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This is how the full build looks like :) Reference: download.gamezone.com/uploads/image/data/1136247/The-Last...
Current MPE-65 setup. Canon 5dMk2 and MPE-65 lens. Yongnuo YN24Ex flash with modified set up using two gorillapod arms fixed to the MPE-65 tripod bracket. DIY diffusers on flash head. 1 layer 1stop silk and 1 lay .5 stop diffuser gel separated by about 1cm
Today's setup... Roll the mouse over the photo to see equipment description.
See also the old setup.
Closer flash means less power needed.
Less power means shorter duration, critical on high-speed shots.
This setup has a new loudspeaker, powered by an amplifier I assembled myself.
Still an analog sound trigger, I'm working on a digital one.
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Setup de hoje... Passe com o mouse na foto para ver a descrição do equipamento.
Veja também o setup antigo.
Flash mais próximo significa menos potência necessária.
Menos potência significa menor duração de flash, crítico em fotos high-speed.
Esse setup tem um novo alto-falante, com um amplificador que eu mesmo montei.
Ainda usa um sound trigger analógico, estou trabalhando em um digital.
Another workshop participant gets ready to shoot this setup at Carriage House.
We were using two 500W Hensel strobes at equal strength at approximately 45° angles.
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setup for previous pic, Alden Cosmetics.
R Matte foam board (Home Depot) : Found out background lights bounced off its silver surface nicely and created a good fill below chin and also on dress ;)
Setup shot for the portraits of Mike Causer, notes should explain everything.
Blog: www.photosmudger.com
Twitter: @photosmudger
Updated my work office setup. It was my two year anniversary so my boss got me a new computer . I used to have a 24" iMac with an external monitor and Dell Vostro 420 that I had connected to the iMac with Synergy. Now I run everything in virtual machines on the Mac Pro, it is much faster and more efficient than using separate machines.
What do I do? I develop web applications for use internally, manage my company's (not my, just work for them) ERP, and manage every piece of tech and software involved in all of our operations.
Dual 2.26 Quad Core Zeon Nehalem Mac Pro w/ 12GB RAM & 2.78TB Hard Drive Space
3 24" Dell G2410 Monitors (1920x1080 times 3)
Bose Companion 2 Speakers
Logitech Quickcam Pro
Not pictured: 15" Unibody Macbook Pro and Bose Quiet Comfort 3 headphones.
The monitors work very well for me, however I can tell the color is off and can't quite get it right so it wouldn't work for someone in print design or photography. For me though, they work great!!
Complete 4x5 setup:
- Tachihara 4x5
- 4x5 BTZS focusing cloth (very good)
- Fujinon CMW 125/5.6 (image circle 204 mm @ f/22)
- 2x FIdelity Elite film holders
- 3x NEW Toyo 4x5 film holders
- 6 filters
- Cokin P filter system + 121M filter
- cable release 2x
- Ilford FP4+ 4x5 FIlm unopened box of 25 sheets (Exp. 12/2014)
Setup for the splash shots:
- A little fish tank in the middle (I got that cheap from Amazon)
- two flashes on the right and left side, shooting through paper pieces as diffusors
- two flashes placed in my bathtub shooting from underneath through the translum foil
- translum foil formed as some sort of transparent seamless background under the tank
Three flashes from Yongnuo, one Canon 430, all four RF triggered via Yongnuo RF triggers.
Camera on tripod with cable remote, adjustments cmp. EXIF.
Btw.: No light barrier involved, obviously this also works manually with some patience. :-)
Setup for this macro photo for Macro Mondays.
This was all just about getting all the other light bulbs out of my image frame.
This is the setup for the "Into The Heart Of The Rose" image I posted earlier.
I put a Yongnuo RF-603N trigger on my D90 and a YN560-II that I pointed at the ceiling to create the setup shot. When I took this picture it triggered the flash in the softbox. Down below in comments you can see the picture that this setup created.
People seem to find these setup shots helpful, and I have an album of them if you'd like to check them out.
This is the setup I used to take my smoke photos. It consists of a Canon Digital Rebel with a 18-200mm Sigma lens connected to my laptop running Canon's remote-shooting software. I triggered the shutter using a remote switch. The background is a yard of black velvet. I attached two "gobos" (pieces of cardboard) to my off-camera strobe (flash) using velcro. The gobos prevented light from the strobe from flaring into the lense or onto the background.
Here's what I do in post:
* I use a black brush to to insure the areas outside of the smoke are completely black (that's about all the burning I do).
* I use the healing tool to remove any distracting specs of dust within the smoke.
* I either apply color to the smoke (using a gradient layer for example), or color shift and saturate the existing colors. For example, I used the "color shift and saturate" technique in this image. I tend to prefer working with the existing tones over mapping colors onto the smoke. I think the resulting colors are more subtle and tend to blend in a more natural way.
* Sometimes I sharpen the image (add local contrast) a small amount using an unsharp mask, but sharping, and color saturation for that matter, increases the image's noise. Smoke images already look noisy because they're images of small particles of smoke, so you've got to go easy on the image manipulation. Sometimes blurring the smoke is actually the right choice.
* Sometimes I'll also play with the image's color curves.
Self portrait setup with manual lens on x-pro1. Cable shutter release comes quite handy. I found the best way to focus using focus preview and placing the focusing point in such way, that I have the composition I need right away. Because with using 50mm f1.4, on closest focus, gives really shallow DOF. And any movement for changing the composition after focusing would go wrong. Since x-pro1 has no wifi etc, the only way to check the screen is to use some mirror, having camera close to wall comes handy. ;)
mijn huidige setup, ga met je muis over de foto voor omschrijvingen.
Update: zie ook de setup uit 2006 :D
In response to a request, here is an iPhone photo. of my setup for photographing slides. There are possibilities on the market for holding films in position, which I may explore later for work with negatives, but for slides it works just fine without such.
The tripod and camera are set up with careful attention to the parallelism of image plane and pad - a spirit level is indispensible. Once set, the tripod is rock-steady over weeks.
A 12mm extension tube on my 100mm macro lens brings it all together; I use aperture priority with f/8 - this provides enough depth of field for any buckling of the slide. I push the pad around on the desk until the slide is in position - quick and easy with the tethered capture image as a guide on my computer monitor. The autofocus and auto exposure work well.
The whole setup is covered by a black bin-bag to minimise light from the environment on the slide, and to keep it all clean. I can push the pad around with the bag covering it like a tent to within a few millimetres of the desk. The camera in the 'tent' is controlled from the computer, of course, and I work in near darkroom conditions apart from the light from the monitor and from the pad. 'Canned air' is always handy!
Found a mirror upstairs today from the old bathroom - perfect for this kind of shot as it doesn't let light spill from underneath. Tins of beans are the perfect height to fit the flash underneath too :-)
Strobist Info
Setup with 4 lights
Top camera left: Beauty dish on boom stand
Bottom (to light the chin): Large strip box with grid
Camera right/left: Medium softbox
Gear: Canon 5D MKII/70-200mm on Manfrotto tripod
Lighting: Bowens Gemini 500R
Triggered with: PocketWizard Plus II
Photographer: Ivana Jurčić
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Photographer: Ivana Jurčić www.ivanajurcic.com
Model: Jovana Knežević
Make up: Ana Pink
Hair: Vladimir Simić
Styling: Nemanja Ivanišević
Assistant: Milan Momčilović
Setup picture... 3 flashes, 3 light modifiers, tethered shooting setup w/pocket wizard triggers.
Learn how to light at Strobist.
Setup for the dancing Paint
this si what i am after but dont like the reflection yet
1 canon 430 EX II right about 4 inches away from the splashes
continue to learn, a lot better today! applied some lube to the balloon to make it shine like a mirror! thinned down the paint even more and played lots with garageband to generate tones and vibrations......moved flash even closer (about 3-4 inches away) so i could go to a smaller aperture, used F22 here.
strobist: 1 * 430EXII at 1/32 of a second
Thanks to Linden G for the inspiration erh or better just call me the copycat
This was just a quick setup to take some pictures of the new hat a made. I normally would've put a heater and noisemaker but i knew she wasn't going to sleep so i didn't even try. I should've pulled the reflector out and put it on the other side of her to get some tummy shots but i just didn't feel like it =) Sorry for the messy room --> it's my living room and my girls rule the roost!
Our 'no-fuss' lighting setup for bride-groom 'formals'. We meter for ~1 stop under ambient (for mood), and then bring the flash power down to something that looks good. We'll usually gobo the back flash or move it off-axis enough so that it won't flare. We feather the main light across the front of the subjects, and voila!
In this case, we were shooting at Stonebridge Manor, a Wedding/Reception venue in Mesa, AZ - one of the nicer venues in the Phoenix area that isn't associated with a swanky resort. The late afternoon sun was just about to disappear, so we worked quickly. This is a 2 minute setup that yields far better results than taking the easy way out and shooting with on-camera lighting or hoping for the best with available light.
We used 2 Vivitar 283's on stands. The main light was at 1/8 power into an umbrella, camera right, and the other was at 1/16 power, bare, camera left. We have Varipower VP-1's on the Vivtars to dial down the light. Flashes were triggered with Cybersyncs. You can also just make out our self-built batteries (just some 6v SLA batteries wired to some fake battery 'slugs' in the 283's battery compartment) used to provide quick recycle times.
For more wedding strobist stuff, check out our blog.
A poor HMGVW is sacrificed to show the Kodiak's working suspension. Credit to Magnus Lauglo for the wheel setup.
Just an off the cuff setup to try and snap some water drops.
My 18-135 just doesn't seem long enough for things like this. ;)
The string made it easy to get the drops in the right place every time.
At first I used the dropper to put water on the string, but after a while I realized that I could hold the dropper against the handle and the drops would pretty much be where I needed them every time, so I started using the dropper exclusively after a while.
Not pictured is my D80 wireless remote which I used to snap the photos.
Flickr Explore Jan 23, 2008 #490