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Ridewell Bike Show Preston Farm Stockton on Tees. Photo taken on 10th July 2011 using Nikon D5000 with AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G EDII lens
I decided to include a colour version! (Seeing as I love blue so much) woooohooo having a great time at college nothing better than surfing Flickr when your teacher still hasn't arrived yet! :) major problems from the storm last night!
Vans from my own collection.
About:
- Knu Skool
- Charcoal/red
- m 9.0
- since 2003 / like new.
price: R$ ???.?? What's Your Best Offer?
JOWETT BRADFORD VAN.
The Jowett Bradford was a British light van that was produced from 1946 to 1953 by Jowett Cars Ltd of Idle, near Bradford, England.
The interior of a peasant’s cottage is one of van Ostade’s greatest paintings. It is in complete contrast with those representations of bourgeois figures by artists such as de Hooch or Metsu. Having begun by focusing on the rowdiness and boorishness of peasants, by the 1650s van Ostade had chosen to develop a more sympathetic depiction of peasant life. Here he shows a mother holding up a doll for her child to play with, watched by a doting father. An older child eats from a bowl on a stool, closely observed by a dog. The eye then begins to take in all the other details of family life strewn across the floor - the shopping basket, the laundry basket, the children’s elaborate chamber pot, the broom, various games, the walking frame. The light comes through the latticed windows on the left, as in van Ostade’s earlier picture on a similar theme. At the top an open window suggests that it is summer; it is echoed by the open cupboard door. This is a spacious composition combining a successful application of perspective that leads the eye back into the deeper recesses of the room, tonal nuances that create a sense of atmosphere, and an extraordinary accumulation of realistic detail. The range of objects painted by van Ostade in order to re-create this peasant interior is formidable. The concentration of light on the principal figures is such that only gradually does the viewer realise that there are other figures in the shadowed recesses of the room.
Van Ostade’s composition is reminiscent of The Holy Family by Rembrandt (Louvre, Paris) of 1640 and further knowledge of Rembrandt is displayed in van Ostade’s etching of a peasant family of 1647. As in Rembrandt’s works, it is van Ostade’s powers of empathy that bring great distinction to a painting such as The interior of a peasant’s cottage, and in many respects collectors in the eighteenth century regarded van Ostade’s achievement as comparable with Rembrandt’s. It was his degree of realism that impressed artists and collectors of the nineteenth century, although from that moment his reputation began to decline. The painting was in the Smeth van Alphen collection in Holland in the early nineteenth century and was acquired by George IV in 1811.
Oil on panel | 49.1 x 41.2 cm
The New Orpheans
Feat. Robin van Beek & Daan Bogers
@ Centree
Nieuwe Kerk
Zierikzee
Netherlands
Marjon van Iwaarden, Robin van Beek – vocals
Ko de Rooij, Pim Schrijver, Rinus Zuidweg, Daan Bogers – trumpet & flugelhorn
Frans van der Wende, Jurgen van Oostenbrugge – trombone
Peter Poppelaars, Stephan Krekelberg, Hans Goemans, Ko Zuidweg – saxophone
Daniël Mathot – guitar
Collin Clement – bass
Lennert Goemans – drums
Photo © Eddy Westveer
ALL RIGHTS RESERVED
20111216_EWS5043