View allAll Photos Tagged striplight
After a few weeks of creative deprivation caused by a deep cut and a new situation in my life I try to catch up with my work and slowly return to normal life...
Last weekend Teymur Madjderey aka www.icedsoul.de/ was in Town for a visit. We went to the lightGIANTS Studio for some shots.
We had a lot of fun and this is one shot out of the batch.
You can find a before and after comparison at my site.
Or have a look at the large version on black!
WOW... you guys ROCK! Thank you all for FrontPage! :-)
and for making this shot #4.
strobist:
2x Bowens Gemini 400 at 3/5 of power through Striplights left and right behind the model
1x Bowens Gemini 400 at 1,5/5 of power into a honeycombed beautydish pointing directly at the model from above.
Copyright © t0m photography - Thomas Reimann. All rights reserved
Model: Jane
MUA: Jane
Camera: Nikon D800
Lens: Nikkor AF-S 24-70 f2.8 @ f10
Studio: The Hague
Light setup: Strip-light softbox camera left, 2 foam board panels on both sides of the model, 2 studio rim lights behind (L+R) with barndoors.
All triggered by Elinchrom EL Skyport.
Post production LR4 & Photoshop CS6
On a walk around Farnborough Business Park I was looking for alternative views of the airship hangar. I found this reflection in the office building across the road to be quite appealling. I had to choose th angle carefully to ensure that I wasn't part of the shot so that meant that I had to modify the perspective in Photoshop. I also removed some distracting striplights inside the building
I had set off with the intention of going to the London Eye. The sky was pretty flat so decided to go to South Kensington instead. This was the tunnel that I attempted to photograph on Sunday.
Bicycle cut-through behind the Trent Building (University of Nottingham), which allows cyclists to travel between Jubilee Avenue and East Drive without having to dismount.
19th January 2014 — GBR, Nottinghamshire
Kodak Professional Portra 160
Canon EOS-3
Sigma 35mm f/1.4 DG HSM Art
Focus Stacking aus 6 einzelnen Aufnahmen. Ein Striplight von links Hinten im 45° Winkel. Der Schein über der Pepperoni wurde mit einem Snoot mit Gelfilter erzeugt.
Focus stacking from 6 individual shots. A striplight from the left rear at a 45° angle. The glow over the pepperoni was created with a snoot with a gel filter.
follow me on Instagram:
@matthiasbauernschmidtfotograf
check my website:
Last Friday I shot my first Maternity portraits. And they came out awesome!
Strobist: Single AB 800 at 1/4 power with striplight & grid combo just above the belly, triggered with PW. A single 580EX II used for background light at 1/8 power.
Check out the slideshow on the my blog: www.alexgilliard.com
The strip lights in a pedestrian tunnel under a busy main road in the town I live.
Taken and edited on my Samsung Note 4.
License on PicFair - www.picfair.com/pics/21503386-lighting-the-way
#3 | LOST IN DRUGS
Fotoausstellung 2021 - Thema: 'Oberflächlickeit unserer Gesellschaft'
Die perfekt spiegelnde Silhouette der Spritze lässt alle unsere Zweifel und Sorgen förmlich abblitzen und uns der Klarheit des Rausches hingeben. Der Rauch zeigt als Kontrastmittel die nicht einzugestehende exzessive Giftigkeit der Drogen.
The perfectly reflective silhouette of the syringe literally blots out all our doubts and worries and makes us surrender to the clarity of intoxication. The smoke shows as a contrast the excessive toxicity of the drugs, which cannot be admitted.
schaut euch alle Fotos dieser Serie an | check out all the photos in this series: www.flickr.com/photos/mias-fotografie/albums/721577185393...
follow me on Instagram:
@matthiasbauernschmidtfotograf
check my website:
NICER VIEWING
F11 and then
farm8.staticflickr.com/7572/16217070372_debc85abf9_o.jpg
STROBIST
Beautydish with grid from the left, striplight with grid from the right. Plus continuous light from left and right (cheap construction site lamps, 2x 1000 W).
EXIF
5d3 on tripod, f/8, 3.3 seconds, ISO 100, 24-70 on 27 mm.
DETAILS
We triggered the cam on bulb mode and the flashes by hand , via a hand-hold RF trigger. The flashes were equipped with full CTO gels. To prevent light spill from the continuous lights we used large cardboard as flags to block the light.
--
Tilo ~gallo~ Gockel
Another one of Svala Jónsdóttir from this photoshoot. Like I said about that shot, I am far from a fan of smoking, I really hate it but I think it looks cool in photographs so that's that.
Hair/Makeup by my wife Henný. Lit with 4 lights, two striplight softboxes for backlighting, one light with a honeycomb on the backround and one big softbox over my head.
Thank you very much for explore! Have a peaceful time!
___________________________
Etwas müde, rote Augen. So sehen bestimmt die meisten freitags aus, oder?
Trotzdem musste ich heute doch endlich mal meine beiden neuen Spielzeuge testen: zwei Striplights von Roundflash. Funktioniert gut, man kann prima gezielt beleuchten, ohne den Rest des Raumes gleich mit aufzuhellen. Und weil gerade niemand anders da war, ist es eben mal wieder ein Selfie geworden.
Strobist Info:
1x Canon ez420 through Roundflash striplight @1/16 from cam left behind 45° as rim;
1x Canon ez420 through Roundflash striplight @1/8 from cam right, geled 1/1 cto;
both triggered by rf602.
Für dieses Foto habe ich 12 Aufnahmen mittels Focus Stacking zusammengefügt.
For this photo I put 12 photos together using Focus Stacking.
follow me on Instagram:
@matthiasbauernschmidtfotograf
check my website:
The title? Well, that scene reminded me of the old Dracula movies.... :-)
Light: Candles, striplight with grid from the right (we used only the modelling light).
Cheap LED flood lights provide a huge amount of light for they power they use.
Often the cheap ones come with no instructions or specifications so "you pays your money and takes your chance". Coupled with a diffuser or reflector they can be handy for the "black and white" photographer. The colour balance may be a bit harsh for colour work.
This shot was taken with a little 5 watt unit I bought to go outside the garage door; no reflector or diffuser just on the work bench for a quick test before getting up the ladder to install it.
Can't find the gifts your sure u were gonna get, missing any rolls of coins? HA HA, the Christmas Ninja Strikes Again!
the christmas ninja steals presents and rummages around in peoples coin trays/purses.
strobist> 430ex inside DIY softbox/striplight camera left(strobe in open foam casing with parchment paper over it as diffusion screen) , 580ex camera right highlighting the green area, though i changed the color to green in post.
... large scale version
All works © Rolf Enderes
Do not reproduce without the expressed written consent of Rolf Enderes.
Thanks, Neki, for the great modeling.
Believe it or not, this shot and body needed almost no touch-up...
MUCH NICER VIEWING
F11, and then
farm8.staticflickr.com/7284/16284372928_2c2cf521ce_o.jpg
LIGHT
One horizontal striplight with a speedlight inside from above (obviously I cloned that out). Three speedlights in the lighttable.
EXIF
5d3, EF 24-70 II f/2.8 at f/5 and at 61 mm, 1/160 second, ISO 100, RAW, WB on flash.
--
Tilo ~gallo~ Gockel
Doc Strange discovers Strobist
4 Elichrom BRX500
- Octa 150cm w/grid in front of me @2.3
- Striplight 170cm w/grid camera right @2.3
- Standard reflector camera right w/full CTB 18cm @2.3
- 150cm silver brolly, camera left @2.3
2 Led Panel
Trigger EL-Skyport Plus
Strobist Lighting 102 Assignment: Cooking.
I wanted to show some mystery and drama with this assignment.
I twisted and bent the fork to make it look expressive.
Lighting :
Canon 430EX with a DIY striplight and gobos at 1/4 power setting on the left of the camera. The fork was suspended about a foot from the background. The background was lit with a SB-28 with spot grid at 1/16 power opposite the camera. A SB-24 with spot grid at 1/8 power was supposed to be an accent light opposite the camera but it didn't fire in this shot. I liked the effect better than when it did.
For diagram of the : lighting set-up
This image was recently included in the Trade Secret Cards- Strobist Favorites Gallery Vol. 1
Strobist: Yongnuo through striplight behind subject camera right. Reflector behind subject camera left. Yongnuo fired from behind and below subject onto background. Yongnuo trigger
Surviving old style London drinking house. Note the subsidence above the signage.
Subsequently closed for good.
LR2645
Strobist info: Two vertical striplights coming from camera left and right, lights are 285HV's triggered by Cactus V2s.
Processing: Once again, same deal, curves adjustment layers combined with a single hue/saturation adjustement layer to add a slight green cast to the dryer. I also tweaked the catchlights a bit.
Let me know what ya think.
A Harsh Critic
I had an enjoyable photo session earlier today with my youngest daughter, Rebecca.
Over the years, I've taken hundreds of photographs of her as she's grown. She has even graciously modelled for me during portrait workshops I've run. Yet, despite all the images I've captured, she has never liked a single one.
Today felt like a breakthrough. I photographed Rebecca and her partner using four Profoto lights: an octagon overhead softbox, two grided strip lights on either side, a background light, and a light golden reflector in front to soften any shadows.
At the end of the session, Rebecca looked through all the images I had using a CamRanger 2 sent to my iPad for easier viewing and said, … 'I actually really like some of these.' She went on to say that she loved the lighting and described it as 'insane.' I was astonished this had never happened before. A red-letter day indeed!!
So excitedly, I sat down to process the first image and sent the first one over to her with bated breath, awaiting approval, asking, 'Do you like this one?'
Her response? 'No, not really.' 😔
Ah well… back to the drawing board! 😊
The second image in the series can be found here: flic.kr/p/2qHzyxz
When I originaly concieved of this shoot, I was only going to use Alan. Space and time seemed to limit this especially on this shoot because of the setup (SEE HERE). Usually I finish rehersals at 6 so things can only begin then. However we had a lucky friday and finished by 2 allowing me to bring in julia at the last minute. And I was glad too, because it worked out really well.
WAITING FOR CHRISTIAN GREY
On the occasion of Sophia being featured in "PLAYBOY 11/2015"*, I selected a shot from her from this summer, from our "50 shades" shoot, as tribute. :-)
LIGHT
One large octa as main, with grid; one striplight from behind as kicker, with grid. Also: bedside lamps.
CAM
5d3 with 85 f/1,8 at f/2.0; ISO 400.
Stitched from two shots. .
--
German issue:
thats me :-)
Gear: Sony A7R with Leica Elmarit 60mm Macro
Light Elinchrom with dish and 2 striplights
Lit with a Godox ad300 in a Godox QR120 octabox and two ad200 in striplights as hair and edge light.
Die Story samt Making-of zu dem Foto gibt es hier, viel Spaß:
fotopraxis.net/2015/02/11/workshop-powder-shoot-3/
Und wer solche Shootings mal live mitmachen möchte, der findet hier den Sommer-Workshop dazu:
www.dpunkt.de/veranstaltungen/3338/
STROBIST
Three flashes: 1st from the left, in a gridded striplight, 2nd from the right, in a gridded BD, 3rd from the back, a little bare speedlite as kicker.
EXIF & DETAILS
5d3, 24-70 f/2.8 at 50 mm and at f/8, ISO 500, 1/160 sec
--
Tilo ~gallo~ Gockel
This is Svala Jónsdóttir, the same model as from this shoot. My wife Henný did the makeup. All three of us didn´t feel like we were finished with the makeup and the look we did in that other shoot so we got together a couple of weeks later and did similar makeup and hair and took some more shots in the studio. I especially like her expression/gaze in this one.
Two striplight softboxes aimed at her from behind, one big softbox behind me and a honeycomb with a grid pointed at the backround.
Oh and for the record, I am far from a fan of smoking, I really hate it but I think it looks cool in photographs so that's that.
#3 MEMENTO MORI | gedenke des Todes
Fotoausstellung 2022 - Thema: Nichtigkeit
Vom Mittelalter bis heute verknüpfen Vanitas-Stillleben "Eitelkeit" und "Vergänglichkeit" mit unserem Leben. Dabei spielen die arrangierten Gegenstände eine gravierende sinnbildliche Rolle.
Mit meiner modernen Interpretation der Vanitas-Stillleben möchte ich den Betrachter zu einer aktiven gedanklichen Teilnahme auffordern und zu einer Selbstreflexion des heutigen Überflusses anregen.
Das verbindende Element der Serie ist je ein modernes Objekt sowie das Stilmittel der Levitation-Fotografie (schwebende Gegenstände).
From the Middle Ages to the present day, vanitas still lifes link vanity and transience with our lives. In this context, the arranged objects play a grave symbolic role.
With my modern interpretation of the vanitas still life, I would like to invite the viewer to an active mental participation and to stimulate a self-reflection on today's abundance.
The unifying element of the series is one modern object each as well as the stylistic device of levitation photography (floating objects).
schaut euch alle Fotos dieser Serie an | check out all the photos in this series:
www.flickr.com/gp/mias-fotografie/61p3g333a2
follow me on Instagram:
@matthiasbauernschmidtfotograf
check my website:
A modern business headshot for a female professional.
Lit with a large rectangular softbox as key light and an eyelighter below. White cardboard as a fill, Striplight as a kicker and a strobe on the background for a nice and smooth gradient.
1 spot up high cam left with 50% cover with orange filter,
1 beauty dish cam right front above model,
1 striplight cam right just behind model @ very low power..
Model: Elvane
// thanks on EXPLORE, I appreciate it!
Finally I had the chance to shoot with a professional dancer. Thanks, Minka!
STROBIST
Beautydish with grid from the left, striplight with grid from the right. Plus continuous light from left and right (cheap construction site lamps, 2x 1000 W).
EXIF
5d3 on tripod, f/20, 3.2 seconds, in Bulb mode ISO 125, 24-70 on 27 mm.
DETAILS
We triggered the cam on bulb mode and the flashes by hand, via a hand-hold RF trigger RF-602. The flashes were equipped with full CTO gels. To prevent light spill from the continuous lights we used large cardboard as flags to block the light.
--
Tilo ~gallo~ Gockel, www.fotopraxis.net
The glamour shot :-))
Striplight in front, two small softboxes for rim, reflector below.
50 iso f7.1.
View large (XL)
Shooting mit einem befreundeten Paintballer.
Zwei Walimex VC 200 in 30x120 Striplights bei 3.0 und ein Yongnuo 560III von direkt oben in einem 50cm Jinbei Beauty Dish mit Wabe bei voller Leistung
Zusätzlich die Nebelmaschine angeschmissen :)
Das ganze vor einem 2,72m Grauen Papierhintergrund
Mehr Bilder hier:
Model: Karolina
Location: Hotel
Jürgen Krall Photography
-------------------------
Bild Nr.: 141_1326
Strobist Info:
- Nikon SB 26 in the back for the curtain and background.
- Nikon SB 26 with Striplight soft box from the right.
- Nikon SB 910 with Softbox in the back of me with less power.
AcroYoga Studio Shots
Strobist Info:
Jinbei DM-5 in Octabox 95cm camera right
Yongnuo YN560iii in Striplight 30 * 140 cm² camera left from behind
Yongnuo YN560iii as rimlight from above
Trigger YN560 TX
Sadly I’ve not been around much on Flickr over the past few months or taken many photographs due mainly to not being very well (nothing serious thankfully) and real life getting in the way as it is wont to do.
This leaves me with a bit of a challenge in completing my 100x project by the end of the year As it is only three-quarters of the way through. So I thought I would rummage through this year’s images and have a go at preparing some that I’ve not yet published. There are quite a few: a bit of a mixed lot.
Here are the first six that I processed yesterday, all rather colourful and weird (I should have called my project ‘Wild and Wacky’ instead of the rather pretentious ‘Creative Photography’!).
Here are some brief notes:
#74 Transcendence - This was taken in the bedroom of a hotel we stayed in at the beginning of the year. The headboard had a blue and purple striplight inbuilt (just shows what dodgy hotels we use). It’s a two-image in-camera multiple exposure using Darken blend. The ICMs use diagonal movements.
#75 Fatal Attraction - An in-camera multiple exposure of three ICMs using Darken blend. It’s of a country lane with dark hedges on either side, using one twist and two zoom movements.
#76 Migraine - This is another product of the long-running Christmas Tree Light ICMs project taken last January, taken just walking towards the tree wiggling the camera. It wasn’t the best result (an understatement!) but I wanted to try postprocessing it with Topaz Studio 2. This one was processed principally using the Radiance filter with some additional mucking about in Affinity. I’ll post this to Sliders Sunday today.
#76 Diamond Light - Another three-image in-camera multiple exposure using Darken blend. There were three ICM movements - the diagonals and a vertical. It’s of a backlit wooden glasses wall cabinet in my dining room; you can see some glasses on the right if you look carefully…
#77 Dancing Angels - This is a straightforward ICM using a down-and-around movement during the exposure. It’s of the tree lights in the village church taken on a January afternoon. You can see some yellow flowers in a vase on the windowsill behind: I couldn’t really avoid the flowers in the shot but it was an interesting result nonetheless.
#78 Light Speed - In the same church, this two-image in-camera multiple exposure using Darken blend (I think), both were zoom ICMs, post-pickled for colour .
Thanks for taking the time to look. I hope you enjoy some of the images. Happy Sunday :)
LIGHT
One horizontal striplight with a speedlight inside from above (obviously I cloned that out). Three speedlights in the lighttable. Forth speedlight, also bare, from the right side as kicker.
EXIF
5d3, EF 24-70 II f/2.8 at f/6.3 and at 70 mm, 1/50 second, ISO 100, RAW, WB on flash.
NOTES
The smoke comes from a little smoke tablet (www.pyroland.de).
The 1/50 does not make any sense (but does not hurt either). We tried to add a continuos light as kicker --- and I wanted to include that, and I forgot to change back to 1/160 sec. That's why. :-)
--
Tilo ~gallo~ Gockel