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Funkfreunde und Freunde des Funks trafen sich am Wochenende in der Nähe von Halle auf dem Burgstetten zum alljährlichen Feldtag.

 

DL1HQE

Photo both I setup for friends wedding see photo for strobist info; guess triggered camera with pw wich triggered alien bees with PC chord

Setup for this photograph (opens a new Flickr window).

 

If you find this plan difficult to see clearly please see the full size version.

 

Learn how to light at Strobist

Setup for "Summoning the Dragon" - please click here to go there. [Flickr page - opens in new window]

 

All setup and lighting info is in the notes accompanying the pic above. Or at least I hope it is... ;-) Move your mouse over the pic to see the notes. If I've left anything out please feel free to ask. :-)

 

Learn how to light at Strobist

Setup shot showing the general lighting setup for most of the interior shots, and the cover of the supplement, as well as a view of how I shot the "shot within a shot" image. Notes should explain everything hopefully.

 

Blog: www.photosmudger.com

 

Twitter: @photosmudger

 

www.tmphoto.co.uk

This is my Office Setup, not so clean but perfect for work.

 

The desktop system is an Dell Optiplex 745 Core 2 Duo 2.13GHz with 3 GB of Ram and its connected to 2 Dell LCD Monitors (24'' and 19'').

 

The Laptop it’s a Dell Latitude D830 with Core 2 Duo 2.00 Ghz with 2 GB of Ram, I love this laptop!!!!

 

Hope you like the setup.

 

For the curious, I took a setup shot for the Racing Stripes photo.

 

The HeroClix figure stands on one of my green shirts. A blue posterboard serves as the backdrop. I placed a couple of push-lights in front of the Flash (only one shown). As is typical for my toy photography, a large diffuser (not shown) is positioned above the scene.

 

The striped streaks were made with colored pencils and markers on a simple strip of paper by my wife and me. The strip is propped up with a box of raisins at the front and one of my LEDs in the back.

 

The camera has three inexpensive magnifying lenses attached to the front, not a macro lens.

 

I post-processed the image in iPhoto, mostly brightening the colors a bit.

It still amazes me how much I can do with two flashes and some cheap triggers.

 

(No setup info nessasary because of the setup photo.)

Light setup for a portion of the yoga pose shoot.

 

Two White Lightening x1600s, both on lowest power. One on boom with covered umbrella (functioning like a soft-box) on boom arm directly overhead. One with strip-light box behind model.

 

Studio: North Denver Photographers Studio.

 

Setup San Francisco Graffiti art

Setup shot for this one.

 

X1600 in beauty dish above camera

X1600's on either side of backdrop, about a stop higher than beauty dish

 

I've just been clamping white poster board to the reflectors on the background lights to cut flare rather than trying to get anything large home from the hardware store and it's been working pretty well

 

There was a lot of traffic through the room the day this was taken, but usually the backdrop would be fully extended over the floor to cut the orange reflections from the wood floor.

 

www.joshuahoffmanphoto.com

After my winter break, I am starting this year with a 52 weeks project!

 

Every sunday a new shot with setup!!

 

Light Setup :

- Key Ringflash, left side above

- Key Quadra, right side, through softbox

- Silver reflector underneath

  

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Twitter: twitter.com/photholics/

 

Facebook: www.facebook.com/photholics

 

Instagram: instagram.com/marcasporys

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Thx for your fave and comments!! I invite you to check my Twitter/Facebook/Instagram - follow me if you want :)

Now I can share a setup shot since i've tried it out and seen that it works very well. I haven't messed with colors or the lighting much yet on my photos, just been getting comfortable with using the electronics. I will say the stopshot is a joy to use over doing these manually like I did before. I think the next time I shoot it will be time to try out some ideas I have. I do have a shoot that I might upload later, but it is just a test just. thanks for looking.

BTW the broom hanging on the wall in the back is not part of the setup. ;-)

Todays high speed shooting setup,

Lessons learnt from last time.

Put egg on a sturdy plinth, then it won't fall over.

Check focus between shots.

Shoot in RAW

A bit furry but it was taken with my phone.

 

Some info

Canon EX 430II set at 1/64 power

on ebay hotshoe, tripped with diy photo sound trigger.

mic about 6-8 feet from bb gun. behind camera.

bb gun about 12" from egg, shooting from the left.

 

For those interested in the Trigger.

The circuit I used, I came across on diyphotography.net

www.diyphotography.net/universal_sound_and_optical_slave_...

that post was by a guy called lullaby, he has a website with tips, lullaby.homepage.dk/gallery/index.html

My Schematic is basically the same as lullaby's (all credit to him), I just added the reset button and the extra mic.

Setup shot of Mini Fab in the stream. Alien Bee 1600 with beauty dish, camera right. Here is a picture of Ray taking his shots.

model: Naïssa Bé/Boris Untereiner

Setup Shot For RR shoot.

(thanks to Aly for gettin this shot of me.)

Main light:

1 Canon 430EX

1Canon 580EXII

Both on full power i think.

Fired into single umbrella to match ambient.

ISO: 100

Ranged from f/9 1/80s to

f/6.3 1/200s throughout they day depending on ambient.

Sun as hair/fill background...

 

Superclamp clamped to stand to allow mounting of second flash on stand.

 

I almost got run over by a train that day saving the stand and lights...

  

Setup used for these shots:

 

www.flickr.com/photos/brittonphotography/2084365065/

 

www.flickr.com/photos/brittonphotography/2084303113/

 

www.flickr.com/photos/brittonphotography/2085027914/

 

www.flickr.com/photos/brittonphotography/2084258239/

 

www.flickr.com/photos/brittonphotography/2084364953/

Re-did my editing setup, cleaned up the wires and stuff

This is the set up shot for Strobist Final Four challenge of shooting a basketball. I have one Canon Speedflash 430EX behind the ball as a slave to the Canon Speedflash 580EX, which is on lightstand and triggered by Pocket Wizard. The 580 has an oatmeal cereal tube with black foil to reduce snoot size further. Both flashes set to 1/32 power. Both flashes have warming gels.

Actually a very easy setup:

 

Some plexiglass with the whisky bottle on it and the SB-900 (+3.0) with the diffusion dome below. Triggered with the internal flash of the camera (+0.7).

This is the setup I used to create "Watching in the Dark".

 

Camera mounted on tripod and fired remotely. Canon 5D mark III with 70-200 at 135mm. Manual focus and manual settings: ISO100, f/13, 1/250.

 

Two Canon EX-580 flash guns triggered with PocketWizards. One light to the left with grid and small diffuser, manual settings +2 power. The right light also with a grid and manual settings, -3 power.

 

The camera was pre-focused. I shut off the lights in the room and had the flashes angled so that they wouldn´t light the background.

 

The left light was the main light and elevated to create the shadow under the brim of the hat. The right light was used as a soft fill to light the eyes under the brim.

 

Post-processing in Lightroom CC. Work mostly consisted of cropping, dodging and burning. I also added the facial camouflage with colored brushes.

Mise en place pour prise de vue de méduses

1000w/s strobe as key through 48" octabox

yn568ex back left as rim

yn568ex back right as rim

580exII on ground behind subject pointed at leaves.

 

all triggered by YN622C's.

 

5d3

85L

My currect macro setup:

Nikon D7100

Sigma 105mm OS

Nikon R1C1 Macro Flash

Homemade diffuser

Setup and lighting details for the photo below.

 

If I were able to draw I probably wouldn't be taking photographs. :-)

 

Learn how to light at Strobist

Bouncing sunlight with giant reflector (light disc). Only $5 to rent.

Setup I had for taking smoke shots.

Looking at this setup shot, the angle of the glass has me thinking I had drunk the contents :)

As it happens, it's just water with food colouring added, so the only effect would have been a red tongue anyway.

The glass is mounted on a scrap of black foamcore, with a piece of black card wedged against the stem to prevent it sliding down the slope, plus a rubber band on the opposite side to stop it from falling over.

Lighting is provided by a pair of 20W CFL lamps fitted into Pringles tubes, which have a sheet of white printer paper rolled up and placed inside. The paper gives a softer more evenly spread light than the foil interior, to give a better exposed white background.

I did get a bit of light falling away in the corners, though easy to correct in photoshop, not ideal.

Still playing with this, so a better way of lighting might appear tomorrow ;-)

Setup for this shot. I love CLS.

 

Thanks to Chris Weiss for spending the time with me instead of writing his paper, letting me use his camera, and being willing to get his shirt all dirty in the name of photography.

 

Strobist info:

Nikon D300, Nikon 17-55mm f/2.8G ED-IF AF-S DX

1/200, f/8, ISO 400

Nikon Speedlight SB600 @ 1/4 high camera left, 43" umbrella

Nikon Speedlight SB800 @ 1/8 high camera right, 43" umbrella

 

Setup shot for 190/365 Big League Slugger.

 

Camera Info:

Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, Æ’/10.0, 1/250s, ISO 100

 

Strobist Info:

-2 Canon 430EXIIs inside 40" Westcott Softbox camera left, 5 feet high and 3 feet from subject, both flashes at 1/1 power and 24mm zoom

-White bounce fill reflector camera right 3 feet from subject

-Sun above and behind subject and slightly to camera right

-Flashes triggered using interfit strobies triggers

This is how I cram 2 speedlites in my softbox...

www.flickr.com/photos/matthewcoughlin/5766940862/in/photo...

 

Facebook

www.facebook.com/matthewcoughlinphotographer

 

Twitter

twitter.com/matthewcoughlin

 

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