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Setup for these two shots:
Setup for this photograph (opens a new Flickr window).
If you find this plan difficult to see clearly please see the full size version.
Learn how to light at Strobist
Setup for "Summoning the Dragon" - please click here to go there. [Flickr page - opens in new window]
All setup and lighting info is in the notes accompanying the pic above. Or at least I hope it is... ;-) Move your mouse over the pic to see the notes. If I've left anything out please feel free to ask. :-)
Learn how to light at Strobist
2010.
setup for this.
featuring 'Lizzie' sunglasses from Wintercheck Factory (www.wintercheckfactory.com/shop/1175-LIZZIE-SUNGLASSES)
Model & Wardrobe: Alexander Parker
Hair & Makeup: Zach Taylor
Assistants: Brittany Sturrett and Jessica Whitehead
Strobist: Two Profoto Acute2 packs, 5 heads. One high, center, and front (key); one high center and back (hair); one on each side and back (rims), one behind model for background light; all were gridded 10°. Alienbees ABR800 Ringflash on-camera.
Experimental setup to edge light a glass, using just 2 small lights and a pair of DIY difussion screens 9 Details here : www.flickr.com/photos/steveblackdog/5026934119/ )
By using the screens, I was able to both light the glass and mask the black part of the background from the same lights. Hopefully the photo shows where the light was hitting the backdrop.
The lighting is a little off balance as the left screen was fitted with tracing paper, while the right had a sheet of white printer paper. Hopefully it shows the tracing paper gave a slightly harder light.
Lights were a pair of Neewer SF-01 mini slave flashes, mounted on Blazzeo SLT-4 radio triggers and mini tripods.
As an aside, all the lighting gear used for this shot, cost less than £40/$60, so if you thought using flash off the camera was expensive to get started, it needn't be.
Setup shot showing the general lighting setup for most of the interior shots, and the cover of the supplement, as well as a view of how I shot the "shot within a shot" image. Notes should explain everything hopefully.
Blog: www.photosmudger.com
Twitter: @photosmudger
This is beginning to look familiar :) Maybe I should have switched the red and blue around for a bit of variety ;-)
I have altered the angle of the overhead light in this shot to better show the working area, but it does still show how the brightfield lighting works on the bottle. The black portion of the backdrop is slightly compromised because of this.
The black portion is an A3 Sheet of Fun Foam and is postioned approx 12 inches/300mm behind the bottle. I find this foam is less reflective than card and use it most of the time.
The large white part of the backdrop is an old advertising sign and made of a heavy duty kind of Foamcore with a plastic instead of paper covering. Onto this I fit various sheets of card/paper/foam sheets as required with spring clamps at the top and as you can see, clothes pegs.
The flash at the top is also mounted on another spring clamp which has a screw on cold shoe to mount the flash.
This is a Yongnuo YN460, set at 1/16th power for the actual shot. This is fitted with a card flag/reflector to prevent the light from falling on the bottle itself, I have altered the angle slightly to allow a little more light spill for this setup shot.
The little flashes to the sides are Neewer SF-01 mini slave flashes, also sold as Godox CF-18 or Vivitar SF2000's. These are mounted on Blazzeo SLT-4 radio triggers (re-branded PT-04 TM) which are in turn fitted on cheap mini tripods.
Also worth noting is my worklight in the front right corner. Though the room is far from dark, the lighting is subdued and this light helps me see what i'm doing.
It is a Yongnuo SYD-0808 LED video light set on it's lower setting and left on the whole time. As you can see, it has no impact on the photo due to it's low power compared with the flashes, it's still too bright to look into directly though.
1 light setup
For this shot I used only hard light.
1. Key/main light refelceting off ceiling
Model: Ali Collier (Major: NYC)
MUA: Monae Everett
Photographer/Retouch: Carlos Alvarado Jr.
After my winter break, I am starting this year with a 52 weeks project!
Every sunday a new shot with setup!!
Light Setup :
- Key Ringflash, left side above
- Key Quadra, right side, through softbox
- Silver reflector underneath
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Twitter: twitter.com/photholics/
Facebook: www.facebook.com/photholics
Instagram: instagram.com/marcasporys
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For the curious, I took a setup shot for the Racing Stripes photo.
The HeroClix figure stands on one of my green shirts. A blue posterboard serves as the backdrop. I placed a couple of push-lights in front of the Flash (only one shown). As is typical for my toy photography, a large diffuser (not shown) is positioned above the scene.
The striped streaks were made with colored pencils and markers on a simple strip of paper by my wife and me. The strip is propped up with a box of raisins at the front and one of my LEDs in the back.
The camera has three inexpensive magnifying lenses attached to the front, not a macro lens.
I post-processed the image in iPhoto, mostly brightening the colors a bit.
Setup Strobist: Canon 7D+50mm 1.4+24mm 2.8+sigma 70-200 2.8+Flash godox+Softbox 60 godox+radio trigger. Process in photoshop+Camera Raw preset.
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Todays high speed shooting setup,
Lessons learnt from last time.
Put egg on a sturdy plinth, then it won't fall over.
Check focus between shots.
Shoot in RAW
A bit furry but it was taken with my phone.
Some info
Canon EX 430II set at 1/64 power
on ebay hotshoe, tripped with diy photo sound trigger.
mic about 6-8 feet from bb gun. behind camera.
bb gun about 12" from egg, shooting from the left.
For those interested in the Trigger.
The circuit I used, I came across on diyphotography.net
www.diyphotography.net/universal_sound_and_optical_slave_...
that post was by a guy called lullaby, he has a website with tips, lullaby.homepage.dk/gallery/index.html
My Schematic is basically the same as lullaby's (all credit to him), I just added the reset button and the extra mic.
Light setup for a portion of the yoga pose shoot.
Two White Lightening x1600s, both on lowest power. One on boom with covered umbrella (functioning like a soft-box) on boom arm directly overhead. One with strip-light box behind model.
Studio: North Denver Photographers Studio.
Setup shot for 037/365 Wakeboard Jones.
Camera Info:
Canon 7D, Sigma Lens 17-17mm @17mm, f/20, 1/160s, ISO 100
Strobist Info:
-Canon 430EXII Camera Right and in front of subject, FULL Power, @14mm zoom, about 5 feet high, 5 feet away from subject fired bare.
-Canon 430EXII Camera Right and in front of subject, FULL Power, @14mm zoom, about 4 feet high, 5 feet away from subject fired bare.
-Canon 430EXII Camera Right and behind of subject, FULL Power, @105mm zoom, about 5 feet high, 9 feet away from subject fired bare.
-Sun was high camera left just slightly behind subject.
-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.
This is the set up shot for Strobist Final Four challenge of shooting a basketball. I have one Canon Speedflash 430EX behind the ball as a slave to the Canon Speedflash 580EX, which is on lightstand and triggered by Pocket Wizard. The 580 has an oatmeal cereal tube with black foil to reduce snoot size further. Both flashes set to 1/32 power. Both flashes have warming gels.
Now I can share a setup shot since i've tried it out and seen that it works very well. I haven't messed with colors or the lighting much yet on my photos, just been getting comfortable with using the electronics. I will say the stopshot is a joy to use over doing these manually like I did before. I think the next time I shoot it will be time to try out some ideas I have. I do have a shoot that I might upload later, but it is just a test just. thanks for looking.
BTW the broom hanging on the wall in the back is not part of the setup. ;-)
This is the setup I've used for most of my shots. The main idea has been copyed from John Hallmén, who is a great source of inspiration. A lot of macro shooters use similar setups and it works really well.
From the top:
The OM-D with the 60mm macro and a cable release.
Manfrotto quick release adapter 323
Manfrotto 410 Junior geared head.
Newport 430 linear stage with a Starret micrometer with a travel of 25mm.
Manfrotto quick realese adapter 577
Berlebach Mini-tripod with leveling head.
The holder for the objets consists of:
A so called "Third hand", normally used for soldering jobs. I have cut a thread in the bottom.
Manfrotto 482 ball head.
Novoflex Minipod.
Photo taken by my son Victor with his Canon EOS 600D and a Tamron SP 35-80mm f2.8-3.8
Setup Shot For RR shoot.
(thanks to Aly for gettin this shot of me.)
Main light:
1 Canon 430EX
1Canon 580EXII
Both on full power i think.
Fired into single umbrella to match ambient.
ISO: 100
Ranged from f/9 1/80s to
f/6.3 1/200s throughout they day depending on ambient.
Sun as hair/fill background...
Superclamp clamped to stand to allow mounting of second flash on stand.
I almost got run over by a train that day saving the stand and lights...
Setup used for these shots:
www.flickr.com/photos/brittonphotography/2084365065/
www.flickr.com/photos/brittonphotography/2084303113/
www.flickr.com/photos/brittonphotography/2085027914/
It still amazes me how much I can do with two flashes and some cheap triggers.
(No setup info nessasary because of the setup photo.)
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Light setup for the previous photo.
Hit up that BLOG for more photos and info!
Strobist Info:
B1600 Left of subject (high)
Shot through 47" Octobox @ 1/16th Power
Triggered via Cybersyncs
Powered w/ Vagabond II
22" White Beauty Dish on Head
Nikon D300 | Nikkor 10.5mm fishey Æ’/2.8
Lighting setup for "Head Of Sekhmet On An Aegis"
Equipment used:
-Nikon D80
---shot tethered to Powerbook G4 and Adobe Lightroom
-Nikon AF-S 60mm f/2.8 Macro lens
-Manfrotto tripod with basic head
-Sekonic L-358 lightmeter
-Speedotron 2403B Powerpack
---triggered by on-camera flash directed into optical slave attached to PC-to-household cord
-Speedotron 102 Light Unit (strobe)
---with diffusing panel (3-4 sheets)
---mounted to DIY boom-stand (vice-grip light-stand clamped to pan-arm of a large video tripod)
-Speedotron 102 Light Unit (strobe)
---with small DIY diffusing dish (hot light snoot with small lamp reflector dish wrapped in diffusing cloth, held together with clips)
---mounted to Manfrotto Articulated Arm and Super Clamp
-DIY macro plexi stand (4x5 chrome display holder held by clips on an adjustable arm)
-curved sheet of seamless neutral-gray paper (movable, allows control of seamless background gradient without noticeable paper fibers)
-Qpcard 201 color-correction card (cropped out of final image)
Setup and lighting details for the photo below.
If I were able to draw I probably wouldn't be taking photographs. :-)
Learn how to light at Strobist