 20 minutes before I finally triumphantly pressed the shutter release and heard the magical clockwork noise of the shutter on my Linhof Technikardan.
I hope to make the Linhof my main landscape camera and hope future images become a little more second nature.
If you like my photos please have a look at my website, www.markmullenphotography.co.uk , on facebook www.facebook.com/markmullenphotography and on twitter www.twitter.com/markmullenphoto
A tree stands alone amidst the fence lines on the Gettysburg Battlefield National Historic Site. I would normally shy away from such a symmetric composition like this but sometimes rules need to be broken.
Camera: Calumet 45NX 4x5 large format monorail view camera. Composed on ground glass to intended size using homemade 6x12 cardboard mask.
Lens: Fujinon-W 210 F5.6 lens in a Copal B shutter. B+W brand red filter on lens to bring up the contrast a bit.
Exposure: 1/8 second @ F45 with film rated at box speed. Metered with a Pentax 1 degree spot meter.
Film: Ilford HP5+ B&W 400 ISO Negative Film.
Development: Self Developed film in Kodak Xtol 1+2 in Paterson Universal Tank using the Taco Method. 15 1/2 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Center 6x12 section of the negative scanned with Epson V600.
For more of my work, please visit GreggObst.com.