View allAll Photos Tagged selenium
30 seconds that have been frozen this time. Note: the sea is not frozen, only time...
You should really see this Large On White
Part 2 of the new series with long exposures.
This one is shot on the beach of Scheveningen in The Hague. The part you see is part of the famous Scheveningen Pier, taken while standing right under the enormous pier that also hosts a casino. If you want to know how this shot looks like in colour and treated by a colour expert then check out this version by isayx3 who used this same shot for his PP friday, just check it out, it's amazing.
Why would you take long exposure shots during broad daylight, someone asked me.
Well that can be for various reasons, but very often it is to capture motion in such a way it becomes smooth and solid. Like the small waves and ripples in the water in this shot that are flattened by the long exposure. It gives a more harmonious feel to landscape shots like these. Besides that, the idea of a certain period of time captured and visualized in one image or thought is something that has always amazed me. Time is such a strange concept...
Technical info:
10 stops ND filter
f/18
ISO 100
30s
Software:
Lightroom 2.0 preparations
PS CS3 - Silver Efex Pro - Red filter - Selenium toning
Explore #103 March 21 2009
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
The Centre Block in Ottawa, home of the elected Canadian Government.
Original:
Plus-X Pan @ ASA-125 in Kodak Microdol-X
Print:
Ilford MGIV RC - Dektol (1+2) 1' - Selenium (1+4) 5'
Still life
Selenium-toned Van Dyke print
Original shot on Wehman Field Camera, G-Claron 305mm,
Kodak/Carestream T-Mat L/RA
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
litter bin poetry on the banks of the Dreisam ;-)
Nikon F6, 55mm Makro, Kodak TriX in Moersch EFD, Lithprint auf Fomatone MG 131; Moersch SE5 (first tray 50 A , 50 B 1000 H2O, 40 D; second tray 5 Lith Omega 500 H2O), partially bleached, parially selenium and gold toned
Reference FIle: FLA-161001-ND800-8199-bw_selenium
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 500 C/M with Rollei Infrared IR 400. Developed in Pyrocat-HD.
6x9
Printed on Agfa Brovira BH122 (5) Chamois 30x40 (unluckily my last sheet...)
Two trays development:
Moersch Catechol
SE2 Warm
Kodak Selenium 1+10 1min
Bleach 1+50 50s
MT3 (D) 45s
Agfa Viradon
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Yashica-Mat on Ilford FP4+, printed on Rollei Vintage RC 332, with slight toning in sepia and selenium.
There is something with this print, or rather its scan, that interests me, but I'm not sure what it is. Overexposure of the negative (unsure), or underexposure of the print (for sure)?
Shen Hao 4x10, Fujinon 210mm W
Adox CHS100
Fomalux 111 in warmtone 1+9, Selenium toned
Straight scan from contact
Darkroom contact print of a 5x7" negative, printed on Rollei Vintage 111 FB, toned with selenium and Foma Sepia (12 sec bleach).
The film used is very special: Agfatone Pan P330p, which is a duplication film. It has expired in 2002 and is not made anymore. I have not found any user manual nor evidence of it being used as a regular film on the internet.
However, it is coated on a nice thick piece of sheet material and I didn't know what to do with it, so I gave it a try and exposed it at 12 iso. The negative came out way too dense, at least 4-5 stops overexposed. I had to give it a lot of light under the enlarger to get through the density at all.
I'll give it another try next weekend and see what it will do rated at 200-400 iso.
Olympus OM-4
Zuiko 50mm f/1.4
Extention ring 25
Kodak Tri-X 400
HC-110B
Scan from print
Paper: Fomatone MG 132
Developer: Adox Warmtone
Toned in Adox Selenium toner
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Fomabrom Variant IV 123
Developed in Moersch SE2
Kodak Selenium 1+10 30sec
MT4 Siena 1+40 2min
Bleach 1+30 1min
MT2 Carbontoner 1+40 3min
IN ENGLISH BELOW THE LINE
La Rolleiflex és sense dubte una de les cà meres més iconiques i importants de la historia, aixà com una de les de temps en producció, des de finals dels anys 20 fins ben entrat el s. XXI. I dins d'aquestes es pot considerar el model 3.5 F com potser el millor de tots. És la meva segona Rolleiflex, i val a dir que la vaig obtenir força bé de preu!
La Rolleiflex 3.5 F fou produida entre 1965 i 1971, però aquesta és la variant K4F1, amb el que podem concretar que es va fabricar després del 1966. L'objectiu és un Carl Zeiss Planar f3.5 de 75mm montat en un obturador Synchro Compur. Aquest model de la Rolleiflex compta amb fotometre de seleni, que en aquest cas encara sembla funcionar raonablement bé.
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The Rolleiflex is undoubtedly one of the most iconic and important cameras in history, as well as one of the longest times in production, since the end of the 20's until well into the XXI Century. And within these cameras it can be considered that the model 3.5 F perhaps is the best of all. It's my second Rolleiflex, and it's worth saying that I got it pretty cheap!
The Rolleiflex 3.5 F was produced between 1965 and 1971, but this is the K4F1 variant, with which we can specify that it was manufactured after 1966. The objective is a Carl Zeiss Planar f3.5 75mm mounted on a Synchro Compur shutter . This model of Rolleiflex has a selenium coupled lightmeter, which in this case still seems to work reasonably well.
www.rolleiclub.com/thedarkroom/?p=3248
www.chromacomaphoto.com/blog/2018/5/25/rolleiflex-35f-may...
www.stevehuffphoto.com/2014/01/31/friday-film-the-rolleif...
camera-wiki.org/wiki/Rolleiflex_3.5_series#Rolleiflex_3.5...
Gardenia is a personal project shot with Elena Vaninetti.
Here you can see the full series and read more about the project..
model: Sophie Hepp
stylist: Giulia Giani
MUA and Hair: Maura Leonardi
Assistant: Massimiliano Rossetto
[gelatine silver FB print, selenium toned].
Zeiss Ikon Contarex (built in 1965-1966)
The selenium light meter on the Zeiss Ikon Contarex I is designed to work either in object metering mode or in incident light metering mode.
For object metering, the metal baffle with the translucent cover should be left on and the film speed set against the black triangle on the multifunction knob, as here
For incident metering, press the release button that protrudes in the 8 o'clock position, take off the baffle assembly, which will reveal the window covering the actual meter assembly. In that case, the film speed should be set against a yellow dot mark on the mutltifunctional knob.
You can see that there is an actual diaphragm that closes according to the f-stop setting. This mechanically communicates to the meter which f-stop has been selected on the lens. For incident metering, the meter receives light from a field of view of almost 180 deg, whereas for object metering, the field of view of the meter is much narrower.
The fact that a 10 blade diaphragm has been integrated into the meter and that the baffle is attached not with a simple thread, but with an actual bayonet, testifies to the mechanical complexity of this camera body.
It is truly a miracle of engineering, but you can only hope that it won't break because if it does, it is unlikely that it can be fixed.
I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
Efke IR820 (B&W715) rated at 6 ASA, Finol 1+1+100
Adox Variotone Premium & SE6 Blue
Toner MT3 Vario, MT1 Selenium
Holga 120N, Efke IR820, Filter 715, eco film developer 2+1+40 20°C 11 mins
enlarged negative 22x22 cm / 8,5x8,5 inch
on Wephota F05 by reversal development in SE6 Blue 1+20 and potassium dichromate bleach
Vandyke on Fabriano Artistico rough
fixed in MT1 Selenium toner 1+200
MT7 Iron Blue toner 5+5+15+5+1000ml 2 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Prince’s plume, Stanleya pinnata, is widespread in the west, but its distribution is spotty, for it thrives only on seleniferous soils, or soils containing high concentrations of selenium.
Prince's plume is a hyperaccumulator, a plant that can take up selenium and concentrate it in leaves and stems to dissuade herbivores. When cows consume it, the suffer from the blind staggers, and some die. Deer, pronghorn and rabbits leave it alone.
Uranium miners in the southwest learned to look for Prince's plume, for selenium is commonly associated with uranium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
www.kityoung.co.uk/The-Other-Side
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Foma 133
Developed in Catechol/Sepia
Toned in Selenium / MT3
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silver gelatin print
Fabriano Pittura acryllic paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Hasselblad 503cw, Planar 2.8/80, 2min. exposure, Ilford Pan F Plus 50 on MG ART 300 paper, Selenium toning.
Albumen Print from re-intensified Collodion Negative (Iodine+PiroG)(+1,5 exposed), 5x7", double coated paper, Canson Crob'Art 80gr, exp to shadow open sky 2h, Selenium toned,Tios fixer, Hypo cleared.
Inspiration for this photo was from this Image.
PP is selenium tone in Lightroom followed by importing into PSCS3 and applying the desaturated Image over top as soft light overlay.
HBW!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.