View allAll Photos Tagged sensor
From wiki:
NGC 7822 is a young star forming complex in the constellation of Cepheus. The complex encompasses the emission region designated Sharpless 171, and the young cluster of stars named Berkeley 59
Image details:
SHO (Hubble Palette)
231, 5-min, 100-gain, SII subs
115, 5-min, 100-gain, Ha subs
165, 5-min, 100-gain, OIII subs
42.75 hours of data total.
Data calibrated with:
Darks, Flats and Bias frames
Data collected on clear nights Dec 2024, Jan, Feb 2025.
ASI2600mm Pro Camera
Esprit 100ED with reducer
446mm focal length, F4.4
Sensor cooled to -10C
Sky-Watcher EQ6-R Pro mount
Dithered every 3 frames, 2X
drizzled in PIX
All data captured in my backyard in Yukon, Oklahoma
Bortle-7 sky.
Processed with Pixinsight and Photoshop.
Panasonic Lumix DC-FZ80. Mixing long-zoom capabilities with multimedia recording versatility, the Lumix DC-FZ80 from Panasonic pairs an expansive 60x zoom lens with high-resolution stills and 4K video shooting functionality. Revolving around an 18.1MP High-Sensitivity MOS sensor, the FZ80 has a top sensitivity of ISO 6400 for working in low-light conditions as well as a 10 fps shooting rate and UHD 4K/30p video recording at 100 Mbps. The 4K capabilities are extended to stills applications, too, and allow for 30 fps shooting at 8MP as well as the ability to use Post Focus for choosing your specific point of focus after shooting. Complementing these imaging assets is a Lumix DC Vario lens, which provides a 20-1200mm equivalent focal length range, along with POWER O.I.S. to minimize the appearance of camera shake for sharper handheld shooting.
After I got the Sony, I turned this over to my wife Carol. She loves it! It does decent considering the tiny sensor in it (1/2.3") especially if you take a little time in post production. The lens is insane! 3.58-215mm (35 mm equivalent: 20-1200mm)
First photo of the year! It was a really cold and foggy day, and it gave me an idea for a shot. I grabbed my camera and ventured into the brook that runs past my house and really just wanted to capture the surrounding and mood of the day.
Here is a shot from December 2. It was one of the craziest burns I've seen over San Francisco. There were so many colors and stages to this sunrise that I thought my sensor might have been fried from the overload.
Wishing everyone a Happy New Year, and looking forward to shooting in 2016!
Thanks for looking!
Portrait of me beside the Nimbus temperature sensor for NWS records, installed with the help of my National Weather Service supervisor. Cabled sensor sends data to readout console in the house, senses temperatures from -99.9° F to 120.9°.
A very popular camera by Agfa from the late 70s and a little marvel of industrial design. The "Optima Sensor" name had been used by Agfa for a series of simple electronic consumer cameras since the late 60s denoting the presence of a big, red, feather-touch shutter button (sensor) that adorned the top of the camera and was considered very hi-tech at the time.
This last series of the Agfa Optimas were marketed during the late 70s and production continued well into the 80's being hugely successful in the european market. At least 5 different models exist, including a rangefinder (Agfa Optima 1535) and one equipped with an electronic flash, aptly named "Agfa Optima Flash". The best online source of information regarding these cameras can be found here:
www.edition-oldenburg.de/agfa_optima.html
The Optima 1035 pictured here sits second from the top of the line-up feature-wise. It is a zone-focus camera with a fully automatic exposure system based on the Agfa Paratronic electronic shutter. Despite its introduction at a time when plastic was already being used extensively in camera manufacture, the littke Agfa is mostly made of metal with a very durable black coating. Some parts are made of plastic (like the film advance lever or the focusing ring) but the overall feel is that of a solid, durable camera.
The most prominent feature of the camera is the HUGE and extremely bright viewfinder which is a small revelation for first-time users. It is very close in size and brightness to the viewfinders found in premium rangefinders and makes using the camera a real joy. In the 1035 the VF features three distance symbols and a red needle that moves between them according to the chosen focus distance, the minimum being 0.9m. The frame line is illuminated and there are parallax correction marks for close subjects.
Another unique feature of the Optima is the lack of a rewind crank. With the help of (rather flimsy) toggle switch on the top plate, the film advance lever doubles as a rewind crank, a clever design that made the installation of such a bright finder on such a small camera possible.
Upon opening the film door, another clever feature makes its apperance: When loading the camera, the film is passed under a small shield on the winding side which protects film that has already been exposed from accidental opening of the film door.
The lens is a fast f2.8, 40mm four-element Solitar-S ("S" denoting multi-coating) which is quite sharp under good lighting conditions with good contrast and resistance to flare.
Shutter speeds go up to 1/1000s and in low light the Paratronic can stay open for at least one full second. The high top shutter speed combined with the minimum diaphragm opening of f22 ensure proper exposure of fast film even under the brightest conditions. The shutter is completely battery-dependent, it doesn't open at all if batteries are not installed. The feather-touch shutter release ensures minimum shake when taking the shot, reducing the chance of a blurry shot in relatively slow speeds.
Agfa engineers were clever enough to put the CdS cells of the metering system at the six o'clock position of the lens beauty ring, a fact that prevents shadowing of the sensors when a lens hood is used.
Not everything is good on the little Agfa though. For starters, the ASA setting stops at 400 which can be quite limiting if one wants to push fast film. Also, there is no backlight compensation provision, one has to change the ASA setting to deal with backlit subjects.
Additionally (and most annoyingly) the shutter produces an awful screeching sound when fired, probably the worst-sounding shutter I've ever come across, regardless of camera type.
Another ill-conceived feature of the camera (perhaps imposed by the necessity for small size) is the fact that the battery department is accessible only after opening the film door, so in case the batteries die mid-roll, the film must be rewound in order to change them. To make things worse, there doesn't seeem to be any means of knowing if the batteries are weak. The camera uses an uncommon arrangement of three 625 button cells, but at least its exposure system is designed for the common alkaline ones, not the obsolete mercury cells.
For some reason, Agfa deemed it necessary to equip the camera with a red LED lamp that sits above the lens barrel and lights up momentarily every time the shutter is fired, letting everyone know that you've taken their picture. It also blinks during countdown when the (mechanical) self-timer is activated.
As you can see from the picture, the Optima has no strap lugs, as Agfa chose to equip the camera with a proprietary screw-on neck strap that attaches on the left side, a solution that is a complete failure in my opinion. First of all, if you lose the strap there is no way you can replace it with a generic one. Also, the choice of a long neck strap is very poor for such a small, light camera which would benefit most from a short wrist strap, although a pair of scissors and a couple of rivets can easily remedy that. On top of that, placing the wrist strap on the left side is totally counterintuitive, as it virtually precludes secure single-handed operation of the camera with the right hand. According to the manual, the port for the screw-on strap doubles as the tripod mount, although this obviously implies that the camera can be used only in vertical orientation when on a tripod.
Overall, the small size and all-black color, combined with an accurate, fully automatic exposure system, a good semi-wide lens and an unsurpassed viewfinder, make this little Agfa very attractive as a stealthy street shooter. Still, there are a few shortcomings that make it fall short of being the perfect "little black beauty" a title I reserve for the Olympus XA2, my "golden standard" for this particular category of cameras.
This set was taken during the golden hour in an area NW of town known as Burrs Spur. (and old rail spur). Im trying to minimize my processing so, only crop and orientation. tweeking the light, and removal of sensor dust. Its not easy editing through the binoculars. The colors are provide from above so enjoy
February 01, 2015 smc PENTAX-DA 18-55mm F3.5-5.6 AL 1/60 sec. at ƒ/6.3 PENTAX K-x / Adobe Photoshop Lightroom 5.6 (Windows) Aperture priority ISO 160 36 mm.
A beautiful New England morning taken on the first day of Feb., 2015 with my Pentax DSLR.
The dedication of the Tennessee Woman Suffrage Monument is being held on the 100th anniversary of Women’s Right to Vote. The Tennessee General Assembly passed the law ratifying the 19th amendment to the United States Constitution, August 18, 1920. ~ tntribune.com/dedication-of-tennessee-woman-suffrage-monu...
Vacation Day, 03/16//2022, Nashville, TN
Leica Camera AG M Monochrom
Canon 35mm f2.0 LTM
ƒ/5.7 1/1000 800
La foto con sensor desnudo se parece al efecto "orange-teal", si nuestro ojo fuera igual que un sensor de cámara de fotos, veríamos el entorno así.
In preparation for the Eclipse, I have been taking some shots of the sun with my lee Big Stopper ND filter with my 400mm 5.6 lens and a 1.4 extender. Getting some welding glass because I don't want to damage the sensor from these shots. This shot seemed to be fine though with ISO 100, f/32, and a shutter speed of 1/8000 of a second on my Canon 5D mark iv. Notice the sunspots on the upper righthand corner. Lee Filter's Big Stopper tends to give off a bluish tint, so I warmed up the colors to give the sun a more orange-yellow tone.
With really warm temperatures, our workshop students' cameras were running a little hotter than normal. No, their cameras were not exploding but I did have a little fun with it in this single exposure image captured in Arches National Park.
How I Got The Shot
This is a 20 second single exposure image where I shot for about 15 seconds with the camera locked on the tripod before releasing the camera for the final 5 seconds. During this last 5 seconds, I moved the camera free-hand using the lighted LCD screens to make the smoke.
2020 Workshops Released
2020 events were just recently released so they all have spots available. Check out the exciting events at NightPhotographyWorkshop.com and be sure to use discount code "EARLYBIRD" for a 20% discount on workshop payments through the end of September. Our feedback is great so claim your spot today!
www.instagram.com/stevenrobinsonpictures
Storm Kathleen hitting the beautiful seaside village of St. Monans in Fife, Scotland. Here, I used the Nikon D200 and it's wonderful CCD sensor to capture the moment in timeless beauty whilst my Z 8 took me a long exposure. I love shooting with the Nikon D200.
YouTube | Blog | Teaching | Instagram | Patreon | Presets | eBooks
From my recent shoot with Ellie
See camera on YT - youtu.be/KvP_R_EXjgs
Hasselblad H3D-39 + HC 100mm f2.2
Get your free eBook - bit.ly/3OLE37t
Google Translation
AGFA first used this mechanical support of the trigger force with the red trigger on the Optima 200 sensor from 1968. The purpose was to avoid camera shake by using a lower trigger force. This red trigger then became the trademark of all AGFA cameras. In fact, people even tried to transfer this symbol into the digital age.
Here I show a few late specimens, some of which were produced in Japan.
German
AGFA setzte diese Mechanische Unterstützung der Auslösekraft mit dem Roten Auslöser erstmals bei der Optima 200 Sensor von 1968 ein. Der Sinn war durch eine geringere Auslösekraft Verwackelungs-Unschärfe zu vermeiden. Dieser Rote Auslöser wurde daraufhin das Markenzeichen aller AGFA Kameras. Tatsächlich versuchte man dieses Symbol sogar in das Digital Zeitalter zu übertragen.
Hier zeige ich ein paar späte Exemplare deren Produktion teilweise schon aus Japan kam.
1365 mm
Canon Powershot SX70 HS
-
Yes, Zoomer (bridge-cameras) need ample Light.
==============================
Excellent IBIS - 5.0 stops
Super Bildstabilisierung (5 Stufen besser für die verwacklungsfreie Belichtung)
Enhanced basic functionality for quicker, easier Shooting
with Dual Sensing IS* aka DS.
Intelligent IS mit Dual Sensing IS und 5-achsigem Advanced Dynamic IS
up to five stops better
(SX70 5.0 stops)
(SX60 3.5 stops)
IBIS, In Body image stabilizer,
-
With the addition of a new eye sensor,
the camera automatically switches to the EVF display simply by bringing the camera up to the eye.
The PowerShot SX70 HS is capable of continuous shooting at up to
10 fps with One Shot AF
and Servo AF up to 7,4 fps,
ensuring that you will not miss picture-perfect moments in sports, wildlife, or any other scenes with fast-moving subjects.
With improved Contrast AF, focus is established quickly even in dark scenes.
Zoom Framing Assist: Supports setting of angle-of-view during telephoto shooting
On the PowerShot SX70 HS, telephoto shooting is supported by three Zoom Framing Assist functions:
Zoom Framing Assist – Lock
Reduces camera shake at the telephoto end. On the PowerShot SX70 HS, this function has been enhanced with Support for subject tracking, allowing you to shoot at the intended angle-of-view.
Zoom Framing Assist – Seek
Helps you to reacquire lost subjects by temporary zooming out, finding the subject, and then zooming in onto it at the original angle-of-view.
Zoom Framing Assist – Auto
Detects an approaching face and automatically adjusts the zoom to keep the face at a constant size on the screen.
Hersteller:
Canon
Modell:
PowerShot SX70 HS
Die neue Premium-Bridge-Kamera von Canon
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Kameratyp:
Bridge
Markteinführung:
11 / 2018
Gewicht:
608g (betriebsbereit)
UVP:
549,00 Euro
-
Serienbilder pro Sekunde:
10,0 Bilder pro Sekunde
-
Sucher:
Ja
Suchertyp:
elektronisch
Sucherauflösung:
2.360.000 Bildpunkte
Bildfeldabdeckung:
100%
Dioptrienausgleich möglich:
Ja
-
ISO Empfindlichkeit:
100, 200, 400, 800, 1600, 3200
Auto ISO: 100 - 800
Featuring DSLR-style looks and handling, a 7.5 Vari-Angle LCD screen, 20.3 Megapixel sensor and 4K Ultra High Definition video, the
Canon PowerShot SX70 HS is an ideal all-in-one camera,
capable of handling all types of shooting scenario, without the need to carry multiple lenses.
Bessere haptische Bedienung: wie DSLR EOS Bedienung
Am leistungsfähigen Sucher orientiert +
Zoom-Wippe auf dem Objektiv
The PowerShot SX70 HS inherits the
design of EOS cameras and features a button layout optimised for EVF shooting.
Controls such as the shutter button, electronic dials and zoom button on the lens barrel have also been designed to ensure optimum ease-of-use during viewfinder shooting.
-
In addition to sharp JPEGs, the Canon PowerShot SX70 HS can capture images in
RAW or compact RAW format,
opening a world of professional post-production techniques, providing limitless ways to impress with optimised photographs.
CMOS-Sensor 1/2,3" 6,2 x 4,6 mm (Cropfaktor 5,6)
The black object is a device (i believe) that indicates the change in position of the road surface relative to the bridge pylon. As long as the indicator is within the area of the plate, then by visual inspection the bridge is safe.
Nikon FG-20
Nikon Series E Lens 50mm f/1.8
ExtraFilm.com 200-36, expired 11/2010
Digibase C-41, 3.15 min @ 37.8℃
Canon CanoScan 9000F Mark II
Adobe Photoshop Elements 2019
18_20190808_034-2
Well, a one-antennaed bandit, anyway. These voracious little warriors are covered in a tough exoskeleton to protect them, but somehow this one lost one of its sensor antennae.
Agfa Optima 1535 Sensor • Paratronic Solitar 1:2.8/40
FujiColor C200 developed in Tetenal Colortec C-41
Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio 9
Écomusée d'Alsace • Ungersheim • Haut-Rhin • Alsace • France
I know I risked my camera's sensor burning out because of the direct intense sunlight, but I just couldn't pass this shot up. :O
.
Toronto
Sony RX100 v1
Carl Zeiss Vario-Sonnar T* 28-100mm at 37mm (eq.)
Check out my Monochrome (B&W) and Street photography (B&W) albums.
► All my images are my own real photography, not fake AI fraudography.
Please help protect the interests of photographers everywhere by becoming active in the Anti-AI movement and joining and supporting Not-by-AI.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
© Tom Freda / All rights reserved
this is a result of my faulty card reader... a happy accident since I was able to re-import without the digital damage.
The architect for this part of the world's famous museum is Norman Foster.
The way-too-well-known museum in London, The British Museum. Japanese count this one as one of the "three greatest museum in the world" as Louvre and Palace Museum in Taiwan.
I was dying to go there as well, and it turns out that they were having a manga exhibition back then when we visited.
We did not have too much time to spend in the huge musem like that, but even to see the architecture itself was quite inspiring.
If you like my photos, please "follow" or "like my pages below!
|| My Website || Facebook || Instagram || Twitter ||
Thank you for viewing my photograph!
The classic rendering of the CCD sensor of the D200.
Follow Me on IG
www.instagram.com/digitalbykj/
This image is strictly copyrighted!
Do not download, do not copy, and do not distribute this image.
Do not use without my writt!en permission!
one part of Deal seafront captured on a rainy cold day in 2018 with an Agfa Optima Sensor Flash and Kodak ColorPlus 200 film
Mobius 001
Mobius Lance - Wrath Company
Ogre OGR-X1 Class Assault Command Mech
Armaments:
Hammerfist configuration
- 6x Heavy Medium Lasers
- 1x Long Range Missile-15 System
- 2x Autocannon/2s
Electronics:
Intermediate Sensors
Command Module
Fire Control System
Features:
- Fully furnished cockpit able to hold pilot and sidearms
- Engine hatch opens up to reveal removable engine
- Modular Weapons System (MWS)
- Omni Rack
- Torso twist
- Back Carapace: reinforced back armor