View allAll Photos Tagged selenium
MT14 Selenium toner for iron/silver based alternative print processes.
This one is printed onto Arches Platine.
Developer: Sodium citrate
Clearing bath: Citric Acid 3%
Fixer: ATS alkaline 1+5 3 mins
MT14 1+100 1 minute
Print negative Wephota FO5 19x19cm by reversal development
1st developer Lith 1+25 9 mins - bleach - SE1 Sepia
press L
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Roland accompanied his friend, Trenton, on his photoshoot with me. He had no intention of being photographed. I insisted on taking a few shots of him. This is one of them.
© 2008 All Rights Reserved
Adox Variotone in Eco4812
alkaline fixer > wash 20 mins
weak MT3 & strong MT1
MT3 Vario Schwefeltoner. bleach 1+200 1 min, toner 25+7+500ml > wash 4 mins
MT1 Selenium 1+10 2:45 > final wash 15 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Printed on Fomatone 131. Developed in Moersch Sepia. Bleach 1-50 + MT3 60-110-850. Carbon toner + Selenium
slavich bromportrait 80 grade 3, selenium 1+9, arista premium liquid lith 1+1+24+old brown, zeiss ikon, hc-110, neopan 1600, planar 50/2 zm.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
studio work
This print was made by weaving 20 individual 5"x48" strips of Ilford RC photosensitive darkroom paper. I first assemble the paper (under a darkroom safelight) in a weaved pattern to the size of 4ft.x4ft. & then project my negative into the paper as it hangs on the wall. Then I bring the print to the studio floor and apply developer & fixer. After it's done with the chemicals I then take it outside and wash it with a garden hose. After it's dried, I then used photo bleach, sepia, selenium, stains, & inks.
taken last year, printed today
Holga 120N, Delta 400 in Finol
toned Kallitype 29x29cm on Bergger Cot-320
12 mins in heavily used Gold toner, fixed in MT1 Selenium toner 1+200 3 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Lego bad guy and his motor. Processed with a selenium film effect using Alienskin Exposure. Lit using Fibre optic strobes.
Zeiss Ikon Cocarette 519/15 with Kodak Verichrome Pan (develop before August or September 1965). Stand developed in Ilfotec LC29 diluted 1+100 for one hour. Selenium toned to instensify negative.
Somewhere on the coast in the West Fjords area of Iceland
Hasselblad 50mm, Acros film, printed on Ilford warmtone with selenium toning
Selenium by Jon Gregory. Two block, three colour reduction woodcut on paper (6x6ins). Hand printed and burnished with an old tin of mints and a teaspoon. Lined up with a lot of luck and a little bit of brandy to steady the old nerves.
I put this together to show the various stages that went into my Selenium print. Two blocks were used, the first to give the bright orange background (left column) and the second to do both the light (middle column) and dark (right column) grey layers. I'd originally planned to do a black outline layer as well but didn't think it was needed once I'd done the dark grey.
It shows an old-fashioned camera fitted with a selenium cell lightmeter. The big swirl represents light passing through the meter, but I'm sure you worked that out already. I printed the background in a nifty shade of violently bright orange because I like orange.
You can see a bigger version of the final print here
Fishing gear laid out to dry at the harbour in Kirkwall, Orkneys
Taken with Mamiya 645 Pro on Ilford HP5+, developed in Xtol 1+1
Print on Ilford Multigrade Warmtone FB, dual-toned in Selenium and Sepia (Thiourea).
Print 17-P-89, Negative 17-14-04
New border added digitally post-scan
A monochrome / selenium tone version of this wonderful wreck on the island of Amorgos in the Greek Cyclades. Personally, I think I prefer this over the HDR version posted earlier
Nikon FM2, Fuji Acros 100, dev. in Moersch EFD, printed on Adox Vario Classic, Moersch ECO 4812, MT1 Selenium
Profite
Si aujourd'hui
Tu peux voir,
Tu peux sentir,
Tu peux marcher,
Tu peux aimer,
Profite
Car après
Il y a la mort.
JM. G.
Etre grand
J'ai appris à mes dépends
Qu'il faut toujours prendre son temps
Surtout ne pas se ronger les sangs,
Ce que font beaucoup de gens.
Je ne sais pas ce que je ressens
Moi qui était un être aimant
Je déambule comme un enfant
Qui a perdu tous ses parents.
Je pense qu'il faut être vivant
Pour profiter des bons moments.
Ne pas attendre trop longtemps
Pour aménager des bons instants.
Alors éviter tous les tourments,
Accepter sans être dépendant
Tout le passé et le présent,
Et là tu deviendras grand.
JM. G. 6/10/2006
It's been awhile since I've uploaded an anything; been working with color film and cross processing lately. These negatives are from 2011 and printed in early 2012. The paper is Agfa Portiga-Rapid PRW123 (soft, chamois matte surface) c. 1960. Developed in Moersch SE5 Lith and toned in Selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
©1950's - Samoca Camera Co - Japan
I'm guessing here, I think this is a Samoca 28 of some sort.
Anyone with specific information, please advise.
It is a rangefinder camera
It has a built in selenium meter
Says "Rangefinder" on the front
Ezumar f2.8/50mm lens
Fully functional, and I've got the original case for it as well
Found in a "craigslist" lot
Explored: Jul 14, 2011 #49
Taken with a Zeiss Ikon Contarex Bullseye camera in week 313 of my 52 film cameras in 52 weeks project:
Ilford HP5 plus film, developed in Rodinal 1:100 for 60 minutes.
Harsh winter sun !
Contax G2 - 45mm - HP5@800 in Xtol Replenished. Printed on Adox MCC 110 - SE6 blue + FB - Selenium - Thiourea toning (Sepia-MT3a)
13 x 18 cm
Fomatone 313 (glossy)
developed in Moersch SE1 Sepia 1+9 for 45 seconds
Selenium Toning in Moersch MT1 1+50 for 2 minutes
exposed with a Jobo LPL 7450 with a Rodenstock Rodagon 80 f/4 and Heiland Splitgrade unit
Picture taken with a Nikon F100 with a 28mm 1.8 AF-S N on Rollei RPX 100 developed in Rodinal 1+50 at 16°C for 25 minutes.
original negative scan: www.flickr.com/photos/jt-c/9777158041/
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
30 seconds frozen into one single image...
A short break from the seascapes at the beach/harbours.
This is a shot from the inland lake right around the corner where I live. It was storming and the clouds were moving fast, the waves from the lake almost splashing against my camera. But you can't see that though.
The visual calmth captured here is very deceiving, but there's a hint of turmoil...
Part 6 of the series with long exposures.
Shot right around the corner at the inland lake.
Attempting to freeze larger periods of time in one image you will see my 10 minutes + exposure shots in the near future...
Technical info:
10 stops ND filter
f/18
ISO100
30s
Software:
Lightroom 2.0 preparations
PS CS3 - Silver Efex Pro - Red filter - Selenium toning
Explore #234 March 25 2009
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