View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Varycon VC FB paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
A cafeteria terrace in Nessebar, Bulgaria.
VDB on Fabriano Artistico paper, double toned - 1/2 diluted Gold Thiourea toner and very diluted Selenium toner.
Contrary to what I read on Internet the Selenium toner actually works well if used after a partial Gold Toning. If the Gold toning is more accentuate then the Selenium toner will turn the brighter parts of the image to a yellow brown - a ponderate balance between the 2 toners has to be achieved.
another cyanotype coated lumen print. Expired colour Kodak paper. exposure was around 8 hours, as not a lot of sun at the moment. washed and toned in selenium
Scan from darkroom print.
Leica M6ttl, Summicron 90 mm, I think - haven’t got EXIF data ;-)
Ilford HP5+ in Xtol.
Printed on Fomatone in Moersch warmtone developer.
Toned in selenium 1 : 20 for 4 min.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Arekilen,
Hasselblad 501 and 150 mm. Red filter.
Ilford Delta 400 at box speed in DDX for 8 min.
Ilford WT in Ilford WT developer + selenium 1:5
- a distant cousin to the Cheshire cat ;-)
I am off gallavanting but will be back on Sunday to catch up with all of my feline friends and their people.
Part 6 of the New Frontier series
If you like you can view the rest of the series here New Frontier set
As the title of this series suggests, I will use this series as my public playground for experimenting with new techniques and concepts trying to push my own limits...
Recurring subject will be long exposures.
The final part of this series. I've been experimenting a bit with different moods and compositions and also with B&W techniques. Tomorrow I'll start a new series, also with long exposures but I'm trying to add a human element into it. The mood will be a bit darker also...
Technical info:
10 stops ND filter
f/20
ISO100
30s
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Selenium toning
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Having tried a couple of lithprints, I finally managed to give Portralure a decent use. One of the most exciting toning papers I've had in my hands (thanks Marcus!).
Rollei Retro Tonal in RLS
Silver Print on Kodak Portralure in Catechol/Se2 - split toned in selenium/gold/polysulphid
Hit "L" for a special experience ...
Mamiya RZ67 Pro II with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Foma 542 II
Two trays development: Catechol/SE1
Selenium + Viradon
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
This is a darkroom print. Lith print from color negative on Ilford MG Art 300, light selenium toning.
Final print .
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Mamiya RZ67 Pro II. Printed on Sepia VC. Developed in Moersch Sepia. Bleach 1-50 + MT3 50-100-850. Selenium + Carbon toner
Laguna Beach, CA coastline (see map)
I have more interesting shots of these two surfers paddling on the calm Pacific Ocean of California......ghost effect was not on purpose but I like it. :)
NOTE:
-I processed this with the built-in preset called "Selenium Tone" in Lightroom.
_
local suburban creek in a park, Sydney, December 2016. Leica IIIf Summitar 5cm f2 LTM Agfa APX100 in Rodinal 1+50. Modified selenium tone preset in Lightroom 4.
Visit my Print Shop
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Lorsqu'il passe un élément sélénium et une cellule en bon état pour rolleiflex modèle F, il n'y a même pas à se poser la question du prix .... vu que ça ne passe pratiquement plus ...
Petite précision fort intéressante .... Le N°inscrit sur le fronton ne fait pas obligatoirement référence, vu qu'il est amovible .... Certains rolleiflex "réparés" ne comportent pas ce numéros .... Sur les "White Face" le N° étant situé sur la face avant, il y a beaucoup moins de probabilité qu'elle ait été changée ...
Juste pour ne pas parler de ce qu'on ne connaît pas: certains perroquets s'en chargent ... Mais ne font pas de photos ...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photographed January 2016.Canon-7 rangefinder & Canon LTM 50mm/1.8 lens.FOMAPAN 200 film rated EI=100 and developed in ParRodinal homebrewed paracetamol developer.Negative was selenium intensified (Kodak rapid selenium 1+2 for 8min).Bute Park,Cardiff.
Photograph 2007, print 2009.
Grain elevators, the Midwest of America is full of them. This one is in central Minneapolis, along the Mississippi River, and the adjacent buildings are converted to a museum. It's a great way to preserve the heritage.
Rolleiflex / Tessar 3.5 / Fomapan 400 / Pyrocat-MC / 6x6" silver gelatin print on 8x10 Fotokemika Varycon fibre pebbled surface / Ansco 130 / toned in Kodak Sepia II and Kodak Rapid Selenium.
New Mill City 18 2009 2007-06-16 MN Mill City Foma 400
Yellow toner was ...wrong. It looked awful. Blue toner produced a green toned print that didn't look any better. The addition of selenium produced this. Kinda cool, considering all that this print has gone through.
Zeiss Ikon IKOPHOT Rapid, a match needle selenium light meter in a leather case with a ornate chain. This thingy is from the 1950’s, but I found it at a flea market a couple of years ago. The seller had no idea what it was, she told me it belonged in a set with a camera which had been sold separately. So we gathered it had something to do with photography and as I found it to look truly curious I bought it for a couple of dollars. Googling it later revealed this in fact is a light meter.
About my Corner of Curiosities: A few years ago I bought a little box with drawers, thinking I would collect a few special bits and pieces in there. I parked this little set on top of my IKEA chest of six drawers which stands in a corner of my apartment. In time, I added more small shelfs, drawers and boxes and began to put curious items on display in all the little nooks and crannies. Quirky little things I mostly find on flea markets, but also get off the net. This corner of my home serves as inpiration, and every once in I while I walk up the IKEA dresser, put my elbows on top and rest my chin in my hands while I let my eyes wander through all these curious things. Moments such as these give spark my imagination and spurs my motivation to doodle in my journals. The collection is’nt all that special, as it’s not very easy finding fairly cheap, quirky and curious things, small enough to fit in the corner. My collection is constantly changing, if I find a new collectible, something else has to go or be moved around - as the corner now more or less is full.
Anywho, I thought I’d dedicate a photo album to this Corner of Curiosities, here on Flickr - probably for no other purpose than to tickle my own imagination :)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Olympus XA
Fomapan 400@400 Ilfotech LC29
Print 91/2x12 on Fomatone 133 Moersch 4812.
Split tone MT10 gold/Selenium
Copied with 50D
Printnegative: Wephota FO5 by reversal development, eco 1+20 - bleach - eco
Kallitype onto Arches Platine
Developer Sodium acetate
Clearing bath: Citric acid 6% two times 15 mins - after the acetate developer a stronger clearing bath is required to remove the iron completely
Fixer: ATS alkaline 1+5 3 mins
MT14 1+100 3 minutes
press L
sodium citrate dev. and selenium for comparison
This is Italy!! Shot by my father in law, with his French Royer 6x9 folding camera. Printed by me on Foma FB 111 with a little bit of selenium toning.
Zeiss Ikon Contaflex IV with Carl Zeiss 50mm Tessar (both circa. 1958). Kodak Elite Chrome slide film. Nikon 9000 scanner. Cropped.
A wall of mangroves blocked the morning light. The old selenium meter struggled somewhat, resulting in a bit of underexposure, but the spotted lighting saved the picture.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Visit my Print Shop
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper