View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Rolleiflex and HP5+
Printed on old Agfa paper with Moersch SE5. (30ml A + 30ml B, 25 C )
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Partly bleached in ferricyanide (1%) and toned in selenium (1:20)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Visit my Print Shop
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
From the day after a forest fire when the grounds are still smoldering. Shot with a Holga 120 Panoramic that gives 6x12 negatives with the loaded Kodak Tri-X 400 pushed to iso800. Home developed in Kodak Xtol 1+1. The negative is toned in selenium to get a bit more contrast and pop a little extra. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.
Captured April 2016 Q3D-2 rangefinder + JUPITER-3 50mm/1.5 lens.LUCKY SHD-100 B&W film rated EI=50 and developed in ParRodinal.The negatives were selenium intensified in Kodak Rapid Se :1+2 for 10min.Notice the 'glow' caused by lack of antihalation coat!
On the Piazza San Carlo
Take with a Leica R7 28-70 Vario-Elmar, Ilford Delta400, developed in Ultrafin liquid, printed on Ilford MG IV RC, selenium toned. 'Scanned' with an old iPhone 5.
Crown and Spouse, taken at Cimitero Staglieno Genova about 40 years ago.
printed Dec. 2012 onto Slavich Bromportrait
Two tray Catechol & Sepia - top left untoned
top right: bleach 1+200 1,5 mins - toner MT3 setting d
bottom left: bleach 1+60 30 secs - toner MT3 setting d followed by MT1 Selenium 1+30 40 secs
bottom right: bleach 1+60 45 secs - toner MT3 setting d followed by MT1 Selenium 1+10 40 secs
... monochromatic with a bit of selenium toning. View Large On Black
Another face-off between Joshua and me. Subject of the day: a flower in B&W. Here is Josh's version
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Edited in Silver Efex Pro with Kodak 100 Tmax Pro algorithm and selective adjustments as needed. Selenium tint.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Albumen Print, 5x7", double coated paper, Canson Crob'Art 80gr, exp to shadow open sky 2h, Selenium toned.
A very old, gnarled log surrounded by snow at Upper Falls in Provo Canyon. This is one of many such logs that look almost like driftwood after being constantly pounded by falling water year after year. In the winter, the falls are slower and many of these logs dry out and show a lot of character in their cracks and splits. Scan of an 8x10 silver gelatin print on Ilford Multigrade FB. Selenium toned.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
...in an awkward position...
Dark room print on Agfa Brovira grade 2, slightly toned in selenium 1+19 for 10 seconds, and Foma sepia for 6 seconds bleach and then toned to achieve some warmth.
TriX - XtolR- Leica M3-Zeiss ZM 50mm F/2. Printed on Adox MCC 110 toned with Moersch MT3a and selenium
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Adox Variotone
Catechol/SE1 Sepia
Selenium / Thiourea / Carbon
Photograph 2007, print 2009.
Grain elevators, the Midwest of America is full of them. This one is in central Minneapolis, along the Mississippi River, and the adjacent buildings are converted to a museum. It's a great way to preserve the heritage.
Rolleiflex / Tessar 3.5 / Fomapan 400 / Pyrocat-MC / 6x6" silver gelatin print on 8x10 Fotokemika Varycon fibre pebbled surface / Ansco 130 / toned in Kodak Sepia II and Kodak Rapid Selenium.
New Mill City 18 2009 2007-06-16 MN Mill City Foma 400
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Speed Graphic with 7" Kodak Aero Ektar - Ilford FP4 developed in Pyrocat-HD.
Printed on Foma 133
Developed in Moersch SE2 Warm
Toned in Selenium / Carbon
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Long exposure studies in minimalism.
The sky was just like that, almost looks like a waterfall.
Shot taken just around the corner.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
244s (4min4s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Selenium toning
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
A selenium tinted high-key monochromatic scape of the now closed Dog Beach at Quiet Waters Park. This particular stretch of land is a playground for us LE fanatics. There were so many interesting items to shoot. Unfurtunately, it is closed, with no trespassing signs posted everywhere. Here is wishing for this area to open again. It would be awesome to shoot sunsets from this stretch of beach.
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All of my images are under protection of all applicable copyright laws. Unauthorized use and/or duplication of this material without express and written permission from myself is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to dK.i Photography and Edward Kreis with appropriate and specific direction to the original content (website). I can be contacted through the contact link provided on this website.
Cambo SC, 225mm Boyer Saphir Color
Polaroid 55
Fomalux 111 in Ilford WT 1+9. Selenium toned
Straight scan from contact
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Zeiss Ikon
Contina-Matic II - 1958
Pantar 45mm 1:2.8
SLK Spezial shutter 1"-1/300" and B
Selenium meter coupled to the shutter/aperture rings, once established the exposure value the rings auto-lock and move together keeping the correct exposure.
Leather case.
Filter case with three filters, red, yellow and green and metal lens hood.
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
All of the photographs in this series were scanned from original hand-printed, selenium-toned prints made with Ilford MG Classic fiber-based paper.
Rolleiflex sl 66, delta 400, d76 1+1
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
8x8 silver print on Ilford WT FB paper, selenium toning.
Scan from print.
Hasselblad 501C, T-Max 100
Darkroom work:double exposure printing from medium format negative (picture,bird) and 8x8 digital (contact ) print -wall.Also-masking,selective bleaching and selenium toning.
A seed pod of painted milkvetch, Astragalus ceramicus. When I first found one of these on the dunes in Great Sand Dunes National Monument, it was not attached to a plant, and I was not at all sure what it was. It is about the size of a small chicken egg, and the red markings caught my attention. Were they some sort of warning coloration, advertising some molecular defense? What was it? Gall? Tumor? I was pretty sure I didn't want to eat it.
Kallitype (23x23cm) - Hasselblad 500C - TMY2@320 - Moersch Finol - Enlarged negative / Reverse developed on lith film - Hahnemühle platine paper - Fumed silica treatment - Sodium Citrate developer - Citric acid clearing bath - Short Selenium 1:100 (MT16-Moersch) followed MT10 gold toning - ATS fixing.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Pan tiles on part of a little farmhouse building near Pollença, Mallorca in the Balearic Islands. This is a flatbed scan of a selenium toned print, (Ilford Multigrade III RC paper, I think graded at 3 when I printed it, developed in Ilford Multigrade developer, chromate bleached and redeveloped prior to toning in home formulated selenium toner, provided by a knowledgeable chemist friend). The negative was Kodak TMax 100 ASA, developed in TMax dev, rated at 100ASA and I took the photo using a Leica M42 35mm rangefinder with standard lens (Leica Elmar 50mm f/2.8 pancake lens), back in late May 1996. Apologies for lacking the willpower to spot out all the dust and scratches from the print surface!
Adox CHS 50 / Efke R50 in Tanol 1+1+100
printnegative on Wephota FO5 by reversal development: SE6 Blue 1+20 - bichromate bleach - Tanol 1+1+100
Kallitype, masked edges
sodium citrate developer
citric acid clearing bath
alkaline fixer
MT1 Selenium Toner 1+250 1 min
MT7 Iron Blue Toner 2+2+8+3+400ml 2 mins
Selenium only for comparison
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Selenium light meters are not known for their sensitivity to low light, but I just wanted to know, so I applied the meter readout in this post-sunset shot. Doesn't look all wrong to me.
I'm developing a lot of respect for the Tessar. It doesn't really excel at any particular thing, but on the other hand, it responded well to all light situations I have confronted it with, which is more than I can say for many much more elaborate lenses.
I have created a new Flickr group dedicated exclusively to the Zeiss Ikon Contaflex line ---> click here
Zeiss Ikon Contaflex IV with Tessar 50mm f/2.8
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.