View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford Multigrade IV fiber-based paper.
Rollei 100 tonal. Developed with Moersch Sepia on Slavich Unibrom 160 glossy. Toned in selenium 1+10 1 min. Moersch MT8 Copper Toner 1,5 min
Adox Variotone in Eco4812
alkaline fixer > wash 20 mins
weak MT3 & strong MT1
MT3 Vario Schwefeltoner. bleach 1+200 1 min, toner 25+7+500ml > wash 4 mins
MT1 Selenium 1+10 2:45 > final wash 15 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
A few weeks ago I posted The Doors of Perception. I thought it was a good result overall but I wasn't entirely satisfied with it.
This is a shot from another angle and a bit darker. I wanted to emphasize the rays of light breaking through the pilings to better visualize the famous quote from Aldous Huxley:
''If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."
- Aldous Huxley - The Doors of Perception
PS CS3
Silver Efex Pro - Red filter
Added a slice of Selenium
Explore #47 March 11 2009
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Roland accompanied his friend, Trenton, on his photoshoot with me. He had no intention of being photographed. I insisted on taking a few shots of him. This is one of them.
© 2008 All Rights Reserved
Dead plant
Selenium toned van Dyke print
10x14
Shot with Wehman field camera
x-ray film
Ilex Acuton 215mm f4.8 @ f16
slavich bromportrait 80 grade 3, selenium 1+9, arista premium liquid lith 1+1+24+old brown, zeiss ikon, hc-110, neopan 1600, planar 50/2 zm.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
studio work
This print was made by weaving 20 individual 5"x48" strips of Ilford RC photosensitive darkroom paper. I first assemble the paper (under a darkroom safelight) in a weaved pattern to the size of 4ft.x4ft. & then project my negative into the paper as it hangs on the wall. Then I bring the print to the studio floor and apply developer & fixer. After it's done with the chemicals I then take it outside and wash it with a garden hose. After it's dried, I then used photo bleach, sepia, selenium, stains, & inks.
taken last year, printed today
Holga 120N, Delta 400 in Finol
toned Kallitype 29x29cm on Bergger Cot-320
12 mins in heavily used Gold toner, fixed in MT1 Selenium toner 1+200 3 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Lego bad guy and his motor. Processed with a selenium film effect using Alienskin Exposure. Lit using Fibre optic strobes.
Zeiss Ikon Cocarette 519/15 with Kodak Verichrome Pan (develop before August or September 1965). Stand developed in Ilfotec LC29 diluted 1+100 for one hour. Selenium toned to instensify negative.
Selenium by Jon Gregory. Two block, three colour reduction woodcut on paper (6x6ins). Hand printed and burnished with an old tin of mints and a teaspoon. Lined up with a lot of luck and a little bit of brandy to steady the old nerves.
I put this together to show the various stages that went into my Selenium print. Two blocks were used, the first to give the bright orange background (left column) and the second to do both the light (middle column) and dark (right column) grey layers. I'd originally planned to do a black outline layer as well but didn't think it was needed once I'd done the dark grey.
It shows an old-fashioned camera fitted with a selenium cell lightmeter. The big swirl represents light passing through the meter, but I'm sure you worked that out already. I printed the background in a nifty shade of violently bright orange because I like orange.
You can see a bigger version of the final print here
Fishing gear laid out to dry at the harbour in Kirkwall, Orkneys
Taken with Mamiya 645 Pro on Ilford HP5+, developed in Xtol 1+1
Print on Ilford Multigrade Warmtone FB, dual-toned in Selenium and Sepia (Thiourea).
Print 17-P-89, Negative 17-14-04
New border added digitally post-scan
A monochrome / selenium tone version of this wonderful wreck on the island of Amorgos in the Greek Cyclades. Personally, I think I prefer this over the HDR version posted earlier
Profite
Si aujourd'hui
Tu peux voir,
Tu peux sentir,
Tu peux marcher,
Tu peux aimer,
Profite
Car après
Il y a la mort.
JM. G.
Etre grand
J'ai appris à mes dépends
Qu'il faut toujours prendre son temps
Surtout ne pas se ronger les sangs,
Ce que font beaucoup de gens.
Je ne sais pas ce que je ressens
Moi qui était un être aimant
Je déambule comme un enfant
Qui a perdu tous ses parents.
Je pense qu'il faut être vivant
Pour profiter des bons moments.
Ne pas attendre trop longtemps
Pour aménager des bons instants.
Alors éviter tous les tourments,
Accepter sans être dépendant
Tout le passé et le présent,
Et là tu deviendras grand.
JM. G. 6/10/2006
It's been awhile since I've uploaded an anything; been working with color film and cross processing lately. These negatives are from 2011 and printed in early 2012. The paper is Agfa Portiga-Rapid PRW123 (soft, chamois matte surface) c. 1960. Developed in Moersch SE5 Lith and toned in Selenium.
Printed on Fomatone 131. Developed in Moersch Sepia. Bleach 1-50 + MT3 60-110-850. Carbon toner + Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
13 x 18 cm
Fomatone 313 (glossy)
developed in Moersch SE1 Sepia 1+9 for 45 seconds
Selenium Toning in Moersch MT1 1+50 for 2 minutes
exposed with a Jobo LPL 7450 with a Rodenstock Rodagon 80 f/4 and Heiland Splitgrade unit
Picture taken with a Nikon F100 with a 28mm 1.8 AF-S N on Rollei RPX 100 developed in Rodinal 1+50 at 16°C for 25 minutes.
original negative scan: www.flickr.com/photos/jt-c/9777158041/
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned