View allAll Photos Tagged selenium
Hasselblad 500 C/M, 80mm Planar, Acros in XTOL 1:1, scan of print on Ilford Warmtone FB, selenium toned.
Well hello Flickr. It is not until you've come back that you realised that you went away, and I now see there was a hiatus. I have been shooting, but not really scanning.
My darkroom work has been very regular (well until recently which might explain the scanning) and it has proved very satisfying. Please find a scan of one of my darkroom prints here. This was a test 8x8 which was on the way to a 12x12
If you are shooting film I highly recommend darkroom work to take you to another level. Ah go on.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Varycon VC FB paper.
Argyrotype
Selenium toned
Epson inkjet paper
Fuji RX-U X-ray blue sensitive negative
8x10 Homemade camera
Rollei Superpan 200. Developed with Moersch Sepia on Slavich Unibrom 160 glossy. Toned in selenium 1+10 1 min
Dead plant
Selenium toned van Dyke print
10x14
Shot with Wehman field camera
x-ray film
Ilex Acuton 215mm f4.8 @ f16
XP2.
Fomatone 132
Easylith 25+25+1000 6min
Omega 1+100 3min
Selenium 1min
12x16 print too big to scan rephotographed with DSLR bounced flash.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
MT14 Selenium toner for iron/silver based alternative print processes.
This one is printed onto Arches Platine.
Developer: Sodium citrate
Clearing bath: Citric Acid 3%
Fixer: ATS alkaline 1+5 3 mins
MT14 1+100 1 minute
Print negative Wephota FO5 19x19cm by reversal development
1st developer Lith 1+25 9 mins - bleach - SE1 Sepia
press L
Same image as posted recently, with a gold/selenium tone added. I tend to prefer this one.
Wayland’s Smithy, Oxfordshire Ridgeway
29/6/19, 4:22pm
Chamonix 810V
Nikkor-W 300 f/5.6
Ilford FP4+ 8x10
33” f/45
420mm bellows extension
25mm front rise
N+1 development, BTZS tubes, Pyrocat HD 2:2:100, 12’17”, 22ºC
Acetic acid stop, TF-4 Fix, Hypoclear, 30min wash
vintage split selenium toned contact print.
(does this still count for 'roid week?)
this was an invitation for a party i had in 1987.
(that is, everyone got a split selenium toned silver print)
i took 4x5 studio strobe-lit polaroids of the party guests and gave them the originals.
I kept the negatives.
Nan Goldin came and I have a great portrait of her.
She was so stoned she has no recollection of being there.
I didn't get her permission, so unfortunately I can't reproduce it :(
Bongo was a party animal.
In order to judge whether and how the paper texture has an influance on fine details, I have chosen this negative.
Hasselblad 80mm ext. tube, TMY & Tanol
Ilford Textured Fine Art Silver Gelatine Paper Art 300 in Eco 4812 1+14 3 mins
left untoned (a two-minute 1+10 selenium toning doesn´t make a clear difference)
middle thiourea and selenium - MT3 bleach 1+200 2 mins, toner setting C 30 secs, MT1 Selenium 1+10 2mins
view large for details
right MT4 Siena (polysulfide) 1+50 30 secs
Holga WPC wide pinhole. Darkroom print on FB paper. Selenium toning, blue toning.
Please take a look at my most interesting photos Or take a look at my entire portfolio
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Just another test of my "new" selenium toner. This time diluted 1+50
Developer Sodium Acetate/Tartaric Acid
Clearing Bath Citric Acid - more time, or a stronger working solution is needed after this developer
ATS Fixer alkaline 1+5
Sodium Acetate causes a more neutral tone with a different tonal range than Sodium Citrate
Right side MT14 1+50 1,5 mins
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford Multigrade IV fiber-based paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Adox Variotone in Eco4812
alkaline fixer > wash 20 mins
weak MT3 & strong MT1
MT3 Vario Schwefeltoner. bleach 1+200 1 min, toner 25+7+500ml > wash 4 mins
MT1 Selenium 1+10 2:45 > final wash 15 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
A monochrome / selenium tone version of this wonderful wreck on the island of Amorgos in the Greek Cyclades. Personally, I think I prefer this over the HDR version posted earlier
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Roland accompanied his friend, Trenton, on his photoshoot with me. He had no intention of being photographed. I insisted on taking a few shots of him. This is one of them.
© 2008 All Rights Reserved
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
A few weeks ago I posted The Doors of Perception. I thought it was a good result overall but I wasn't entirely satisfied with it.
This is a shot from another angle and a bit darker. I wanted to emphasize the rays of light breaking through the pilings to better visualize the famous quote from Aldous Huxley:
''If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."
- Aldous Huxley - The Doors of Perception
PS CS3
Silver Efex Pro - Red filter
Added a slice of Selenium
Explore #47 March 11 2009
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Printed on Fomatone 131. Developed in Moersch Sepia. Bleach 1-50 + MT3 60-110-850. Carbon toner + Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
slavich bromportrait 80 grade 3, selenium 1+9, arista premium liquid lith 1+1+24+old brown, zeiss ikon, hc-110, neopan 1600, planar 50/2 zm.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
studio work
This print was made by weaving 20 individual 5"x48" strips of Ilford RC photosensitive darkroom paper. I first assemble the paper (under a darkroom safelight) in a weaved pattern to the size of 4ft.x4ft. & then project my negative into the paper as it hangs on the wall. Then I bring the print to the studio floor and apply developer & fixer. After it's done with the chemicals I then take it outside and wash it with a garden hose. After it's dried, I then used photo bleach, sepia, selenium, stains, & inks.