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This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
My setup of Celestron 6" SCT with SkyWatcher AZ-EQ6 GT mount and ZWO ASI 224MC camera on a 2x barlow. The planet Saturn is in the live capturing on Firecapture running on the laptop.
Shots from the 2018 SMASH! event at ICC Sydney Exhibition Centre, photographed by Jocelyn So.
Instagram: @bmtsurin
A short setup piece for the London Olympics 2012 and BBC Sport to introduce weightlifter Zoe Smith, at 17, the youngest in the competition.
Broadcast on BBC One.
Edited on Avid Composer v5.5 with Sapphire effects.
howtosetupwebsite.org/how-to-setup-a-website-test-post/
A website, also written as Web site, web site, or simply site, is a set of related web pages containing content (media), including text, video, music, audio, images, etc. A website is hosted on at least one web server, accessible via a network such as the Internet or a private local area network through an Internet address known as a Uniform Resource Locator. All publicly accessible websites collectively constitute the World Wide Web.
A webpage is a document, typically written in plain text interspersed with formatting instructions of Hypertext Markup Language (HTML, XHTML). A webpage may incorporate elements from other websites with suitable markup anchors.
Webpages are accessed and transported with the Hypertext Transfer Protocol (HTTP), which may optionally employ encryption (HTTP Secure, HTTPS) to provide security and privacy for the user of the webpage content. The user's application, often a web browser, renders the page content according to its HTML markup instructions onto a display terminal.
The pages of a website can usually be accessed from a simple Uniform Resource Locator (URL) called the web address. The URLs of the pages organize them into a hierarchy, although hyperlinking between them conveys the reader's perceived site structure and guides the reader's navigation of the site.
Some websites require a subscription to access some or all of their content. Examples of subscription websites include many business sites, parts of news websites, academic journal websites, gaming websites, file-sharing websites, message boards, web-based email, social networking websites, websites providing real-time stock market data, and websites providing various other services (e.g., websites offering storing and/or sharing of images, files and so forth).
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Setup Shot for 041/365 Comic Relief.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4 USM, f/3.5, 1/80s, ISO 100
Strobist Info: See setup shot here.
-Canon 430EXII Camera Left and in front of subject, 1/16 Power, @24mm zoom, about 4 feet high, 1 feet away from subject, into white shoot through umbrella.
-Flashes triggered with Interfit Strobies.
username : "marc0047",
title : "New setup",
content url : "https://www.flickr.com/photos/marc0047/3084490030/"
This is the setup I used to get the shot of the bug and his little tentacle.
1 x Canon 400D
1 x Sigma 70-300mm DG Telephoto
1 x 50mm ("Nifty Fifty") f1.4
1 Roll of blue electrical tape
1 x Hypodermic Needle
1 x Random Bug found close to the front door (I didn't invit him in!?)
A desk lamp
A piece of cardboard as a reflector.
Also not in shot is a piece of A4 size semi-tranparent plastic as a diffuser.
Setup shot for 109/365 NBA Playoffs 2011.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/2.8, 1/60s, ISO 100
Strobist Info:
-Canon 430EXII 90 Degrees above subject slightly to the right, 1/32 Power, @24mm zoom, about 6 feet high, 3 feet away from subject through 24 Photoflex softbox.
-Canon 430EXII Camera left and behind subject subject, 1/64 Power, @80mm zoom, lying on table 1 foot away from subject fired with dome diffuser cap.
-Flash was triggered with Interfit Strobies.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
This is the setup I've been using lately. I draw with the pad/block in my lap, then move it to the easel for the watercolor work. I keep the paper at about 40-45°.
Taken in about 1987, this is the bench setup I used to use for showing different types of pressure wave, heat, gases, and occasionally fluids, in air, water etc.
I'm trying to find a negative of some of my results but haven't found any yet. I tell a lie, I found one here.
This was all carried out in the pitch dark with only a bit of light coming from the light source, in this case a projector with a cardboard tube to ensure a "controlled" beam of light. It's all a bit Heath Robinson, especially with the projector sitting on its box on a piece of wood! Needless to say, more than a few shots were ruined by walking into the table in the dark!
This is a setup for the football session at UCO last night. I am shooting with my boss, David Prentace's 1D Mark III, while he takes the setup shot with my camera. I improved a LOT from last weeks practice session.
I work for Defining Moment Sports Photography.
This photo was taken at insomnia53
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Photo by David Portass Photography
Setup for "product shots" of the apple, Parker Duofold (currenly shown) and the bell.
Daylight from camera right and 430EX II placed behind, facing backwards into wall/ceiling.
Super basic setup. SB-600 fired by CLS with cardboard snoot on the right (trying to control the spill on the black card paper background). The "reflector" on the left is a white bed sheet stretched over a frame made of two wire coat hangers bent and fixed into the shape of a rectangle. Works pretty well for shooting through and bouncing off.
Shameless self promotion: Freelance Motion Graphics and Photography
Lighting: SB-900 with CTO gel 1/16 power in Ezybox camera left. A sheet of tracing paper was taped to the front of the softbox to provide additional diffusion. A second domed SB-900 with CTO gel was fired through another piece of tracing paper at 1/4 power to the right of camera and behind the object.
A piece of opaque card was resting on the edge of the softbox to prevent spill on the background, and I think it is this which causes the dark shadow on the left of the tube. A piece of white foamboard was to the left of the bottle packaging to provide fill for the label, and another piece of paper was underneath the camera lens to provide some additional fill lighting for the sheild and words 'special reserve'.
Christmas lights provided the bokeh in the background.
A setup shot of the big group shot with the flashes firing to give an idea of the lighting.
Blog: www.photosmudger.com/
Setup Strobist: Canon 7D, 50mm 1,4, flash godox 1/4, octabox godox 120, radio trigger godox, luz de recorte desde el sol, edición photoshop.
Todos los Derechos Reservados ©2016
Happy with the new setup! 60″ LED Bravia (to replace my old 35″), and stripping everything down to the bare essentials: PS4 and Wii U for my gaming needs, and the new Mac mini as a media server + little gaming machine.
Strobist setup:
- 430 EXII @ 1/8 105mm cam left
- 580 EXII @ 1/4 24mm 1/4 CTO into BigMama cam right
- EOS 5D MKII @ 1/30 ISO 400
- 70-200 2.8 L IS @ 200mm f/2.8
- triggered with Yongnuo RF-602
Early 2008 Macbook Pro with 2.5GHz Intel Core 2 Duo Processor, 2 GB DDR2, 250gb 5400rpm HD.
Apple Wired Keyboard
Logitech MX Revolution Mouse/Apple Magic Mouse
HP w2207
Creative SBS380 12 Watts 2.1 Speaker
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Quick and dirty table-top setup in my kitchen. One SB-800 at 28mm, 1/128 power with gridcloth (to take the edge off) on a stand directly over the car, and 1 SB-800 at 1/32 firing through a CTB gel on to a piece of white foamcore. Both were on slave mode, triggered by the on-cam built-in flash. White CVS drawing paper served as a floor and bounced a little light back around the sides of the car. Incidentally, both flashes were on SU-4 (slave) mode at this point as either my D70's manual commander mode quit or the flashes quit listening to it...
Learn how to light at Strobist.