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It is almost the same size as the surface rover included 10497, which means that the Metal Detector and the Radio are folded, it can be stored in the rear cargo bay of the ship!

A different view of the same little twigs and branches held together by string!

 

7 Days of Shooting Week #34 Multiples Texture Tuesday ....

 

Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.

GBRf Class 66/7 no 66787 stops at the signal ready to give way to 158865 on a service to somewhere on 18-10-2018

The breezes blow in perfect harmony. They are neither hot nor cold. They are at the same time calm and fresh, sweet and soft. They are neither fast nor slow. When they blow on the nets made of many kinds of jewels, the trees emit the innumerable sounds of the subtle and sublime Dharma and spread myriad sweet and fine perfumes. Those who hear these sounds spontaneously cease to raise the dust of tribulation and impurity. When the breezes touch their bodies they all attain a bliss comparable to that accompanying a monk’s attainment of the samadhi of extinction.

 

“Moreover, when they blow, these breezes scatter flowers all over, filling this buddha-field. These flowers fall in patterns according to their colors, without ever being mixed up. They have delicate hues and a wonderful fragrance. When one steps on these petals the feet sink four inches. When one lifts the foot, the petals return to their original shape and position. When these flowers stop falling, the ground suddenly opens up, and they disappear as if by magic. They remain pure and do not decay, because, at a given time, the breezes blow again and scatter the flowers. And the same process occurs six times a day.

 

“Moreover, many jewel lotuses fill this world system. Each jewel blossom has a hundred thousand million peals. The radiant light emanating from their petals is of countless different colors. Blue colored flowers give out a blue light. White colored flowers give out a white light. Others have deeper colors and light, and some are of yellow, red, and purple color and light. But the splendor if each of these lights surpasses the radiance of the sun and the moon. From every flower issue thirty-six hundred thousand million rays of light. From each one of these rays issue thirty-six hundred thousand million buddhas…”

from the Sukhāvatīvyūhaḥ Sūtra

 

____________

 

“The earth has been there for a long time. She is mother to all of us. She knows everything. The Buddha asked the earth to be his witness by touching her with his hand when he had some doubt and fear before his awakening. The earth appeared to him as a beautiful mother. In her arms she carried flowers and fruit, birds and butterflies, and many different animals, and offered them to the Buddha. The Buddha’s doubts and fears instantly disappeared. Whenever you feel unhappy, come to the earth and ask for her help. Touch her deeply, the way the Buddha did. Suddenly, you too will see the earth with all her flowers and fruit, trees and birds, animals and all the living beings that she has produced. All these things she offers to you. You have more opportunities to be happy than you ever thought. The earth shows her love to you and her patience. The earth is very patient. She sees you suffer, she helps you, and she protects you. When we die, she takes us back into her arms.”

-Thich Nhat Hanh

 

_________

 

"Our planet is our house, and we must keep it in order and take care of it if we are genuinely concerned about happiness for ourselves, our children, our friends and other sentient beings who share this great house with us."

- His Holiness the 14th Dalai Lama

 

__________

 

“...turn to Conceptual Photography through Zen camera of the mind. Or take up gardening––which is surely the most perfect practice of Zen outside of non-gardening.”

-photographer Edward Putzar

 

__________

 

།ས་གཞི་སྤོས་ཀྱིས་བྱུགས་ཤིང་མེ་ཏོག་བཀྲམ།

།རི་རབ་གླིང་བཞི་ཉི་ཟླས་བརྒྱན་པ་འདི།

།སངས་རྒྱས་ཞིང་དུ་དམིགས་ཏེ་དབུལ་བར་བགྱི།

།འགྲོ་ཀུན་རྣམ་དག་ཞིང་ལ་སྤྱོད་པར་ཤོག།།

།ཨི་དཾ་གུ་རུ་རཏྣ་མཎྜལ་ཀཾ་ནི་རྱཱ་ཏ་ཡཱ་མི།

 

________

 

Every physical atom, in its incessant movements produces a sound which is a song, so that if we had the power of spiritual hearing (genuine clairaudience), we would be able to hear this unimaginably grand symphony of sounds. In such a state we would hear the grass growing and the opening of a flower would itself be a marvelous natural orchestral performance. When you are lost or caught up in an emotional storm or contracted in self-centeredness or plagued by obsessive thoughts, notice what happens when you step outside or go for a walk and pay attention to the sky, the air, the light, the movement of wind, the feel of grass under your feet. Tread softly for we tread on something subtle, ancient, and slow.

 

Reawakening our connection with nature spirits helps us to live more harmoniously and consciously. We become kinder to the planet because we remember that we’re part of the whole.

 

____________

 

“In another moment Alice was through the glass, and had jumped lightly down into the Looking-glass room….

This time she came upon a large flower-bed, with a border of daisies, and a willow-tree growing in the middle.

`O Tiger-lily,’ said Alice, addressing herself to one that was waving gracefully about in the wind, `I wish you could talk!’

`We can talk,’ said the Tiger-lily: `when there’s anybody worth talking to.”

Alice was so astonished that she could not speak for a minute: it quite seemed to take her breath away. At length, as the Tiger-lily only went on waving about, she spoke again, in a timid voice — almost in a whisper. `And can all the flowers talk?’

`As well as all can,’ said the Tiger-lily. `And a great deal louder.’

`It isn’t manners for us to begin, you know,’ said the Rose, `and I really was wondering when you’d speak! Said I to myself, “Her face has got some sense in it, thought it’s not a clever one!” Still, you’re the right colour, and that goes a long way.’

`I don’t care about the colour,’ the Tiger-lily remarked. `If only her petals curled up a little more, she’d be all right.’”

 

____________

 

William Blake wrote of seeing a world in a grain of sand, holding “Infinity in the palm of your hand.” It speaks to me of infinite life both on Earth, and in earth, the ceaseless abundance within a speck of soil, the infinity of life, from seed to bud to flower to seed, wheeling on through aeons. It suggests the unbreakable cycle, the unending and unending nature of life, creating infinity from within itself.

 

_____________

 

“I want to speak about bodies changed into new forms. You, gods, since you are the ones who alter these, and all other things, inspire my attempt, and spin out a continuous thread of words, from the world's first origins to my own time.”- Ovid, Metamorphoses Book I

 

_________

 

“The mysteries of the Great and the Little World are distinguished only by the form in which they manifest themselves; for they are only one thing, one being. “

- Paracelsus

__________

 

“If someone has an empty brain—and because of this is vexed by insanity, and is delirious—take the whole grains of wheat and cook them in water. Place these cooked grains around his whole head, tying a cloth over them. His brain may be reinvigorated by their vital fluid, and he may recover his health. Do this until he returns to his right mind.”

- Hildegard of Bingen, Physica

 

______________

 

“Millions of spiritual creatures walk the Earth unseen, both when we wake, and when we sleep.” - John Milton, Paradise Lost

 

____________

 

“Everything has beauty, but not everyone sees it.” - Confucius

_____________

 

見るところ花にあらずと云ふことなし、

思ふところ月にあらずと云ふことなし。

“Miru tokoro hana ni arazu to iu koto nashi,

omou tokoro tsuki ni arazu to iu koto nashi”

 

“There is nothing you can see that is not a flower;

There is nothing you can think that is not the moon.”

- Matsui Basho -

____________

“To see in color is a delight for the eye but to see in black and white is a delight for the soul” – Andri Cauldwell

—————

“I’ve been forty years discovering that the queen of all colors is black.” – Henri Mattise

___________

Seeing is perception with the original, unconditioned eye. It is a state of consciousness in which separation of photographer/subject, audience/image dissolves; in which a reality beyond words and concepts opens up, whose “point” or “meaning” is the direct experience itself.

– John Daido Loori

__________

I am Not,

but the Universe is my Self.

- Shih T'ou, 700 - 790 CE

__________

Art evokes the mystery without which the world would not exist.

- Renee Magritte

____________

"Buddha was born as his mother leaned against a tree for support. He attained enlightenment seated beneath a tree and passed away as trees stood witness overhead. If Buddha were to return to our world, he would certainly be connected to the campaign to protect the environment."

His Holiness the Dalai Lama

__________

“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern.”

― William Blake

——

“Long ago, Truth, Beauty, and Goodness arose out of the deepest human instinct and became the three greatest ideals that inspired human striving. In modern times these ideals have almost become empty words, but we have the possibility of taking these ideals and giving them, once more, real meaning and substance.”

—Rudolf Steiner

_________

 

The visible world is no longer a reality and the unseen world no longer a dream.

― William Butler Yeats

Same skimmer but in pano crop.

I had been to Mettingham once before. Well, other than passing through. Back in the 80s Mettingham had a fine trucker's cafe, which I seem to remember won awards, and nearby was the Tally Ho pub.

 

The Tally Ho are now tearooms, and the greasy spoon long gone.

 

I had gone to Mettingham to visit the village show, many of my friends at the chicken factory lived on farms and for them it was a major event. I took my whole family in our Ford Cortina. It was a low key thing, as you would imagine, but at the same time very enjoyable.

 

I drove out of Bungay, back up the hill past where the old Harley Davidson shop used to be, past where another pub used to stand, that was the Watch House if I remember. That has been knocked down and more houses built. Up the hill out of Bungay and I could see the Tally Ho ahead, but just after that there was a sign saying 'church open'. I didn't know there was a church on the road.

 

Later, as I drove further along, I saw another church at Shipmeadow, but that I discovered later is now a private house.

 

Anyway, back to Mettingham. I turned round and found a place to park just off the road, not knowing if private vehicles would be allowed up the lane.

 

The lane was very narrow, and curved to the left about 50 yards up, thus hiding the church completely.

 

I walked up and found a perfect small round-towered church, once again like in Bungay with a window set in the base of the tower.

 

Despite its rural setting, it was very tidy inside, cool and welcoming. A church I rather liked.

 

-------------------------------------------------

 

There was a church at Mettingham in Saxon times, but the present edifice, though a very ancient structure, is of Norman foundation. It exhibits a very elegant doorway, on the north side of the nave, profusely ornamented with the chevron mouldings. The stone employed in this elaborate portal is of the very finest quality, and has braved the corroding blasts of our north-eastern gales for above seven centuries with little injury. The hand of man, however, has despoiled it of its columns, and failed to spare what time would have left unscathed.

 

The church comprises a nave, with a south aisle, a chancel, and a round tower, with a large porch on the south side, in the west wall of which is a fire-place and chimney. The tower is girded, about midway of its height, with a strong band of iron; but an examination of its interior presents no visible rent or decay, requiring such a singular appendage. It was put on about half a century ago, by the then churchwarden; who, as he was also the village blacksmith, has exemplified the truth of the fable, that there is nothing like leather. In the south aisle is an inarched monument, with a handsome canopy: there is also a good octagonal font of stone, with the remains of some very rich stalls, and portions of a once elegant screen.

 

The interior is kept in a very neat and reputable state, but is sadly disfigured by a barbarous east window. Besides the arms of De Norwich, which yet remain, the windows of this church formerly contained the following cognizances. Ufford quartering Becke; France and England quartered; and, sab. an eagle displayed or.

 

Having been early appropriated to Bungay Nunnery, this benefice became a vicarage. Upon the suppression of religious houses, the appropriation and advowson were granted, in the twenty-ninth of Henry VIII., to Thomas, Duke of Norfolk; but they were soon afterwards conveyed to Sir Nicholas Bacon, and united with the castle estates; the Rev. James Cutting Safford being the present impropriator, and patron of the vicarage.

 

The registers of this parish commence in the time of the Commonwealth; and I quote the first page from them to show what advantages were gained by the nation in consequence of the Act of Parliament which deprived the parochial clergy of their custody, and transferred it to laymen.

 

"Mettingham Register Booke.

 

"Wherein are written all the Mariages, Burths, and Burialls, accordinge to the late Act of Parlament made the 22 day of September, 1653.

 

"Richard Stannard, of the same towne, in the Countie of Suff., Gent., approved by us, whose handes are here under subscribed accordinge to the choice of him made by the Inhabitants of the said Parish, to have the keeping of the Booke, and sworne to performe the Office of a Register accordinge to an Act of Parlament made in the yeare of our Lord God one thousand sixe hundred fifty and three.

 

Simon Suckbottle

 

Nasty Nan

 

John Gingerbread

 

Halfbrickt Man

 

Jumping Jones

 

Bounty Bridg

 

Dick Devill

 

Inhabitants of Utopia.

 

Monuments.—William Gooch, Esq., died 1685. Thomas Gooch, Gent., 1688. Attached to the monument are the arms of Gooch; party per pale, arg. and sab., a chevron between 3 talbots pass., counterchanged; on a chief gules 3 leopards' faces or. These gentlemen were ancestors of the present Sir Thomas Gooch, Bart., of Benacre Hall, whose family appears to have sprung from this village. In 1537, I meet with the name of Thomas Gooch, as witness to a deed, now preserved in the parish chest.

 

Jacob Twiss, Gent., died 1706. George Robinson, died 1808, aged 79.

 

There are many monuments of the Belwards, a family of ancient descent; being derived from Hugh de Belward, who came over with the Conqueror. Their arms, which are placed over some of the monuments here, are party per pale gules and argent, 3 pheons reversed, counterchanged.

 

In the reign of William the Conqueror, Robert Fitz-Hugh was Baron of Malpas in Cheshire, and held above thirty manors under Hugh Lupus, Earl of Chester, as appears by Domesday Book; but leaving no issue male, this barony, at length, by marriage of the heir female, came into the famous and knightly family of the Belwards, as Camden styles it, of which was John le Belward de Malpas, who lived in Rufus's time: to him succeeded William his son, who was Baron of Malpas in right of his mother, who was Lætitia, daughter and heiress of Robert Fitz-Hugh, and bore for arms 3 pheons, or dart heads. William, who was Baron of Malpas, left no legitimate issue; but Philip, his next brother, and then possessed of the manor of Egerton near Malpas, took, according to the custom of that age, the surname of Egerton from the place of his residence, and spread into many eminent and flourishing families, one of whose posterity is the Duke of Bridgewater.

 

Viscount Malpas and Earl of Cholmondeley, 1706, descended from William le Belward, Baron Malpas. Robert, by the gift of his father, had the lordship of Cholmondeley, settled there, and assumed the name of the place.

 

Thomas Cholmondeley, created Earl Delamere, 1821.

 

Thomas Egerton, Earl of Wilton, descended from William le Belward, who assumed the name of Egerton. The twelfth in descent was Sir Rowland Egerton, created a Baronet in 1617.

 

The Rev. Henry Belward Belward, of Mettingham (1845) assumed the name of his mother Esther, by the will of Dr. Richard Fisher Belward, who left him his estates.

 

Maria, daughter of William Belward, Gent., died 1731. Anna, fourth daughter of William Belward, died 1736. William Belward, Gent., died 18th August, 1700, aged 54. Hannah, his fifth daughter, died 1753, aged 58. Susanna, widow of the Rev. Charles Cock, A.M., died of the small-pox, 1738, aged 72. Edmund Purdy, died 1618. William Hayward, died 1753, aged 68. John Youngs, died 1671.

 

Elizabeth, relict of the Rev. James Chartres, formerly fellow of King's College, Cambridge, and vicar of Godmanchester, and West Haddon, obt. March 20, 1840, æt. 76.

 

James Cutting, eldest son of the Rev. James Cutting, and Louisa Safford, obt. July 9th, 1842, æt. 16.

 

The town estate of Mettingham produces a rental of about £100 per annum, and is under the management of feoffees chosen by the parishioners. The lands which produce this fine income were devised some centuries ago for parochial purposes; but the exact intentions of the benefactors are not clearly understood. The proceeds of their bequests are applied to the reparation of the church; in a distribution of coals to the poor; and to other parish purposes, which are, perhaps, not altogether legitimate. Laurence Skete, of Mettingham, and others, gave several pieces of land and meadow ground for the use of the poor. Among the deeds preserved in the office of the Bishop of Norwich is the following record. "Villuta de Mettingham tenet 3 ac: et dim: terræ nativæ tenem'ti Stambornes Manerij in una pecia de Metyngham. Idem tenet 3 rodas terræ liberæ pertinentis gilde, et jac: in Metyngham inter unam semitam."

 

Richard Umfrey, or Humfrey, Clerk, vicar of Mettingham in 1517, gave to the poor of this parish, lands, now let at £32. 7s. 6d. The original deed is—or was lately—in the parish chest, and is dated "apud Metyngham, ultimo die mensis Maij Anno regni Regis Henrici septimo."

 

As the above Richard Umfrey was also a liberal benefactor to the parish in other ways, I transcribe his short will, which contains many very curious and interesting particulars, illustrative of the manners and customs of his period.

 

"In nōie Dei, Amen. in the yere of our Lorde God MCCCCCXVij, the first day of Marche, I Richarde Umfrey, Clerke, Vicar of the church of All Seynts of Metyngh'm, beying in good and hool mynde, make my testamente and laste wille undre this fourme followyng. First, I come'nde my soule to Almyghtie God, to our blyssed Ladye, and to the celestyall Courte in Hevyn. And my Bodye to be buryed in the chauncell of Metyngh'm forsad byfor the sepultur and grave of Syr John Arcente, my predecessor. And at the daye of my buryeng I will that the maist' of the College in Metyngh'm forsad shall have xxd. And every brodre of the same College, xijd. And ev'y yoman servaunte abidyng in the said College shall have iiijd, and ev'y other servaunte and childe of the Almouse ther ijd. Also I will that ev'y other priste that shalbe at my buryeng shall have iiijd. Also I will that at the same daye of my buryeng the Ladye Prioresse of the monast'ye in Bongey shall have xijd. And ev'y other Lady of the same monast'ye vjd, and their convente priste viijd. to praye for my soule. Also I bequeath to ev'y houssolder in the said p'ysshe of Metyngh'm wheras arn man and wiff, viijd. And to ev'y other p'son jd at the sad daye to praye for my soule and all crysten soules. Also I gyff and bequeth to the maist' of the forsad College and to his brodren all that my Tēnt called Pyrtewell in Metyngh'm wt the gardeyn and the cloos to the sad tēnt belongyng wt thapp'tenents, undre this condic'on, that the said maist' and his brodren shall hold my annyv'sary yerly wt placebo and dirige and masse of Requiem for my soule, my fadres and modres soules, for my fryndes soules, and all cristen soules. And moreov' the sad maist' and his brodren shall gyff to thoos p'sones that shall rynge at Metyngh'm Church forsaid in the tyme of saying or syngyng of placebo and dirige at the said daye of my annyv'sary oon caste of brede and oon gallon of drynk. Also I gyff and bequeth to the Tounesshippe of Metyngh'm forsaid oon acr of londe lyeng among the londes of the said tounesshippe, undre this condison, that the Churchwardeyns of the same p'ysshe shall gyffe yerly at the daye of my annyv'ssary to the Vicar of the sad church of Metyngh'm, or to his Depute ther saying or syngyng placebo and dirige for my soule, my fryndes soules, and for all crysten soules, iiijd. And to offer jd. at Masse. Also I will that my cooffeoffes shall dely' or cause to be delyv'ed a state and seisyne of the forsaid te'nt, and all other landes forsade to the p'fourmaunce of this my laste will, when so ev' ther shall be required by my Executors. Also I will have an honest seculer priste to syng and praye for my soule, my fryndes soules, and for all crysten soules, by the space of twoo yers and longer yf yt may extende of my Goodes. Also I gyff and bequeth to the Cathedrall Church of the hooly Trinite of Norwych, vjs viijd. Also I bequeth to the forsaid Church of Metyngh'm my vestymente of blewe Velvett powdered wt flowres. And my chalice for to remayn to the same church as long as ther shall endur. And to the gyldyng of the Tabernacle of Seynt Mychael in the sad church, xxs. Also I gyff and bequeth to the Ladye Prioresse of the monast'ye in Bongay oon Goun wt the hoode. And to Dame Anne Page oon goun wt the hoode and vjs viijd. Also I bequeth to Mr. Thomas Wylkynes wiff a goun wt the hoode: to Mr. Reeves wiff a Goun wt the Hood: to Hamonde Lynstedes wife a Goun with the Hood. And to John Rooses wife a Goun wt the Hood: Also I bequeth to Robte Arwarde my lesser ffedrebedde with the bolster. The residue of all my Goodes wt my detts not bequethed I gyff and bequeth to the Disposicon and orderyng of Mayster Richarde Shelton, Clerk, and Sir Richard Wyburgh, priste, whom I ordeyn and make my Executors of this my Testamente and lastwille, thei to distrisbute and dispose them in Dedys of Charite to the most laude and praysyng of Allmyghty God for the welth and p'fyte of my soule, my fryndes soules, and for all cristen soules.

 

www.british-history.ac.uk/no-series/suffolk-history-antiq...

Same as before, but on a crisp, sunny day!

Same position as my previous but swinging the camera round to include the Shard and part of London Bridge.

Same thing opening gifts

Same edge, different exposure- slightly different!

Same picture used for different models. Both are French pieces.

same starting point as previous piece. Took a different trail on this one.

Parish of St. Catherine of Siena

Samal, Bataan

 

Church of Samal

The spiritual ministration of Samal was entrusted to the Dominicans in 1596. The town was attacked by Dutch invaders in April, 1647, but the local Garrison of Pampangos under the command of Alejo Aguas compelled the Dutch forces to retreat. The Church and the Convent built by the Rev. Jeronimo Belen, O.P., were ruined during the Dutch invasions. In 1898 the church was burned by the Katipuneros to drive out their enemies in the convent. The Rev. Justo Quesada rebuilt the church and convent in 1905.

Philippine Historical Committee

 

Same mannequin but model on the left with makeup for Evil Queen, Fairy Tale window at Bloomingdales, NYC..2012

 

Same mannequin on the right for "Vintage Bodies", NYC....2013

Same scene shot with two different cameras.

Letting the aircraft drop out of the sky

Masked tree frog (Smilisca phaeota) - Buenaventura Reserve, Ecuador

 

In light of the supreme court ruling that same-sex marraige was legal throughout the US today, here is a shot of two male Smilisca getting passionate. I saw the 2 amorous males calling from the same puddle and I wanted a shot highlighting the color difference between them. So I scooped them up and put them on a nearby branch, no sooner had I stepped back than the green male moved over and started grasping the brown male attempting to embrace him in what is known in frogs as amplexus. Amplexus is normally done between a male and female frog with the male ontop from where he fertilizes the females eggs as she releases them. Of course with two males no fertilization will occur, but as long as they're happy :)

 

These flower heads are on the same shrub!

Same loco as yesterday so as the weather was so poor, with heavy rain, I tried a slightly different shot. 66075 4C46 10:50 Aberthaw PS to Tower Colliery with 21 empty HTA's northbound through Radyr nr Cardiff on the 23.05.2014

 

same time, last year

Same day, but linear shadows either sepia or black & white.

__________________________________________________

The program collects films that are asking the same questions: What was here before? And how can you show it if it’s not there anymore? When and how did absence turn into presence? Does it always do that?

It also connects places in East and West, New York, Berlin and Warsaw. Shanghai and Venice. Not only through images, but also through the people who made the films (and are in them): For them, 1984 had been fiction and 1989 a reality. They are from a generation that has been producing images and sounds before and after the Berlin Wall, in East and West, until today.

Program runtime is 62 minutes.

a-b-city by Dieter Hormel and Brigitte Bühler

BRD 1985, 8 minutes, digital projection

 

Accompanied by a score using music of Pere Ubu and Einstürzende Neubauten, a-b-city revolves around West-Berlin’s psychodelic atmosphere. Brigitte Bühler and Dieter Hormel, who were renown for their fast paced and skillfully edited Super-8 clips, mix TV images and time-lapse shots of nightly streets, drifting clouds, and a men continuously jumping in front of the Berlin Wall, bringing about an impression of the enclosed city that constantly shifts between ecstasis and depression. (Text: Florian Wüst)

Haunt No. 1-3 by Niklas Goldbach

2007, 2 minutes, digital projection

 

Haunt No. 1, Video Loop, 35 sec., Stereo

Assistance: Daniel Reuter

Haunt No. 2, Video Loop, 28 sec., Stereo

Assistance: Viktor Neumann

Haunt No. 3, Video Loop, 36 sec., Stereo

Assistance: Viktor Neumann

The video triptych focuses on the historical background and the future of up to now abandoned places in Berlin’s former working-class district Prenzlauer Berg where the gentrification process is almost accomplished.

5 lessons and 9 questions about Chinatown by Shelly Silver

USA, 2009, 10 minutes, digital projection

 

You live somewhere, walk down the same street 50, 100, 10,000 times, each time taking in fragments, but never fully registering THE PLACE. Years, decades go by and you continue,unseeing, possibly unseen. A building comes down, and before the next one is up you ask yourself ‘what used to be there?’ You are only vaguely aware of the district’s shifting patterns and the sense that, since the 19th century, wave after wave of inhabitants have moved through and transformed these alleyways, tenements, stoops and shops.

10 square blocks, past, present, future, time, light, movement, immigration, exclusion, gentrification, racism, history, China, America, 3 languages, 13 voices, 152 years, 17,820 frames, 9 minutes, 54 seconds, 9 questions, 5 lessons, Chinatown.

View Excerpt

Former East/Former West by Shelly Silver

USA, 1994, excerpt 10-15 minutes digital projection

 

Made up of hundreds of street interviews done in Berlin two years after the Reunification, FORMER EAST/FORMER WEST is a vital, surprisingly open, and at times disturbing documentary. Silver questions the very notion of a shared language, focusing on changing definitions of words for political and economic systems – democracy, freedom, capitalism, socialism, nationality and history.

Magnetic [eye] Berlin by Gunter Krüger

Germany, 2007 / 08, excerpt 10 minutes, digital projection

 

Since 1997, Gunter Krüger has been archiving media fragments which he finds on the street – broken audiotapes, scraps of VHS and discarded compact discs. At the location he records additional filmic notes.

In the second part of the “Magnetic [eye]” series, “Magnetic [eye] Berlin”, a selection of media fragments forms a portrait of his living space. The film is designed as a generative structure, i.e. there is no final version.

In 2007 and 2008, three different playlists were made, each varying in both the selection of the media fragments as well as their compilation. By integrating new modules, new playlists with predefined running times can be created for each screening.

Nullpanorama by Martin Ebner

Germany, 2003, 1 minute, digital projection

 

The ascent and decent of an advertiser’s captive balloon over the roofs of the capital.

Proprio Aperto by Judith Hopf, Natascha Sadr Haghighian, Florian Zeyfang

Germany / USA, 2005, 6 minutes, digital projection

 

The single channel video and installation work PROPRIO APERTO, which was first presented in February 2005 at the Museum of Contemporary Art, Chicago in the exhibition, “Universal Experience: Art, Life and the Tourist’s Eye,” shows a walk taken through the giardini, the grounds of the Venice Biennale, in winter.

The conversations that took place there among Judith Hopf, Natascha Sadr-Hadhighian and Florian Zeyfang result in a text that circles around landscapes of ruin, ghosts and the Dasein in cultural hegemony. The images — actually photographs — are presented in slow pans, and the various levels of destruction of the pavilion come more and more into the center.

The tone of voice and language congenially conveys the suitably contemplative mood during the walk, which carries over to the spectator.

The Rooms (excerpt) by Tim Blue and Paul Rowley

USA 2010, 5 minutes, digital projection

 

With rich sound design and diverse formats, THE ROOMS is an experimental study of an abandoned world that somehow continues to operate. This excerpt feautures the HAU 1 / Hebbel am Ufer, a historical theater in Berlin, that turned into a cultural space for contemporary experimental and innovative theater and performance art (HAU 1).

We will be strong in our weakness. Notes from the first congress of the Jewish Renaissance in Poland.Performance by Yael Bartana with Susanne Sachsse and Slawomir Sierakowski

Israel/Netherlands/Poland, 2010, 15 minutes, digital video projection

Jewish Renaissance movement in Poland, Tel-Aviv/Amsterdam/Warsaw

 

Stefanie Schulte Strathaus is a film and video curator who lives and works in Berlin. She is Co-Director of Arsenal – Institute for Film and Video Art (with Milena Gregor and Birgit Kohler) and Member of the selection committee of the Berlinale Forum and founding director of Forum Expanded, a new section of the Berlin International Film Festival which negotiates the boundaries of cinema. Her curatorial work comprises numerous film programs, retrospectives and exhibitions, among them Michael Snow, Guy Maddin, Heinz Emigholz, Birgit Hein, Ulrike Ottinger, Stephen Dwoskin and many others. She recently co-curated (with Susanne Sachsse and Marc Siegel) LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World (October 2009).

Her texts have been published in Frauen und Film, The Moving Image, Texte zur Kunst, Ästhetik & Kommunikation, Schriftenreihe Kinemathek as well as in various festival and exhibition catalogues. She is the editor of: Kinemathekheft Nr. 93: Germaine Dulac (with Sabine Nessel and Heide Schlüpmann), Berlin 2002; “The Memo Book. Films, Videos and Installations by Matthias Müller”, Berlin: Vorwerk 8, 2005; “The Primal Scene: Christine Noll Brinckmann. Films and Texts”, Berlin: arsenal edition, 2008; “Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s” (with Florian Wüst), Berlin: arsenal edition, 2008. www.arsenal-berlin.de

 

Paul Rowley was born 1971 in Dublin. He has worked for more than ten years as a filmmaker and visual artist.

His critically acclaimed feature documentary Seaview, which he co-directed with Nicky Gogan, premiered at the Berlin Film Festival and has toured festivals internationally since.

Together with David Phillips, Paul completed a collection of films to accompany a live performance of John Cage’s Sonatas and Interludes, premiered at The Stone in New York in collaboration with pianist Emily Manzo. They recently completed a 60 screen permanent video installation in the international terminal at LAX airport.

Paul was artist in residence at the Atlantic Center for the Arts in Florida with Gillian Wearing, and has received many awards from the Irish Arts Council for his work since 1997. He was a fellow at the Macdowell Artist Colony in New Hampshire, and the Bogliasco Foundation, Italy. He was awarded a residency at the Experimental Television Center in New York, which led to a grant from NYCSA, the New York State Council for the Arts. He lives in Dublin and Brooklyn.

See also www.condensate.net and www.stillfilms.org

 

Shelly Silver is a New York based artist utilizing video, film and photography. Her work, which spans a wide range of subject matter and genres, explores the personal and societal relations that connect and restrict us; the indirect routes of pleasure and desire; the stories that are told about us and the stories we construct about ourselves.

Silver’s work has been exhibited and broadcast widely throughout the U.S., Europe and Asia. Screenings and installations have been mounted by venues such as the Museum of Modern Art in New York, the International Center of Photography in New York, the Museum of Contemporary Art in Los Angeles, the Yokohama Museum, the Pompidou Center, the Kyoto Museum, the London Institute of Contemporary Arts, the Museo Reina Sofia, and the London, Singapore, New York, Moscow, and Berlin film festivals. Her work has been broadcast on BBC/England, PBS/USA, Arte, Planete/Europe, RTE/Ireland, SWR/Germany, and Atenor/Spain. Silver’s numerous fellowships and grants include awards from the Guggenheim Foundation, the NEA, NYSCA, NYFA, the DAAD, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. She is based in New York where she is an Associate Professor of Visual Arts in the School of the Arts, Columbia University.

 

Same bird but looking alot more green here, i took both rosella shots in Taranna which is just north of Port Arthur.

Missoni-esque faux wrap dress, Lipstick. Metallic khaki bolero, No Boundaries. Headband, Claire’s. Blue handbag, Wilson’s Leather. Khaki slingbacks, Linea Paolo. Faux pearl cuff, Forever 21. Cat, Yoda aka Smunch.

 

Same old missoni-esque wrap dress I scored for under $10 at Body Central and have worn a thousand times (see comment).

 

This is neutral shoe week. You’ve surely noticed my penchant for brightly colored shoes, but I often wear khaki/tan heels in the summer. Worn with bare legs or nude fishnets, the shoes create the illusion of longer, slimmer legs. I consider nude heels as much of a staple as black. I read recently (on a YLF forum post) that some people don’t like a flesh-colored shoe because of the lack of visual impact. I was surprised. Do you own nude shoes and do you wear them?

 

Same tree but at a different angle.

Will man sich nicht bewegen

same bike. side view

A second visit to Lynsted, and the same result; locked.

 

On one of the hottest days of the year, we stop at the pub next door for lunch, and whilst we wait for it to be served, I go down to see if I can snap inside.

 

I am still trying to work out the logic that someone comes every day to open the metal door to the porch, but the inner wooden door is kept locked.

 

I tried and tried the door, pulling, pushing both while trying the handle of the door. Jools did the same, and neither of us could get in.

 

Same as last time.

 

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The church stands close to the road in a dark and sombre churchyard. Inside, the chancel arch is unusual in that the capitals have been cut off to facilitate the construction of the rood loft. The interesting east window of five lights has a very closely set grouping of openings under the canopy. There are two chapels - the north belonging to the Hugessons and the south to the Teynhams. They both contain excellent monuments. The most important commemorates Lord Teynham (d. 1622) and is signed by Epiphanius Evesham. It shows Lord Teynham lying on his back with his widow kneeling under an arch behind him. At the base are relief carvings of their children. The sons have just returned from hunting and the daughters are crying - two of them have little dogs. Opposite this monument is another to his father who died in 1618, altogether it forms a more ordinary composition.

 

www.kentchurches.info/church.asp?p=Lynsted

 

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LINSTED.

THE next parish southward from Tenham is Linsted, which lies adjoining the high London road, at the 43d mile-stone at Green-street, the south side of which is within the bounds of it, hence the ground rises towards the south to the village, which, with the church, is situated near the centre of it. It is a situation more pleasant than it is healthy, especially in the lower part of it. The lands below the village are very fertile, much like those of Tenham described before, having several hop-grounds of a kindly growth, interspersed throughout them; but southward of the village, the land lying still higher, approaches the chalk and becomes stony and much less fertile, till it joins Doddington, its southern boundary, not far from which is Linsted-lodge, a fine old mansion of the time of king James I. situated not very pleasantly, in a low part of the park, which however has been for some years disparked, and most of it let out in farms. On the west side of it is a feat called Dadmans, formerly Dodmannys, so called from a family of that name. It was, in the reign of Henry VII. in the possession of William Apulderfield, of Faversham. The fee of it has for many years belonged to the Ropers, lords Teynham; it is occupied by the hon. Philip Roper, uncle to the present lord Teynham. A little below Dadmans is an estate, called Bumpit, belonging likewife to lord Teynham. On the opposite or north west part of the parish, close to the south side of the high London road, near Radfield, is an estate called Claxfield, which was the residence of the family of Greenstreet, who were possessed of many good estates in this part of the county, for several generations. After which it became the property of Mr. George Smith, whose daughter Jane sold it to John Sawbridge, esq. of Ollantigh, and his son Samuel-Elias Sawbridge, esq. is the present owner of it.

 

About half a mile from the London road, beyond Green-street, at the north-east corner of the parish, is a house called Nowdes, which was part of the possessions of the family of Greenstreet likewise, in which it continued till Peter Greenstreet, in 1703, alienated it to Mr. John Smith, gent. whose daughter having married Mr. T. Barling, gent. he resided here, and died in 1770, leaving two sons, John Smith, (to whom his grandfather, Mr. John Smith, bequeathed this seat) and Philip, of London, surgeon, and one daughter Dorothy, married to Mr. Edward Dering, of Doddington. John Smith Barling, gent. of Faversham, the son, on his father's death, took possession of this seat, in which he at times resided. He died in 1795, leaving one son and two daughters, (one of whom lately married Mr. Lushington Taylor, of Rodmersham,) and they are now jointly intitled to it.

 

At Greenstreet, on May 12, there is a fair annually for horses and cattle.

 

Bartholomew Fowle, alias Linsted, a native of this place, was the last prior of St. Mary Overie, London, being elected to that office anno 1513. He was a learned man, and wrote a book, De Ponte Londini.

 

About thirty years ago a large chesnut tree was felled in Lodge park, which was sawed off close to the ground: in the centre of it, where the saw crossed, was a cavity, of about two inches diameter, in which was a live toad, which filled the space entirely. The wood of the tree was, to all appearance, perfectly found all round it, without any the smallest aperture whatever. The tree itself was six feet in circumserence.

 

THE MANOR of the hundred of Tenham claims over this parish, subordinate to which is THE MANOR OF BADMANGORE, with THE MANORS OF LODGE and NEWNHAM united, the former of which, though it IS but little known at present, either as to its name or situation, yet in early times was eminent, by having for its proprietors successively, the Cheneys and Apulderfields, families of no small repute in this county.

 

Sir Alexander de Cheney, of Patrixborne, the seat of this family, where they had been settled for some generations, was one of those Kentish gentlemen, who attended king Edward I. in his victorious expedition into Scotland, in the 28th year of his reign, and being present at the siege of Carlaverock, in that Kingdom, was knighted by him there, with many other of the gentry of this county. His son William de Cheney died possessed of the manor of Badmangore, in the 8th year of Edward III. having married Margaret, daughter and heir of Sir Robert de Shurland, in whose right he became entitled to the seat of Shurland, with many other estates in this county. His son Sir Robert Cheney, sold it before the 27th year of that reign, to William de Apulderfield, who made it his chief residence, and kept his shrievalty here in the year above-mentioned, and in several years afterwards. He was descended from Henry de Apulderfeld, of Apulderfeld, in Cowdham, (fn. 1) who, with his son Henry, were, with other Kentish gentlemen, with Richard I. at the siege of Acon, in Palestine, where, on account of their bravery, they had granted to them an augmentation to their arms, which they and their descendants continued afterwards to bear, viz. Sable, a cross, or, voided of the field, their original arms being, Ermine, a fess vaire, or, and gules. His great-grandson Sir William de Apulderfield was a man of much note in the reigns of Henry VI. and Edward IV. He left an only daughter Elizabeth, who became his heir to this manor, among the rest of his estates, which she carried in marriage to Sir John Fineux, chief justice of the king's bench in the reigns of king Henry VII. and VIII. He died in the 17th year of the latter reign, anno 1525, (fn. 2) leaving two daughters his coheirs, Jane, married to John Roper, esq. of Eltham, and Mildred, to James Diggs, esq. of Barham.

 

The origin of the family of Roper has been very fully treated of in the first volume of this history, p. 472, under the description of Eltham, where the eldest branch of it remained till within memory, and the descent of it is there brought down to the abovementioned John Roper, esq.

 

On the division of their inheritance, this manor, among others, was allotted to John Roper, in right of his wife. He was prothonotary of the king's bench, and attorney-general to Henry VIII. and died in 1524, at his manor of Welhall, in Eltham, to which he had removed from St. Dunstan's, the antient seat of the family. He left two sons, William Roper, esq. clerk of the king's bench, who succeeded him at Eltham, and Christopher, ancestor of the lords Teynham, and six daughters.

 

Christopher Roper, esq. the second son, succeeded his father in the manor of Badmangore, and its appendages, at the manor-house of which he resided; it stood on the east side of the park, but on the family's removing their residence from it, it was suffered to decay and run to ruin. By Elizabeth his wife, daughter and coheir of Christopher Blore, esq. of Rainham, he had several children, of whom John Roper, esq. the eldest son, succeeded him in this manor. He was Knighted in 1616, anno 14 James I. and on the same day created lord Teynham, baron of Teynham in this county, as a reward for his forward attachment to the king's interest, having been the first man of note who proclaimed the king in this county. He built the present seat of Linsted lodge, and inclosed a park round it, and afterwards made it his residence. He died in 1618, and was buried in the vault which he had made in the south chancel of this church.

 

His descendants, lords Teynham, continued to reside at Linsted lodge, all of whom lie buried in this church, down to Christopher, lord Teynham, the fifth in succession, who in 1687 was constituted lord-lieutenant and custos rotulorum of this county. He died at Brussels next year, having married Elizabeth, daughter of Francis Brown, viscount Montague, by whom he had several sons and daughters, of the former, John, Christopher and Henry, became all three successively lords Teynham, the latter succeeding to the title and estate on the deaths of his two elder brothers unmarried, and became the eighth lord Teynham. He died in 1716, leaving by his first wife two sons, Philip and Henry, successively lords Teynham, and by his third wife the lady Anne, second daughter and coheir of Thomas Lennard, earl of Suffex, and widow of Richard Barret Lennard, lord Dacre, remarried thirdly to the hon. Robert Moore, he likewise left issue, whose descendant became afterwards, in her right, intitled to the fee barony of Dacre. He was succeeded by his eldest son Philip, lord Teynham, who died unmarried in 1727, upon which the title and estate devolved to his next and only whole brother Henry, lord Teynham, who left by his first wife Catherine, daughter and coheir of Edward Powell, esq. of Sandford, in Oxfordshire, five sons and two daughters, of whom Henry the eldest son, on his death in 1781, succeeded him as lord Teynham, and married first Mary-Wilhelmina, eldest daughter of Sir Francis Head, bart. (whose second daughter and coheir married John his next brother) who died s.p. and secondly Betsy, widow of John Mills, esq. of the island of St. Christopher, and daughter of Mr. Webber, of Somersetshire, by whom he had two sons Henry and John, and two daughters. He died in 1786, and was succeeded by his eldest son Henry, being the present right hon. lord Teynham, and the twelfth lord, in succession from the first grant of the title. He has never resided at the Lodge, which has been for some years occupied by different tenants, and the greatest part of the park converted into farms of arable land. He is at present unmarried, and still continues the proprietor of these estates, with Colyers and Newnham farm, and others in this parish. He bears for his arms, Party per fess, azure, and or, a pale and three roebucks heads erased, counterchanged; for his crest, On a wreath, a lion rampant, sable, holding a ducal coronet between his paws, or; and for his supporters, on the dexter side, a buck, or; on the finister, a tiger reguardant, argent. And he has likewise a right to quarter with those of Roper, the several coats of Apledore, St. Laurence, Tattersal, Apulderfield, the same for service, Twite, Parke, and Hugdon, as appeared by a pedigree in the possession of Edward Roper, esq. of Welhall, in Eltham, attested and collected by John Philipott, Somerset herald in 1629.

 

SEWARDS, is a manor which had an antient seat in this parish, and in very early times was the residence of a family of that name, in which it continued till about the reign of Henry V. when Richard Seward leaving an only daughter and heir Elizabeth, she carried it in marriage to John Finch, esq. second son of Vincent Herbert, alias Finch, of Netherfield, in Sussex, whose eldest son William Herbert, alias Finch, was ancestor of the Finch's, earls of Winchelsea and Nottingham, and others of that name at different times enabled, all of whom bore the same coat of arms.

 

John Finch, esq. died possessed of Sewards in 1442, anno 21 Henry VI. and was buried at Sevington. His grandson John Finch, esq. was of Sewards, and left two sons, Herbert, who was of Linsted, from whom descended the Finch's, of Linsted, Norton, Faversham, and Wye, and other younger branches of that name; and Thomas Finch, the second son, who was of Kingsdown, from whom descended those of that parish and of Stalisfield. (fn. 3)

 

Herbert Finch. the eldest son, became possessed of Sewards on his father's death, and from him it descended to William Finch, esq. who dying without issue male in the reign of queen Elizabeth, his only daughter and heir Catherine carried it in marriage to Sir Drue Drury, gentleman usher of the privy chamber, the fifth son of Sir Robert Drury, of Edgerly, in Buckinghamshire, who bore for his arms, Argent, on a chief vert, a Roman T between two mullets, or, and was descended lineally from John Drury, esq. of that place, son and heir of Drury, one of the Norman nobles, who came in with king William the Conqueror. (fn. 4) He built a large and handsome seat in this parish, opposite to the church, and resided in it. His son Sir Drue Drury, in the beginning of the reign of king Charles I. resided at the seat built by his father as before-mentioned, which he alienated to Mr. James Hugessen, merchant adventurer of Dover, who kept his shrievalty at it in the 17th year of Charles I. He was the son of James Hugessen, of Dover, merchant adventurer, who bore for his arms, Argent, on a mount vert, an oak proper, between two boars erect, sable, armed, or, as did his descendants afterwards. He died in 1646, and was buried in the chapel on the north side of the chancel of this church, which has continued the burial-place of his descendants to this time. He left six sons and one daughter, of whom William the eldest, succeeded him in this seat, and John the second son was a merchant adventurer of Dover, where a branch of this family remained many years afterwards in that line. After the restoration of king Charles II. William Hugessen, the eldest son, having removed his residence to Provender, in the adjoining parish of Norton, where he kept his shrievalty in 1671, in which year he was knighted, this house was pulled down, but the scite of it remained the property of his descendants, down to William Western Hugessen, esq. of Provender, whose two surviving daughters and coheirs, Mary, married to Edward Knatchbull, esq. who has since his father's death succeeded to the title of baronet, and Sarah, to Sir Joseph Banks, bart. since K. B. and privy counsellor, have entitled their respective husbands to the possession of it. There are still the garden walls, and some other such remains of this mansion left.

 

BUT THE MANOR AND MANSION OF SEWARDS, which is a large building, was alienated by Sir Drue Drury's heirs, about the year 1670, to William Finch, esq. though whether he was a descendant of the former owners of this name I have not found, and he died possessed of it, as appears by the court-rolls of Tenham manor, in 1672, whose heir, in 1677, alienated it to Mr. John George, in which name it continued till by a female heir, Jane George, it went in marriage to Vincent Underdowne, gent. of Dover, who was a distributor of Stamps; but he becoming greatly in arrears on that account, an extent was issued from the exchequer, and this estate continued till about the year 1773, in the hands of government, when all debts being satisfied, which were due to it, it was ordered by a decree of that court to be sold, to satisfy the costs and expences, which had accrued by the proceedings on it, which it was accordingly soon afterwards to Mr. John Smith Barling, gent. of Faversham, who died in 1795, leaving one son and two daughters, who are now entitled to it.

 

Henry Eve, D.D. vicar of this parish and of Tenham, died in 1685, possessed of a capital house, called Edwards, in Linsted, where he resided; the heirs of whose grandson of the same name, some years afterwards sold it to John Sympson, esq. of Canterbury, whose widow Mrs. Mary Sympson afterwards possessed it, on whose death it came to Mr. Baptist Sympson, whose heir is the present owner of it, but it is now in the state of a mean cottage.

 

Charities.

JOHN WESTON, of this parish, by his will in 1482, ordered, that his seoffees should make an estate to twelve of the most sufficient men of the parish, in a tenement called Goddys-house, with a garden and land adjoining, in this parish; the profits to be applied by them to find an obit yearly for ever, on the day of his anniversary, and the residue to the repair of the church for ever. And he ordered, that his seoffees should yearly permit the parishioners to occupy one piece of land, in a field called Chirchefielde, to the making a place called a pleying-place, on holy-days, and other six days, for ever, on condition that the parishioners should keep the sence of it, and the profits of the pasture of the piece of land to remain to his house, called Weston tenement, yearly for ever.— This is still called the Playstool; being a meadow of between three and four acres, and is part of the estate of Mr. Baptist Sympson. It is situated opposite the vicarage-house. There is a house belonging to Mr. Tappenden, of London, situated at the end of the vicarage meadow, called the School house. The report of the parish is, that there was once a free school there, which by some means or other the parish has been deprived of.

 

TEN SHILLINGS, in lieu of corn, is yearly paid to the poor of this parish by the lessee of the parsonage, by covenant in his lease.

 

THERE were 20s. per annum paid to the poor of this parish, out of a farm called Theobalds, near Erriot-wood. It was paid in 1695, by Mr. Tong, of Sittingborne, as it has been several times since, though it does not appear by whom. This payment has been withheld for some years pall.

 

LINSTED is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.

 

The church, which stands on the south side of the village, is dedicated to St. Peter and St. Paul. It is a handsome building, and consists of three isles and three chancels. The steeple, which is a spired shaft, covered with shingles, stands at the north west corner of it: in it is a ring of five bells. William Apulderfield, of Faversham, was a benefactor to it by his will anno 1487, in which he directed his wife to repair the buttresses of the wall of the church-yard, on the east side of it, and to new shingle the chapel of our Lady in the church. In the Hugessen chancel are several brass plates and monuments likewise for that family, one of them an elegant one for William-Western Hugessen, esq. obt. 1764, æt. 29, and for his widow, obt. 1774, æt. 39; against the south pillar a tablet and inscription for Rodulph Wecherlin, esq. of Championcourt, obt. 1667; in the vault underneath lies his widow, remarried to Gideon Delaune, esq. obt. 1719; a monument on the north side of the chancel for Catherine, wife of Sir Drue Drury, obt. 1601. In the Teynham chancel are monuments for John Rooper, first lord Teynham, obt. 1618, and for Christopher, lord Teynham, obt. 1622, and no others, or even gravestones for this family. In the high chancel a brass for John Aiscough, esq. justice of peace, temp. Elizabeth, obt. 1601; another for John Worley, gent. of Skuddington, in Tong, obt. 1621, and his wife; in the east window, in a pane of glass of a lozenge form, is the figure of a venerable old man bearded, clad in purple, sitting in a gilt chair, holding a book open on his right hand, from which he looks forward as speaking or exhorting.

 

The church of Linsted was antiently esteemed as a chapel to the church of Tenham, as appears by the black book of the archdeacon of Canterbury, and was given and appropriated, with that church and its appendages, in 1227, by archbishop Stephen Langton, to that archdeaconry. It has long been independent of the church of Tenham, and still continues appropriated to the archdeacon, who is likewise patron of it.

 

It is a vicarage, valued in the king's books at 8l. 3s. 11½d. and is of the yearly certified value of 70l. 12s. 4d. the yearly tenths being 16s. 4¼d. In 1640 it was valued at one hundred pounds. Communicants two hundred and thirty-five.

 

¶Dr. Samuel Parker, archdeacon of Canterbury, at the instance of archbishop Sancroft, by lease, anno 27 Charles II. reserved the additional pension of ten pounds per annum to the vicar of Linsted and his successors. It pays no procurations to the archdeacon.

 

www.british-history.ac.uk/survey-kent/vol6/pp296-307

Caryatid is the name given to an architectural column which takes the form of a standing female figure. The first examples come from ancient Greek architecture and indeed, the most celebrated examples are found in the south porch of the Erechtheion on the acropolis of Athens.

 

Naming & Origins

 

The term Caryatid first appears in the 4th century BCE and was coined by Vitruvius in reference to Karyai in Laconia where women often danced balancing a basket on their heads in honour of Artemis and where Caryatids were used in Archaic architecture. They were an evolution of the earlier korai statues of both male and female figures prevalent throughout the Archaic period and used as columns in Ionian architecture. These were themselves an evolution of Persian columns which often employed animal figures within the column design.

The most famous Caryatids are the six which support the roof of the porch of the Erechtheion on the Athenian acropolis.

 

Archaic Caryatids were usually used in the porches of Treasury buildings which were built to house offerings from specific states at religious sanctuaries such as Delphi and Olympia. The most important treasury at Delphi was from the Siphnians (c. 525 BCE) and this and at least two other Treasuries had Caryatids. Caryatids of this period often have a short column drum above the head in order to facilitate the join with the column capital.

 

The Erechtheion

 

The most famous Caryatids are the six which support the roof of the false south porch of the Erechtheion on the Athenian acropolis. This building was constructed between 421 and 406 BCE as part of Pericles’ great project to rejuvenate the architecture of the great city. The Erechtheion was built to house the ancient wooden cult statue of Athena but also served as a centre for the cults of Erechtheus (a mythical king of Athens), his brother Boutes, Hephaistos and Poseidon.

 

The Caryatids display features which would become staple elements of Classical sculpture: clothes which cling to the body (the ‘wet look’) and a bold and more dynamic positioning of the hips and legs. Although each Caryatid wears the same robe - a belted Doric peplos and short himation - each is uniquely rendered, a feature particularly noticeable in their intricate plaited hairstyles (best seen from the rear). The arms of the figures have unfortunately been lost but Roman copies show them holding in their right hands phialai - shallow vessels for pouring libations - whilst their left hand raised slightly their robe. Scholars believe them to be carved by different artists, most probably from the workshop of Alcamenes, student and colleague of Pheidias.

 

The Caryatids now on the acropolis are copies, five of the originals reside in the Acropolis Museum of Athens and the other is in the British Museum, London.

Blooming Lilacs in the Kinsman Valley view park and at the same period is the annual Peony Festival at the Oshawa Valley Botanical gardens with a beautiful trail and creek that runs through the Oshawa Valley concervation area , Martin’s photographs , Oshawa , Ontario , Canada , June 17. 2020

  

Kinsman Valley view park

Rotary bridge

Rotary bridge plaque

Plaque

Having a walk on this beautiful autumn day on trail

Eastbourne park

large trees

edited photograph

Having a walk

autumn

Bridge

Oshawa creek

Bridge across Oshawa creek

trail in Eastbourne park

trail in Eastbourne park in Oshawa

Alliums

Lilacs in the Kinsman Valley view park

Kinsman Valley view park

Lilac trees

Peony

Peony Festival

Botanical gardens

Oshawa Botanical gardens

Martin’s photographs

Edited photograph

Oshawa

Ontario

Canada

June 2020

Gazebo

Gazebo at the Oshawa Botanical Gardens

Peony Festival at the Oshawa Valley Botanical gardens

Oshawa Valley Botanical gardens

Oshawa Valley

IPhone XR

Favourites

Hosta

Hosta collection

Oshawa Garden Club Hosta Collection

Oshawa Garden Club

Martin’s photographs

Cropped photograph

Alliums and Peonies at the Annual Peony Festival in Oshawa

October 2016

Trail in Oshawa conservation area

Having a walk

large trees

IPhone 6

We having nice a walk at Oshawa Valley Botanical gardens trail in the Oshawa Valley concervation area

June 2021

IPhone XR

Park bench

Lilac

Alliums

Peonies

Annual Peony Festival in Oshawa

Lilacs in the Kinsman Valley view park

a young and an old man, who don't know each other, sit symmetrically on two benches and keep their hands and legs exactly in the same way while distractly looking at the people walking in the street

A Concept photot that was supposed to be one half of the concept "Swine Flu VS. Same-Sex Marriage". The whole thing was scrapped, and this is shot that was sadly sacrificed.

 

Our government is creepy, eh?

 

Special Thanks to :

 

Chelsea Dunleavy (Hair and Makeup)

 

Lesley Becker (Model, Props Assistant)

Elise Cleerman (Model)

Shelby Fisher (Model)

 

Pictured in Other half of Concept Shoot:

 

Kaitlyn Turner (Model, Doctor)

Richard Bichara (Model, Nurse)

Marquay "Morplay" Swords (Model, Politician on Left)

Benjamin Galindo (Model, Politician on Right)

 

Sydney Johnson, Thomas Cordoba, and Chanel Tattenbach (Extras)

 

The University of Arizona (also referred to as UA, U of A, or Arizona) is a land-grant and space-grant public institution of higher education and research located in Tucson, Arizona, United States. The University of Arizona was the first university in the state of Arizona, founded in 1885 (twenty-seven years before the Arizona Territory achieved statehood), and is considered a Public Ivy. UA includes the only medical school in Arizona that grants M.D. degrees. In 2006, total enrollment was 36,805 students. UA is governed by the Arizona Board of Regents.

 

The University of Arizona was approved by the Arizona Territory''''''''''''''''s Thieving Thirteenth Legislature in 1885. The city of Tucson had hoped to receive the appropriation for the territory''''''''''''''''s mental hospital, which carried a $100,000 allocation instead of the $25,000 allotted to the territory''''''''''''''''s only university (Arizona State University was also chartered in 1885, but at the time it was created as Arizona''''''''''''''''s normal school, and not a university). Tucson''''''''''''''''s contingent of legislators was delayed in reaching Prescott due to flooding on the Salt River and by the time they arrived back-room deals allocating the most desirable territorial institutions had already been made. Tucson was largely disappointed at receiving what was viewed as an inferior prize. With no parties willing to step forth and provide land for the new institution, the citizens of Tucson prepared to return the money to the Territorial Legislature until two gamblers and a saloon keeper decided to donate the land necessary to build the school. Classes met for the first time in 1891 with 32 students in Old Main, the first building constructed on campus, and still in use to this day.[2]

 

Because there were no high schools in Arizona Territory, the University maintained separate preparatory classes for the first 23 years of operation.

 

The main campus sits on 380 acres (1.5 km2) in central Tucson, about one mile (1.6 km) northeast of downtown. There are 179 buildings on the main campus. Many of the early buildings, including the Arizona State Museum buildings (one of them the 1927 main library) and Centennial Hall, were designed by Roy Place, a prominent Tucson architect. It was Place''''''''''''''''s use of red brick that set the tone for the red brick facades that are a basic and ubiquitous part of nearly all UA buildings, even those built in recent decades. Indeed, almost every UA building has red brick as a major component of the design, or at the very least, a stylistic accent to harmonize it with the other buildings on campus. [3][4]

 

The campus is roughly divided into quadrants. The north and south sides of campus are delineated by a grassy expanse called the Mall, which stretches from Old Main eastward to the campus'''''''''''''''' eastern border at Campbell Avenue (a major north-south arterial street). The west and east sides of campus are separated roughly by Highland Avenue and the Student Union Memorial Center (see below).

 

The science and mathematics buildings tend to be clustered in the southwest quadrant; the intercollegiate athletics facilities to the southeast; the arts and humanities buildings to the northwest (with the dance department being a major exception as its main facilities are far to the east end of campus), with the engineering buildings in the north central area. The optical and space sciences buildings are clustered on the east side of campus near the sports stadiums and the (1976) main library.

 

Speedway Boulevard, one of Tucson''''''''''''''''s primary east-west arterial streets, traditionally defined the northern boundary of campus but since the 1980s, several university buildings have been constructed north of this street, expanding into a neighborhood traditionally filled with apartment complexes and single-family homes. The University has purchased a handful of these apartment complexes for student housing in recent years. Sixth Street typically defines the southern boundary, with single-family homes (many of which are rented out to students) south of this street.

 

Park Avenue has traditionally defined the western boundary of campus, and there is a stone wall which runs along a large portion of the east side of the street, leading to the old Main Gate, and into the driveway leading to Old Main.

 

Along or adjacent to all of these major streets are a wide variety of retail facilities serving the student, faculty and staff population: shops, bookstores, bars, banks, credit unions, coffeehouses and major chain fast-food restaurants such as Burger King and Chick-fil-A. The area near University Boulevard and Park Avenue, near the Main Gate, has long been a major center of such retail activity; many of the shops have been renovated since the late 1990s and a nine-story Marriott hotel was built in this immediate district in 1996.

 

The oldest campus buildings are located west of Old Main. Most of the buildings east of Old Main date from the 1940s to the 1980s, with a few recent buildings constructed in the years since 1990.

 

The Student Union Memorial Center, located on the north side of the Mall east of Old Main, was completely reconstructed between 2000 and 2003, replacing a 270,000-square-foot (25,000 m2) structure originally opened in 1951 (with additions in the 1960s). The new $60 million student union has 405,000 square feet (37,600 m2) of space on four levels, including 14 restaurants (including a food court with such national chains as Burger King, Panda Express, Papa John''''''''''''''''s Pizza and Chick-fil-A), a new two-level bookstore (that includes a counter for Clinique merchandise as well as an office supplies section sponsored by Staples with many of the same Staples-branded items found in their regular stores), 23 meeting rooms, eight lounge areas (including one dedicated to the USS Arizona), a computer lab, a U.S. Post Office, a copy center named Fast Copy, and a video arcade.

 

For current museum hours, fees, and directions see "campus visitor''''''''''''''''s guide" in the external links.

 

Much of the main campus has been designated an arboretum. Plants from around the world are labeled along a self-guided plant walk. The Krutch Cactus Garden includes the tallest Boojum tree in the state of Arizona.[6] (The university also manages Boyce Thompson Arboretum State Park, located c. 85 miles (137 km) north of the main campus.)

Two herbaria are located on the University campus and both are referred to as "ARIZ" in the Index Herbariorum

The University of Arizona Herbarium - contains roughly 400,000 specimens of plants.

The Robert L. Gilbertson Mycological Herbarium - contains more than 40,000 specimens of fungi.

The Arizona State Museum is the oldest anthropology museum in the American Southwest.

The Center for Creative Photography features rotating exhibits. The permanent collection includes over 70,000 photos, including many Ansel Adams originals.

University of Arizona Museum of Art.

The Arizona Historical Society is located one block west of campus.

Flandrau Science Center has exhibits, a planetarium, and a public-access telescope.

The University of Arizona Mineral Museum is located inside Flandrau Science Center. The collection dates back to 1892 and contains over 20,000 minerals from around the world, including many examples from Arizona and Mexico.

The University of Arizona Poetry Center

The Stevie Eller Dance Theatre, opened in 2003 (across the Mall from McKale Center) as a 28,600-square-foot (2,660 m2) dedicated performance venue for the UA''''''''''''''''s dance program, one of the most highly regarded university dance departments in the United States. Designed by Gould Evans, a Phoenix-based architectural firm, the theatre was awarded the 2003 Citation Award from the American Institute of Architects, Arizona Chapter. [7]

The football stadium has the Navajo-Pinal-Sierra dormitory in it. The dorm rooms are underneath the seats along the South and East sides of the stadium.

 

Academics

 

[edit] Academic subdivisions

The University of Arizona offers 334 fields of study at four levels: bachelor''''''''''''''''s, masters, doctoral, and first professional.

 

Academic departments and programs are organized into colleges and schools. Typically, schools are largely independent or separately important from their parent college. In addition, not all schools are a part of a college. The university maintains a current list of colleges and schools at <a href="http://www.arizona.edu/index/colleges.php">www.arizona.edu/index/colleges.php</a>. [10]

  

[edit] Admissions

The UA is considered a "selective" university by U.S. News and World Report.[11] In the fall semester of 2007, the UA matriculated 6,569 freshmen, out of 16,853 freshmen admitted, from an application pool of 21,199 applicants. The average person admitted to the university as a freshman in fall 2007 had a weighted GPA of 3.31 and an average score of 1102 out of 1600 on the SAT admissions test. Sixty-nine of these freshman students were National Merit Scholars.[12]

 

UA students hail from all states in the U.S. While nearly 72% of students are from Arizona, nearly 10% are from California, followed by a significant student presence from Illinois, Texas, Washington, and New York (2007).[13] The UA has over 2,200 international students representing 122 countries. International students comprise approximately 6% of the total enrollment at UA.[13]

  

[edit] Academic and research reputation

Among the strongest programs at UA are optical sciences, astronomy, astrophysics, planetary sciences, hydrology, Earth Sciences, hydrogeology, linguistics, philosophy, sociology, architecture and landscape architecture, engineering, and anthropology.

 

Arizona is classified as a Carnegie Foundation "RU/VH: Research Universities (very high research activity)" university (formerly "Research 1" university).

 

The university receives more than $500 million USD annually in research funding, generating around two thirds of the research dollars in the Arizona university system.[14] 26th highest in the U.S. (including public and private institutions).[15] The university has an endowment of $466.7 million USD as of 2006(2006 NACUBO Endowment Study).[16]

 

UA is awarded more NASA grants for space exploration than any other university nationally.[17] The UA was recently awarded over $325 million USD for its Lunar and Planetary Laboratory (LPL) to lead NASA''''''''''''''''s 2007-08 mission to Mars to explore the Martian Arctic. The LPL''''''''''''''''s work in the Cassini spacecraft orbit around Saturn is larger than that of any other university globally. The UA laboratory designed and operated the atmospheric radiation investigations and imaging on the probe.[18] The UA operates the HiRISE camera, a part of the Mars Reconnaissance Orbiter.

 

The Eller College of Management McGuire Entrepreneurship program is currently the number 1 ranked undergraduate program in the country. This ranking was made by The Princeton Review and Entrepreneur Magazine.

The Council for Aid to Education ranked the UA 12th among public universities and 24th overall in financial support and gifts.[citation needed] Campaign Arizona, an effort to raise over $1 billion USD for the school, exceeded that goal by $200 million a year earlier than projected.[19]

The National Science Foundation ranks UA 16th among public universities, and 26th among all universities nationwide in research funding.[19]

UA receives more NASA grants annually than the next nine top NASA-Jet Propulsion Laboratory-funded universities combined.[19]

UA students have been selected as Flinn, Truman, Rhodes, Goldwater, Fulbright, and National Merit scholars.[20]

According to The Chronicle of Higher Education, UA is among the top 25 producers of Fulbright awards in the U.S.[19]

 

[edit] World rankings

Academic Ranking of World Universities (Shanghai Jiao Tong University, China): 77th (2008).

Webometrics Ranking of World Universities (Cybermetrics Lab, National Research Council of Spain): 18th (2008).

The G-Factor International University Ranking (Peter Hirst): 15th (2006).

Professional Ranking of World Universities (École nationale supérieure des mines de Paris, France): 35th (2008).

Performance Ranking of Scientific Papers for World Universities (Higher Education Evaluation and Accreditation Council of Taiwan): 37th (2008).

Global University Ranking by Wuhan University (Wuhan University, China): 43rd (2007).

 

[edit] Notable associations

UA is a member of the Association of Universities for Research in Astronomy, a consortium of institutions pursuing research in astronomy. The association operates observatories and telescopes, notably Kitt Peak National Observatory located just outside of Tucson.

UA is a member of the Association of American Universities, and the sole representative from Arizona to this group.

 

[edit] Notable rankings

The Eller College of Management''''''''''''''''s programs in Accounting, Entrepreneurship, Management Information Systems, and Marketing are ranked in the nation''''''''''''''''s top 25 by U.S. News & World Report. The Masters in MIS program has been ranked in the top 5 by U.S. News & World Report since the inception of the rankings.[21] It is one of three programs to have this distinction.

The Eller MBA program has ranked among the top 50 programs for 11 straight years by U.S. News & World Report. In 2005 the MBA program was ranked 40th by U.S. News & World Report. Forbes Magazine ranked the Eller MBA program 33rd overall for having the best Return on Investment (ROI), in its fourth biennial rankings of business schools 2005. The MBA program was ranked 24th by The Wall Street Journal''''''''''''''''s 2005 Interactive Regional Ranking.[22]

Out of 30 accredited graduate programs in landscape architecture in the country, DesignIntelligence ranked the College’s School of Landscape Architecture as the No. 1 graduate program in the western region. For 2009 the Undergraduate Program in Architecture was ranked 12th in the nation for all universities, public and private.

The James E. Rogers College of Law was ranked 38th nationally by U.S. News & World Report in 2008.[23]

According to the National Academy of Sciences, the Graduate Program in Ecology and Evolutionary Biology is one of the top-rated research departments in ecology and evolutionary biology in the U.S.

The Systems and Industrial Engineering (SIE) Department is ranked 18th in the ''''''''''''''''America''''''''''''''''s Best Graduate Schools 2006'''''''''''''''' by US News and World Report.

The analytical chemistry program at UA is ranked 4th nationally by U.S. News & World Report (2006).[22]

The Geosciences program is ranked 7th nationally by U.S. News & World Report in 2006.[22]

The Doctor of Pharmacy program is ranked 4th nationally by U.S. News & World Report in 2005.[22]

The Photography program is ranked 9th nationally, also by U.S. News & World Report in 2008.

The Master of Fine Arts (MFA) program in Creative Writing at the University of Arizona has ranked in the top ten consistently according to U.S. News & World Report.

In the Philosophical Gourmet rankings of philosophy departments, the graduate program in Philosophy is ranked 13th nationally. The political philosophy program at the University of Arizona is top ranked first in the English speaking world, according to the same report.

Many programs in the College of Agriculture and Life Sciences have ranked in the top ten in the U.S. according to Faculty Scholarly Productivity Index: Agricultural Sciences -- No. 1, Agronomy and Crop Sciences -- No. 1, Entomology -- No. 2, Botany and Plant Biology -- No. 4, Nutrition -- No. 10.

 

In 2005, the Association of Research Libraries, in its "Ranked Lists for Institutions for 2005" (the most recent year available), ranked the UA libraries as the 33rd overall university library in North America (out of 113) based on various statistical measures of quality; this is one rank below the library of Duke University, one rank ahead of that of Northwestern University[24] (both these schools are members, along with the UA, of the Association of American Universities).

 

As of 2006, the UA''''''''''''''''s library system contains nearly five million volumes.

 

The Main Library, opened in 1976, serves as the library system''''''''''''''''s reference, periodical, and administrative center; most of the main collections and special collections are housed here as well. The Main Library is located on the southeast quadrant of campus near McKale Center and Arizona Stadium.

 

In 2002, a $20 million, 100,000-square-foot (10,000 m2) addition, the Integrated Learning Center (ILC), was completed; it is a home base for first-year students (especially those undecided on a major) which features classrooms, auditoriums, a courtyard with an alcove for vending machines, and a greatly expanded computer lab (the Information Commons) with several dozen Gateway and Apple Macintosh G5 workstations (these computers are available for use by the general public (with some restrictions) as well as by UA students, faculty and staff). Much of the ILC was constructed underground, underneath the east end of the Mall; the ILC connects to the basement floor of the Main Library through the Information Commons. As part of the project, additional new office space for the Library was constructed on the existing fifth floor.

 

The Science and Engineering Library is in a nearby building from the 1960s that houses volumes and periodicals from those fields. The Music Building (on the northwest quadrant of campus where many of the fine arts disciplines are clustered) houses the Fine Arts Library, including reference collections for architecture, music (including sheet music, recordings and listening stations), and photography. There is a small library at the Center for Creative Photography, also in the fine arts complex, devoted to the art and science of photography. The Law Library is in the law building.

 

The libraries at University of Arizona are expecting a 15 percent budget cut for the 2009 fiscal year. They will begin to explore the possibilities of cutting staff, cutting online modules, and closing some libraries. The biggest threat is the possible closure of 11 libraries. The staff is projected to decline from 180 employees to 155 employees. They also intend to cut face-face instructional program that teaches students in English 101 and 102 how to navigate the library. This will now be taught online.

  

[edit] Athletics

Main article: Arizona Wildcats

Like many large public universities in the U.S., sports are a major activity on campus, and receive a large operating budget. Arizona''''''''''''''''s athletic teams are nicknamed the Wildcats, a name derived from a 1914 football game with then California champions Occidental College, where the L.A. Times asserted that, "the Arizona men showed the fight of wildcats."[25] The University of Arizona participates in the NCAA''''''''''''''''s Division I-A in the Pacific-10 Conference, which it joined in 1978.

  

[edit] Men''''''''''''''''s basketball

Main article: Arizona Wildcats men''''''''''''''''s basketball

The men''''''''''''''''s basketball team has been one of the nation''''''''''''''''s most successful programs since Lute Olson was hired as head coach in 1983, and is still known as a national powerhouse in Division I men''''''''''''''''s basketball.[26] As of 2009, the team has reached the NCAA Tournament 25 consecutive years, which is the longest active and second-longest streak in NCAA history (University of North Carolina at Chapel Hill had the longest streak with 27).[27] The Wildcats have reached the Final Four of the NCAA tournament in 1988, 1994, 1997, and 2001. In 1997, Arizona defeated the University of Kentucky, the defending national champions, to win the NCAA National Championship (NCAA Men''''''''''''''''s Division I Basketball Championship) by a score of 84–79 in overtime; Arizona''''''''''''''''s first national championship victory. The 1997 championship team became the first and only in NCAA history to defeat three number-one seeds en route to a national title (Kansas, North Carolina and Kentucky -- the North Carolina game being the final game for longtime UNC head coach Dean Smith). Point guard Miles Simon was chosen as 1997 Final Four MVP (Simon was also an assistant coach under Olson from 2005–08). The Cats also boast the third highest winning percentage over the last twenty years. Arizona has won a total of 21 conference championships in its'''''''''''''''' programs history.

 

The Wildcats play their home games at the McKale Center in Tucson. A number of former Wildcats have gone on to pursue successful professional NBA careers (especially during the Lute Olson era), including Gilbert Arenas, Richard Jefferson, Mike Bibby, Jason Terry, Sean Elliott, Damon Stoudamire, Luke Walton, Hassan Adams, Salim Stoudamire, Andre Iguodala, Channing Frye, Brian Williams (later known as Bison Dele), Sean Rooks, Jud Buechler, Michael Dickerson and Steve Kerr. Kenny Lofton, now best known as a former Major League Baseball star, was a four year letter winner as a Wildcat basketball player (and was on the 1988 Final Four team), before one year on the Arizona baseball team. Another notable former Wildcat basketball player is Eugene Edgerson, who played on the 1997 and 2001 Final Four squads, and is currently one of the primary stars of the Harlem Globetrotters as "Wildkat" Edgerson.

 

Before Lute Olson''''''''''''''''s hire in 1983, Arizona was the first major Division I school to hire an African American head coach in Fred Snowden, in 1972. After a 25-year tenure as Arizona head coach, Olson announced his retirement from the Arizona basketball program in October 2008. After two seasons of using interim coaches, Arizona named Sean Miller, head coach at Xavier University, as its new head basketball coach in April 2009.

 

The football team began at The University of Arizona in 1899 under the nickname "Varsity" (a name kept until the 1914 season when the team was deemed the "Wildcats").[28]

 

The football team was notably successful in the 1990s, under head coach Dick Tomey; his "Desert Swarm" defense was characterized by tough, hard-nosed tactics. In 1993, the team had its first 10-win season and beat the University of Miami Hurricanes in the Fiesta Bowl by a score of 29–0. It was the bowl game''''''''''''''''s only shutout in its then 23-year history. In 1998, the team posted a school-record 12–1 season and made the Holiday Bowl in which it defeated the Nebraska Cornhuskers. Arizona ended that season ranked 4th nationally in the coaches and API poll. The 1998 Holiday Bowl was televised on ESPN and set the now-surpassed record of being the most watched of any bowl game in that network''''''''''''''''s history (the current record belongs to the 2005 Alamo Bowl between Michigan and Nebraska). The program is led by Mike Stoops, brother of Bob Stoops, the head football coach at the University of Oklahoma.

  

[edit] Baseball

Main article: Arizona Wildcats baseball

The baseball team had its first season in 1904. The baseball team has captured three national championship titles in 1976, 1980, and 1986, all coached by Jerry Kindall. Arizona baseball teams have appeared in the NCAA National Championship title series a total of six times, including 1956, 1959, 1963, 1976, 1980, and 1986 (College World Series). The team is currently coached by Andy Lopez; aided by Assistant Coach Mark Wasikowski, Assistant Coach Jeff Casper and Volunteer Assistant Coach Keith Francis. Arizona baseball also has a student section named The Hot Corner. Famous UA baseball alums include current Boston Red Sox manager Terry Francona, Cleveland Indian Kenny Lofton, Yankee Shelley Duncan, Brewers closer Trevor Hoffman, Diamondbacks third-base coach Chip Hale, former 12-year MLB pitcher and current minor league coach Craig Lefferts, longtime MLB standout J. T. Snow, star MLB pitchers Don Lee, Carl Thomas, Mike Paul, Dan Schneider, Rich Hinton and Ed Vosberg, NY Giants slugger Hank Leiber, Yankee catcher Ron Hassey, and Red Sox coach Brad Mills. Former Angels and Cardinals (among others) pitcher Joe Magrane is also a UA alum.

  

[edit] Softball

The Arizona softball team is among the top programs in the country and a perennial powerhouse. The softball team has won eight NCAA Women''''''''''''''''s College World Series titles, in 1991, 1993, 1994, 1996, 1997, 2001, 2006 and 2007 under head coach Mike Candrea (NCAA Softball Championship). Arizona defeated the University of Tennessee in the 2007 National Championship series in Oklahoma City. The team has appeared in the NCAA National Championship in 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 2001, 2002, 2006, and 2007 (a feat second only to UCLA), and has reached the College World Series 19 of the past 20 years. Coach Candrea, along with former Arizona pitcher Jennie Finch, led the 2004 U.S. Olympic softball team to a gold medal in Athens, Greece. The Wildcat softball team plays at Rita Hillenbrand Memorial Stadium.

  

[edit] Men''''''''''''''''s and women''''''''''''''''s golf

The university''''''''''''''''s golf teams have also been notably successful. The men''''''''''''''''s team won a national championship in 1992 (NCAA Division I Men''''''''''''''''s Golf Championships), while the women''''''''''''''''s team won national championships in 1996 and 2000 (NCAA Women''''''''''''''''s Golf Championship).

 

A strong athletic rivalry exists between the University of Arizona and Arizona State University located in Tempe. The UA leads the all-time record against ASU in men''''''''''''''''s basketball (138-73), football (44–35–1), and baseball (224–189–1) as of January 2006. The football rivalry game between the schools is known as "The Duel in the Desert." The trophy awarded after each game, the Territorial Cup, is the nation''''''''''''''''s oldest rivalry trophy, distinguished by the NCAA. Rivalries have also been created with other Pac-10 teams, especially University of California, Los Angeles which has provided a worthy softball rival and was Arizona''''''''''''''''s main basketball rival in the early and mid-1990s.

  

[edit] Mascot

The University mascot is an anthropomorphized wildcat named Wilbur. The identity of Wilbur is kept secret through the year as the mascot appears only in costume. In 1986, Wilbur married his longtime wildcat girlfriend, Wilma. Together, Wilbur and Wilma appear along with the cheerleading squad at most Wildcat sporting events.[29] Wilbur was originally created by Bob White as a cartoon character in the University''''''''''''''''s humor magazine, Kitty Kat. From 1915 through the 1950s the school mascot was a live bobcat, a species known locally as a wildcat. This succession of live mascots were known by the common name of Rufus Arizona, originally named after Rufus von Kleinsmid, president of the university from 1914 to 1921. 1959 marked the creation of the first incarnated Wilbur, when University student John Paquette and his roommate, Dick Heller, came up with idea of creating a costume for a student to wear. Ed Stuckenhoff was chosen to wear the costume at the homecoming game in 1959 against Texas Tech and since then it has become a long-standing tradition. Wilbur will celebrate his 50th birthday in November 2009.

 

Officially implemented in 2003, Zona Zoo is the official student section and student ticketing program for the University of Arizona Athletics. The Zona Zoo program is co-owned by the Associated Students of the University of Arizona (ASUA) and Arizona Athletics, the program is run by a team of spirited individuals called the Zona Zoo Crew. Zona Zoo is one of the largest and most spirited student sections in NCAA Division I Athletics.

 

Notable venues

McKale Center, opened in 1973, is currently used by men''''''''''''''''s and women''''''''''''''''s basketball, women''''''''''''''''s gymnastics, and women''''''''''''''''s volleyball. The official capacity has changed often. The largest crowd to see a game in McKale was 15,176 in 1976 for a game against the University of New Mexico, a main rival during that period. In 2000, the floor in McKale was dubbed Lute Olson Court, for the basketball program''''''''''''''''s winningest coach. During a memorial service in 2001 for Lute''''''''''''''''s wife, Bobbi, who died after a battle with ovarian cancer, the floor was renamed Lute and Bobbi Olson Court. In addition to the playing surface, McKale Center is host to the offices of the UA athletic department. McKale Center is named after J.F. Pop McKale, who was athletic director and coach from 1914 through 1957. Joe Cavaleri ("The Ooh-Aah Man") made his dramatic and inspiring appearances there.

Arizona Stadium, built in 1928 and last expanded in 1976, seats over 56,000 patrons. It hosts American football games and has also been used for university graduations. The turf is bermuda grass, taken from the local Tucson National Golf Club. Arizona football''''''''''''''''s home record is 258-139-12. The largest crowd ever in Arizona Stadium was 59,920 in 1996 for a game against Arizona State University.

Jerry Kindall Field at Frank Sancet Stadium hosts baseball games.

Rita Hillenbrand Memorial Stadium hosts softball games.

 

<a href="http://en.wikipedia.org/wiki/University_of_Arizona">en.wikipedia.org/wiki/University_of_Arizona</a>

<a target="_blank" href="1">1</a>

Have you seen my blog

Arista RC Plus Grd 3 paper 5x7. Will print correctly next time.

3/3

Another from the archives.

 

Samer, West Thurrock. 2021.

 

Please note I am not the artist of this work, merely the photographer.

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