View allAll Photos Tagged strobe

pink strobe light clicking on and off (to a metronome) in a room within the pompidou center

Shot some with strobes and some without over a five-minute period that featured the ever-struggling-not-to-kill-me Ms. Vernon getting ready to head to Prom Dinner while I returned from teaching a workshop at Starved Rock. We found a brick wall and went to work.

Trash bag setup with strobe as shot (1/2 I think).

Ill take some more EF lenses...ANYONE?!

 

I borrowed some Speedlites from Dave for a shoot tomorrow

 

Speedlite 430EX to camera right on stand behind me on

Speedlite430EX to camera right in front of me

Speedlite 430EX to camera left to the left of me (by Dr. Pepper Can ;) )

Vivitar 285HV camera right.

Fotografía estroboscópica.

• Fotografía de una sola toma con el uso de flashes en opción multiple exposición.

• Se usaron 5 flashes Canon EXII580.

 

This is a picture I took shortly after investing in a back drop kit. I decided to test the kit out while also testing the waters with my first baby shoot. Set up here was as simple as you can get. The black muslin backdrop was draped over a pillow so my model was nice and comfy the light was a single 550EX one a boom directly above in a soft box. Power was only 1/16 since I was able to work the light in so close.

 

I could have used a shoot through umbrella here but the soft box is a better tool when using a black background. It helps you control unwanted spill into the lens of your camera as well as keep the light off the background.

 

Set up is simple but just for the sake of consistence you can see the diagram here.

www.flickr.com/photos/anotherstatistic/6522663543/in/phot...

 

And of course visit me on my Blog or face book.

www.another-statistic.com/photoblog

www.facebook.com/nealallenphotography

 

Svarteld lightstand with two Lastolite 100cm umbrella-softboxes, two strobes, one Pocket Wizard, one optical slave trigger. Regarding the light stand I applied three little hacks regarding the head and thee feet of the tripod, as well as for the rope that holds the umbrellas in place.

The strobes are mounted without using a swivel. See the pictures in the stream or in my Strobist DIY album for more details.

 

Original design:

blog.svarteld.com/2010/02/homegrown-ultralight-lightstand...

 

Shot as an illustration for a blogpost.

Javier came down to catch some clips and came out with this sick never been done blunt.

  

285hv in front and to the right of me

triggered CBS

Shots like these used to drive me absolutely insane. Anyone that used a blowtorch before would tell you that the inner cone might be visible, but the outer cone is very faint (and, a quickie science class here: The hottest part of the flame is at the tip of the inner cone).

 

To shoot this shot, I turned off my shop lights (and make my way back to the torch, very careful not to trip over my camera - or worse, topple the tripod with my camera and poverty wizard multimax into the blow torch). Now, my ambient light is my flame and I can expose for that without worrying about blowing anything else out. Finally, to capture the rest of the scene (torch, canister, etc) I use a strobe softened with a brolley, and just adjusted power accordingly to give myself a good exposure on the can and background.

 

I think on camera flash would have killed the cherry red hot tip.

 

Strobist:

580EX II M 1/32 Brolleyed cam right

First attempt with a strobe. Fired manually from straight ahead. Please let me know what you think!

One strobe with a grid from the back, one from the upper left in a home made softbox.

contrejour shot filled with a 580 ex II shoot through umbrella camera right

Here's my first try at strobing.

Was completely unprepared, so all I had to use as a strobe was my dad's Samsung Galaxy.

  

ISO 100

10mm

f3.5

45 second exposure

sb 600 1/4 power inside a wescott 28 in. cl with a cto gel and white balance to tungsten.

we put the strobe light on and they all danced around.

A second go at the muppet shot with a small shoot-through brolly this time. The flash is blue-gel'd as before and the shot's colour balanced in-camera to throw the blue light back to white and the background to orange.

Played around with the flash I borrowed from Arif and I have no idea how to strobe. I went out to the garage and played around and happened to get a nice shot.

 

Next time, I should do my homework :(

SB900 in 60x60 softbox on camera left, triggered by CLS

American McGee's Alice remake 1

Myself in my room.

Cross illumination based on a 580EX on right (1/8 power) diffused via a shoot-throug white umbrella, a bare Vivitar on left @ 1/16 power

Camera on tripod, remote release (that's why left hand is not in the scene).

Canon 5D + 50/1.2L

1/200s f/11 200ISO

edited in DPP and sharpened in Gimp.

Please notice the different shape of the shadows, cause by a bare and a diffused light

A PVC cap covers these controls to keep rain out. Clamp (C shaped part of what used to be a PVC "T" fitting upper left of controls) just clips on the PVC tripod leg and pops off when you want to remove it. This controls pan, tilt, power level, modeling light and main on-off.

Lighting info: beauty dish with white sock camera left

Fun at the Studio, where our students learn how to shot a variety of styles, from Fashion to Products.

 

Shot during Bangalore Strobist Meet at Srirangapatna (more info).

 

Strobist Info – Vivitar 285HV at full power shot direct from frame left.

 

Credits: Model: Danny; Assisted By: Manas & Sunil

 

© Akshathkumar Shetty - All Rights Reserved. This image should not be reproduced, published, transmitted in any forum (even via e-mails/or upload to Orkut/or any other networking sites) or in print or in any other physical or electronic forum either in part or in whole without the explicit written consent from the copyright owner. Legal action will be initiated against any individual, organisation, institution, agency, publishing house, etc. who violate the Copyright laws including but not limited to those mentioned here and use the image for any commercial/non-commercial purposes.

 

If you would like to use any of the photograph displayed here commercially or would like to use for any other use please do contact me via my profile page. Thanks

Three strobes: 2 Vivitar 285HVs 1/16 left and right w CTO gel, 1 540EZ at 1/32 from the bottom of the frame. White reflector at frame top.

Not quite happy with the DOF - the "top nut" is a little soft in the shell:-)

Test Shot for lighting set-up at camera club. The only shot I took all evening.

 

Lighting: Single Quantuum 300 W/S strobe @ 1/32nd power into gridded and double diffused 120x80cm Soft-Box (Speed-Box, brolly-type, similar to a Westcott Apollo), triggered by RadioPopper JRx's.

 

Debs & I set the lights up at at CC for the members to have a play with.

 

2 set-ups on the night. 2 x 600 W/S Quantuums and 2 x 300 W/S Quantuums triggered by either RF-602's or RadioPopper JRx's. Some of us even ventured outside to shoot some flash/ambient mixed shots.

4 strobes to enlight the background and 1 strobe front of the model with a big silver umbrella

Modèle : www.vi-olaine.book.fr

View watch back XL Size

 

Strobist: ... but it was that super-duper powerful fireball that's free to all on any given sunny day. I've had a lot of people interested in the photos I took of my Canon G10 Waterfield Design camera case, but once they learn that I used 3 strobes, they lost interest in trying it themselves. So I finally took a break from my studies and set up my DIY ultra-cheap soft box for lighting exclusively with the sun to show everyone how easy it is to take these photos. Soft box setup photo is here, construction details are in this post. I've left myself and the white foam core board in the photo so you can see how I was lighting from the front; Strobists know where to look. :-)

 

Thanks to DH & the Strobist Community for teaching all of us how to better illuminate our photos, no matter what the light source is. Kudos to mingthein for the tips, tricks, and inspiration on fine watch photography.

 

This watch is a knock off purchased last year in Beijing. It's too gaudy for my tastes, but I'm such a sucker for skeleton watches and the workmanship on this watch is very impressive. I'm sure there are glaring defects in it for someone who is a watch connoisseur, but it's good enough for me. The prices for real Vacheron Constantin watches that I've seen start around new Mini Cooper prices and go up to luxurious house in the hills prices. Needless to say, I will not ever be purchasing an original at those prices!

 

Watch is resting on glass tiles that I found at a discount store for $1.50/ea which is on a square foot tile of frosted white plastic from Tap Plastic.

 

Simplex TrueAlert ES fire alarm speaker/strobe and alert strobe. Picture taken in Los Angeles, CA.

bit of a personal taste one?

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