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Current MPE-65 setup. Canon 5dMk2 and MPE-65 lens. Yongnuo YN24Ex flash with modified set up using two gorillapod arms fixed to the MPE-65 tripod bracket. DIY diffusers on flash head. 1 layer 1stop silk and 1 lay .5 stop diffuser gel separated by about 1cm
This is the setup for the "Into The Heart Of The Rose" image I posted earlier.
I put a Yongnuo RF-603N trigger on my D90 and a YN560-II that I pointed at the ceiling to create the setup shot. When I took this picture it triggered the flash in the softbox. Down below in comments you can see the picture that this setup created.
People seem to find these setup shots helpful, and I have an album of them if you'd like to check them out.
Complete 4x5 setup:
- Tachihara 4x5
- 4x5 BTZS focusing cloth (very good)
- Fujinon CMW 125/5.6 (image circle 204 mm @ f/22)
- 2x FIdelity Elite film holders
- 3x NEW Toyo 4x5 film holders
- 6 filters
- Cokin P filter system + 121M filter
- cable release 2x
- Ilford FP4+ 4x5 FIlm unopened box of 25 sheets (Exp. 12/2014)
The camera is pointed at some barbed-wire and two hummingbird feeders out the patio door. I have a Nikon SB-910 flash on a light stand camera left shooting out another patio door. Flash is triggered with the SU-800 which isn't in a line of sight but inside the IR bounces around enough to trigger the flash. I have clips holding open the blinds.
Nikon D4. Nikkor 500f4 G VR. TC1.4eII. Nikon SU-800 flash trigger. RRS Gimble Head. Gitzo CF tripod. Dell XPS Laptop.
Updated my work office setup. It was my two year anniversary so my boss got me a new computer . I used to have a 24" iMac with an external monitor and Dell Vostro 420 that I had connected to the iMac with Synergy. Now I run everything in virtual machines on the Mac Pro, it is much faster and more efficient than using separate machines.
What do I do? I develop web applications for use internally, manage my company's (not my, just work for them) ERP, and manage every piece of tech and software involved in all of our operations.
Dual 2.26 Quad Core Zeon Nehalem Mac Pro w/ 12GB RAM & 2.78TB Hard Drive Space
3 24" Dell G2410 Monitors (1920x1080 times 3)
Bose Companion 2 Speakers
Logitech Quickcam Pro
Not pictured: 15" Unibody Macbook Pro and Bose Quiet Comfort 3 headphones.
The monitors work very well for me, however I can tell the color is off and can't quite get it right so it wouldn't work for someone in print design or photography. For me though, they work great!!
Setup shot for a few of the images from this shoot.
ab800 into 47" octabox
fired with pocketwizards
vagabond II
Setup for the splash shots:
- A little fish tank in the middle (I got that cheap from Amazon)
- two flashes on the right and left side, shooting through paper pieces as diffusors
- two flashes placed in my bathtub shooting from underneath through the translum foil
- translum foil formed as some sort of transparent seamless background under the tank
Three flashes from Yongnuo, one Canon 430, all four RF triggered via Yongnuo RF triggers.
Camera on tripod with cable remote, adjustments cmp. EXIF.
Btw.: No light barrier involved, obviously this also works manually with some patience. :-)
mijn huidige setup, ga met je muis over de foto voor omschrijvingen.
Update: zie ook de setup uit 2006 :D
Light setup for this image: www.flickr.com/photos/terytky/3057445743/
Photo by: Seppo Hinkula
Setup picture... 3 flashes, 3 light modifiers, tethered shooting setup w/pocket wizard triggers.
Learn how to light at Strobist.
A few people have asked how I do the oil & water pics I've been posting. Here is my setup. I'm lucky enough to have a glass top side table to put the bowl on. I use a Tamron 90mm macro lens, all settings on manual. I got the basic settings from the YouTube tutorial I posted a link to but for me ISO 800, shutter speed 1/320, f7.1-8 seem to work pretty well - I have deviated from those settings too, so it's just a matter of experimenting until you find what works for you. I'm sure you can do it with a macro setting on a point and shoot with a little playing around. Interestingly I'm finding that I get my best results in the evening when the ambient light is pretty low. Hope this bit of info helps! ;D
Setup for the dancing Paint
this si what i am after but dont like the reflection yet
1 canon 430 EX II right about 4 inches away from the splashes
continue to learn, a lot better today! applied some lube to the balloon to make it shine like a mirror! thinned down the paint even more and played lots with garageband to generate tones and vibrations......moved flash even closer (about 3-4 inches away) so i could go to a smaller aperture, used F22 here.
strobist: 1 * 430EXII at 1/32 of a second
Thanks to Linden G for the inspiration erh or better just call me the copycat
This is one of the setups I use for macro photography. Alternatively, I use poster board sheets and backdrops, both balck and white.
2015 setup. MacBook Pro Retina 13" - Apple ThunderBolt DIsplay 27" - iPad Air 2 16GB - Picture taken on iPhone 6S Plus processed in Photos App.
Setup for most of the shots in my Amigurumi product photography set.
Lighting Info
One Profoto Compact 600R from above in a Softlight Reflector with grid to light the toy. I used a black glossy metal plate from IKEA as table and placed another Profoto Compact beneath it. The flash under the table had a snoot to restrict the light on the background and different coloured gels to create different backgrounds.
Lighting setup diagram based on Kevin Kertz design. www.kertzdesign.com
/ BLOG
Our 'no-fuss' lighting setup for bride-groom 'formals'. We meter for ~1 stop under ambient (for mood), and then bring the flash power down to something that looks good. We'll usually gobo the back flash or move it off-axis enough so that it won't flare. We feather the main light across the front of the subjects, and voila!
In this case, we were shooting at Stonebridge Manor, a Wedding/Reception venue in Mesa, AZ - one of the nicer venues in the Phoenix area that isn't associated with a swanky resort. The late afternoon sun was just about to disappear, so we worked quickly. This is a 2 minute setup that yields far better results than taking the easy way out and shooting with on-camera lighting or hoping for the best with available light.
We used 2 Vivitar 283's on stands. The main light was at 1/8 power into an umbrella, camera right, and the other was at 1/16 power, bare, camera left. We have Varipower VP-1's on the Vivtars to dial down the light. Flashes were triggered with Cybersyncs. You can also just make out our self-built batteries (just some 6v SLA batteries wired to some fake battery 'slugs' in the 283's battery compartment) used to provide quick recycle times.
For more wedding strobist stuff, check out our blog.
This was the setup shot for this photo: Robyn.
The setup consisted of two flashes with two shoot-thru umbrellas. One brolly low to the ground and aimed up, one high and aimed down. Aim your camera between the gap in the umbrellas.
This gives a very even light over the entire face with minimal shadow. The few photos we did like this all came out great, very glamorous.