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Black and white view of a hotel with a crowd of people standing on a second story
balcony. A few cars are parked in front, and signs on the hotel read: "Risley's Cottages
and Rooms," and "Pepsi-Cola."
Digital Collection:
North Carolina Postcards
Publisher:
National Press, Inc., Chicago, Ill.;
Date:
1930; 1931; 1932; 1933; 1934; 1935; 1936; 1937; 1938; 1939; 1940; 1941; 1942; 1943;
1944; 1945
Location:
Carolina Beach (N.C.); New Hanover County (N.C.);
Collection in Repository
Durwood Barbour Collection of North Carolina Postcards (P077); collection guide available
online at www.lib.unc.edu/ncc/pcoll/77barbour/77barbour.html
Some people making a statement on the top of the Crags area near Arthurs Seat in Edinburgh. This seemed to lend itself to a stark realism and statement for its meaning with the hint of colour and emotional connection left as displayed in the flag.
This photo is part of the Australian National Maritime Museum’s William Hall collection. If reproduced or distributed, this image should be clearly attributed to the collection of the Australian National Maritime Museum; and not be used for any commercial or for-profit purposes without the permission of the museum. For more information see our Flickr Commons Rights Statement.
The Australian National Maritime Museum undertakes research and accepts public comments that enhance the information we hold about images in our collection. If you can identify a person, vessel or landmark, write the details in the Comments box below.
Thank you for helping caption this important historical image.
Object number 00013272
A 12" high stack of paper I plan to shred, old bank statements and things from before everything was online.
One of my students came in today dressed in something other than the usual jeans and t-shirt that most students wear, thought it was worth a photo. We didn't like her shoes so she traded with another students to wear these colorful Nikes that I've shown before.
The biggest challenge was ever getting the exposure right. her complexion and blond hair just wouldn't ever balance with the lighting I had. It was a good experience fo rme to try to fix it. I ran out of time to ever get it right, but I did learn a lot.
Strobe stuff- 2 SB-900's in umbrella diffusers fired TTL, -1.0 exposure settings, using Nikon's CLS!
Checking my bank statement - I still prefer to see a paper statement rather than going on-line and I still write paper cheques :)
This is a picture of a mortgage statement. When using this image please provide photo credit (link) to: reverse.mortgage
Step into the timeless elegance of Le Chateau Countryside this Friday, March 29th, at 2 PM SLT for our Easter Garden Party!
Transport yourself back to the enchanting ambiance of the 1970s and 1980s with our Easter Garden Party themed around the era's charm with DJ Lili.
For the dresscode think pastel suits, flowy dresses adorned with floral prints, wide-brimmed hats, and statement accessories.
Mark your calendars and join us for a celebration that encapsulates the essence of the French countryside elegance and rustic charm.
-Yours in leisures, Vic.
SLURL : maps.secondlife.com/secondlife/Pleasant%20Island/148/97/23
The KOM League
Flash Report
for
Friday, November 13, 2020
For those who care, this Flash Report is accessible by going to: www.flickr.com/photos/60428361@N07/50597060261/
In a note shared with a few readers on November 12 the following statement was made. “Can you imagine having a Friday 13th in the year 2020? I’m optimistic and believing it will not be a bad omen—Amen?” That message elicited many responses. However, around 5:00 a. m. a message was received from a faithful reader that stated “Charlie Pride RIP.” That was news to the old batboy and this response was sent in response to that terse e-mail. “He and Mickey Mantle used to run around together in Dallas. Mickey's mother-in-law told him she'd like to meet Charlie. Mrs. Johnson told me that around two in the morning, shortly thereafter, Mickey came into her bedroom and announced that Pride was in the living room and to get out of bed and meet him.”
Since it was now Friday the 13th a decision was made to look further into the Charlie Pride story and as a result this message was sent to the person apprising me of Pride’s passing.
“Charlie's death has been greatly exaggerated. He is not dead nor doth he sleep in Biblical jargon” www.wideopencountry.com/charley-pride-death-hoax/
With that rumor out of the way it might bode well that this Friday the 13th will be a great day.
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A great loss
In the October 18, 2020 edition of this publication the following paragraph concluded that report. “This publication regrettably carries the news of many deaths. Someone who has read this and other KOM league publication since their inception is now facing the end of their days. That person happens to have known me longer than anyone currently living. It has become my task, duty, honor or whatever to write that person’s obituary. It is a difficult assignment to reduce to a few paragraphs the scope of a life that has now reached 85 years and if the Good Lord permits will be 86 within the next five weeks.”
On Halloween the person mentioned in the previous paragraph left this world for a much better place. The obituary along with a picture of the deceased is carried on this link: www.knellmortuary.com/obituaries/Janice-Elaine-Pinter?obI...
If you availed yourself of perusing that link you will know that the deceased was the sister of this here guy writing the story. But, there is more to the story. Very few people had as much confidence in the KOM league publications than the deceased. When it was opined the writing effort should come to an end my sister would always have a reason why that shouldn’t happen. On one occasion her opinion was that her little brother did more good befriending the old ballplayers and helping them than he ever did in the various churches he pastored. After thinking over that observation for a little while the little brother concurred.
It was always “Little Brother’s” idea that something would cause the KOM league reports to come to a merciful end if not by death but due to another happenstance. When my sister departed, although she hadn’t read any of the material for a few years, the first inclination was that now was the time to shut it down.
A coincidence?
On the same day of the death of Janice Pinter a letter was penned by a long time reader. It didn’t reach the “KOM League Office and Dusty Baseball Register Archives” until November 2. The letter, which was sent in place of an e-mail, had some things that are direct quotes. “A strong suggestion—quit attempting to stop writing. It is not possible to stop.”
Since the aforementioned came from a guy calling himself “Ol Clark” it was necessary to keep reading. Bill Clark is the real name and he has been around the sports world and the actual world many times. He is a living storehouse of great stories which he promises he’s going to share with the world in the form of three books. This writer is dubious that three will be sufficient.
Much of Clark’s baseball archives were destroyed in a fire, two years ago, but I’m sure much of that remains in his total recall memory bank. So, I await his upcoming literary works as much as pondering what to do about continuation of these reports. However, a constant reminder will be ever present. Clark concluded his remarks by stating “So—writers write even when no one reads them.” And for clinchers he said “No charge for the sermon.”
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In the spirit of the times
With the spread of the Chinese plague one is always concerned about the elderly and those with immune deficient conditions. As readers are aware most of the former KOM leaguers are either at least 90 or are so close to it they can see it on the horizon.
At the start of 2020, the top five oldest living former KOM leaguers included Nicholas Timothy Kucher. In going through the listing of Nick or Nicholas Kucher’s, who passed away, there wasn’t anything located in an obituary listing. On a whim his name was entered into Ancestry.com and there was a Find-A-Grave citation for the former KOM leaguer. www.findagrave.com/memorial/214613060/nicholas-kucher
At that juncture an even more concentrated effort was made to find an obituary for the former Ponca City Dodger was undertaken. Even the standby source, Jack Morris, couldn’t locate one either. At that point Morris was advised that an attempt would be made to come up with some information on the deceased.
Nicholas Timothy Kucher was born November 1, 1924 in New York City to Alex and Mary Kucher who were Polish immigrants. On his Sporting News card the word “Ukrainian” is typed on the top of that document as shown here. digital.la84.org/digital/collection/p17103coll3/id/112856...
Upon reaching the age of 18 he signed up for the draft and was listed as living at 315 E. 9th St. in New York and was employed by the Baker and Taylor Company at 55 5th Avenue. He filled out his card as being 6’ and weighing 170 with a scar on his left forehead. It would not have been possible for him to call his employer to report being unable to come to work, for any reason, since the family didn’t own a telephone.
Upon reporting to Ponca City in late April of 1947 this profile was shared under the heading “Meet the Dodgers.” Nick Kucher—is an outfielder, 22 years old and played his first competitive baseball with the Seward Park high school in his home town, New York city. A first baseman in prep school, he worked both the initial sack and the outfield with a semi-pro club last season (1946). He served three years in the marines, including duty at Okinawa and Saipan, and was discharged in 1945. He stands an even 6 feet, weight 172 pound and is single. A lefthanded batter and thrower, Kucher trained at Thomasville, N. C. this spring.”
What led to Kucher coming to Ponca City is contained in this late April, 1947 edition of the Ponca City News. “…Business Manager Owen Martinez announced the trade of George Schneider, 18-year-old New York city lad who has been here since last weekend, for Nick Kucher of the class C Three Rivers, Quebec, club. Schneider left Ponca City by plane in an effort to arrive at Three Rivers in time for the Canadian-American league’s opening game today. Kucher is due here this weekend.”
Upon Kucher’s arrival the KOM league season had not commenced but the Ponca City club was playing exhibition contests around the area. The first game he ever saw was from the bench as his new team was playing the Oklahoma A & M Agvets at Stillwater. This was long before that school was known as the Oklahoma State Cowboys. The Ponca City News reported “Nick Kucher, an outfielder who came in last weekend from Thomasville, N. C., on a trade with Three Rivers, Quebec was on the bench at Stillwater with a sprained ankle will probably be out of play a week, his doctor says.”
When the KOM league season began Kucher was in the outfield playing both right and centerfield but not at the same time. In his first nine games he hit nearly .300 but by his 18th contest his average slipped to the .200 level and his baseball days in the KOM league were history. In a long ago conversation with Kucher he blamed the bad ankle for his not being able to perform at the level he wanted.
Not long after leaving Ponca City Kucher returned to New York and married Anne Zatowsky on January 16, 1948. They lived happily ever after until her death in 2017. When this source communicated with the Kucher’s they lived in East Northport, New York at 154 Cedar Road. They later moved to Commack, New York. I believe that Nick even lived in Scottsdale, Arizona for a time in his later years.
It can’t be determined the day and month Kucher passed away but it was in 2020. Thus, he was either 95-96 when St. Peter came calling.
The ninety two year-old penny
Most of what is contained in this article came from scrapbooks kept by a young female fan of the 1946-48-49 and 1950 Ponca City Dodgers. It is my belief she fell in and out of love with someone on each of those teams. Her scrapbooks followed her to California where they were kept for over 60 years before she finally contacted Gale Wade and offered them to him. Wade, who had played at Ponca City in 1947 and 48, didn’t want those items and suggested she get in touch with a fellow who writes about the KOM league.
In those scrapbooks are hundreds of photos of Ponca City and other KOM league players that included future big leaguers Jim Baxes, Chris Kitsos, Gale Wade and former Dodger Boyd Bartley. The scrapbooks featured many social events such as picnics. Most every box score of Ponca City home games is in those scrapbooks along with a comment about the game inserted by the “keeper of the scrapbooks.” In some places a memento of a game or from a social gathering was included.
For over a decade Yours truly has looked at those scrapbooks, from time to time. One item placed under a box score was a penny scotch taped thereto. It dawned on me, in looking at that page, to decipher the number of games in which Nick Kucher played, that the tape was still holding the penny in place. Peeling back the taped it was a bit exciting to anticipate the date on the penny knowing it had to have been minted in 1947 or earlier. What was on the front of the Lincoln head—wheat ear coin was “1928-D.” On top of that it was in good condition. At the time it was placed in the scrapbook it was only 19 years old.
So, I guess I could offer that penny to some reader for their thoughts. Do I have to say “A penny for your thoughts?”
Who remains?
When a former KOM leaguer passes away a quick check is made to see how many of his teammates remain. As of this moment I believe the list includes: William Skeen, Dale Hendricks, George Fisher, Larry Tarbell and Gale Wade. Robert Clark Taylor and Phillip Adams were never located although there is a high level of suspicion where they currently reside.
In reviewing the list of the members of the 1947 Ponca City Dodgers who were once contacted and then nothing being heard from or about them in a long time included John Dominic Ferluga and Donald Andrew Tisnerat.
John Ferluga was a native of Seattle, Washington born 10/28/1926. He graduated from Queen Ann High School in 1946 and was the opening day hurler for the 1947 Ponca City Dodgers. That was the only game in which he played with them. There has never been an obituary located for him but a listing from his high school alumni publication shows he passed away on 2/13/2017 in Renton, WA.
Donald Andrew Tisnerat was born 4/14/1927 in Long Beach, CA . He also pitched for the 1947 Ponca City Club. He had graduated from David Starr Jordan high school in Long Beach and served in the U. S. Navy during WW II. He lived in a number of places and when this source contacted him a couple of decades ago he was living in Las Vegas, NV. That is where he passed away on 6/29/2014. He was buried at the Riverside National Cemetery in Riverside, CA. That is a spectacular and somber place. en.wikipedia.org/wiki/Riverside_National_Cemetery
Rolled up jeans, striped tights, HIGH heels, and bad lighting.
By next week, everyone will be wearing it!
International Monetary Fund Managing Director Christine Lagarde delivers a statement on the conclusion of the IMF's Executive Board regular five-yearly review of the Special Drawing Rights (SDR) November 30, 2015 at the IMF Headquarters in Washington, DC. Lagarde stated “The Executive Board's decision to include the RMB in the SDR basket is an important milestone in the integration of the Chinese economy into the global financial system. It is also a recognition of the progress that the Chinese authorities have made in the past years in reforming China’s monetary and financial systems. The continuation and deepening of these efforts will bring about a more robust international monetary and financial system, which in turn will support the growth and stability of China and the global economy.” IMF Staff Photo/Stephen Jaffe
I am indebted to John Fielding (www.flickr.com/photos/john_fielding/) for posting an aerial shot of Holy Trinity, and my interest was piqued by the timber-framed building with the triple gable at the east end. Turned out this was the Lady Chapel, and more of that later. So, on my way back home to Kent, I called in to see if it looked as remarkable in the flesh as in photographs.
I arrived at Long Melford, after being taken on a magical mystery tour in light drizzle from Wortham, down narrow and narrower lanes, under and over railway lines, through woods, up and down hills until, at last, I saw the town laid out beyond the church.
I parked at the bottom of Church Walk then walked up past the line of timber framed houses, the tudor hospital and the tudor manor house.
Holy Trinity sits on top of the hill, spread out, filling its large churchyard and the large tower not out of proportion.
Inside it really is a collection of wonders, from brasses, the best collection of Medieval glass in Suffolk, to side chapels, and behind, the very unusual Lady Chapel.
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The Church of the Holy Trinity, Long Melford is a Grade I listed parish church of the Church of England in Long Melford, Suffolk, England. It is one of 310 medieval English churches dedicated to the Holy Trinity.
The church was constructed between 1467 and 1497 in the late Perpendicular Gothic style. It is a noted example of a Suffolk medieval wool church, founded and financed by wealthy wool merchants in the medieval period as impressive visual statements of their prosperity.
The church structure is highly regarded by many observers. Its cathedral-like proportions and distinctive style, along with its many original features that survived the religious upheavals of the 16th and 17th centuries, have attracted critical acclaim. Journalist and author Sir Simon Jenkins, Chairman of the National Trust, included the church in his 1999 book “England’s Thousand Best Churches”. He awarded it a maximum of 5 stars, one of only 18 to be so rated. The Holy Trinity Church features in many episodes of Michael Wood's, BBC television history series Great British Story, filmed during 2011.
A church is recorded as having been on the site since the reign of King Edward the Confessor (1042–1066). It was originally endowed by the Saxon Earl Alric, who bequeathed the patronage of the church, along with his manor at Melford Hall and about 261 acres of land, to the successive Abbots of the Benedictine Abbey of Bury St Edmund’s. There are no surviving descriptions of the original Saxon structure, although the roll of the clergy (see below) and the history of the site extend back to the 12th century.
The church was substantially rebuilt between 1467 and 1497. Of the earlier structures, only the former Lady Chapel (now the Clopton Chantry Chapel) and the nave arcades survive.
The principal benefactor who financed the reconstruction was wealthy local wool merchant John Clopton, who resided at neighbouring Kentwell Hall. John Clopton was a supporter of the Lancastrian cause during the Wars of the Roses and in 1462 was imprisoned in the Tower of London with John de Vere, 12th Earl of Oxford and a number of others, charged with corresponding treasonably with Margaret of Anjou. All of those imprisoned were eventually executed except John Clopton, who somehow made his peace with his accusers and lived to see the Lancastrians eventually triumphant at the Battle of Bosworth in 1485.
The dates of the reconstruction of the church are derived from contemporary wills, which provided endowments to finance the work
In 1710 the main tower was damaged by a lightning strike.[3] It was replaced with a brick-built structure in the 18th century and subsequently remodelled between 1898 and 1903 to its present-day appearance, designed by George Frederick Bodley in the Victorian Gothic Revival style. The new tower was closer to its original form with stone and flint facing and the addition of four new pinnacles.
The nave, at 152.6 feet (46.5 m), is believed to be the longest of any parish church in England. There are nine bays, of which the first five at the western end are believed to date from an earlier structure.
The interior is lit by 74 tracery windows, many of which retain original medieval glass. These include the image of Elizabeth de Mowbray, Duchess of Norfolk, said to have provided the inspiration for John Tenniel's illustration of the Queen of Hearts in Lewis Carroll's Alice's Adventures in Wonderland.
The sanctuary is dominated by the large reredos, of Caen stone and inspired by the works of Albrecht Dürer. It was installed in 1877, having been donated by the mother of the then Rector Charles Martyn.
On the north side is the alabaster and marble tomb of Sir William Cordell who was the first Patron of the Church after the dissolution of the Abbey of Bury St Edmund's in 1539. On either side of the tomb are niches containing figures that represent the four Cardinal virtues of Prudence, Justice, Temperance and Fortitude.
The sanctuary also holds one of the earliest extant alabaster bas relief panels, a nativity from the second half of the 14th century. The panel was hidden under the floor of chancel, probably early in the reign of Elizabeth I, and was rediscovered in the 18th century.[6] The panel, which may be part of an altar piece destroyed during the Reformation, includes a midwife arranging Mary's pillows and two cows looking from under her bed.
The Clopton Chapel is in the north east corner of the church. It commemorates various Clopton family members and was used by the family as a place of private worship.
The tomb of Sir William Clopton is set into an alcove here, in the north wall. An effigy of Sir William, wearing chain mail and plate armour, is set on top of the tomb. Sir William is known to have died in 1446 and it is therefore believed that this corner of the church predates the late 15th-century reconstruction. There are numerous brasses set in the floor commemorating other members of the Clopton family; two date from 1420, another shows two women wearing head attire in the butterfly style from around 1480, and a third depicts Francis Clopton who died in 1558.
There is an altar set against the east wall of the chapel and a double squint designed to provide priests with a view of the high altar when conducting Masses.
The Clopton Chantry Chapel is a small chapel at the far north east corner of the church, accessed from the Clopton Chapel. This was the original Lady Chapel and is the oldest part of the current structure. After John Clopton's death in 1497, his will made provision for the chapel to be extended and refurbished and for him to be buried alongside his wife there.[10] The chapel was then renamed, while the intended Chantry Chapel became the Lady Chapel.
The tomb of John Clopton and his wife is set in the wall leading into the chapel. Inside, the canopy vault displays faded portraits of the couple. Also displayed is a portrait of the risen Christ with a Latin text which, translated, reads Everyone who lives and believes in me shall never die. A series of empty niches in the south wall most likely once held statues of saints. Around the cornice, John Lydgate's poem "Testament" is presented in the form of a scroll along the roof, while his "Lamentation of our Lady Maria" is along the west wall.
The Lady Chapel is a separate building attached to the east end of the main church. In an unusual layout, it has a central sanctuary surrounded by a pillared ambulatory, reflecting its original intended use as a chantry chapel with John Clopton's tomb in its centre. Clopton was forced to abandon this plan when his wife died before the new building was completed and consecrated; so she was buried in the former Lady Chapel and John Clopton was subsequently interred next to her.[12]
The stone carving seen in the Lady Chapel bears similarities to work at King's College Chapel, Cambridge and at Burwell Church in Cambridgeshire. It is known that the master mason employed there was Reginald Ely, the King's Mason, and although there is no documentary proof, it is believed that Ely was also responsible for the work at Holy Trinity, Long Melford.[13]
The chapel was used as a school from 1670 until the early 18th century, and a multiplication table on the east wall serves as a reminder of this use. The steep gables of the roof also date from this period.
The Martyn Chapel is situated to the south of the chancel. It contains the tombs of several members of the Martyn family, who were prominent local wool merchants in the 15th and 16th centuries, and who also acted as benefactors of the church. These include the tomb chest of Lawrence Martyn (died 1460) and his two wives. On the floor are the tomb slabs of Roger Martyn (died 1615) and his two wives Ursula and Margaret; and of Richard Martyn (died 1624) and his three wives.
Originally, the Martyn chapel contained an altar flanked by two gilded tabernacles, one displaying an image of Christ and the other an image of Our Lady of Pity. These tabernacles reached to the ceiling of the chapel, but were removed or destroyed during the English Reformation in the reign of King Edward VI.
en.wikipedia.org/wiki/Holy_Trinity_Church,_Long_Melford
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The setting of Holy Trinity is superlative. At the highest point and square onto the vast village green, its southern elevation is punctuated by the 16th Century Trinity Hospital almshouses. Across the green is the prospect of Melford Hall's pepperpot turrets and chimneys behind a long Tudor wall. Another great house, Kentwell Hall, is to the north. Kentwell was home to the Clopton family, whose name you meet again and again inside the church. Norman Scarfe described it as in a way, a vast memorial chapel to the family.
Holy Trinity is the longest church in Suffolk, longer even than Mildenhall, but this is because of a feature unique in the county, a large lady chapel separate from the rest of the church beyond the east end of the chancel. The chapel itself is bigger than many East Anglian churches, although it appears externally rather domestic with its triple gable at the east end. There is a good collection of medieval glass in the otherwise clear windows, as well as a couple of modern pieces, and a very mdern altarpiece at the central altar. Jacqueline's mother remembered attending Sunday School in this chapel in the 1940s.
The intimacy of the Lady Chapel is in great contrast to the vast walls of glass which stretch away westwards, the huge perpendicular windows of the nave aisles and clerestories, which appear to make the castellated nave roof float in air. An inscription in the clerestory records the date at which the building was completed as 1496. Forty years later, it would all have been much more serious. Sixty years later, it would not have been built at all. A brick tower was added in the early 18th Century, and the present tower, by GF Bodley, was encased around it in 1903. As Sam Mortlock observes, this tower might seem out of place in Suffolk, but it nevertheless matches the scale and character of the building. It is hard to imagine the church without it.
I came here back in May with my friend David Striker, who, despite living thousands of miles away in Colorado, has nearly completed his ambition to visit every medieval church in Norfolk and Suffolk. This was his first visit to Long Melford, mine only the latest of many. We stepped down into the vast, serious space.. There was a fairly considerable 19th Century restoration here, as witnessed by the vast sprawl of Minton tiles on the floor, although perhaps the sanctuary furnishings are the building's great weakness. Perhaps it is the knowledge of this that fails to turn my head eastwards, but instead draws me across to the north aisle for the best collection of medieval glass in Suffolk. During the 19th century restoration it was collected into the east window and north and south aisles, but in the 1960s it was all recollected here. Even on a sunny day it is a perfect setting for exploring it.
The most striking figures are probably those of the medieval donors, who originally would have been set prayerfully at the base of windows of devotional subjects. Famously, the portrait of Elizabeth, Duchess of Norfolk is said to have provided the inspiration for John Tenneil's Duchess in his illustrations to Lewis Carroll's Alice in Wonderland, although I'm not sure there is any evidence for this. Indeed, several of the ladies here might have provided similar inspiration.
The best glass is the pieta, Mary holding the body of Christ the Man of Sorrows. Beneath it is perhaps the best-known, the Holy Trinity represented in a roundel as three hares with their ears interlocking. An angel holding a Holy Trinity shield in an upper light recalls the same thing at Salle. Other glass includes a fine resurrection scene and a sequence of 15th Century Saints. There is also a small amount of continental glass collected in later centuries, including a most curious oval lozenge of St Francis receiving the stigmata.
Walking eastwards down the north aisle until the glass runs out, you are rewarded by a remarkable survival, a 14th century alabaster panel of the Adoration of the Magi. It probably formed part of the altar piece here, and was rediscovered hidden under the floorboards in the 18th century. Fragments of similar reliefs survive elsewhere in East Anglia, but none in such perfect condition. Beyond it, you step through into the north chancel chapel where there are a number of Clopton brasses, impressive but not in terribly good condition, and then beyond that into the secretive Clopton chantry. This beautiful little chapel probably dates from the completion of the church in the last decade of the 15th century. Here, chantry priests would have celebrated Masses for the dead of the Clopton family. The chapel is intricately decorated with devotional symbols and vinework, as well as poems attributed to John Lidgate. The beautiful Tudor tracery of the window is filled with elegant clear glass except for another great survival, a lily crucifix. This representation occurs just once more in Suffolk, on the font at Great Glemham. The panel is probably a later addition here from elsewhere in the church, but it is still haunting to think of the Chantry priests kneeling towards the window as they asked for intercessions for the souls of the Clopton dead. It was intended that the prayers of the priests would sustain the Cloptons in perpetuity, but in fact it would last barely half a century before the Reformation outlawed such practices.
You step back into the chancel to be confronted by the imposing stone reredos. Its towering heaviness is out of sympathy with the lightness and simplicity of the Perpendicular windows, and it predates Bodley's restoration. The screen which separates the chancel from the south chapel is medeival, albeit restored, and I was struck by a fierce little dragon, although photographing it into the strong south window sunshine beyond proved impossible. The brasses in the south chapel are good, and in better condition. They are to members of the Martyn family.
The south chapel is also the last resting place of Long Melford's other great family, the Cordells. Sir William Cordell's tomb dominates the space. He died in 1581, and donated the Trinity Hospital outside. His name survives elsewhere in Long Melford: my wife's mother grew up on Cordell Road, part of a council estate cunningly hidden from the High Street by its buildings on the east side.
Simon Knott, January 2013
Given her age, it is perfect surgery she could have hoped for and since there is no point hiding it, we do hope that she would give a public statement soon. After all not every day do you get to see a surgery gone so well as the Beverly D'Angelo plastic surgery celebsplasticsurgery.com/beverly-d-angelo-plastic-surgery/