View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Mamiya RZ 67 PRO II - Kodak Tmax 400 developed in Pyrocat-HD. Printed on Sepia VC. Developer Moersch Eco 4812 + Selenium 1-20 + bleach 1-50 + MT3 60-110-850 + Carbon toner 1-10
-----------------------------------------------------------------------------------------------
Hasselblad 500 C/M with Kodak 100 TMX developed in Pyrocat-HD.
Printed on Foma Neobrom 1111 (same paper different tones)
Lith development in Champion Novolith
Selenium toned
New series: Brenner
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG IV fiber-based paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Dark room print on Fomabrom 111 in Ilford MG developer. Intensive toning (15 min) in Foma Selenium 1+19, although it doesn't show easily in the scan.
I completely relied on the selenium meter on the Vitomatic IIa for this shot. Apparently, it is still working accurately enough even for tricky light conditions.
Shot in Ferberpark, Aachen, Germany.
Camera: Voigtländer Vitomatic IIa, ca. 1962
Lens: Ultron 50 mm f/2.0
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
(This is a 0.6 second single exposure from a tripod.)
More fun with Lightroom. As the title strongly hints, I used the selenium preset for this one.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
© 2014 Daniel Novak Photo, Buffalo Landscapes & Cityscapes | Blog | G+
© All rights reserved!
From tonight at Green Lake, Orchard Park, NY. I saw this scene many times in the past and either did not have the camera with me, or the weather was not right, or … bottom line, I never took the photo before.
Yesterday, I showed up to photograph this flooded walkway across but it turned out I underestimated the distance and my 24 - 85mm just was not enough to get the head on view. I could have done it under an angle from the banks along but I wanted this view that I kept seeing from the road.
It was also very windy. Windy was good, it created ripples on the water and long exposures had a nice effect but it was so windy I could not keep the camera steady even when I weighed the tripod down. All photos were soft and given the need for a significant crop the softness showed a lot.
So back I went today in between downpours and storms with my 80 - 400 mm. There was almost no wind today making long exposures less effective. Even the little bit of a breeze gave me some trouble to keep the camera steady enough for this 90s exposure at 270 mm. It is the photo I had in mind though, so another one off the list.
Basic processing in Capture NX2 and B&W conversion in Silver Efex Pro 2, including a hint of selenium toning.
Fuji GSW690 III, TriX, Rodinal, Ilford Art 300, Catechol/SE6 Blue, Bleach 1+50 30s, MT3a 45s, Selenium 1min, Gold 1 minute.
slavich bromportrait 80 grade 3, arista premium liquid lith, selenium 1+1+9, hc-110, neopan 1600.
scanned negative: www.flickr.com/photos/501rf/5443487934/in/set-72157625927...
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Backyard snowboard session
Scan from print:
Paper: Adox MCP312
Developer: Mörsch Eco
Toner: Kodak Rapid Selenium
Film Info:
Film: Ilford Delta 3200
Developer: Ilford DD-X
Lens: Tamron 17-35mm 2,8-4f
Camera: Nikon F6
Holga 120N, Rollei RXP 400 rated at 640 ASA, efd 2+1+40 15 mins
Rollei Vintage 128 (Fomabrom Variant 123) in SE4 Neutral
Toner
MT3 Vario - bleach 1+50 45 secs, toner 50+180+750ml 30 secs
MT1 Selenium 1+5 2 mins
I shot this in order to test the accuracy of the old selenium meter on the Contarex. I exposed the shot exactly as the meter told me to do. I'd say it's slightly over-exposed, but that turns out to be just right for this scene. I focused on the people in the foreground because I wanted the lights on the building in the far background to dissolve in the bokeh, but I was only partially successful in that.
It is amazing that a 60 year old meter, which by rights should be dead as a doornail by now, still works accurately.
I then shot the same scene with the same film emulsion on a Nikon F5 for comparison.
Incidentally, I now remember that I had already shot this scene two years ago with a very old Leica Standard and a pre-war lens.
Camera: Zeiss Ikon Contarex Special (built between 1960 and 1963)
Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount
Film: Fujifilm Superia X-Tra 400 colour negative film
Developed and scanned by www.meinfilmlab.de
old skool tools
sekonic auto-lumi
sekonic Auto Lumi Light Meter
produced Sekonic
meter type reflective
readout match needle
cell type Selenium
angle of light 65°
ISO range 6 to 12000
f-stop range 1-32
shutter speed range 8s – 1/2000
EV range 2 to 19
weight 2.5oz
Near Roksha-Pass
Das letzte dann, irgendwie fad auf die Dauer, das alte Zeug ...
Fortezo in Catechol/Meritol + selenium/Polysulphid/Nelson's gold toner
This is a lith printed image at the "other" herring factory near Djupovik. I decided to get some of the "new" fomatone and try to duplicate the old fomatone. I developed in Moresch and did an afterbath of ammonium carbonate (Moersch's omega additive) plus heavy selenium and that is about as close as I got...still missing the very cold shadows I loved. Contrary to what I've heard on the web, though, this stuff does lith....not nearly as convincingly or with as much color, though. Sorry about the lousy scan....my scanner doesn't like Fomatone Velvet paper!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Traditional printing by Morpheuse. TQ
Paper - Ilford MGWTFB
Lith Printing, Selenium toning, Bleached and Redeveloped
Holga 120N, Delta 400 rated at 640 ASA in Finol
Adox Vario Classic in VGT (two tray)
MT3 Vario Schwefeltoner (thiourea) followed by MT1 Selenium
Selenium is always 1+20 1 min
different hue is depending on dilution of the bleach, bleaching time and alkalinity of the thiourea toner
MT3 bleach 1+50 1 min, toner setting B reddish brown, medial alkalinity
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Nikon F3, 24mm
Ilford Surveillance film, f2 1/2 second
Lith print on Seagull Warmtone grade 3 resin-coated paper, with a secondary bath in omega and then toned in selenium, to get those elusive lavender tones.
Canonflex R2000
with Canon 50mm f/1.8 Super-Canomatic R
Introduced September 1960 (produced until 1962)
body sn # 55252
lens sn # 53788
The Canonflex was Canon's first foray into the SLR market, with a removable prism and a clip-on selenium exposure meter that coupled with the shutter speed dial. This model has a minimum shutter speed of 1/2000th.
Total production about 8,800 units; documented serial number range: 50646- 59281 (via IDCC)
---------------------------------------------------------------------------------------------------------
Image made EXPLORE on 20 November 2011. Max position: 236
-----------------------------------------------------------------------------------------------------
© Dirk HR Spennemann 2011, All Rights Reserved
For a user Manual see: here (pdf file)
While the color version was lightly edited, this version saw just about every inch of my software. Converted in Silver Efex. It still seemed blah so I moved it to Perfect Effects for added curves work then to Topaz BW Effects for some selenium tone. and back to PE 8 for the border.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
taken last year, printed today
Holga 120N, Delta 400 in Finol
toned Kallitype 29x29cm on Bergger Cot-320
12 mins in heavily used Gold toner, fixed in MT1 Selenium toner 1+200 3 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hasselblad 500 C/M, 80mm Planar, Acros in XTOL 1:1, scan of print on Ilford Warmtone FB, selenium toned.
Well hello Flickr. It is not until you've come back that you realised that you went away, and I now see there was a hiatus. I have been shooting, but not really scanning.
My darkroom work has been very regular (well until recently which might explain the scanning) and it has proved very satisfying. Please find a scan of one of my darkroom prints here. This was a test 8x8 which was on the way to a 12x12
If you are shooting film I highly recommend darkroom work to take you to another level. Ah go on.
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Varycon VC FB paper.
Argyrotype
Selenium toned
Epson inkjet paper
Fuji RX-U X-ray blue sensitive negative
8x10 Homemade camera