View allAll Photos Tagged selenium
eco film developer test FP4
printed onto Fotokemika Varycon in eco 4812
toning: MT3 Vario Schwefeltoner - blech 1+30 30 secs, toner setting "C" 30 secs, followed by MT1 Selenium 1+20 90 secs
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
8x8 silver print on Ilford WT FB paper, selenium toning.
Scan from print.
Hasselblad 501C, T-Max 100
Darkroom work:double exposure printing from medium format negative (picture,bird) and 8x8 digital (contact ) print -wall.Also-masking,selective bleaching and selenium toning.
Transfert d'émulsion avec virage au Selenium.
Instant Lab. I-TYPE B&W. Impossible project.
Rapid Selenium toner de Kodak. 100ml / 300ml eau à 28°C; 3 min.
Photomaton de mon frère Laurier et moi fin des années 50.
I have enlarged this 4x5 negative to 38x38cm with 1.8 logD for platinum prints and a softer one for playing with Kallitype. Because my scanner is only for 21x30cm, I made four scans and stitched the parts together in Photoshop.
Printnegative on Wephota FO5 by reversal development
Kallitype on Bergger Cot-320
Toning MT3 Vario (bleach 1+75 2 mins, toner setting "B") followed by MT1 Selenium 1+100 2 mins
Selenium light meters are not known for their sensitivity to low light, but I just wanted to know, so I applied the meter readout in this post-sunset shot. Doesn't look all wrong to me.
I'm developing a lot of respect for the Tessar. It doesn't really excel at any particular thing, but on the other hand, it responded well to all light situations I have confronted it with, which is more than I can say for many much more elaborate lenses.
I have created a new Flickr group dedicated exclusively to the Zeiss Ikon Contaflex line ---> click here
Zeiss Ikon Contaflex IV with Tessar 50mm f/2.8
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
July 8, 2018.
Scanned print.
Linhof Kardan Super Color ST.
Schneider-Kreuznach Symmar-S 150 mm/f5.6.
Fomapan 100, 4x5", developed in Fomadon R09 1:50, 9 min.
Printed on Fomatone MG 131 (24x30 cm) using the Eurogon enlarger.
Split toned in sepia and selenium (short bleach, short selenium toning).
Glanzol high gloss treatment, dried in high gloss press and flattened in Seal Jumbo 160M.
Digitalized with Epson V850/Epson Scan/Scan'n'Stitch.
Brattfallet, Ekshärad.
Digital scan of a 5x7 selenium toned silver gelatin print.
Leica M2, Kodak Trix 400 printed on Kentmere RC paper and toned in Kodak Rapid Selenium Toner.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Project Print Comparison
Lith Print (upper left)
Selective selenium and sepia toning (upper right)
Iron blue toning (lower left)
Ammonia fuming (lower right)
A sequence of toning steps as described here... remorseblog.blogspot.com/2022/04/revisiting-wye-valley-fo...
Part 7 of the series on long exposures simply called Exposed
Just a series on long exposure daytime shots. I wanted to capture the movement by human beings also in this series, so here are some ghosts walking on the pier.
Technical info:
10 stops ND filter
f/22
ISO100
30s exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Red Filter - Selenium toning
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Rommelpot woods
Hasselblad 501CM, Plus-x in eco film developer rated at 125 ASA
printed on Varycon in SE6 Blue, bleached (copper bleach) and redeveloped in Easy Lith 1+1+600ml
strong selenium toner (MT1 1+6) 30 secs
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
30 seconds that have been frozen this time. Note: the sea is not frozen, only time...
You should really see this Large On White
Part 2 of the new series with long exposures.
This one is shot on the beach of Scheveningen in The Hague. The part you see is part of the famous Scheveningen Pier, taken while standing right under the enormous pier that also hosts a casino. If you want to know how this shot looks like in colour and treated by a colour expert then check out this version by isayx3 who used this same shot for his PP friday, just check it out, it's amazing.
Why would you take long exposure shots during broad daylight, someone asked me.
Well that can be for various reasons, but very often it is to capture motion in such a way it becomes smooth and solid. Like the small waves and ripples in the water in this shot that are flattened by the long exposure. It gives a more harmonious feel to landscape shots like these. Besides that, the idea of a certain period of time captured and visualized in one image or thought is something that has always amazed me. Time is such a strange concept...
Technical info:
10 stops ND filter
f/18
ISO 100
30s
Software:
Lightroom 2.0 preparations
PS CS3 - Silver Efex Pro - Red filter - Selenium toning
Explore #103 March 21 2009
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
The Centre Block in Ottawa, home of the elected Canadian Government.
Original:
Plus-X Pan @ ASA-125 in Kodak Microdol-X
Print:
Ilford MGIV RC - Dektol (1+2) 1' - Selenium (1+4) 5'
Still life
Selenium-toned Van Dyke print
Original shot on Wehman Field Camera, G-Claron 305mm,
Kodak/Carestream T-Mat L/RA
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
La Aires Penta 35 LM és una cà mera reflex japonesa fabricada cap al 1961-62.
Es tracta d'una cà mera amb obturador central i objectiu fixe (Aires H Coral f2 / 50mm), aixà com un pintoresc fotometre de seleni. La situació d'aquest fotometre fa pensar fortament en una cà mera molt similar, la Voigtlander Ultramatic, curiosament també llençada el 1961. Qui copia a qui?
Per desgracia tant el fotometre com l'obturador no funcionen, en aquesta cà mera en concret.
======================
The Aires Penta 35 LM is a Japanese SLR camera made around 1961-62.
It is a camera with leaf shutter and fixed lens (Aires H Coral f2 / 50mm), as well as a picturesque selenium light meter. The situation of this cell makes you think strongly of a very similar camera, the Voigtlander Ultramatic, curiously also launched in 1961. Who copies whom?
Unfortunately both the meter and the shutter do not work, in this particular camera.
camerapedia.fandom.com/wiki/Aires_Penta_35
historiccamera.com/cgi-bin/librarium2/pm.cgi?action=app_d...
Reference FIle: FLA-161001-ND800-8199-bw_selenium
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 500 C/M with Rollei Infrared IR 400. Developed in Pyrocat-HD.
6x9
Printed on Agfa Brovira BH122 (5) Chamois 30x40 (unluckily my last sheet...)
Two trays development:
Moersch Catechol
SE2 Warm
Kodak Selenium 1+10 1min
Bleach 1+50 50s
MT3 (D) 45s
Agfa Viradon
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Yashica-Mat on Ilford FP4+, printed on Rollei Vintage RC 332, with slight toning in sepia and selenium.
There is something with this print, or rather its scan, that interests me, but I'm not sure what it is. Overexposure of the negative (unsure), or underexposure of the print (for sure)?
Shen Hao 4x10, Fujinon 210mm W
Adox CHS100
Fomalux 111 in warmtone 1+9, Selenium toned
Straight scan from contact
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
IN ENGLISH BELOW THE LINE
La Rolleiflex és sense dubte una de les cà meres més iconiques i importants de la historia, aixà com una de les de temps en producció, des de finals dels anys 20 fins ben entrat el s. XXI. I dins d'aquestes es pot considerar el model 3.5 F com potser el millor de tots. És la meva segona Rolleiflex, i val a dir que la vaig obtenir força bé de preu!
La Rolleiflex 3.5 F fou produida entre 1965 i 1971, però aquesta és la variant K4F1, amb el que podem concretar que es va fabricar després del 1966. L'objectiu és un Carl Zeiss Planar f3.5 de 75mm montat en un obturador Synchro Compur. Aquest model de la Rolleiflex compta amb fotometre de seleni, que en aquest cas encara sembla funcionar raonablement bé.
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The Rolleiflex is undoubtedly one of the most iconic and important cameras in history, as well as one of the longest times in production, since the end of the 20's until well into the XXI Century. And within these cameras it can be considered that the model 3.5 F perhaps is the best of all. It's my second Rolleiflex, and it's worth saying that I got it pretty cheap!
The Rolleiflex 3.5 F was produced between 1965 and 1971, but this is the K4F1 variant, with which we can specify that it was manufactured after 1966. The objective is a Carl Zeiss Planar f3.5 75mm mounted on a Synchro Compur shutter . This model of Rolleiflex has a selenium coupled lightmeter, which in this case still seems to work reasonably well.
www.rolleiclub.com/thedarkroom/?p=3248
www.chromacomaphoto.com/blog/2018/5/25/rolleiflex-35f-may...
www.stevehuffphoto.com/2014/01/31/friday-film-the-rolleif...
camera-wiki.org/wiki/Rolleiflex_3.5_series#Rolleiflex_3.5...