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Setup Shot for 048/365 Heart of Gold.
Camera Info:
Canon 7D, Canon EF 70-200mm f/4L USM @70mm, f/11.0, 1/250s, ISO 100
This setup shot was taken with a Sigma 17-70mm lens at 17mm.
Strobist Info:
-2 Canon 430EXII's Camera Left and in front of subject, FULL Power, @24mm zoom, about 7 feet high, 3 feet away from subject both inside 40 inch Wescott softbox.
-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.
Setup shot of Fi doing her Washing. It's as simple as it looks, 1 60cm square softbox on the left hand side, and a black panel down the right to outline Fi a bit better.
Blog: www.photosmudger.com/
Explored! September 1st, 2009 #430
ab800 into a beauty dish.
Met up with Taylor while passin through Cali and did a shoot. Hella fun stuff I must say and first time I was able to use lights! I now know why everyone loves AB's so much ha
Setting the hair light so it just glances the head. 2nd light just on the background at a angle for some bleed off.
Main Light 42in shoot through white brolly.
High magnification setup:
EOS 500D/T1i
Ext.Tubes
M42 Macro Bellow
Meyer-Optik Görlitz Trioplan V 100mm f/2.8
Canon EF 50mm f/1.8 mark II (reversed)
Extension length:
(Ext.Tubes x2 + m42 Macro Bellow fully extended) 24cm
Working distance:
(from tip of the lens to focus plane) 1cm
Magnification:
(5:1) 5x
Setup Shot for 047/365 Pony Power.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4 USM Lens, f/6.3, 1/250s, ISO 100
Strobist Info:
-Canon 430EXII Camera Right and in front of subject, 1/4 Power, @24mm zoom, about 3 feet high, 2 feet away from subject fired into white shoot through umbrella.
-Canon 430EXII Camera left and in front subject, 1/8 Power, @70mm zoom, about 5 feet high, 4 feet away from background.
-Canon 430EXII Centered above and behind subject, 5 feet high and 3 feet away from back of subject fired bare through a DIY beer coozy snoot.
-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.
read about how I set-up my Personal Domino as my main planner :) breakitdawns.blogspot.com/2013/11/planner-setup-personal-...
My setup as of December 2009.
I've got a 22" HD Ready TV with Xbox 360 Elite, Playstation 3 (40GB), Nintendo Wii, Playstation 2 and N64 hooked up to it in some form. The only thing I really use the HD for in the Xbox atm. 3 racks to hold games; I've got 22 Xbox games, 23, PS3 games, 11 Nintendo Wii games, 13 N64 games and 43 PS2 games in there. I also have a stand near by to hold my GH guitars and such
Lighting setup for a photo shot described on my blog:
www.akelstudio.com/blog/food-photographer-in-atlanta-chic...
Teaching shot with a simple clam-shell setup at the studio open day.
Instagram ≈ 500px ≈ flickr ≈ tumblr
© Copyright 2015 Barrie Spence. All rights reserved and moral rights asserted. Theses images are not in the public domain and may not be used without licence.
Comments are very welcome and very much appreciated, but any with linked/embedded images will be removed.
My specimen photos are taken using this setup. The base is a block of wood from the offcut bin of a hardware store that sells kitchen worktops. The camera is attached directly to a BPM focus rail, which is mounted on a tripod quick-release plate, screwed to the base through another small piece of wood. The rail allows me to move the camera and coarse focus it. At the other end of the table is the specialist equipment: a Proxxon KT 70 table, screwed to the base. This is a low-cost alternative to linear actuators or stacking rails: one turn of the handle moves the table 1 mm. The divisions on the dial are 0.05 mm, so by moving to half way between each one I take frames at 0.025 mm intervals, which is narrow enough for most whole-insect photos I take. Smaller intervals are possible with smaller movements of the handle, but they are not easy to measure. This idea came from John Hallmen: you can see his setup here. Without his advice, I would not have been able to do any of this, so thank you to John and to Nikola Rahme; two people whose photos I greatly admire and who have shared their techniques freely on flickr.
A SIlverline Helping Hands is mounted on the Proxxon table. The crocodile clip holds a piece of plastazote in its jaws; I stick the specimen's pin into the plastazote and try to get it in the same plane as the camera sensor. This is fiddly: a vertical setup would be easier for this, but it would need better handiwork skills than I have. A heavy granite base would also make for a more stable setup, as would a concrete floor instead of a wooden one, but there is nothing I can do about that in my house.
Lighting comes from a flourescent tube desk lamp. The lamp would not hold itself in the right position, so I broke it off from its stand and I held it in a clamp stand instead. I use a simple cylinder of greaseproof paper as a diffuser: this is just pushed on to the end of the lens. To help get a more even light I have a sheet of kitchen foil as a reflector opposite the lamp. I also fix on the camera a 26mm stepping ring with foil over the front, another idea from John Hallmen, explained here.
I have tried other lighting, such as using two Ikea lamps (like the one that carries the foil in the picture above), each with a plastic cup over it to act as a diffuser. But the setup shown here is the one I have come to prefer.
I use Zerene Stacker for the stacking, with DMap as my main image, retouched from the PMax image where the detail is lost in the DMap. Then the image is edited in GIMP before getting a posting here.
Here is the setup shot for the two shots below if anyone is interested. Also if anyone sees some differences they would make on the placement let me know. I had to keep the strobe relatively close to the back of the train as it was super windy and that octabox would tip over pretty easily if any big gust of wind came about.
ab800 into a 47" octabox
fired using pocketwizards
Here is the setup shot for Cristal Beauty. I had her hold the Moon Unit for fill seeing that I dont have a reflector.
B800 through BD w/sock. ABR800 on background
2010.
setup for this.
featuring 'Lizzie' sunglasses from Wintercheck Factory (www.wintercheckfactory.com/shop/1175-LIZZIE-SUNGLASSES)
Model & Wardrobe: Alexander Parker
Hair & Makeup: Zach Taylor
Assistants: Brittany Sturrett and Jessica Whitehead
Strobist: Two Profoto Acute2 packs, 5 heads. One high, center, and front (key); one high center and back (hair); one on each side and back (rims), one behind model for background light; all were gridded 10°. Alienbees ABR800 Ringflash on-camera.
This is a quick lighting setup for wedding photos. This is the lighting setup for shots like this shot of the groom picking up the bride, this full-length photo and this nice portrait. It's similar to the 'clamshell' lighting, but not so much a 'clamshell' as an 'octa-stack'. Basically, it is 2 Vivitars at 1/2 power into shoot-through umbrellas that are stacked, one on top of the other to give a nice soft, vertical light source.
Setup for these two shots:
Setup for this photograph (opens a new Flickr window).
If you find this plan difficult to see clearly please see the full size version.
Learn how to light at Strobist
Here is my setup that many of you were asking for!
I would suggest to everyone that it is NOT a good idea to have your drop setup in any room with carpet. I was able to get my whole setup cleaned and all the nasty water into a gallon pitcher. But that gallon pitcher never made it out of my room. Now it rests as a BIG green splotch on my carpet. Lovely
I spent many hours trying different setups. Most of my drop pictures i have uploaded recently have been in different setups i had. This is my final setup that suited me well!
Result:
Setup shot of Mini Fab in the stream. Alien Bee 1600 with beauty dish, camera right. Here is a picture of Ray taking his shots.
Setup Strobist: Canon 7D+50mm 1.4+24mm 2.8+sigma 70-200 2.8+Flash godox+Softbox 60 godox+radio trigger. Process in photoshop+Camera Raw preset.
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Setup shot showing the general lighting setup for most of the interior shots, and the cover of the supplement, as well as a view of how I shot the "shot within a shot" image. Notes should explain everything hopefully.
Blog: www.photosmudger.com
Twitter: @photosmudger
This is beginning to look familiar :) Maybe I should have switched the red and blue around for a bit of variety ;-)
I have altered the angle of the overhead light in this shot to better show the working area, but it does still show how the brightfield lighting works on the bottle. The black portion of the backdrop is slightly compromised because of this.
The black portion is an A3 Sheet of Fun Foam and is postioned approx 12 inches/300mm behind the bottle. I find this foam is less reflective than card and use it most of the time.
The large white part of the backdrop is an old advertising sign and made of a heavy duty kind of Foamcore with a plastic instead of paper covering. Onto this I fit various sheets of card/paper/foam sheets as required with spring clamps at the top and as you can see, clothes pegs.
The flash at the top is also mounted on another spring clamp which has a screw on cold shoe to mount the flash.
This is a Yongnuo YN460, set at 1/16th power for the actual shot. This is fitted with a card flag/reflector to prevent the light from falling on the bottle itself, I have altered the angle slightly to allow a little more light spill for this setup shot.
The little flashes to the sides are Neewer SF-01 mini slave flashes, also sold as Godox CF-18 or Vivitar SF2000's. These are mounted on Blazzeo SLT-4 radio triggers (re-branded PT-04 TM) which are in turn fitted on cheap mini tripods.
Also worth noting is my worklight in the front right corner. Though the room is far from dark, the lighting is subdued and this light helps me see what i'm doing.
It is a Yongnuo SYD-0808 LED video light set on it's lower setting and left on the whole time. As you can see, it has no impact on the photo due to it's low power compared with the flashes, it's still too bright to look into directly though.
This is my current lens setup. I have writte a blog post about it: mostad.eu/the-ideal-micro-four-thirds-lens-setup.html
For the curious, I took a setup shot for the Racing Stripes photo.
The HeroClix figure stands on one of my green shirts. A blue posterboard serves as the backdrop. I placed a couple of push-lights in front of the Flash (only one shown). As is typical for my toy photography, a large diffuser (not shown) is positioned above the scene.
The striped streaks were made with colored pencils and markers on a simple strip of paper by my wife and me. The strip is propped up with a box of raisins at the front and one of my LEDs in the back.
The camera has three inexpensive magnifying lenses attached to the front, not a macro lens.
I post-processed the image in iPhoto, mostly brightening the colors a bit.
Todays high speed shooting setup,
Lessons learnt from last time.
Put egg on a sturdy plinth, then it won't fall over.
Check focus between shots.
Shoot in RAW
A bit furry but it was taken with my phone.
Some info
Canon EX 430II set at 1/64 power
on ebay hotshoe, tripped with diy photo sound trigger.
mic about 6-8 feet from bb gun. behind camera.
bb gun about 12" from egg, shooting from the left.
For those interested in the Trigger.
The circuit I used, I came across on diyphotography.net
www.diyphotography.net/universal_sound_and_optical_slave_...
that post was by a guy called lullaby, he has a website with tips, lullaby.homepage.dk/gallery/index.html
My Schematic is basically the same as lullaby's (all credit to him), I just added the reset button and the extra mic.