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Automobilindustrie
Voll in Fahrt. In der Rangfolge unserer Kunden steht die Automobilindustrie neben unseren traditionellen Kundensegmenten "Hausgerätezulieferer" und "Energie- und Wärmetechnik" seit Jahren an oberster Stelle. Ein entscheidender Grund dafür ist zweifellos die ausgezeichnete Temperaturbeständigkeit keramischer Werkstoffe. Zusätzliche Gründe sind die weiteren einzigartigen Eigenschaften der von uns produzierten Materialien sowie der enorme technische Fortschritt im Automobilbau. Dies alles eröffnet unseren High-Tech-Produkten stets neue Perspektiven.
Lambdasonden zur Abgasanalyse und damit zur Motorensteuerung sind ein gutes Beispiel. Deren Sensor besteht aus vollstabilisiertem Zirkonoxid, das durch seine spezielle Struktur leitfähig für Sauerstoffionen ist. Beste Voraussetzungen für exakte Messergebnisse!
Weitere wichtige Bauteile im Bereich Automotive:
- Kraftstoffbrenndüse für KFZ-Zuheizungen
- Isolationskörper für Heizpatronen verschiedenster Anwendungen
- Gehäuse für den Einsatz als Neigungssensoren
sembach.de/keramik/de/inhalt/applikationen/automobilindus...
Automotive Industry
Speeding away. Along with our traditional customer segments of "household appliance component suppliers" and "energy/thermal engineering", it occupies the top slot in our customer rankings. The principal reason is undoubtedly the excellent temperature resistance of steatite and alumina. Additional reasons have to do with other unique properties of our materials and the enormous technological progress in automobile engineering. All this opens up constant fresh perspectives for our high-tech products.
Lambda sensors for exhaust fume analysis are a good example. Its sensor consists of fully stabilized zirconia which on account of its special structure is conductible for oxygen ions. Best possible requirements for precise readings!
Other important components in the automotive field:
Fuel burner nozzles for vehicle supplementary heating systems
Insulation bodies for heating cartridges of the most varied applications
sembach.de/keramik/en/main-en/applications/automotive-ind...
Sensorkule fra Heimdall Power monteres på kraftlinje i regionalnettet på Jæren hos Lyse Elnett.
Montører fra Lyse monterer sensorkulen for første gang.
Sensorkule fra Heimdall Power monteres på kraftlinje i regionalnettet på Jæren hos Lyse Elnett.
Montører fra Lyse monterer sensorkulen for første gang.
Dust is a non-visible material and can’t be measured with naked eye. Dust sensor will let you know the accurate presence of the dust in a particular area.
For more information visit us at:- en.gassensor.com.cn/ParticulateMatterSensor/
Sensorkule fra Heimdall Power monteres på kraftlinje i regionalnettet på Jæren hos Lyse Elnett.
Montører fra Lyse monterer sensorkulen for første gang.
Terje Nevland, leder driftssentralen i Lyse Elnett (t.v.) og daglig leder i Heimdall Power, Brage W. Johansen
I've read all the reports on the Internet about how the Nikon D600 sensor is a dust and oil magnet, so I'll be taking periodic shots to check for dust and oil on the sensor and posting them here, unretouched. I will also document if I do any cleaning as a result of what I find.
I've been using the camera for a little more than a week so far, and the shutter count is 443, as you can see in the EXIF data. The shot here shows a little bit of dust on the left side of the sensor, but nothing I think is really worth troubling over since I never noticed the specks in my photos until now.
Con la nueva #NormaAmbiental, los sensores remotos identificarán vehículos ostensiblemente contaminantes.
*Using the camera as a sensor*
The Man With a Movie Camera explores the possibilities of the movie camera in in the early days of cinema. The film aims to take observation beyond what people normally can see by for instance taking extreme camera positions. At the same time the film educates people about the posibilities of filming and editing by showing how the cameraman and editor work.
In the 1920s, Dziga Vertov aimed to support the Soviet Revolution with his radical new ways of filmmaking. In strong opposition to Hollywood’s dream factory, he wanted to build a ‘factory of facts’ as Tsivian relates on the DVD’s extra commentary track. Vertov was inspired by the specific qualities of the camera: “I am kino-eye, I am a mechanical eye. I, a machine, show you the world as only I can see it” he writes in one of his many pamphlets. Vertov believed that the camera could do better, more precise observations than the human eye and that we should exploit every possibility the camera and film editing offer. He was not afraid to change reality with the camera; he considered everything recorded by the camera to be real, as if the camera is a sensor that just relates factual data.
In his film Man with a Movie Camera (1929) Vertov gives a dazzling display of camera techniques that all catch life ‘unawares’. We see for instance a camera mounted on a car, following people in other cars while they drive home. This was not organised beforehand in any way, they ad hoc picked cars leaving the station. The sequence turns into an open game; it is a chase showing us the people in the car but also the observer with his camera on the car next to it. At first the women in the back of the car act as if the camera is not there but then they smile at it and wave. Vertov is not afraid to change the situations he observes. He wants to catch life unawares to see fresh, authentic reactions of people. If these are reactions to the camera that is fine too. In other sequences we see the camera take part in a football game and a motor race, hang out of a train or dangle above a water dam.
Using the camera as a sensor makes you see things in a new way. These techniques can make the familiar strange, a known design technique (e.g. Dunne and Raby’s Design Noir project) that could also be used when filming for design research to develop new perceptions of trivial products or situations.
On DVD in my archive, on VHS PAL available from the RCA library and on DVD from Amazon
This is the EE-SYS313 reflective opto-sensor. It will trigger the generation of notes by the software in the Arduino. The output is simply a TTL-compatible logic signal. Photo by David Henshall.
Precision Combo Wheel Sensor Guard and Electric Brake Assist Guard for 2015-17 F150. Pictures courtesy of Precision Truck accessories.
A quick microscale fleet I built while sorting parts.
Somewhat inspired by Rick Sternbach's slide show of Star Trek sketches at Balticon.
(As if I need a reason.)
An MCA Cat III Workboat, owned by Aspect Land & Hydrographic Surveys Ltd, of Ayrshire.
The 'Marine Sensor' is road towable, and with a small forward cabin, can deploy from a slipway or boat hoist / crane and able to operate a wide variety of sensors.
Her hulls and catamaran configuration lend a fast transit speed and give good directional stability resulting in high quality survey data.
MCA Cat III Workboat
Length 6.9m
Beam 2.5m
Draught 0.3m
Sensorkule fra Heimdall Powerl monteres på kraftlinje i regionalnettet på Jæren hos Lyse Elnett.
Montører fra Lyse monterer sensorkulen for første gang.
I added an accelerometer (tilt-sensor) in my monome. It's the ADXL-320 with -/+5g sensor:
www.analog.com/en/mems-and-sensors/imems-accelerometers/a...
It was glued to a small piece of rubber on top of the chip. Works like a charm.
Larry Achiampong & David Blandy, Toby Jackson
Saturday 2 - Sunday 17 November, Thursday - Sunday, 12:00pm - 5:00pm
GENERATORprojects
25/26 Mid Wynd Industrial Estate
Dundee, DD1 4JG
GENERATORprojects will present two exhibitions, Genetic Automata and Sensor
Genetic Automata by Larry Achiampong and David Blandy forms the first part of an ambitious new body of works by the artists, exploring race and identity in an age of avatars, video games, and DNA Ancestry testing. Initially commissioned by Arts Catalyst, this exhibition will be shown during NEoN Festival as part of a national tour.
Referencing the history of the theory of evolution, and the relationship between Darwin and his taxidermy teacher John Edmonstone, a freed slave, Genetic Automata raises important questions of invisible histories, eugenics, and segregation, through the lens of historical and contemporary contexts. The video installation combines animation, spoken word and text interspersed with microscopic topographies of varied shades of skin, digital renditions of skin from video games, and film footage of taxidermied bird life from Darwin’s bird skin collection at the Natural History Museum.
Sensor by emerging artist Toby Jackson is an extension of work that he has been developing over the past few years, highlighting the relationships between humans and computers; lived experience, and its digital manipulation. Sensor will use live capture 3D mapping to create an interactive projection which maps and distorts the audience’s movements, dictating the ways in which we interact with the work. The projected images will reference digital avatars via the visual simplifications of those who interact with it, questioning ideas of identity, privacy and anonymity in a world of digital surveillance.This relationship between the artwork and the audience will highlight the precarious power dynamic that exists between humans and computers, encouraging us to disrupt this dynamic, and reclaim control of our own narratives.
Each of these exhibitions discusses the insidious ways in which narratives can be altered and sculpted in order to disseminate ideas which negatively influence collective thinking. encourages us to reconsider our interactions with technology in order to combat this deceptive influence. Genetic Automata urges an awareness of the ways in which historical omissions can contribute to contemporary issues, particularly in relation to racial discrimination and segregation. Ultimately, these exhibitions combine to encourage a heightened awareness of the responsibility that each of us hold to question the information that we are forced to consume.
About the Artists
Larry Achiampong & David Blandy’s work has been shown both within the UK and abroad including Tate Modern, London; The Baltic, Gateshead; Yorkshire Sculpture Park, Wakefied; Fact, Liverpool; BFI London Film Festival, London; Transmediale Festival, Berlin, Germany & Fort Worth Contemporary Arts, Texas, USA. They have been on residencies at Praksis, Oslo in Norway & Wysing Arts Centre, Cambridgeshire. Recent awards include an Elephant Trust award and support from Arts Council England. They have been shortlisted for the Film London Jarman award 2018. Larry Achiampong is represented by Copperfield Gallery, London & David Blandy is represented by Seventeen Gallery, London.
Toby Jackson is a Scotland-based digital artist, who uses innovative technology to create installations which are both interactive and generative. Jackson’s work explores themes of identity, self-expression, surveillance, and censorship, and the ways in which each of these affects – or is effected by – abstract representation of the self in our digital age. Following the critical success of his most recent work Blind Eye, this exhibition marks Jackson’s first solo show since graduating from DJCAD earlier this summer.
Opening/Preview night: Friday 1st November, 6pm – 9pm
Photography Kathryn Rattray
Appareil 35 mm fabriqué en Allemagne dès 1976. Viseur collimaté, objectif Solitar 2,8/40 mm, obturateur Paratronic de 15 s à 1/500 s et ouvertures de 2,8 à 22. Mise au point avec symboles portrait dès 0.9 m, groupe et paysage. 2 cellules au CdS ( 1 pour obturateur électronique et 1 pour les 2 LED du viseur : rouge pour les vitesses à -1/30 s et verte de 1/30 s à 1/500 s). Griffe synchro flash, film 135, sensibilité de 25 à 400 asa ( 15 à 27 Din). 3 piles V 625. 275 g et 10.5 x 7 x 5.5 cm.
Iautomation is mainly reputed for its presence detector sensors that can be used to monitor stairwells, private garages, galleries and washrooms. Not only this, these products can also be used to monitor warehouses as well as high bay storage. Most importantly, you can also use them to detect through walls. To know more please visit: www.iautomation.com.au
First time using the eyelead DSLR cleaning system. I probably messed up but am happy with the results and how fast/easy it is. Instructional video (not mine): goo.gl/dgjCJd
Kyle cleaning out the holes that were drilled in the back bumper.
For more information on our backup sensor options, go to www.MobileEdgeOnline.com
Wind speed & direction sensors, fixed atop a 10 metre high mast of the new automatic weather station in Krong Kep, installed under the UNDP-supported project ‘Strengthening Climate Information and Early Warning Systems in Cambodia', 2018
© MOWRAM Cambodia
For more information on the project ‘Strengthening Climate Information and Early Warning Systems in Cambodia’, supported by the UN Development Programme and the GEF Least Developed Countries Fund, visit www.kh.undp.org/content/cambodia/en/home/operations/proje...