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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Traditional printing by Morpheuse. TQ
Paper - Ilford MGWTFB
Lith Printing, Selenium toning, Bleached and Redeveloped
Reference FIle: FLA-160806-ND800E-516-BW_selenium
Infrared Underwater Photography
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
The branch again, just as technical reference.
The same procedure as with the previous print, but exposed one minute longer (8 instead 7) because the iron toner brightens up the lights.
fixed in a weak selenium toner (1+200) two minutes to protect the blacks against the blue toner
MT7 Iron blue toner 4+3+10+4+600ml 2 minutes
With longer toning times at first only the lights and the mid-range would turn from green to blue, after 5-8 minutes the blacks as well.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Nikon F3, 24mm
Ilford Surveillance film, f2 1/2 second
Lith print on Seagull Warmtone grade 3 resin-coated paper, with a secondary bath in omega and then toned in selenium, to get those elusive lavender tones.
Canonflex R2000
with Canon 50mm f/1.8 Super-Canomatic R
Introduced September 1960 (produced until 1962)
body sn # 55252
lens sn # 53788
The Canonflex was Canon's first foray into the SLR market, with a removable prism and a clip-on selenium exposure meter that coupled with the shutter speed dial. This model has a minimum shutter speed of 1/2000th.
Total production about 8,800 units; documented serial number range: 50646- 59281 (via IDCC)
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Image made EXPLORE on 20 November 2011. Max position: 236
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© Dirk HR Spennemann 2011, All Rights Reserved
For a user Manual see: here (pdf file)
While the color version was lightly edited, this version saw just about every inch of my software. Converted in Silver Efex. It still seemed blah so I moved it to Perfect Effects for added curves work then to Topaz BW Effects for some selenium tone. and back to PE 8 for the border.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
taken last year, printed today
Holga 120N, Delta 400 in Finol
toned Kallitype 29x29cm on Bergger Cot-320
12 mins in heavily used Gold toner, fixed in MT1 Selenium toner 1+200 3 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hasselblad 500 C/M, 80mm Planar, Acros in XTOL 1:1, scan of print on Ilford Warmtone FB, selenium toned.
Well hello Flickr. It is not until you've come back that you realised that you went away, and I now see there was a hiatus. I have been shooting, but not really scanning.
My darkroom work has been very regular (well until recently which might explain the scanning) and it has proved very satisfying. Please find a scan of one of my darkroom prints here. This was a test 8x8 which was on the way to a 12x12
If you are shooting film I highly recommend darkroom work to take you to another level. Ah go on.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Varycon VC FB paper.
Argyrotype
Selenium toned
Epson inkjet paper
Fuji RX-U X-ray blue sensitive negative
8x10 Homemade camera
Rollei Superpan 200. Developed with Moersch Sepia on Slavich Unibrom 160 glossy. Toned in selenium 1+10 1 min
Dead plant
Selenium toned van Dyke print
10x14
Shot with Wehman field camera
x-ray film
Ilex Acuton 215mm f4.8 @ f16
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
XP2.
Fomatone 132
Easylith 25+25+1000 6min
Omega 1+100 3min
Selenium 1min
12x16 print too big to scan rephotographed with DSLR bounced flash.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
MT14 Selenium toner for iron/silver based alternative print processes.
This one is printed onto Arches Platine.
Developer: Sodium citrate
Clearing bath: Citric Acid 3%
Fixer: ATS alkaline 1+5 3 mins
MT14 1+100 1 minute
Print negative Wephota FO5 19x19cm by reversal development
1st developer Lith 1+25 9 mins - bleach - SE1 Sepia
press L
Same image as posted recently, with a gold/selenium tone added. I tend to prefer this one.
Wayland’s Smithy, Oxfordshire Ridgeway
29/6/19, 4:22pm
Chamonix 810V
Nikkor-W 300 f/5.6
Ilford FP4+ 8x10
33” f/45
420mm bellows extension
25mm front rise
N+1 development, BTZS tubes, Pyrocat HD 2:2:100, 12’17”, 22ºC
Acetic acid stop, TF-4 Fix, Hypoclear, 30min wash
vintage split selenium toned contact print.
(does this still count for 'roid week?)
this was an invitation for a party i had in 1987.
(that is, everyone got a split selenium toned silver print)
i took 4x5 studio strobe-lit polaroids of the party guests and gave them the originals.
I kept the negatives.
Nan Goldin came and I have a great portrait of her.
She was so stoned she has no recollection of being there.
I didn't get her permission, so unfortunately I can't reproduce it :(
Bongo was a party animal.
In order to judge whether and how the paper texture has an influance on fine details, I have chosen this negative.
Hasselblad 80mm ext. tube, TMY & Tanol
Ilford Textured Fine Art Silver Gelatine Paper Art 300 in Eco 4812 1+14 3 mins
left untoned (a two-minute 1+10 selenium toning doesn´t make a clear difference)
middle thiourea and selenium - MT3 bleach 1+200 2 mins, toner setting C 30 secs, MT1 Selenium 1+10 2mins
view large for details
right MT4 Siena (polysulfide) 1+50 30 secs
Holga WPC wide pinhole. Darkroom print on FB paper. Selenium toning, blue toning.
Please take a look at my most interesting photos Or take a look at my entire portfolio
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Just another test of my "new" selenium toner. This time diluted 1+50
Developer Sodium Acetate/Tartaric Acid
Clearing Bath Citric Acid - more time, or a stronger working solution is needed after this developer
ATS Fixer alkaline 1+5
Sodium Acetate causes a more neutral tone with a different tonal range than Sodium Citrate
Right side MT14 1+50 1,5 mins
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford Multigrade IV fiber-based paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Rollei 100 tonal. Developed with Moersch Sepia on Slavich Unibrom 160 glossy. Toned in selenium 1+10 1 min. Moersch MT8 Copper Toner 1,5 min