View allAll Photos Tagged selenium
Albumen Print, 5x7", double coated paper, Canson Crob'Art 80gr, exp to shadow open sky 2h, Selenium toned.
...in an awkward position...
Dark room print on Agfa Brovira grade 2, slightly toned in selenium 1+19 for 10 seconds, and Foma sepia for 6 seconds bleach and then toned to achieve some warmth.
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Adox Variotone
Catechol/SE1 Sepia
Selenium / Thiourea / Carbon
Rolleiflex sl 66, delta 400, d76 1+1
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Zeiss Ikon
Contina-Matic II - 1958
Pantar 45mm 1:2.8
SLK Spezial shutter 1"-1/300" and B
Selenium meter coupled to the shutter/aperture rings, once established the exposure value the rings auto-lock and move together keeping the correct exposure.
Leather case.
Filter case with three filters, red, yellow and green and metal lens hood.
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
Long exposure studies in minimalism.
The sky was just like that, almost looks like a waterfall.
Shot taken just around the corner.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
244s (4min4s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Selenium toning
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...an old abandoned house on a dairy farm east of Mansfield Missouri. The last time I passed this old place, the front yard was full of Holstein cows. Obviously with the grown up weeds, they haven't been there lately. I love the back porch with the row of windows, which might have been a great sunny place to sit and have a cup of coffee in the mornings. Have a great weekend!
Crown and Spouse, taken at Cimitero Staglieno Genova about 40 years ago.
printed Dec. 2012 onto Slavich Bromportrait
Two tray Catechol & Sepia - top left untoned
top right: bleach 1+200 1,5 mins - toner MT3 setting d
bottom left: bleach 1+60 30 secs - toner MT3 setting d followed by MT1 Selenium 1+30 40 secs
bottom right: bleach 1+60 45 secs - toner MT3 setting d followed by MT1 Selenium 1+10 40 secs
A selenium tinted high-key monochromatic scape of the now closed Dog Beach at Quiet Waters Park. This particular stretch of land is a playground for us LE fanatics. There were so many interesting items to shoot. Unfurtunately, it is closed, with no trespassing signs posted everywhere. Here is wishing for this area to open again. It would be awesome to shoot sunsets from this stretch of beach.
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All of my images are under protection of all applicable copyright laws. Unauthorized use and/or duplication of this material without express and written permission from myself is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to dK.i Photography and Edward Kreis with appropriate and specific direction to the original content (website). I can be contacted through the contact link provided on this website.
Edited in Silver Efex Pro with Kodak 100 Tmax Pro algorithm and selective adjustments as needed. Selenium tint.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
TriX - XtolR- Leica M3-Zeiss ZM 50mm F/2. Printed on Adox MCC 110 toned with Moersch MT3a and selenium
Leica M6, 50mm, Kodak Tx 400
Printed: BERGGER Variable contrast warm glossy, 24x30cm - Selenium toning, 40 min
Kallitype (23x23cm) - Hasselblad 500C - TMY2@320 - Moersch Finol - Enlarged negative / Reverse developed on lith film - Hahnemühle platine paper - Fumed silica treatment - Sodium Citrate developer - Citric acid clearing bath - Short Selenium 1:100 (MT16-Moersch) followed MT10 gold toning - ATS fixing.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Cambo SC, 225mm Boyer Saphir Color
Polaroid 55
Fomalux 111 in Ilford WT 1+9. Selenium toned
Straight scan from contact
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Pan tiles on part of a little farmhouse building near Pollença, Mallorca in the Balearic Islands. This is a flatbed scan of a selenium toned print, (Ilford Multigrade III RC paper, I think graded at 3 when I printed it, developed in Ilford Multigrade developer, chromate bleached and redeveloped prior to toning in home formulated selenium toner, provided by a knowledgeable chemist friend). The negative was Kodak TMax 100 ASA, developed in TMax dev, rated at 100ASA and I took the photo using a Leica M42 35mm rangefinder with standard lens (Leica Elmar 50mm f/2.8 pancake lens), back in late May 1996. Apologies for lacking the willpower to spot out all the dust and scratches from the print surface!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Transfert d'émulsion avec virage au Selenium.
Instant Lab. I-TYPE B&W. Impossible project.
Rapid Selenium toner de Kodak. 100ml / 300ml eau à 28°C; 3 min.
Photomaton de mon frère Laurier et moi fin des années 50.
Adox CHS 50 / Efke R50 in Tanol 1+1+100
printnegative on Wephota FO5 by reversal development: SE6 Blue 1+20 - bichromate bleach - Tanol 1+1+100
Kallitype, masked edges
sodium citrate developer
citric acid clearing bath
alkaline fixer
MT1 Selenium Toner 1+250 1 min
MT7 Iron Blue Toner 2+2+8+3+400ml 2 mins
Selenium only for comparison
Selenium light meters are not known for their sensitivity to low light, but I just wanted to know, so I applied the meter readout in this post-sunset shot. Doesn't look all wrong to me.
I'm developing a lot of respect for the Tessar. It doesn't really excel at any particular thing, but on the other hand, it responded well to all light situations I have confronted it with, which is more than I can say for many much more elaborate lenses.
I have created a new Flickr group dedicated exclusively to the Zeiss Ikon Contaflex line ---> click here
Zeiss Ikon Contaflex IV with Tessar 50mm f/2.8
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
July 8, 2018.
Scanned print.
Linhof Kardan Super Color ST.
Schneider-Kreuznach Symmar-S 150 mm/f5.6.
Fomapan 100, 4x5", developed in Fomadon R09 1:50, 9 min.
Printed on Fomatone MG 131 (24x30 cm) using the Eurogon enlarger.
Split toned in sepia and selenium (short bleach, short selenium toning).
Glanzol high gloss treatment, dried in high gloss press and flattened in Seal Jumbo 160M.
Digitalized with Epson V850/Epson Scan/Scan'n'Stitch.
Brattfallet, Ekshärad.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
I have enlarged this 4x5 negative to 38x38cm with 1.8 logD for platinum prints and a softer one for playing with Kallitype. Because my scanner is only for 21x30cm, I made four scans and stitched the parts together in Photoshop.
Printnegative on Wephota FO5 by reversal development
Kallitype on Bergger Cot-320
Toning MT3 Vario (bleach 1+75 2 mins, toner setting "B") followed by MT1 Selenium 1+100 2 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Project Print Comparison
Lith Print (upper left)
Selective selenium and sepia toning (upper right)
Iron blue toning (lower left)
Ammonia fuming (lower right)
A sequence of toning steps as described here... remorseblog.blogspot.com/2022/04/revisiting-wye-valley-fo...
Digital scan of a 5x7 selenium toned silver gelatin print.
Leica M2, Kodak Trix 400 printed on Kentmere RC paper and toned in Kodak Rapid Selenium Toner.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
30 seconds that have been frozen this time. Note: the sea is not frozen, only time...
You should really see this Large On White
Part 2 of the new series with long exposures.
This one is shot on the beach of Scheveningen in The Hague. The part you see is part of the famous Scheveningen Pier, taken while standing right under the enormous pier that also hosts a casino. If you want to know how this shot looks like in colour and treated by a colour expert then check out this version by isayx3 who used this same shot for his PP friday, just check it out, it's amazing.
Why would you take long exposure shots during broad daylight, someone asked me.
Well that can be for various reasons, but very often it is to capture motion in such a way it becomes smooth and solid. Like the small waves and ripples in the water in this shot that are flattened by the long exposure. It gives a more harmonious feel to landscape shots like these. Besides that, the idea of a certain period of time captured and visualized in one image or thought is something that has always amazed me. Time is such a strange concept...
Technical info:
10 stops ND filter
f/18
ISO 100
30s
Software:
Lightroom 2.0 preparations
PS CS3 - Silver Efex Pro - Red filter - Selenium toning
Explore #103 March 21 2009
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