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Same sunflower in Westborough but edited in ON1 vs Lightroom.

Same as Vauxhall VX220!

I need help from my keen eyed flickr friends especially those of you who have a long term relationship with raccoons... or a really good eye for detail.

 

If this is the same raccoon then she has gotten to a fight of some kind and had some fur torn off the top of her head. I think she is a momma but perhaps young and inexperienced or low in the pecking order?

 

1. 2009 06-10 She's back!!, 2. 2009 06-14 same raccoon- head wound?

 

Created with fd's Flickr Toys.

Same filter combo as the previous photo, HDR from four exposures.

Borobudur is an 8th century Mahayana Buddhist monument in Central Java, Indonesia. The monument is built as a single large stupa, and when viewed from above looks like a giant Buddhist mandala. The foundation is square and has nine platforms of which the lower six are square and the upper three are circular. They are decorated with 2,672 relief panels and 504 Buddha statues. The upper platform features 72 small stupas surrounding one large central stupa. Each stupa is bell-shaped and pierced with decorative openings. Statues of the Buddha sit inside the pierced enclosures. Each platform represents one stage of enlightenment. The system of stairways and corridors that guides pilgrims through the stupa was designed according to the three levels of Buddhist cosmology--Kāmadhātu (the world of desire) is represented by the base, Rupadhatu (the world of forms) is represented by the five square platforms, and Arupadhatu (the world of formlessness) is represented by the top three circular platforms and the large topmost stupa. The architectural features between three stages have metaphorical differences, with square and detailed decorations in the Rupadhatu disappearing into plain circular platforms in the Arupadhatu, representing how the world of forms gradually changes into the formless world.

 

Approximately 55,000 cubic metres of stones were taken from neighbouring rivers to build the monument. The stones were cut to size, transported to the site and laid without mortar. Knobs, indentations and dovetails were used to form joints between stones. Reliefs were created in-situ after the building had been completed. The monument is equipped with a good drainage system to cater for the area's high stormwater run-off. To avoid inundation, 100 spouts are provided at each corner with a unique carved gargoyles in the shape of giants or makaras.

 

Borobudur is located in an elevated area between two twin volcanoes, Sundoro-Sumbing and Merbabu-Merapi, and two rivers, the Progo and the Elo. The monument was built in the late 8th century, corresponding with the peak of the Sailendra dynasty in central Java (between 760–830 AD). The construction is estimated to have taken 75 years and completed in 825 AD around the same time that the Hindu Shiva Prambanan temple complex was erected. Borobudur lay hidden for centuries under layers of volcanic ash and jungle growth, following volcanic eruptions in the 10th century and the 14th century decline of Buddhist and Hindu kingdoms in Java, and the Javanese conversion to Islam.

This is a photograph from the third annual running of the Fr. Murphy Athletic Club 10KM Road Race and Fun Run which was held in Kildalkey, Trim, Co. Meath, Ireland on Easter Sunday April 16th 2017 at 11:30. This road race also features the Meath 10KM Road Race Championships which is open to entry from any athlete who is a full member of a Meath AAI club. The race starts and finishes in the village of Kildalkey and follows a right handed rural route out towards Rathcormick, Ballivor and Moyrath before returning on the same 2KM as the start which runners will easily remember as a long straight stretch of road. The route brings the runners through beautiful Meath Countryside on low-traffic country roads.

 

The conditions were reasonably good for road running. The first few kilometers seen runners tackle a very stiff breeze and cool dry conditions. However at around 6KM where the race turns back towards Kildalkey the breeze became a more favourable tail wind. While we say that this is the 3rd annual running of this race it is actually the 10KM version of the traditional annual 5 Mile road race which was promoted by the Fr. Murphy athletic club in the past. Traditionally this five mile races held in Athboy on St. Patrick's Day, then Ballivor before a move to Kildalkey on Easter Sundays. There was approximately 260 participants in the race with a very large support from athletics clubs in Meath.

The full set of photographs is available at: www.flickr.com/photos/peterm7/albums/72157682541125756

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

Same one. Very fun to do!

Sameer A Kamal

photo by young nephew Munis Rashid.

Houston, Thanksgiving 2006.

The same place like the first picture in the raw.

This is a authentic typical trieder (pic) , worked out from a quartzite boulder by an early Homo erectus, age about 600.000-800.00 years!

(Quarzite is extremly difficult in making tools like this pics or handaxes and some flakes because of the natural material fissures, his mineralic structure and of it's bad splittering characteristics. So the manufaceres of this tools used her experience and the avantageously of this material is his high hardness.

Same photo (blurred white daisies) - different textures and treament

Ghent’s rivers and canals have been the city’s lifeblood for centuries. Water adds an extra dimension to a city, and that is also the case in Ghent. This walk will take you to the banks of the Lys and Scheldt, two rivers with their own unique character. The Scheldt is stubborn, rebellious and dark, while the Lys is charming, touristy and picturesque.

 

visit.gent.be/en/see-do/walk-along-water

 

Photo by Martin Corlazzoli

© Stad Gent-Dienst Toerisme

 

Image use disclaimer / copyright

All images in this database are protected by copyright. They are the property of Stad Gent – Dienst Toerisme (Visit Gent). Any reproduction, distribution or republication of all or part of the images and other materials included in this image database is expressly prohibited, unless prior written consent has been obtained from Stad Gent.

When using an image upon obtaining consent, you must mention copyright © Stad Gent – Dienst Toerisme as well as the author of the image. Please provide your contact at Stad Gent – Dienst Toerisme (Visit Gent) with a copy or digital file of the publication in which the images are used.

The image shall not be modified, altered or misused. If you wish to modify the image, you must first request permission to do so. You are authorised to use the images only once. If you want to use the same image for other purposes, you must request permission once more. Sale of the images is prohibited.

The images shall not be used for commercial, philosophical, religious or political purposes.

  

Blackpool Same Sex Dance Festival held at The Spanish Hall, Winter Gardens, Blackpool. Hosted by the Sugar Dandies.

 

samesexdancefestival.com/home.html

 

Images taken by Oskar Marchock

 

www.digitaloskar.co.uk

www.facebook.com/digitaloskar

 

© 2013 Oskar Marchock All Rights Reserved

The same room that Humphrey Bogart stayed in (room 408). Hotel Monte Vista, Flagstaff, Arizona.

 

During the years between the 40's and the 50's well over a hundred movies were filmed in and around Northern Arizona. With exceptional lodgings being few and far between, the Monte Vista became the hotel of choice for headlining Hollywood stars, colorful characters and other notables. Over the years the list of famous guests has grown and continues to do so even today.

 

www.hotelmontevista.com

Hundreds of teachers and makers gathered at the ReMake Education Summit, organized by the Sonoma County Office of Education on August 2 - 4, 2017, at Studio 180 in Sonoma. I really like this local maker event, which helps you connect with some of the same folks you might meet at Maker Faire, but without all the crowds, and with a healthy focus on education in our area.

 

Here are photos of the events and exhibits featured in this set:

• 360 Storytelling and Immersive Learning through VR Creation (Dimitri Moore & Lisa Jobson)

• Design Thinking with Puppets (Sam Patterson & Elaine Wrenn)

• Storytelling in the STEAM Classroom - NASA’s Journey to Mars (Kimberly Brush, Casey Shea & Anna Van Dordrecht)

• HyperDuino interactive maker projects (Roger Wagner)

• How to program a Raspberry Pi

• Make your own cardboard guitar

• 180 Studios maker workshop

 

I gave a talk about our Maker Art classes on Thursday afternoon. We teach children to create magical worlds together, combining art, tech and storytelling. Our students get really engaged in the process, which helps them develop their creative, problem-solving and social skills. The talk was well received and folks seemed to enjoy hearing about our latest classes on the Time Machine and Robot World.

 

Many thanks to Dan Blake, Matt O'Donnell, Casey Shea, Anna Van Dordrecht and the whole team at the Sonoma County Office of Education and 180 Studios for organizing this fine gathering. They did a great job connecting teachers, makers and resources. It was a great way to share best practices, brainstorm new ideas, and start new collaborations.

 

See more photos in my ReMake Education album:

www.flickr.com/photos/fabola/sets/72157671659741200

 

Learn more about ReMake Education:

www.remakeeducation.org/

 

Here are the slides from my Maker Art talk:

bit.ly/maker-art-talk-aug-2017

 

Learn more about our Maker Art classes:

fabriceflorin.com//teaching-maker-art/

 

Learn more about Tam Makers, our makerspace in Mill Valley:

www.tammakers.org/

 

#reMAKEedu #makerart #makered #makers #techedu

Same aircraft in Air Florida Commuter c/s. Taken in January 1983 at Lakeland during storage by an unknown photographer.

Set 1

 

Same sex ballroom and latin dancing competition. Run by Jacky Logan and Ralf Schiller, held in the Rivoli Ballroom in Brockley London in 15th Feb 2014

 

All images are courtesy of Oskar Marchock

 

www.digitaloskar.co.uk

www.facebook.com/digitaloskar

@digitaloskar

Canon 5D Photos of Pretty Blonde Model by a Pickup Truck! It was after the swimsuit bikini photoshoot on the PCH close to the Mulholland Highway!

   

I was shooting video at the same time as stills with the 9shooter/45surfer bracket which attaches a Canon HFS200 camcorder to my Canon 5D DSLR:

 

www.youtube.com/watch?v=D_s94cRkJiA

www.youtube.com/watch?v=5IuW_0K3f6U

 

Be sure to watch the simultaneous stabilized video in full 1080p HD!

 

Video is fun & it rocks to capture the goddess's beauty and poetry in motion!

 

Shooting simultaneous stills & video rocks! I do it on every shoot now, while also mounting several stationary DSLRs/camcorders for video in addition to the Panasonic or Sony Camcoder bracketed to my Canon 5D or Nikon D800E.

 

The sea goddess was tall, thin, fit, with gorgerous blonde hair and pretty blue eyes!

 

She had a cute, southern touch of hippie / granola!

 

And may the blonde sea goddess inspire you along a photographic/artistic journey of your own making!

 

The Canon EF 24-105mm f/4 L IS USM Lens is an amazing lens for practically every situation!

 

Long, pretty legs!

I couldn't believe it, when I saw what I think was the same tiger swallowtail back on the white lilac bush, late this afternoon, right around the same time I saw him yesterday!

Same flower as in #1 but from a different angle and I blackened the background in Photoshop,

Photographs by Vahe Papazyan

 

Video production and Post-production by Jamie Mitchell Beachwood Cottage Films

 

Recording Session Produced by Lanny Cordola and Matt Sorum at Wavaflow Studios

Popped down to Stonehenge to see the stones, this was my first time. They are amazing to see. My only moan is the fact that you are not allowed to touch them!!, was gutted about that. Chatted to a few folks here who said the same thing. One chap even suggested that English Heritage had put landmines around here and were planning on installing a machine gun post! I of course, do not believe that (the machine gun post)

 

Stonehenge

is probably the one of the most important prehistoric monuments in the

whole of the British Isles and it has attracted visitors from earliest times. It stands as a monument to the people who built it.

The stonehenge that we see today is the final stage that was completed about 3500 years ago, but first let us look back appox 5000 years.

The First Stage

The first Stonehenge was a large earthwork or Henge, comprising a ditch, bank, and the Aubrey holes, all possibly built around 3100 BC. The Aubrey holes are round pits in the chalk, about one metre wide and deep, they have steep sides and flat bottoms. They form a circle about 284 feet in diameter. Excavations have revealed cremated human bones in some of the chalk filling, but the holes themselves were probably made, not for the purpose of graves, but as part of a religious ceremony. Shortly after this stage Stonehenge was abandoned and left untouched for over 1000 years!

 

Second Stage

The second and most dramatic stage of Stonehenge started around 2150 BC. Some 82 bluestones from the Preseli mountains, in south-west Wales were transported to the site. It is thought these stones, some weighing 4 tonnes each were possibly dragged on rollers and sledges to the headwaters on Milford Haven and then loaded onto rafts. They were carried by water along the south coast of Wales and up the rivers Avon and Frome, before being dragged overland again to near Warminster in Wiltshire. The final stage of the journey was mainly by water, down the river Wylye to Salisbury, then the Salisbury Avon to west Amesbury.

This astonishing journey covers nearly 240 miles. Once at the site, these stones were set up in the centre to form an incomplete double circle. ( During the same period the original entrance of the circular earthwork was widened and a pair of Heel Stones were erected. Also the nearer part of the Avenue was built, aligned with the midsummer sunrise.)

Third Stage

The third stage of Stonehenge, about 2000 BC, saw the arrival of the Sarsen stones, which were almost certainly brought from the Marlborough Downs near Avebury, in north Wiltshire, about 25 miles north of Stonehenge. The largest of the Sarsen stones transported to Stonehenge weigh 50 tonnes and transportation by water would have been impossible, the stones could only have been moved using sledges and ropes. Modern calculations show that it would have taken 500 men using leather ropes to pull one stone, with an extra 100 men needed to lay the huge rollers in front of the sledge.

These were arranged in an outer circle with a continuous run of lintels. Inside the circle, five trilithons were placed in a horseshoe arrangement, whose remains we can still see today.

Final Stage

The final stage took place soon after 1500 BC when the bluestones were rearranged in the horseshoe and circle that we see today. The original number of stones in the bluestone circle was probably around 60, these have long since been removed or broken up. Some remain only as stumps below ground level.

 

All info here is based on info acquired from Stonehenge.co.uk and from the visitor centre at Stonehenge.

 

Same place but an earlier year

That’s Dewy.

He’s been cutting hair in the same location since he got out of the navy in 1952.

He has seen downtown Hollywood go from boom to bust to boom once again from the vantage point of that barber chair.

In the 1992 they filmed a movie in front of his shop. Robert Duval and Richard Harris got into a fight in the street in front of Dewy’s window. They paid him to “pretend cut” an extras hair for two days while they shot that scene. He can be seen looking out the window as they argue in the film.

BTW. A young Sandra Bullock is the love interest in the film.

He is a great guy- he’s seen it all and put untold miles on a pair of scissors over the years-always with a smile and a kind word.

I am honored to know him and even more honored that he knows my name.

 

imdb.com/title/tt0108596/

Lenticular clouds over Omarama at the end of the Lindis Pass

Davao 2005, Philippines - Boat, Samal Island

www.macgest.com - trova on line le schede tecniche e le notizie sui nuovi modelli di trattori e macchine agricole

God is the same yesterday, today, and forever.......... (Malachi 3:6) and (Hebrews 13:8)

 

He is the ALEF and the TAV (the Alpha and the Omega), the beginning and the end.

 

He is perfection! HE IS FAITHFUL! He does not lie! TRUST IN HIM.

 

People in the church today tend to have a limited view of God. They like to emphasise His love, mercy, etc...which is important, but it is not all He is. In order to fully understand the God we serve, we need to study the Old Testament as well.

  

Blackpool Same Sex Dance Festival held at The Spanish Hall, Winter Gardens, Blackpool. Hosted by the Sugar Dandies.

 

samesexdancefestival.com/home.html

 

Images taken by Oskar Marchock

 

www.digitaloskar.co.uk

www.facebook.com/digitaloskar

 

© 2013 Oskar Marchock All Rights Reserved

I couldn't resist altering this postcard when I found it. I love the ink writing "Same Old Address" and "Write Soon".

The same Meadow Pipit as the previous Pipit image. This time, however, I had underexposed in camera. Once opened in photoshop, it looked like it might suit a black and white conversion. Using Niksoftware, I converted to black and white and added more contrast to try and emphasise the rim light.

 

I hope that you like this image and all comments and criticisms are welcome.

 

Matt

Uploading these WAY late. Sorry. Moving to new PC after being on the same Win7-Pro machine for like 8+ years (I don't like change!), and it's been a mini-nightmare. Caught these a couple weeks ago at my local BNSF / Santa Fe yard.

 

====================

 

FYI.

 

These were shot with a 7.5mm fisheye lens because of the location, and poorly corrected so they look somewhat normal...

 

====================

 

Decided to head out to my local yard on a Saturday, got there at 9:30 and I was the only one out at the freight side platform. After a half hour I noticed someone down at the other end that I thought I recognized. Messaged him, and yep, it was him. My dude PasadenaSubColin.

 

We were both out there to just enjoy the day, me catching freights, and him freights & Metrolinks. He's a good dude to have around, as he lets me know when something cool is on its way into the yard, and I appreciate that he's all plugged into the grid to give the "heads up" when something's coming soon.

 

Well, this time I had, or rather found out, the "Heads Up" about 15 mins before he let me in on what would be the joke of the day. There apparently was a bicentennial engine coming through the depot today on its way to a RR museum in Perris, CA. The 5704!!!!! Big whoop.... One dude chatted me up asking if I knew when "IT" was supposed to come through. I had no idea what he was talking about and told him I don't follow trains. :-)

 

15-20 mins. later Colin messages me an FYI, that there's a "Special" train about to roll through. I've been in this situation before. I'm there benching graff, and all of the sudden 20 cars pull up and a bunch of "Railfans" jump out of their cars, run over, take a few photos of the "Special" car(s), engine or train, and when it's gone, they're gone. I feel like these are the people who only get out of bed when something "cool" is rolling through town. I really doubt they care about day-to-day operations of the RR. And honestly there's no way they give a shit about the graff.

 

Most people out at the tracks are cool, but there's a certain group of people who seem to have zero social skills when something "Special" is coming through, and we had at least one on this day. Some dude that kept walking past us, standing in my spot, like he was going to shoot from there when I got there at 9:30, and he got there at Noon. Walking past us by inches, and not saying a word, head down... Walking in front of cameras that were filming, hanging around my backpack and gear while I was like 30 feet away, just weird, un-cool shit. I'm not down with any of this. But I don't want to burn this spot as a bencher and didn't start any trouble, even though I wanted to punch this dude.. GRRR!

 

Will not be posting flicks of this special train car. Sorry. I saw it, I flicked it, but the whole experience was crap, and it was just one engine, big deal. I was there for the graff that you're seeing me post.

 

Was hot, no clouds, and at my end of the platform I had a 2ft. x 3ft. spot of slowly moving shade that was cast by one of the platform lights. After a while Colin and I were sharing this tiny moving spot of shade. No worries, we get along just fine.

 

BTW: PasadenaSubColin is a FOAMER!!!!!!!! ;-p

 

Managed to re-flick a few cars that I caught at the beginning of the month at the other end of the valley. Anyway........ I'll be back to try and ID these pieces soon. Might take me a little longer than usual as, like I said before, new computer, new crap to deal with..

 

Stay safe out there homies.

 

And..... As always, Thanks to the writers!

 

For freight graffiti slideshows/videos hit up my YouTube channel here: www.youtube.com/SilenceSeven

 

Please Subscribe to the YouTube, every little bit helps.

Inqmnd: You’ve produced a lot of classic Hip Hop; did you ever expect to win a Grammy in a different genre?

 

Dante Ross: Nah, I understand. I was really sick of Hip Hop and I decided I was going to re-invent myself and make alternative records or grown up records or rock records and I actually did it. I think it was more than the Grammy, the fact that I could actually turn my career around, make a whole different genre of music and be successful at it; that meant more to me then the Grammy. To say, “Oh shit, I re-invented myself, look how much I’m being validated for it”. I think that was the accomplishment I was most proud of, the ability to reinvent.

 

www.inqmnd.ca/site/#tableOfContents-features_22

 

Photo by Greg Washington

Interview by Avi Friedman

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