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The driver had missed a bit!
Volvo FH 450 No.237 (BX-JX-50)
Carrier Van Duijn (Holland) specializes in refrigerated transport and storage and handling of fresh, chilled and frozen products. Their trucks are equipped with modern refrigeration and registration and travel daily to and from destinations in Western Europe, including Belgium, Germany, France, Ireland, the UK and Switzerland. They have also extended their services to Scandinavia. In addition to their transport, they offer cold store in De Lier Hansweert and spacious facilities for warehousing and cross docking.
De stenen Van Vlaenderensmolen aan de Molenslag in Vinderhoute (Lovendegem) werd in 1905 gebouwd ter vervanging van een houten staakmolen. De toen nog in werking zijnde molen werd al in 1945 beschermd, de wijde omgeving van de Kalevallei rond de molen volgde in 1984. Dit bestaat voornamelijk uit een bulkenlandschap van weiden afgezoomd met houtkanten. De kap van de molen is bedekt met kunstleien. De baard is een kleurrijk bord waarop jaartallen, wapenschilden, emblemen en de tekst ‘de hemel geeft wie vangt die heeft’ worden vermeld. Vanaf 1971 werd de molen aangepast en ingericht als woning. Het interieur ging hierbij, ondanks de bescherming, grotendeels verloren. In 2008 werd de romp hersteld.
Foto: Niels Vertongen
De tegentrein van de koploper. tweemaal plan V die dienst deed en vertrok op deze koude dag naar Barneveld centrum.
Let ook even op de oude overweg beveiliging.
STROOPWAFELS-HOllAND 荷蘭Vander breggen 出產傳統焦糖漿煎餅 ...下午茶、咖啡絕佳搭配，曾獲柏拉弗咖啡、Starbuck咖啡採用之最佳甜點。
開封後,可搭配咖啡或茶直接食用...想要更好吃,推薦您~~因為有焦糖夾心,所以當您在飲用熱茶或咖啡時先將煎餅放在杯口加溫使餅乾夾層中的焦糖糖漿溶化,會讓煎餅更香甜(軟)更好吃喔。
Văn phòng ảo 0981391177 innohouse.vn/dich-vu-van-phong-ao-hcm/ innohouse.vn/van-phong-chia-se-innohouse-khuyen-mai-dac-b... 202 Hoàng Văn Thụ, P.9, Q.Phú Nhuận, Hồ Chí Minh info@innohouse.vn 0912 365 788 – 098 139 1177 #vanphongao #coworkingspace #sharedoffices DỊCH VỤ VĂN PHÒNG ẢO – CHO THUÊ ĐỊA ĐIỂM ĐẶT VĂN PHÒNG VỚI ĐẦY ĐỦ TIỆN ÍCH a/ Đối với khách đã có công ty – Thanh toán 12 tháng, tặng 06 tháng phí thuê văn phòng – Thanh toán 06 tháng, tặng 01 tháng phí thuê văn phòng b/ Đối với khách đăng ký mới – Miễn phí DV thành lập doanh nghiệp ( vốn góp 100% VN) – Tặng quý báo cáo đầu tiên cho khách hàng sử dụng dịch vụ kế toán dịch vụ van phong ao cam kết giảm thiếu tối đa ngân sách chi tiêu setup vận hành văn phòng của doanh nghiệp lên đến 85% Ưu điểm: Không tốn chi phí cố định Có khu vực tiếp khách và tiếp tân chuyên nghiệp Tư vấn thành lập doanh nghiệp miễn phí Địa chỉ đăng kí kinh doanh, bảng tên doanh nghiệp Gói photo/in ấn/scan trị giá 100.000/ tháng Được ngồi văn phòng đẹp, máy lạnh và khu tiếp khách sang chảnh Cho thuê phòng họp miễn phí hiện đại theo gói đăng ký CHỖ NGỒI LÀM VIỆC LINH HOẠT – Thứ 2 ngồi miễn phí. Giảm giá ngay 20% khi đăng kí thuê chỗ ngồi ngay hôm đó!! Ưu điểm: Linh hoạt chỗ ngồi, thay đổi khi muốn. Chi phí theo ngày hợp lý để thử sử dụng và quyết định thuê CHỖ NGỒI LÀM VIỆC CỐ ĐỊNH – Giảm từ 10% đến tối đa 35% khi đăng kí chỗ ngồi làm việc cố định Ưu điểm: Có tủ hồ sơ riêng và bàn làm việc riêng của chính bạn. Thoải mái bỏ lại giấy tờ hồ sơ tại văn phòng ĐẶC BIỆT: Cung cấp dịch vụ và tiện ích văn phòng đầy đủ. Chỉ dành 1000% thời gian cho việc kinh doanh của bạn
found my old vans slip-ons, thought i’d wear them today. i forgot how comfy they are.
totally want to bring these back.
The Drinkers – painting (dated 1890) by Vincent van Gogh. Seen in the Van Gogh Museum in Amsterdam during exhibition 'Van Gogh at work' - property of The Art Institute of Chicago
À l'emplacement de l'actuel Beffroi de Bruges (en néerlandais : Belfort van Brugge) se trouvait à l'origine une première construction surmontée d'une tour en bois érigée en 1240. La construction abritait les halles aux laines et aux draps et des entrepôts. La tour avait une fonction plus administrative et servait à l'époque aux magistrats de la ville. Elle comportait une salle de coffres ainsi que les archives de la ville.
Un incendie détruisit la tour en 1280, ce qui entraîna la destruction des archives d'avant 1280. Un hôtel de ville fut construit en un autre endroit (sur le « Burg ») où la plupart des fonctions administratives déménagèrent. La tour fut reconstruite en 1296 avec deux soubassements carrés et la flèche de la tour en bois.
Les halles de la ville se sont étendues au cours du XVe siècle et de 1483 à 1487 on construisit la partie supérieure octogonale en pierre blanche, flanquée de quatre tourelles, toujours surmontée d'une flèche en bois sur laquelle figurait une statue de Saint Michel.
Un incendie provoqué par la foudre détruisit à nouveau la partie supérieure, ainsi que les cloches de la ville en 1493. Lors de la réparation on construisit une flèche en bois ornée de lions grimpants.
Une galerie fut ajoutée à l'arrière des halles au cours du XVIe siècle. La cour intérieure reçut également quelques galeries au premier étage.
En 1741 un incendie détruisit une nouvelle fois la flèche de la tour. Celle-ci fut réparée en 1753. La tour reçut sa forme actuelle de couronne néogothique en 1822 à la place d'une flèche.
Le Beffroi de Bruges, d'une hauteur de 83 m, est légèrement incliné vers la gauche (d'1,19 m) depuis plus de quatre siècles. Il est visitable. Pour parvenir au sommet il faut monter 366 marches. Le carillon comporte 47 cloches.
Les halles se trouvant sous la tour avaient une fonction commerciale. Elles étaient composées de plusieurs salles où les artisans, avec l'aval de la ville, commercialisaient leurs produits. Au deuxième étage se trouvaient une chambre forte (la salle du Trésor) et les archives de la ville. Les comptes annuels datant d'après 1281 sont tous conservés. Ils étaient rédigés en latin jusqu'en 1300 ensuite ils furent rédigés en langue populaire.
Les lois et règlements de la ville furent proclamés du haut du balcon situé au-dessus de la porte d'entrée devant le peuple invité au rassemblement par la cloche du beffroi et furent appelés « Hallegeboden » (en néerlandais : les bans des Halles).
La tour servait essentiellement de tour de garde pour déceler les incendies en ville.
Avant le XVIe siècle, les cloches étaient actionnées manuellement. Le fait de sonner les cloches avaient une signification particulière, notamment :
•l'ouverture et la fermeture des portes de la ville ;
•une « cloche de travail » qui indiquait le début et la fin du temps de travail. Il était alors interdit de travailler avec une luminosité insuffisante ;
•une cloche qui annonçait quand il n'était plus permis d'être en rue sans torche ;
•des cloches festives (par exemple, pendant la procession du Saint Sang à Bruges).
À partir de 1523 un tambour, actionné par une horloge, servit à automatiser certaines cloches (comme sonner les heures). Grâce à ce tambour, il fut également possible de jouer des partitions (profanes et religieuses). À partir de 1604 les autorités de la ville louèrent les services d'un carillonneur pour faire cela les dimanches, jours fériés et jours de marchés.
En 1675 le carillon était composé de 35 cloches, conçues par l'anversois Melchior de Haze. Après l'incendie de 1741 le carillon fut équipé de 47 cloches, construites par Joris Dumery, pour un total de 27,5 tonnes. Elles sont encore utilisées actuellement.
- Traitement photo normal cette fois-ci aucun traitement noir et blanc et aucunes photos avec effets en HDR (High dynamic range) n'ont été réalisées.
Sorry but the only pic worthy of posting today, is the last of our van / home. Very strange feeling.
strobist info: clamshell setup using two shoot-thru umbrella with YN560 and a 430EXII in 28" Apollo behind Van's head.
Werk van Anne van Eck bij Galerie Ars Longa (tot en met 19 mei).
De naam van Anne van Eck is in mijn hoofd blijven hangen sinds ik drie jaar geleden haar beeld zag van een monsterachtig groot konijn dat een kat aan het dekken was. Het zag er grappig uit, maar ook meelijwekkend, die slanke kat onder dat moddervette konijn. Beide dieren keken intussen verzaligd. Wie zijn wij om erover te oordelen.
Op Van Ecks website stonden nog meer gebeeldhouwde huisdieren, en weer zag dat er minder gezellig uit dan het klinkt. Honden en knaagdieren – of kruisingen daartussen – hadden vaak iets van een larve, van een foetus of van een dier dat al een tijdje dood is. De meeste waren kaal. Ze oogden verstijfd en soms wat opgezwollen. Toch zagen ze er ook aantrekkelijk uit, goed gemaakt en gestileerd.
En nu stelt Anne van Eck negen zwarte vogels tentoon bij Galerie Ars Longa in Gorinchem. Dode vogels, ongetwijfeld. Ze lijken te liggen, maar hangen aan de muur. Net als haar eerdere beelden zijn ze morbide en mooi tegelijk. Van Eck heeft sculptuur gemaakt van hun verenpak, de zachte veren zijn harde blokjes geworden. Maar van een afstandje zien die klonten blokjes er toch weer donzig uit. Als plumeaus van zachte drop.
Van Eck exposeert bij Ars Longa met graficus Elsbeth Cochius en tekenaar Sarah van der Pols. De tentoonstelling is samengesteld door Piet Augustijn, die als conservator hedendaagse kunst van het Gorcums Museum sinds 1995 opvallend veel leuke kunstenaars naar het vestingstadje haalde. De galerie is klein, maar goed te bezoeken in combinatie met Zwart & wit, Augustijns afscheidstentoonstelling in het museum. Hij gaat met pensioen. Door bezuinigingen bij de gemeente krijgt hij geen opvolger.
(Geschreven voor de NRC van 11 april)
Yugoslavian postcard by Studio Sombor, no. 406.
Voluptuous American actress Mamie Van Doren (1931) was a sex symbol of the 1950s and 1960s. Van Doren starred in several exploitation films such as Untamed Youth (1957), loaded with rock 'n' roll and juvenile delinquency. Her onscreen wardrobe usually consisted of tight sweaters, low-cut blouses, form-fitting dresses, and daring swimsuits. Mamie and her colleague blonde bombshells Marilyn Monroe and Jayne Mansfield were known as 'The Three M's.'
Mamie Van Doren was born Joan Lucille Olander in Rowena, South Dakota, in 1931. She was the daughter of Warner Carl Olander and Lucille Harriet Bennett. In 1942 the family moved to Los Angeles. In early 1946, Van Doren began working as an usher at the Pantages Theatre in Hollywood. The following year, she had a bit part on an early television show. She also sang with Ted Fio Rito's band and entered several beauty contests. She was married for a brief time at seventeen when Van Doren and her first husband, Jack Newman, eloped to Santa Barbara. The marriage was dissolved quickly, upon her discovery of his abusive nature. In the summer of 1949, at age 18, she won the titles Miss Eight Ball and Miss Palm Springs. Van Doren was discovered by producer Howard Hughes the night she was crowned Miss Palm Springs. The pair dated for five years. Hughes provided her with a bit role in Jet Pilot at RKO Radio Pictures. Her line of dialogue inconsisted of one word, "Look!". The following year, 1951, she posed for famous pin-up girl artist Alberto Vargas, the painter of the glamorous Vargas Girls. His painting of Van Doren was on the July 1951 cover of Esquire magazine. Van Doren did a few more bit parts in RKO films, including His Kind of Woman (John Farrow, 1951) starring Robert Mitchum and Jane Russell. Van Doren then began working on the stage. She was a showgirl in New York in Monte Proser's nightclub version of Billion Dollar Baby. Songwriter Jimmy McHugh discovered her for his musicals, then decided she was too good for the chorus line and should have dramatic training. She studied with Ben Bard and Bliss-Hayden. While appearing in the role of Marie in a showcase production of Come Back, Little Sheba, Van Doren was seen by Phil Benjamin, a casting director at Universal International. In 1953, Van Doren signed a contract with Universal Studios. They had big plans for her, hoping she would bring the same kind of success that 20th Century Fox had with Marilyn Monroe. Van Doren, whose signing day coincided with the inauguration of President Eisenhower, was given the first name Mamie for Ike's wife, Mamie Eisenhower. Universal first cast Van Doren in a minor role as a singer in Forbidden (Rudolph Maté, 1953), starring Tony Curtis. Interested in Van Doren's allure, Universal then cast her again opposite Curtis in The All American (Jesse Hibbs, 1953), playing her first major role as Susie Ward, a wayward girl who is the man-trap at a campus beer joint. In Yankee Pasha (Joseph Pevney, 1954), starring Jeff Chandler and Rhonda Fleming, she played a slave girl, Lilith. In 1955, she had a supporting role in the musical Ain't Misbehavin' (Edward Buzzell, 1955) and starred in the crime-drama, Running Wild (Abner Biberman, 1955). Soon thereafter, Van Doren turned down a Broadway role in the play Will Success Spoil Rock Hunter?, and was replaced by newcomer Jayne Mansfield. In 1956, Van Doren appeared in the Western Star in the Dust (Charles F. Haas, 1956). Though Van Doren garnered prominent billing alongside John Agar and Richard Boone, she appears rather briefly, as the daughter of a ranch owner. By this time, Van Doren had grown tired of Universal, which was only casting her in non-breakthrough roles. Therefore, Van Doren began accepting bigger roles in better movies from other studios, such as Teacher's Pet (George Seaton, 1958) with Doris Day and Clark Gable. She appeared in some of the first movies to feature rock 'n' roll music, such as Untamed Youth (Howard W. Koch, 1957). The film was originally condemned by the Catholic Legion of Decency, but that only served to enhance the curiosity factor, resulting in it being a big moneymaker for the studio. Van Doren became identified with this rebellious style, and made some rock records. She went to star in several bad girl movies that later became cult films. These include Born Reckless (Howard W. Koch, 1958), High School Confidential (Jack Arnold, 1958), and The Beat Generation (Charles F. Haas, 1959). After Universal Studios chose not to renew her contract in 1959, Van Doren was now a free agent and had to struggle to find work.
Mamie Van Doren became known for her provocative roles. She was in prison for Girls Town (Charles F. Haas, 1959), which provoked censors with a shower scene where audiences could see Van Doren's naked back. As Eve in The Private Lives of Adam and Eve (Mickey Rooney, Albert Zugsmith, 1960) she wore only fig leaves, and in other films, like Vice Raid (Edward L. Cahn, 1960) audiences were clued in as to the nature of the films from the titles. Many of these productions were low-budget B-movies which sometimes gained a cult following for their high camp value. An example is Sex Kittens Go to College (Albert Zugsmith, 1960), which co-starred Tuesday Weld and Mijanou Bardot - Brigitte's sister. Mamie also appeared in foreign productions, such as the Italian crime comedy Le bellissime gambe di Sabrina/The Beautiful Legs of Sabrina (Camillo Mastrocinque, 1959) with Antonio Cifariello, and the Argentine film Una americana en Buenos Aires/The Blonde from Buenos Aires (George Cahan, 1961) with Jean-Pierre Aumont. Van Doren took some time off from her career and came back to the screen in 1964. That year she played in the German Western musical Freddy und das Lied der Prärie/In the Wild West (Sobey Martin, 1964), starring Freddy Quinn and Rik Battaglia. Tommy Noonan convinced Van Doren to appear in 3 Nuts in Search of a Bolt (Tommy Noonan, 1964). Van Doren had turned down Noonan's previous offer to star in Promises! Promises!, in which she would have to do nude scenes. She was replaced by Jayne Mansfield. In 3 Nuts in Search of a Bolt, Mamie did a beer-bath scene, but is not seen nude. She posed for Playboy to promote the film. Van Doren next appeared in The Las Vegas Hillbillys (Arthur C. Pierce, 1966) which co-starred Jayne Mansfield. It was the only time two of 'The Three M's' appeared together in a film. A sequel was titled Hillbillys in a Haunted House, but Van Doren turned this role down, and was replaced by Joi Lansing. She appeared in You've Got to Be Smart (Ellis Kadison, 1967), and the sci-fi film, Voyage to the Planet of Prehistoric Women (1968), directed by the young Peter Bogdanovich (as Derek Thomas). In this film astronauts land on Venus and encounter dangerous creatures and meet sexy Venusian women who like to sun-bathe in hip-hugging skin-tight pants and seashell brassieres. In 1968, she was offered the role of a murder victim in the independent horror film The Ice House as a replacement for Mansfield, who died the previous year. She turned the offer down, however, and was replaced by Sabrina. During the Vietnam War, she did tours for U.S. troops in Vietnam for three months in 1968, and again in 1970. Van Doren also developed a nightclub act and did live theater. She performed in stage productions of Gentlemen Prefer Blondes and Dames at Sea at the Drury Lane Theater, Chicago, and appeared in Will Success Spoil Rock Hunter? and The Tender Trap at the Arlington Park Theater. In the 1970s, Van Doren performed a nightclub act in Las Vegas as well. Van Doren had a supporting role in the Western The Arizona Kid (Luciano B. Carlos, 1970). Since then, Van Doren has appeared only in cameo appearances in low-budgeted films. To this date Van Doren's last film appearance was a cameo role in the comedy Slackers (Dewey Nicks, 2002). Van Doren's guest appearances on television include Jukebox Jury, What's My Line, The Bob Cummings Show, The Jack Benny Show, Fantasy Island, Burke's Law, Vega$, and L.A. Law. Van Doren released her autobiography, Playing the Field, in 1987 which brought much new attention and proved to be her biggest media splash in over 25 years. Since the book's publication she has often been interviewed and profiled and has occasionally returned to acting. Van Doren has been married five times. Her first marriage was to sportswear manufacturer Jack Newman whom she married and divorced in 1950. Her second marriage was to bandleader, composer and actor Ray Anthony whom she married in 1955. They had one son, Perry Ray Anthony (1956). The couple later divorced in 1961. When Van Doren's early 1960s, highly publicized, on-again off-again engagement to baseball player Bo Belinsky ended in 1964, she married baseball player Lee Meyers in 1966. They were divorced in 1967. Her fourth marriage was to businessman Ross McClintock in 1972. They met while working on President Nixon's reelection campaign; the marriage was annulled in 1973. Since 1979 she has been married to Thomas Dixon, an actor and dentist.
Sources: Wikipedia and IMDb.
Lustucru 1:43 scale vans, two by Eligor, Citroen 500 kg, just different base colours – and a Renault 1000 kg from the Altaya magazine series 'Nos Cherès Camionnettes'. At the back is a nostalgia repro tin which was sold with some boxes of the pasta.
Building this year's LNUR/LSUR member wagon: the ventilated van designed by Ben Rogers (with some personal mods).
Paard van Marken in het donker met op de achtergrond het licht van de kassen in de polders aan de overkant van het IJsselmeer.
This lighthouse is at Marken a village at the IJsselmeer (earlier called Zuiderzee) in the background you see the illumination of the greenhouses at the other side of the lake.
Nikon D7000 + 16-85mm F/3,5-5,6G
No tripot - 42mm - ISO 800 - 6s - f/10
Please be free to leave your comments. There is always something to learn.
I appreciate that very much.
Laat gerust uw commentaar achter. Daar kan ik altijd iets van opsteken en
stel ik zeer op prijs.
DSC_7224_CONV_21_bew
thought i'd dust this stencil off, push it around a bit and see where it went. it went this way...
acrylic and spraypaint on canvas, 30 x 30 cm.
this, and others, will be available to buy at the Portsmouth Kleine Wagens "Beach Buggin' 09" event on Southsea common, on the 16th August.
or see www.t8gallery.com for contact details. commissions undertaken with enthusiasm, for enthusiasts.