View allAll Photos Tagged selenium
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Hasselblad 500 C/M with Rollei Infrared IR 400. Developed in Pyrocat-HD.
6x9
Printed on Agfa Brovira BH122 (5) Chamois 30x40 (unluckily my last sheet...)
Two trays development:
Moersch Catechol
SE2 Warm
Kodak Selenium 1+10 1min
Bleach 1+50 50s
MT3 (D) 45s
Agfa Viradon
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Location: Great Salt Lake, Utah
Camera: 1947-70 Peace Maker Speed Graphic
Film: Fuji Neopan Acros 100
Film Development: in stainless tanks by hand souped in HC-110 at 1:63 dil H for 11 Minutes w/ 3 inversions each minute.
Film Fixed in Kodak Fixer
Paper: Adox MCC 111 (lightly fogged)
Paper was developed in Kodalith at 1:20 concentration
Exposure: 38 Seconds
Develope time to snatch: 2 Hours
Stopped in Hypoclear: 30 seconds
Print in single bath of Kodak Fixer: 2 mins
washed in Hypoclear: 2 minutes
Water rinse for 30 minutes
Selenium Toned: 3 min 32 seconds
running water rinsed for 35 minutes
Squegee'd and machine dryed via Beseler Glossomat at 102F for 2 minutes.
Color Scanned on HP envy 5530 5 minutes.
Total elapsed time to completion 5 hours.
Started at 10PM, Its 3AM now post scan and publish to Flickr while the wife sleeps....Goodnight! :)
Mamiya 645 ProTL w/ M-S 45 mm/f2.8. Feb 2014.
Adox CMS20 in Adotech II.
Printed on Foma Retrobrom Sp 151 (24x30 cm). Moersch Polychrome Kit, bleach and selenium toning. March 14, 2020.
Bonus: Chemical twinkling stars and Purple Haze :-)
Skoghall, Värmland, Sweden.
www.kityoung.co.uk/The-Other-Side
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
silver gelatin print
Fabriano Pittura acryllic paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Albumen Print from re-intensified Collodion Negative (Iodine+PiroG)(+1,5 exposed), 5x7", double coated paper, Canson Crob'Art 80gr, exp to shadow open sky 2h, Selenium toned,Tios fixer, Hypo cleared.
Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Fomabrom Variant IV 123
Developed in Moersch SE2
Kodak Selenium 1+10 30sec
MT4 Siena 1+40 2min
Bleach 1+30 1min
MT2 Carbontoner 1+40 3min
Prince’s plume, Stanleya pinnata, is widespread in the west, but its distribution is spotty, for it thrives only on seleniferous soils, or soils containing high concentrations of selenium.
Prince's plume is a hyperaccumulator, a plant that can take up selenium and concentrate it in leaves and stems to dissuade herbivores. When cows consume it, the suffer from the blind staggers, and some die. Deer, pronghorn and rabbits leave it alone.
Uranium miners in the southwest learned to look for Prince's plume, for selenium is commonly associated with uranium.
Inspiration for this photo was from this Image.
PP is selenium tone in Lightroom followed by importing into PSCS3 and applying the desaturated Image over top as soft light overlay.
HBW!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Efke IR820 (B&W715) rated at 6 ASA, Finol 1+1+100
Adox Variotone Premium & SE6 Blue
Toner MT3 Vario, MT1 Selenium
Mini portrait session with Viva in Campbeltown
Negatives: Mamiya 645 Pro with HP5+
Prints: Adox MCC 110 in Moersch ECO with Selenium+Siena toning
Neg: 17-12-6 Print: 17-P-32
IN ENGLISH BELOW THE LINE
La Rolleiflex és sense dubte una de les cà meres més iconiques i importants de la historia, aixà com una de les de temps en producció, des de finals dels anys 20 fins ben entrat el s. XXI. I dins d'aquestes es pot considerar el model 3.5 F com potser el millor de tots. És la meva segona Rolleiflex, i val a dir que la vaig obtenir força bé de preu!
La Rolleiflex 3.5 F fou produida entre 1965 i 1971, però aquesta és la variant K4F1, amb el que podem concretar que es va fabricar després del 1966. L'objectiu és un Carl Zeiss Planar f3.5 de 75mm montat en un obturador Synchro Compur. Aquest model de la Rolleiflex compta amb fotometre de seleni, que en aquest cas encara sembla funcionar raonablement bé.
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The Rolleiflex is undoubtedly one of the most iconic and important cameras in history, as well as one of the longest times in production, since the end of the 20's until well into the XXI Century. And within these cameras it can be considered that the model 3.5 F perhaps is the best of all. It's my second Rolleiflex, and it's worth saying that I got it pretty cheap!
The Rolleiflex 3.5 F was produced between 1965 and 1971, but this is the K4F1 variant, with which we can specify that it was manufactured after 1966. The objective is a Carl Zeiss Planar f3.5 75mm mounted on a Synchro Compur shutter . This model of Rolleiflex has a selenium coupled lightmeter, which in this case still seems to work reasonably well.
www.rolleiclub.com/thedarkroom/?p=3248
www.chromacomaphoto.com/blog/2018/5/25/rolleiflex-35f-may...
www.stevehuffphoto.com/2014/01/31/friday-film-the-rolleif...
camera-wiki.org/wiki/Rolleiflex_3.5_series#Rolleiflex_3.5...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
October, 1992
Leica M4-2, 50mm Summicron f/2
Kodak Ektar 25
Lith print Feb 4, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
Hasselblad 503cw, Planar 2.8/80, 2min. exposure, Ilford Pan F Plus 50 on MG ART 300 paper, Selenium toning.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
October, 1992
Leica M4-2, 50mm Summicron f/2
Kodak Ektar 25
Lith print Feb 4, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
This is a selfportrait of me playing the piano.
I printed this on Adox MCC 110 Fibre-Base (Baryt) paper and toned in Selenium toner.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Holga 120N, Efke IR820, Filter 715, eco film developer 2+1+40 20°C 11 mins
enlarged negative 22x22 cm / 8,5x8,5 inch
on Wephota F05 by reversal development in SE6 Blue 1+20 and potassium dichromate bleach
Vandyke on Fabriano Artistico rough
fixed in MT1 Selenium toner 1+200
MT7 Iron Blue toner 5+5+15+5+1000ml 2 mins
Rollei 35 with Ilford Delta 3200 developed in Ilfotec DD-X.
Printed on Kodak Ektalure (G)
Lith development:
SE5 / D / E
Selenium 1+4 20s + Viradon (shortly)
Delta 3200 @ 3200 in Rodinol 1+25 11 min.
Fomatone 131 in Moersch SE5 easylith. 25+25+950 7min
selenium 2.min.
New series: Thicket
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG IV fiber-based paper.
Scan from darkroom print, 15 x 15 cm.
From an old forrest, worthy of preservation.
Hasselblad 501 and 150 mm. Red filter.
Ilford Delta 400 at box speed in DDX for 8 min.
Ilford WT in Ilford WT developer + selenium 1:5
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Hasselblad 500 C/M with Kodak 100 TMX developed in Pyrocat-HD.
Printed on Foma Neobrom 1111 (same paper different tones)
Lith development in Champion Novolith
Selenium toned
New series: Cromer
Part of a new series I've been working on this summer.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
At the corner of Colorado Boulevard and Orange Grove Boulevard in Pasadena, California, there is a very tall flagpole -- if you have ever watched the Rose Bowl Parade, you have seen it, as this is the corner the units turn to proceed down Colorado during the event. The flagpole commemorates the veterans from Pasadena of World War I. There are large bronze reliefs at its base -- this one shows a nurse bandaging a doughboy's eyes, most likely injuries received from a mustard gas attack. Converted to selenium toned monochrome in Adobe Lightroom.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
untoned Kallitype - Selenium toned
MT7 Iron Blue after Selenium - treatment with very weak Ammonia solution
view large for details
Because iron-based coatings are not very sensitive to room light, one tends to be somewhat careless. Mostly one doesn´t see a resulting fog in the picture itself, but with masked borders any slight pre-exposure becomes visible. A propper clearing is also important, especially when a toning is intended. Do not use a water bath after the developer in order to avoid a forming of insoluble iron hydroxide. Go directly into the acid.
As already mentioned, the whole film was underexposed. After a treatment with copper intensifier the negatives became useable for lith printing, a straight enlargement with normal developers is still impossible.
Do not dispair about thin negatives. Besides the digital rescue route there is a chemical hardliner method of choise, the copying on film in one step with reversal development. What I usually do with enlarged negatives is also possible as a contact. Provided that your original negative shows a minimum of shadow detail, you can spread a much too short range to any desired contrast.
This negative came up to only 0.36 logD after intensifying - measured with a colourblind densitometer. The additional increase of contrast due to the reddish copper is still not enough for a propper silver gelatin print. What we need for an enlargement on silver papers is a contrast between 0.8 and 1.3 logD. Much more would be possible, such as about 2.0 logD for Palladium.
This enlarged print negative (20x20cm) has a contrast of 1.3 logD - perfect for a Kallitype.
Coated on Bergger Cot-320
Masking meterial is a black plastic bag out of a paper box.
Developer: Sodium citrate
Clearing bath: Citric acid 4%
Fixer: ATS (alkaline) 1+20