View allAll Photos Tagged selenium
Rommelpot woods
Hasselblad 501CM, Plus-x in eco film developer rated at 125 ASA
printed on Varycon in SE6 Blue, bleached (copper bleach) and redeveloped in Easy Lith 1+1+600ml
strong selenium toner (MT1 1+6) 30 secs
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
The Centre Block in Ottawa, home of the elected Canadian Government.
Original:
Plus-X Pan @ ASA-125 in Kodak Microdol-X
Print:
Ilford MGIV RC - Dektol (1+2) 1' - Selenium (1+4) 5'
---------------------------------------------------------------------------------------------------
Hasselblad 500 C/M with Rollei Infrared IR 400. Developed in Pyrocat-HD.
6x9
Printed on Agfa Brovira BH122 (5) Chamois 30x40 (unluckily my last sheet...)
Two trays development:
Moersch Catechol
SE2 Warm
Kodak Selenium 1+10 1min
Bleach 1+50 50s
MT3 (D) 45s
Agfa Viradon
---------------------------------------------------------------------------------------------------
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Yashica-Mat on Ilford FP4+, printed on Rollei Vintage RC 332, with slight toning in sepia and selenium.
There is something with this print, or rather its scan, that interests me, but I'm not sure what it is. Overexposure of the negative (unsure), or underexposure of the print (for sure)?
Darkroom contact print of a 5x7" negative, printed on Rollei Vintage 111 FB, toned with selenium and Foma Sepia (12 sec bleach).
The film used is very special: Agfatone Pan P330p, which is a duplication film. It has expired in 2002 and is not made anymore. I have not found any user manual nor evidence of it being used as a regular film on the internet.
However, it is coated on a nice thick piece of sheet material and I didn't know what to do with it, so I gave it a try and exposed it at 12 iso. The negative came out way too dense, at least 4-5 stops overexposed. I had to give it a lot of light under the enlarger to get through the density at all.
I'll give it another try next weekend and see what it will do rated at 200-400 iso.
Olympus OM-4
Zuiko 50mm f/1.4
Extention ring 25
Kodak Tri-X 400
HC-110B
Scan from print
Paper: Fomatone MG 132
Developer: Adox Warmtone
Toned in Adox Selenium toner
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Fomabrom Variant IV 123
Developed in Moersch SE2
Kodak Selenium 1+10 30sec
MT4 Siena 1+40 2min
Bleach 1+30 1min
MT2 Carbontoner 1+40 3min
Shen Hao 4x10, Fujinon 210mm W
Adox CHS100
Fomalux 111 in warmtone 1+9, Selenium toned
Straight scan from contact
Zeiss Ikon Contarex (built in 1965-1966)
The selenium light meter on the Zeiss Ikon Contarex I is designed to work either in object metering mode or in incident light metering mode.
For object metering, the metal baffle with the translucent cover should be left on and the film speed set against the black triangle on the multifunction knob, as here
For incident metering, press the release button that protrudes in the 8 o'clock position, take off the baffle assembly, which will reveal the window covering the actual meter assembly. In that case, the film speed should be set against a yellow dot mark on the mutltifunctional knob.
You can see that there is an actual diaphragm that closes according to the f-stop setting. This mechanically communicates to the meter which f-stop has been selected on the lens. For incident metering, the meter receives light from a field of view of almost 180 deg, whereas for object metering, the field of view of the meter is much narrower.
The fact that a 10 blade diaphragm has been integrated into the meter and that the baffle is attached not with a simple thread, but with an actual bayonet, testifies to the mechanical complexity of this camera body.
It is truly a miracle of engineering, but you can only hope that it won't break because if it does, it is unlikely that it can be fixed.
I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
Gardenia is a personal project shot with Elena Vaninetti.
Here you can see the full series and read more about the project..
model: Sophie Hepp
stylist: Giulia Giani
MUA and Hair: Maura Leonardi
Assistant: Massimiliano Rossetto
[gelatine silver FB print, selenium toned].
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Prince’s plume, Stanleya pinnata, is widespread in the west, but its distribution is spotty, for it thrives only on seleniferous soils, or soils containing high concentrations of selenium.
Prince's plume is a hyperaccumulator, a plant that can take up selenium and concentrate it in leaves and stems to dissuade herbivores. When cows consume it, the suffer from the blind staggers, and some die. Deer, pronghorn and rabbits leave it alone.
Uranium miners in the southwest learned to look for Prince's plume, for selenium is commonly associated with uranium.
Location: Great Salt Lake, Utah
Camera: 1947-70 Peace Maker Speed Graphic
Film: Fuji Neopan Acros 100
Film Development: in stainless tanks by hand souped in HC-110 at 1:63 dil H for 11 Minutes w/ 3 inversions each minute.
Film Fixed in Kodak Fixer
Paper: Adox MCC 111 (lightly fogged)
Paper was developed in Kodalith at 1:20 concentration
Exposure: 38 Seconds
Develope time to snatch: 2 Hours
Stopped in Hypoclear: 30 seconds
Print in single bath of Kodak Fixer: 2 mins
washed in Hypoclear: 2 minutes
Water rinse for 30 minutes
Selenium Toned: 3 min 32 seconds
running water rinsed for 35 minutes
Squegee'd and machine dryed via Beseler Glossomat at 102F for 2 minutes.
Color Scanned on HP envy 5530 5 minutes.
Total elapsed time to completion 5 hours.
Started at 10PM, Its 3AM now post scan and publish to Flickr while the wife sleeps....Goodnight! :)
www.kityoung.co.uk/The-Other-Side
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
Efke IR820 (B&W715) rated at 6 ASA, Finol 1+1+100
Adox Variotone Premium & SE6 Blue
Toner MT3 Vario, MT1 Selenium
silver gelatin print
Fabriano Pittura acryllic paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Hasselblad 503cw, Planar 2.8/80, 2min. exposure, Ilford Pan F Plus 50 on MG ART 300 paper, Selenium toning.
IN ENGLISH BELOW THE LINE
La Rolleiflex és sense dubte una de les cà meres més iconiques i importants de la historia, aixà com una de les de temps en producció, des de finals dels anys 20 fins ben entrat el s. XXI. I dins d'aquestes es pot considerar el model 3.5 F com potser el millor de tots. És la meva segona Rolleiflex, i val a dir que la vaig obtenir força bé de preu!
La Rolleiflex 3.5 F fou produida entre 1965 i 1971, però aquesta és la variant K4F1, amb el que podem concretar que es va fabricar després del 1966. L'objectiu és un Carl Zeiss Planar f3.5 de 75mm montat en un obturador Synchro Compur. Aquest model de la Rolleiflex compta amb fotometre de seleni, que en aquest cas encara sembla funcionar raonablement bé.
=============================================
The Rolleiflex is undoubtedly one of the most iconic and important cameras in history, as well as one of the longest times in production, since the end of the 20's until well into the XXI Century. And within these cameras it can be considered that the model 3.5 F perhaps is the best of all. It's my second Rolleiflex, and it's worth saying that I got it pretty cheap!
The Rolleiflex 3.5 F was produced between 1965 and 1971, but this is the K4F1 variant, with which we can specify that it was manufactured after 1966. The objective is a Carl Zeiss Planar f3.5 75mm mounted on a Synchro Compur shutter . This model of Rolleiflex has a selenium coupled lightmeter, which in this case still seems to work reasonably well.
www.rolleiclub.com/thedarkroom/?p=3248
www.chromacomaphoto.com/blog/2018/5/25/rolleiflex-35f-may...
www.stevehuffphoto.com/2014/01/31/friday-film-the-rolleif...
camera-wiki.org/wiki/Rolleiflex_3.5_series#Rolleiflex_3.5...
Albumen Print from re-intensified Collodion Negative (Iodine+PiroG)(+1,5 exposed), 5x7", double coated paper, Canson Crob'Art 80gr, exp to shadow open sky 2h, Selenium toned,Tios fixer, Hypo cleared.
The Topcon Wink Mirror E is a 35mm fixed-lens, leaf-shutter SLR camera with selenium meter Match-needle metering visible in view-finder, Seikosha-SLV shutter speeds 1-500+B, with UV Topcor F2/48mm lens, Camera accepts Topcor wide-angle tele conversion 3.7cm I : 4 lenses. Made in Japan by Tokyo Kogaku Circa 1962
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Inspiration for this photo was from this Image.
PP is selenium tone in Lightroom followed by importing into PSCS3 and applying the desaturated Image over top as soft light overlay.
HBW!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
October, 1992
Leica M4-2, 50mm Summicron f/2
Kodak Ektar 25
Lith print Feb 4, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
October, 1992
Leica M4-2, 50mm Summicron f/2
Kodak Ektar 25
Lith print Feb 4, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.