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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

30 seconds frozen into one single image...

A short break from the seascapes at the beach/harbours.

This is a shot from the inland lake right around the corner where I live. It was storming and the clouds were moving fast, the waves from the lake almost splashing against my camera. But you can't see that though.

The visual calmth captured here is very deceiving, but there's a hint of turmoil...

 

View On Black

 

Part 6 of the series with long exposures.

Shot right around the corner at the inland lake.

Attempting to freeze larger periods of time in one image you will see my 10 minutes + exposure shots in the near future...

 

Technical info:

10 stops ND filter

f/18

ISO100

30s

Software:

Lightroom 2.0 preparations

PS CS3 - Silver Efex Pro - Red filter - Selenium toning

Explore #234 March 25 2009

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silver gelatin print

watercolor paper coated with Rollei Black Magic liquid emulsion

sepia & selenium toned

Yeuk Hui Study Hall, Ping Shan, Hong Kong

 

門外的對聯是:

門環碧水觀龍躍

地枕屏山聽鹿鳴

 

Lens: Carl Zeiss Flektogon 35/2.4 MC

Film: Ilford HP5+, Mimicking split toning (selenium and sepia) by Photoshop

Camera: Yashica FX-3 Super 2000

Kallitype (24x24cm) - Hasselblad 500C - Distagon 50mm - TriX@320 - Two bath HC-110 - Enlarged negative / Reverse developed on lith film - Hahnemühle platine paper - Fumed silica treatment - Sodium Citrate developer - Citric acid clearing bath - Selenium 1:50 (MT16-Moersch) - ATS fixing.

Mamiya RZ67 Pro II. Printed on Forte Polywarmtone RC. SE5 Lith + Omega + Selenium

On the Washington State coast.....120mm macro Hasselblad with a tube, acros film, printed on Ilford warmtone plus selenium toning

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

leica I summitar 1939

bergger baryté

 

virage selenium

Pentax 645NII, Pentax 2.8/55mm, Ilford Delta100 developed in Acurol-N 1:100, Ilford Multigrad Classic MG, Selenium toned

Adox MCC

SE1 Selenium toner 1+10 1 min

MT7 Iron toner 5+5+10+5+1000ml 1 min

 

variation

Fomabrom 123 with different toning times

Birch woodland near Millstone Edge.

A selenium toned image.

Selenium toned slide — reversed Agfapan 25 — Rollei twinlens 75/3.5 Tessar

 

Oriental "new_WT" - Moersch SE5 - Selenium toned - Gold Toned (232)

Brownie Starlet with 127 film Efke R21 100 Iso, expired 1994 Selenium toned in Lightroom.

Double exposure black and white selenium tone

SFX200 (filter 715nm) rated at 6 ASA, eco film developer

print negative 20x20cm on Wephota FO5 by reversal development (Blue 1+20 - potassium bichromate bleach - SE6 Blue 1+20)

 

Vandyke print on Arches Platine, Selenium toned

Venice

 

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Yokkaichi, Mie July 8, 2012

 

DAYI TOYO Portable 4x5

6x7 roll film holder

super angulon 47mm F5.6 XL

 

TMAX 100 120

XTOL 1+1 20℃ 10min.

 

ILFORD multigrade FB warmtone

Korectol E 2min.

Kodak rapid selenium toner 1+6 6min.

 

Venetian Countryside

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

FP4 4x5 in Rodinal 1+25

91/2x12 print on Ilford MGWT Selenium

Selenium toned kallitype

River Teifi, West Wales. Re-print of an older negative....

Shen Hao 5x7. Fujinon 210mm W. Ilford FP4+ in d-76. Sepia and Selenium split-toned G3 Lodima contact print.

Agfa MCC in Rollei Vintage (= Neutol Plus), split toned in (strong) selenium and gold

Selenium cell meter is still functioning after all these years.

1945-1953

It's available in my Etsy Camera Shop at www.ccstudio2380.com

Thanks, Chris

My wife had traveled with the boy, I had a whole afternoon to myself so I called a model in. It was just a two hour shoot with available light but I enjoyed it.

Rolleiflex 2.8E. Film Maco PO 100c. Printed on AGFA Portriga-Rapid PRN 118. Developed in Moersch Eco 4812 + Selenium 1-20 + bleach 1-50 + MT3 70-10-850

Kindergarten Lab " The Magic Of Light " - 18x24cm Lumen print.

Ilford RC paper + Selenium bath

Ricoh 500 Objectif 45mm f/2.8 Ricomat Obturateur Seikosha-MXL Vitesses B- 1-500 Posemètre Sélénium. Année 1957-59

www.flickr.com/photos/75468899@N05/24072110435/in/photost...

Kodak Rapid Selenium toner. Brought out the colour on the Agfa paper. Looks more like a Lith print now

Fuji GSW690 III, TriX, Rodinal, Ilford Art 300, Catechol/SE6 Blue, Bleach 1+50 30s, MT3a 45s, Selenium 1min, Gold 1 minute.

XP2

Fomatone

Moersch Easylith 25+25+1000 6min

Omega 1+100 3min

Selenium

12x16 print so too big to scan so DSLR and bounced flash

The folding Zeiss Contessa 35 (model 533/24) was designed by Hubert Nerwin and made in Stuttgart during the effort to rebuild the Zeiss Ikon name after WWII. Produced between 1953-1955 Nerwin included elements from his Super Ikonta's design and specially the distinctive extra lens for the coupled rangefinder.

 

The camera was superbly made in every respect and was equipped with a coated f2.8 45mm Zeiss Optron Tessar lens, 9 speed Synchro Compur shutter, uncoupled Selenium exposure meter, MX flash synchronisation and coupled rangefinder. The latter having a prism rather than the usual mirror.

 

Above all was the high quality excellence of everything coupled with a very distinctive appearance.

 

In a series of portraits of strangers I meet walking around making a short portrait session on the spot with what's available.. Here Janina is shot with a 7'' Petzval mounted on a Graflex Speed Graphic loaded with Ilford HP5+ 4x5 sheet film shot at iso800 and then the negative is toned in selenium to pop with some extra contrast. Home developed in Kodak Xtol 1+1. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.

RPX400 in RPXD

Lith on Brovira BH111 in Se5 (+D + E), toned in selenium/gold (1:00, 1:30)

 

A relatively recent box of Brovira (~1970) which is uncommonly slow and controllable in the lith process (slow infectious development), the tone with this combination is, ehm special, but with the selenium/gold toning it comes quiet fine and it's not necessary to have an orange lithprint to achieve blue tones in the gold toner. This BH111 is a bit like the poor man's Oriental New Seagull ...

  

(Yes, I know, I should really level the horizon here, but it was 1 am and me completely obsessed with the tones and contrast - if you want to buy it, you get it leveled ...)

Been selenium toning this series in the dark room, this was my first attempt at creating a similar effect digitally with Photoshop.

 

Originally shot on a 4x5 view camera with Polaroid Type 55 film in studio lighting conditions.

The garden wood burner is beginning to show its age.

Basic LR filter applied.

Near the River Sieg.

Shot taken with the Deardorff 8x10 and the Wollensak 159mm Velostigmat Ser. III on EFKE 100 PL developed in Promicrol 1+14 for 7.45 minutes. Contact print on very old Leonar Umbrano Paper with Moersch SE1 sepia. Toned with MT1 selenium 1+10 for 40 sec.

Harmon Ilford 4x5 Direct Positive Paper

Selenium Toned

Speed Graphic Camera

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