View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Mamiya RZ 67 PRO II - Kodak Tmax 400 developed in Pyrocat-HD. Printed on Sepia VC. Developer Moersch Eco 4812 + Selenium 1-20 + bleach 1-50 + MT3 60-110-850 + Carbon toner 1-10
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
slavich bromportrait 80 grade 3, arista premium liquid lith, selenium 1+1+9, hc-110, neopan 1600.
scanned negative: www.flickr.com/photos/501rf/5443487934/in/set-72157625927...
(This is a 0.6 second single exposure from a tripod.)
More fun with Lightroom. As the title strongly hints, I used the selenium preset for this one.
I completely relied on the selenium meter on the Vitomatic IIa for this shot. Apparently, it is still working accurately enough even for tricky light conditions.
Shot in Ferberpark, Aachen, Germany.
Camera: Voigtländer Vitomatic IIa, ca. 1962
Lens: Ultron 50 mm f/2.0
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
This is a lith printed image at the "other" herring factory near Djupovik. I decided to get some of the "new" fomatone and try to duplicate the old fomatone. I developed in Moresch and did an afterbath of ammonium carbonate (Moersch's omega additive) plus heavy selenium and that is about as close as I got...still missing the very cold shadows I loved. Contrary to what I've heard on the web, though, this stuff does lith....not nearly as convincingly or with as much color, though. Sorry about the lousy scan....my scanner doesn't like Fomatone Velvet paper!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Backyard snowboard session
Scan from print:
Paper: Adox MCP312
Developer: Mörsch Eco
Toner: Kodak Rapid Selenium
Film Info:
Film: Ilford Delta 3200
Developer: Ilford DD-X
Lens: Tamron 17-35mm 2,8-4f
Camera: Nikon F6
old skool tools
sekonic auto-lumi
sekonic Auto Lumi Light Meter
produced Sekonic
meter type reflective
readout match needle
cell type Selenium
angle of light 65°
ISO range 6 to 12000
f-stop range 1-32
shutter speed range 8s – 1/2000
EV range 2 to 19
weight 2.5oz
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Varycon VC FB paper.
Holga 120N, Delta 400 rated at 640 ASA in Finol
Adox Vario Classic in VGT (two tray)
MT3 Vario Schwefeltoner (thiourea) followed by MT1 Selenium
Selenium is always 1+20 1 min
different hue is depending on dilution of the bleach, bleaching time and alkalinity of the thiourea toner
MT3 bleach 1+50 1 min, toner setting B reddish brown, medial alkalinity
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Near Roksha-Pass
Das letzte dann, irgendwie fad auf die Dauer, das alte Zeug ...
Fortezo in Catechol/Meritol + selenium/Polysulphid/Nelson's gold toner
Reference FIle: FLA-160806-ND800E-516-BW_selenium
Infrared Underwater Photography
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Traditional printing by Morpheuse. TQ
Paper - Ilford MGWTFB
Lith Printing, Selenium toning, Bleached and Redeveloped
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Canonflex R2000
with Canon 50mm f/1.8 Super-Canomatic R
Introduced September 1960 (produced until 1962)
body sn # 55252
lens sn # 53788
The Canonflex was Canon's first foray into the SLR market, with a removable prism and a clip-on selenium exposure meter that coupled with the shutter speed dial. This model has a minimum shutter speed of 1/2000th.
Total production about 8,800 units; documented serial number range: 50646- 59281 (via IDCC)
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Image made EXPLORE on 20 November 2011. Max position: 236
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© Dirk HR Spennemann 2011, All Rights Reserved
For a user Manual see: here (pdf file)
The branch again, just as technical reference.
The same procedure as with the previous print, but exposed one minute longer (8 instead 7) because the iron toner brightens up the lights.
fixed in a weak selenium toner (1+200) two minutes to protect the blacks against the blue toner
MT7 Iron blue toner 4+3+10+4+600ml 2 minutes
With longer toning times at first only the lights and the mid-range would turn from green to blue, after 5-8 minutes the blacks as well.
XP2.
Fomatone 132
Easylith 25+25+1000 6min
Omega 1+100 3min
Selenium 1min
12x16 print too big to scan rephotographed with DSLR bounced flash.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Nikon FM2, Kodak TriX in Moersch efd, printed on Ilford MG WT in Moersch Blue +Finisher blue, Selenium toned
taken last year, printed today
Holga 120N, Delta 400 in Finol
toned Kallitype 29x29cm on Bergger Cot-320
12 mins in heavily used Gold toner, fixed in MT1 Selenium toner 1+200 3 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Hasselblad 500 C/M, 80mm Planar, Acros in XTOL 1:1, scan of print on Ilford Warmtone FB, selenium toned.
Well hello Flickr. It is not until you've come back that you realised that you went away, and I now see there was a hiatus. I have been shooting, but not really scanning.
My darkroom work has been very regular (well until recently which might explain the scanning) and it has proved very satisfying. Please find a scan of one of my darkroom prints here. This was a test 8x8 which was on the way to a 12x12
If you are shooting film I highly recommend darkroom work to take you to another level. Ah go on.
Same image as posted recently, with a gold/selenium tone added. I tend to prefer this one.
Wayland’s Smithy, Oxfordshire Ridgeway
29/6/19, 4:22pm
Chamonix 810V
Nikkor-W 300 f/5.6
Ilford FP4+ 8x10
33” f/45
420mm bellows extension
25mm front rise
N+1 development, BTZS tubes, Pyrocat HD 2:2:100, 12’17”, 22ºC
Acetic acid stop, TF-4 Fix, Hypoclear, 30min wash
In order to judge whether and how the paper texture has an influance on fine details, I have chosen this negative.
Hasselblad 80mm ext. tube, TMY & Tanol
Ilford Textured Fine Art Silver Gelatine Paper Art 300 in Eco 4812 1+14 3 mins
left untoned (a two-minute 1+10 selenium toning doesn´t make a clear difference)
middle thiourea and selenium - MT3 bleach 1+200 2 mins, toner setting C 30 secs, MT1 Selenium 1+10 2mins
view large for details
right MT4 Siena (polysulfide) 1+50 30 secs