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This photo is licensed under a Creative Commons license. Please credit Rob Larsen with a link to Drunkenfist.com, if you use this photo anywhere. Thanks.
In this version, black is less than 3.5 mph, red is less than 5.5 mph, orange is less than 10 mph, blue is less than 22 mph, and green is above that. These seem to correspond to ranges of typical Muni operating speeds.
The small town of Samer developed around the Abbaye Saint-Wulmer (founded in 668) and so the Flemish name for the town is still Sint-Wulmaars. The abbey meanwhile is in ruins and where a boucherie was once is now the office of a nurse.
This set mixes it up a bit with both a pretty blonde and brunette goddess! You can see them both modeling the Gold 45 Revolver swimsuits as well as a 45SURFER camera bracket mount for shooting stills & video at the same time.
Here's some epic video of the beautiful goddesses:
www.youtube.com/watch?v=txvupr5xOZ4 (modeling swimsuit)
www.youtube.com/watch?v=4G5w3u6L8x8 (modeling swimsuit)
www.youtube.com/watch?v=4pYrQbPayZs (modeling the bracket)
www.youtube.com/watch?v=BGSVw9jbAR0 (pretty closeups!)
Nikon D800 Photos of Brunette and Blonde Swimsuit Bikini Goddesses with Pretty Green Eyes and Pretty Blue Eyes shot with the Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
All the Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
Modeling both the the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Black Bikini and the Red, White, an Blue American flag bikini!
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! all the bets on your Heroic Journey from Johnny Ranger McCoy!
This large mural was installed overnight on a wall at the Dame Street end of South Great George’s Street.
This large mural by Joe Caslin was installed overnight on a wall at the Dame Street end of South Great George’s Street.
Here in Ireland a referendum on same-sex marriage will take place next month.
A different view of the same little twigs and branches held together by string!
7 Days of Shooting Week #34 Multiples Texture Tuesday ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
History
The Bishop's throne
The city of Chester was an important Roman stronghold. There may have been a Christian basilica on the site of the present cathedral in the late Roman era, while Chester was controlled by Legio XX Valeria Victrix. Legend holds that the basilica was dedicated to St Paul and St Peter. This is supported by evidence that in Saxon times the dedication of an early chapel on this site was changed from St Peter to St Werburgh. In the 10th century, St Werburgh's remains were brought to Chester, and 907 AD her shrine was placed in the church. It is thought that Ethelda turned the church into a college of secular canons, and that it was given a charter by King Edgar in 968. The abbey, as it was then, was restored in 1057 by Leofric, Earl of Mercia and Lady Godiva. This abbey was razed to the ground around 1090, with the secular canons evicted, and no known trace of it remains.
In 1093 a Benedictine monastery was established on the site by Hugh Lupus, Earl of Chester, and the earliest surviving parts of the structure date from that time. The abbey church was not at that time the cathedral of Chester; from 1075 to 1082 the cathedral of the diocese was the nearby church of St. John the Baptist, after which the see was transferred to Coventry. In 1538, during the dissolution of the monasteries, the monastery was disbanded and the shrine of St Werburgh was desecrated. In 1541 St Werburgh's abbey became a cathedral of the Church of England by order of Henry VIII. At the same time, the dedication was changed to Christ and the Blessed Virgin. The last abbot of St Werburgh’s Abbey, Thomas Clarke, became the first dean of the new cathedral at the head of a secular chapter.
While no trace of the 10th century church has been discovered, there is much evidence of the monastery of 1093. This work in the Norman style may be seen in the north west tower, the north transept and in remaining parts of the monastic buildings. The abbey church, beginning with the Lady Chapel at the eastern end, was extensively rebuilt in Gothic style during the 13th and 14th centuries. At the time of the dissolution of the monasteries, the cloister, the central tower, a new south transept, the large west window and a new entrance porch to the south had just been built in the Perpendicular style, and the south west tower of the façade had been begun. The west front was given a Tudor entrance, but the tower was never completed.
In 1636 the space beneath the south west tower became a bishop's consistory court. It was furnished as such at that time, and is now a unique survival in England. Until 1881, the south transept, which is unusually large, also took on a separate function as an independent ecclesiastical entity, the parish church of St Oswald. Although the 17th century saw additions to the furnishings and fittings, there was no further building work for several centuries. By the 19th century, the building was badly in need of restoration. The present homogeneous appearance that the cathedral presents from many exterior angles is largely the work of Victorian restorers, particularly Sir George Gilbert Scott. The twentieth century has seen continued maintenance and restoration. In 1973–75 a detached belfry designed by George Pace was erected in the grounds of the cathedral. In 2005 a new Song School was added to the cathedral.
External appearance
The cathedral is built of New Red Sandstone, like the cathedrals of Carlisle, Lichfield and Worcester. The stone lends itself to detailed carving, but is also friable to rain and wind, and is badly affected by pollution. With the other red sandstone buildings, Chester is one of the most heavily restored of England's cathedrals. The restoration, which included much refacing and many new details, took place mainly in the 19th century.
Because the south transept is similar in dimension to the nave and choir, views of the building from the south-east and south-west give the impression of a building balanced around a central axis, with its tower as the hub.See image, top The tower is of the late 15th century Perpendicular style, but its four large battlemented turrets are the work of the restoration architect George Gilbert Scott. With its rhythmic arrangement of large, traceried windows, pinnacles, battlements and buttresses, the exterior of Chester Cathedral presents a fairly homogeneous character, which is an unusual feature as England's cathedrals are in general noted for their stylistic diversity. Close examination reveals window tracery of several building stages from the 13th to the early 16th century. The richness of the 13th-century tracery is accentuated by the presence of ornate, crocketted drip-mouldings around the windows; those around the perpendicular windows are of simpler form.See image, top
The west front of the cathedral is not of particular architectural significance, as neither of its towers was completed. To the north is lower stage of a Norman tower, while to the south is the lower stage of a tower designed and begun, probably by Seth and George Derwall, in 1508, but left incomplete following the dissolution of the monastery in 1538. The façade is dominated by a large eight-light window in the Perpendicular style, which rises above a Tudor screen-like porch.The cathedral's façade is largely obscured from view by the building previously used as the King's School, which is now a branch of Barclays Bank. The door of the west front is not used as the normal entrance to the cathedral, which is through the south west porch. This porch was probably designed by Seth Derwall, and it formed part of the same late 15th-century building programme as the south transept, central and southwest towers, and cloister.
The nave, looking towards the choir
Interior
The interior of Chester Cathedral gives a warm and mellow appearance because of the pinkish colour of the sandstone. The proportions appear spacious because the view from the west end of the nave to the east end is unimpeded by a pulpitum and the nave, although not long, is both wide and high compared with many of England's cathedrals. The piers of the nave and choir are widely spaced, those of the nave carrying only the clerestory of large windows with no triforium gallery.See image, left The proportions are made possible partly because the ornate stellar vault, like that at York Minster, is of wood, not stone.
Norman remnants
The present church, dating from around 1283 to 1537, replaced the earlier monastic church founded in 1093 and built in the Norman style. It is believed that the newer church was built around the older one. That the few remaining parts of the Norman church are of small proportions, while the height and width of the Gothic church are generous would seem to confirm this belief. Aspects of the design of the Norman interior are still visible in the north transept, which retains wall arcading and a broadly moulded arch leading to the sacristy, which was formerly a chapel. The transept has retained an early 16th-century coffered ceiling with decorated bosses, two of which are carved with the arms of Henry VIII and Cardinal Wolsey.
The north west tower is also of Norman construction. It serves as the baptistry and houses a black marble font, consisting of a bowl on a large baluster dating from 1697. The lower part of the north wall of the nave is also from the Norman building, but can only be viewed from the cloister because the interior has been decorated with mosaic.
Early English
The Early English Gothic chapter house, built between 1230 and 1265, is rectangular and opens off a "charming" vestibule leading from the north transept. The chapter house has grouped windows of simple untraceried form. Alec Clifton-Taylor describes the exterior of this building as a "modest but rather elegant example of composition in lancets" while Pevsner says of the interior "[It is] a wonderfully noble room" which is the "aesthetic climax of the cathedral". To the north of the chapter house is the slype, also Early English in style, and the warming room, which contains two large former fireplaces. The monastic refectory to the north of the cloister is of about the same date as the chapter house.
The Lady Chapel to the eastern end of the choir dates from between 1265 and 1290. It is of three bays, and contains the Shrine of St Werburgh, dating from the 14th century. The vault of the Lady Chapel is the only one in the cathedral that is of stone. It is decorated with carved roof bosses representing the Trinity, the Virgin and Child, and the murder of St Thomas à Becket. The chapel also has a sedilia and a piscina.
Decorated Gothic
The choir, looking towards the nave
The choir, of five bays, was built between 1283 and 1315 to the design of Richard Lenginour, and is an early example of Decorated Gothic architecture. The piers have strongly modelled attached shafts, supporting deeply moulded arches. There is a triforium gallery with four cusped arches to each bay.See image, right The sexpartite vault, which is a 19th century restoration, is supported by clusters of three shafts which spring from energetic figurative corbels. The overall effect is robust, and contrasts with the delicacy of the pinnacled choir stalls, the tracery of the windows and the rich decoration of the vault which was carried out by the ecclesiastical designers, Clayton and Bell. The choir stalls, dating from about 1380, are one of the glories of the cathedral.
The aisles of the choir previously both extended on either side of the Lady Chapel. The south aisle was shortened in about 1870 by George Gilbert Scott, and given an apsidal east end, becoming the chapel of St Erasmus. The eastern end of the north aisle contains the chapel of St Werburgh.
The nave of six bays, and the large, aisled south transept were begun in about 1323, probably to the design of Nicholas de Derneford. There are a number of windows containing fine Flowing Decorated tracery of this period. The work ceased in 1375, in which year there was a severe outbreak of plague in England. The building of the nave was recommenced in 1485, more than 150 years after it was begun. The architect was probably William Rediche. Remarkably, for an English medieval architect, he maintained the original form, changing only the details. The nave was roofed with a stellar vault rather like that of the Lady Chapel at Ely and the choir at York Minster, both of which date from the 1370s. Like that at York, the vault is of wood, imitating stone.
Perpendicular Gothic
From about 1493 until 1525 the architect appears to have been Seth Derwall, succeeded by George Derwall until 1537. Seth Derwall completed the south transept to a Perpendicular Gothic design, as seen in the transomed windows of the clerestory. He also built the central tower, southwest porch and cloisters. Work commenced on the south west tower in 1508, but it had not risen above the roofline at the time of the dissolution of the monasteries, and has never been completed. The central tower, rising to 127 feet (39 m), is a “lantern tower” with large windows letting light into the crossing. Its external appearance has been altered by the addition of four battlemented turrets by George Gilbert Scott in the 19th century.
The Perpendicular Gothic cloister is entered from the cathedral through a Norman doorway in the north aisle. The cloister is part of the building programme that commenced in the 1490s and is probably the work of Seth Daerwell.
The south wall of the cloister, dating from the later part of the Norman period, forms the north wall of the nave of the cathedral, and includes blind arcading.
Among the earliest remaining structures on the site is an undercroft off the west range of the cloisters, which dates from the early 12th century, and which was originally used by the monks for storing food.
It consists of two naves with groin vaults and short round piers with round scalloped capitals.
Leading from the south of the undercroft is the abbot's passage which dates from around 1150 and consists of two bays with rib-vaulting. Above the abbot's passage, approached by a stairway from the west cloister, is St Anselm's Chapel which also dates from the 12th century. It is in three bays and has a 19th-century Gothic-style plaster vault. The chancel is in one bay and was remodelled in the early 17th century. The screen, altar rails, holy table and plaster ceiling of the chancel date from the 17th century. The north range of the cloister gives access to a refectory, built by Simon de Whitchurch in the 13th century. It contains an Early English pulpit, approached by a staircase with an ascending arcade. The only other similar pulpit in England is in Beaulieu Abbey.
The Quadripartite vault of the choir
the 19th century the fabric of the building had become badly weathered, with Mr. Charles Hiatt writing that "the surface rot of the very perishable red sandstone, of which the cathedral was built, was positively unsightly" and that the "whole place previous to restoration struck one as woebegone and neglected; it perpetually seemed to hover on the verge of collapse, and yet was without a trace of the romance of the average ruin". Between 1818 and 1820 the architect Thomas Harrison restored the south transept, adding corner turrets. This part of the building served until 1881 as the parish church of St Oswald, and it was ecclesiastically separate. From 1844 R. C. Hussey carried out a limited restoration including work on the south side of the nave.
The most extensive restoration was carried out by the Gothic Revival architect, Sir George Gilbert Scott, who between 1868 and 1876 "almost entirely recased" the cathedral. In addition to extensive additions and alterations to the body of the church, Scott remodelled the tower, adding turrets and crenellations. Scott chose sandstone from the quarries at Runcorn for his restoration work. In addition to the restoration of the fabric of the building, Scott designed internal fittings such as the choir screen to replace those destroyed during the Civil War. He built the fan vault of the south porch, renewed the wooden vault of the choir and added a great many decorative features to the interior. Later in the century, from 1882, Sir Arthur Blomfield and his son Charles made further additions and modifications, including restoring and reinstating the Shrine of St Werburgh. More work was carried out in the 20th century by Sir Giles Gilbert Scott between 1891 and 1913, and by F. H. Crossley in 1939.
Rare fittings
The treasures of Chester Cathedral are its rare fittings, specifically its choir stalls and the 17th century furnishing of the bishop’s consistory court in the south tower, which is a unique survival. The choir stalls date from about 1380. They have high, spiky, closely set canopies, with crocketed arches and spirelets. The stall ends have poppyheads and are rich with figurative carving. The stalls include 48 misericords, all but five of which are original, depicting a variety of subjects, some humorous and some grotesque. Pevsner states that they are "one of the finest sets in the country",while Alec Clifton-Taylor calls them “exquisite” and says of the misericords that “for delicacy and grace [they] surpass even those at Lincoln and Beverley”.
Stained glass
Chester suffered badly at the hands of the Parliamentary troops. In consequence, its stained glass dates mainly from the 19th century. Of the earlier Victorian firms, William Wailes is the best represented here, as well as Hardman & Co.. Glass from the High Victorian period is well represented by two leading London firms, Clayton and Bell and Heaton, Butler and Bayne. The Aesthetic style is represented by Kempe. There are also several notable modern windows, the most recent being the refectory window of 2001 by Ros Grimshaw which depicts the Creation.
Organ
In 1844, an organ by Gray & Davison of London was installed in the cathedral, replacing an instrument with parts dating back to 1626. The organ was rebuilt and enlarged by Whiteley Bros of Chester in 1876, to include harmonic flutes and reeds by Cavaillé-Coll. It was later moved to its present position at the front of the north transept. In 1910 William Hill & Son of London extensively rebuilt and revoiced the organ, replacing the Cavaillé-Coll reeds with new pipes of their own. The choir division of the organ was enlarged and moved behind the choirstalls on the south side. The instrument was again overhauled by Rushworth and Dreaper of Liverpool in 1969, when a new mechanism and some new pipework made to a design drawn up by Roger Fisher was installed. Since 1991 the organ has been in the care of David Wells of Liverpool.
Communion plate
The communion plate includes two flagons dated 1662–63, two small and two large patens dated 1662, a silver chalice dating from about 1665, a silver gilt alms dish dated 1669, a chalice spoon of 1691, two small alms dishes dated 1737, two chalices dated 1838, a small chalice dated 1897, a small paten of 1903, two candlesticks dated 1662 and two vergers' maces of 1662.
Tour of features
Nave
The west end of the nave is dominated by an eight-light window in the Perpendicular Gothic style which almost fills the upper part of the west wall. It contains stained glass designed by W. T. Carter Shapland dating from 1961 and depicts the Holy Family in the middle two lights, flanked by the northern saints Werburgh, Oswald, Aidan, Chad and Wilfrid, and Queen Ethelfleda.
The stained glass in the north aisle, dated 1890, is by Heaton, Butler and Bayne.[35] The south aisle includes three stained glass windows, dated 1992, designed and made by Alan Younger to replace windows damaged in the Second World War. They were donated by the 6th Duke of Westminster to celebrate the 900th anniversary of the cathedral.[36] The stained glass in another window in the south aisle is by William Wailes, dated 1862.The stone nave pulpit was designed by the restorer R. C. Hussey and the lectern, dated 1876, is by Skidmore.] The mosaic floor of the tower bay was designed by Dean Howson and executed by Burke and Co. The same firm installed the mosaics which decorate the wall of the north aisle, depicting the patriarchs and prophets Abraham, Moses, David and Elijah. They were designed by J. R. Clayton of Clayton and Bell, and date from 1883–86.
Monuments in the nave include those to Roger Barnston, dated 1838, by John Blayney, to Bishop Stratford, dated 1708, to Bishop Hall who died in 1668, to Edmund Entwistle, dated 1712, to John and Thomas Wainwright who died respectively in 1686 and 1720, to Robert Bickerstaff who died in 1841 by Blayney, to Dean Smith who died in 1787 by Thomas Banks, and to Sir William Mainwaring, dated 1671.
Choir stall with canopy and misericord
Choir
The most famous feature of the choir is the set of choir stalls, dating from about 1380, and described above. The lectern, in the form of a wooden eagle, symbol of John the Evangelist, dates from the first half of the 17th century. The candlesticks also date from the 17th century and are by Censore of Bologna who died in 1662.
With these exceptions, most of the decoration and the fittings of the choir date from the 19th century and are in keeping with the Gothic Revival promoted by the Oxford Society and Augustus Welby Pugin. The restored vault of the choir is typical of the period, having been designed by Scott and decorated and gilded by Clayton and Bell.
The choir is entered through a screen designed by Sir George Gilbert Scott, with gates made by Skidmore. The rood was designed by Sir Giles Gilbert Scott, and was made by F. Stuflesser. The bishop’s throne or “cathedra” was designed by George Gilbert Scott to complement the choir stalls. It was constructed by Farmer and Brindley in 1876. The reredos and the floor mosaic date from 1876, and were designed by J. R. Clayton. The east window has tracery of an elegant Decorated Gothic design which is filled with stained glass of 1884 by Heaton, Butler and Bayne.
Lady Chapel
The 13th century Lady Chapel contains the stone shrine of St Werburgh which dates from the 14th century and which used to contain her relics. The shrine, of the same pink stone as the cathedral, has a base pierced with deep niches. The upper part takes the form of a miniature chapel containing statuettes. During the dissolution of the monasteries it was dismantled. Some of the parts were found during the 1873 restoration of the cathedral and the shrine was reassembled in 1888 by Blomfield. A carving of St Werburgh by Joseph Pyrz was added in 1993. Also in the chapel are a sedilia and a piscina. The stained glass, dated 1859, is by William Wailes. The chapel contains a monument to Archdeacon Francis Wrangham, made by Hardman & Co. and dating from 1846.
North choir aisle
The north choir aisle has a stone screen by R. C. Hussey and an iron gate dated 1558 that came from Guadalajara. At the east end of the aisle is the chapel of St Werburgh which has a vault of two bays, and an east window depicting the Nativity by Michael O'Connor, dated 1857. Other stained glass windows in the north aisle are by William Wailes, by Heaton, Butler and Bayne, and by Clayton and Bell. The chapel contains as a piscina dating from the 14th century, and monuments to Bishop Graham dated 1867, and to William Bispham who died in 1685, Other monuments in the north aisle include a tablet to Bishop Jacobson, dated 1887, by Boehm to a design by Blomfield.
North transept, sacristy and chapter house
The small Norman transept has clerestory windows containing stained glass by William Wailes, dated 1853. The sacristy, of 1200, has an east window depicting St Anselm, and designed by A. K. Nicholson. In the north transept is a freestanding tombchest monument to Bishop Pearson who died in 1686, designed by Sir Arthur Blomfield and carved by Nicholas Earp, with a recumbent effigy by Matthew Noble. Other monuments in the transept include one to Samuel Peploe, dating from about 1784, by Joseph Nollekens. The wall monuments include cenotaphs to members of the Cheshire (Earl of Chester's) Yeomanry killed in the Boer War and in the First and Second World Wars. At the corner of the transept with the north aisle is a 17th-century Tree of Jesse carved in whale ivory. A niche contains a rare example of a "cobweb picture", painted on the web of a caterpillar. It depicts Mary and the Christ-Child, and is based on a painting by Lucas Cranach the Elder.
The chapter house has stained glass in its east window by Heaton, Butler and Bayne and grisaille windows in the north and south walls, dated 1882–83, by Blomfield. It contains an oak cope cupboard from the late 13th century, and houses part of the cathedral library. In the vestibule is a copy of Ranulf Higdon's Polychronicon.[46] The front of the chapter house was rebuilt to a design by Hussey.
South choir aisle
Flowing Decorated tracery and glass by Heaton, Butler and Bayne in the south transept
The south aisle was shortened in about 1870 by Scott, and given an apsidal east end, becoming the chapel of St Erasmus. The stained glass in the apse window is dated 1872 and is by Clayton and Bell. Below this is a mosaic designed by J. R. Clayton and made by Salviati, and a fresco painting by Clayton and Bell, dated 1874. Elsewhere the stained glass in the aisle is by Wailes, and by Hardman & Co. to a design by Pugin.[42] The aisle contains the tomb of Ranulf Higdon, a monk at St Werburgh's Abbey in the 12th century who wrote a major work of history entitled Polychronicon,[47] a monument to Thomas Brassey (a civil engineering contractor who died in 1870), designed by Blomfield and made by Wagmuller, a monument to Bishop Peploe who died in 1752, and three painted monuments by Randle Holme.
South transept
The south transept, formerly the parish church of St Oswald contains a piscina and sedilia in the south wall. On the east wall are four chapels, each with a reredos, two of which were designed by Sir Giles G. Scott, one by Kempe and the other by his successor, W.E. Tower. The south window is dated 1887 and was made by Heaton, Butler and Bayne to a design by R. C. Hussey. Other stained glass in the transept is by Clayton and Bell, by C. E. Kempe and by Powell. The monuments include those to George Ogden who died in 1781, by Hayward, to Anne Matthews who died in 1793, by Thomas Banks, to John Philips Buchanan who died at Waterloo in 1815, and to the first Duke of Westminster, designed by C. J. Blomfield. On the wall of the southwest crossing pier are monuments which include a cenotaph to the casualties in HMS Chester in the Battle of Jutland in 1916 who included the 16-year-old Jack Cornwell VC. The west wall of the south transept has many memorials, including cenotaphs to the Cheshire Regiment, the Royal Air Force and the Free Czech Forces.
Cloisters and refectory
The cloisters were restored in the 20th century, and the stained glass windows contain the images of some 130 saints.[26] The cloister garth contains a modern sculpture entitled The water of life by Stephen Broadbent. The refectory roof is dated 1939 and was designed by F. H. Crossley. The east window with reticulated tracery was designed by Sir Giles G. Scott and is dated 1913. The stained glass in the west window, depicting the Creation, was designed by Ros Grimshaw and installed in 2001 to celebrate the Millennium. On the refectory's west wall there is a tapestry depicting Elymas being struck with blindness which was woven at Mortlake in the 17th century from a cartoon by Raphael. The heraldic paintings on the north wall represent the arms of the Earls of Chester.
Bell tower
Towards the end of 1963 the cathedral bells, which were housed in the central tower, were in need of an overhaul and ringing was suspended. In 1965 the Dean asked George Pace, architect to York Minster, to prepare specifications for a new bell frame and for electrification of the clock and tolling mechanism. Due to structural difficulties and the cost of replacing the bells in the central tower it was advised that consideration should be given to building a detached bell and clock tower in the southeast corner of the churchyard. It was decided to proceed with that plan, and in 1969 an announcement was made that the first detached cathedral bell tower was to be erected since the building of the campanile at Chichester Cathedral in the 15th century. In February 1969, nine of the ten bells in the central tower were removed to be recast by John Taylor & Co as a ring of twelve bells with a flat sixth. The new bells were cast in 1973. Work on the new bell-tower began in February 1973. Two old bells dating from 1606 and 1626 were left in the tower. On 26 February 1975 the bells were rung for the first time to celebrate the wedding of a member of the Grosvenor family. The official opening on 25 June 1975 was performed by the Duke of Gloucester. The belfry is known as the Dean Addleshaw Tower, after the dean of the cathedral responsible for its construction. Between the bell tower and the south transept is a garden in remembrance of the Cheshire Regiment (originally the 22nd Regiment of Foot).
The choral tradition at Chester is 900 years old, dating from the foundation of the Bendedictine monastery. There are usually ten choral services at the cathedral each week. Chester has a cathedral choir of male lay clerks, boy trebles and since 1997 the cathedral has recruited a choir of girl choristers, who sing on alternate Sundays to the boys and the same number of weekday services. There is no choir school at Chester, so the choristers come from local schools. On occasions the boy and girl choristers sing together. There is also a nave choir which sings Evening Prayer on Sundays, and sometimes joins with the cathedral choir on special occasions. The nave choir was formed in the middle of the 19th century, and was England’s first voluntary cathedral choir. The director of music is Philip Rushforth and the assistant organist is Ian Roberts. There are lunchtime organ recitals weekly on Thursday.The monthly program of music is available on the cathedral's website.
GBRf Class 66/7 no 66787 stops at the signal ready to give way to 158865 on a service to somewhere on 18-10-2018
Metroline London VWH2320 (LK17DDO) on 260 towards Golders Green and Metroline West VW1298 (LK12ATU) on 28 at Shepherd’s Bush Station towards Wandsworth
and you may tell yourself...this is not my beautiful house.
Corrupt developers and corrupt landlords. A miracle no one was hurt.
or should I say Vantage?
This Aston Martin DBS Vantage shot was on the same roll as the previous portrait of Desi.
Guilherme Arantes (Portuguese pronunciation: [ɡiˈʎɛrmi aˈrãtis]) is a Brazilian singer-songwriter and pianist. As a teenager, he was a member of the band Os Polissonantes, which also featured Brazilian actor Kadu Moliterno on Bass guitar. In 1969, Arantes started the band Moto Perpétuo with fellow students from USP's architecture course. It was with Moto Perpétuo that Arantes got his first taste of touring and recording in a studio. The band split up in 1974 as Arantes wanted to pursue a more commercial, pop style of music. Arantes dropped out of university to dedicate himself to his solo career, and in 1976, his song Meu mundo e nada mais (My world and nothing more) was picked by Rede Globo to feature in the soundtrack for the telenovela Anjo Mau. The song was a hit, and Arantes toured the country for the first time. His first self-titled album was released the same year on Globo's Som Livre label. The song Cuide-se bem (Take good care) from the same record, was also picked by Globo for another telenovela, Duas Vidas. Arantes went on to write another 23 songs for Globo's telenovelas, most of which became radio hits.Besides his solo work, he has also written songs for artists such as Gang 90 & Absurdettes, Elis Regina, Marina Lima and Maria Bethânia.
Parish of St. Catherine of Siena
Samal, Bataan
Church of Samal
The spiritual ministration of Samal was entrusted to the Dominicans in 1596. The town was attacked by Dutch invaders in April, 1647, but the local Garrison of Pampangos under the command of Alejo Aguas compelled the Dutch forces to retreat. The Church and the Convent built by the Rev. Jeronimo Belen, O.P., were ruined during the Dutch invasions. In 1898 the church was burned by the Katipuneros to drive out their enemies in the convent. The Rev. Justo Quesada rebuilt the church and convent in 1905.
Philippine Historical Committee
Same mannequin but model on the left with makeup for Evil Queen, Fairy Tale window at Bloomingdales, NYC..2012
Same mannequin on the right for "Vintage Bodies", NYC....2013
Masked tree frog (Smilisca phaeota) - Buenaventura Reserve, Ecuador
In light of the supreme court ruling that same-sex marraige was legal throughout the US today, here is a shot of two male Smilisca getting passionate. I saw the 2 amorous males calling from the same puddle and I wanted a shot highlighting the color difference between them. So I scooped them up and put them on a nearby branch, no sooner had I stepped back than the green male moved over and started grasping the brown male attempting to embrace him in what is known in frogs as amplexus. Amplexus is normally done between a male and female frog with the male ontop from where he fertilizes the females eggs as she releases them. Of course with two males no fertilization will occur, but as long as they're happy :)
You don't really think anyone is going to open a church in this weather? Said Jools. And at about the same time, a warden's wife was saying, you're not going to go and open the church are you? No one will visit a church on a day like this.
So, the madness of man wins out, as I did visit and found that the warden had just opened the church.
Sadly, Great Mongehmam wasn't open later, but looked interesting enough to demand a return visit ASAP.
As I now know, any settlement ending with "bourne" should have a stream source or running through it. And that is the case here, a winterbourne, though not as frequently running as the Nailbourne rises here and flows to Sandwich.
Northbourne lies to the west of Deal, in a patchwork of fields and woods that is most pleasant. It used to be near to Tilmanstone Colliery and the Davy Lamp hanging in the chanel remembers this.
I walk into the porch and there is the warden helpfully hanging the "church open" sign on the door. Come to visit the church he asked. Yes, is there one nearby, I quipped.
He showed me some interesting details, shred a bit of histor, then began his long walk back to Finglesham.
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One of the few cruciform churches to have been built in Kent in the twelfth century, on the site of, and incorporating fragments of, a Saxon building. Curtains help shut off parts of the church during the winter months. There is a good mass dial by the main door. The Lady Chapel contains the monument to Sir Edwin Sandys and his wife (d. 1629). It is one of the best of its date in Kent and shows the pair in recumbent position hand in hand. Surprisingly the wordy inscription was not added until 1830! The chancel was refitted in the mid-nineteenth century but the east window shows good quality medieval stonework of thirteenth-century date.
www.kentchurches.info/church.asp?p=Northbourne
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NORTHBORNE,
USUALLY called Norborne, as it is written in the survey of Domesday, lies the next parish westward from Little Mongeham, being so called from the north borne, or stream, which runs from hence into the river at Sandwich. There are four boroughs in it, Norborne, Finglesham, Asheley, and Tickness, or Tickenhurst, for each of which a borsholder is chosen at the manor court of Norborne.
THIS PARISH lies for the most part exceedingly dry and healthy, in a fine uphill, open and pleasant country, though it extends northward towards Howbridge and Foulmead, into a low country of wet ground and marsh lands. It is a large parish, for although it is very long and narrow, extending only a mile and an half from east to west, yet it is full five miles from north to south, till it joins Waldershare and Whitfield. The part of this parish containing the borough, hamlet, and manor of Tickenhurst, is separated from the rest of it by the parishes of Eastry, Ham, and Betshanger, intervening; and there is a small part of the parish of Goodneston within this of Norborne, and entirely surrounded by it. The soil of this parish being so very extensive, must necessarily vary much. It is, however, much inclined to chalk, and is throughout it very hilly; though much of it is very light earth, yet there is a great deal of rich fertile land in the lower part of it northward. There is much uninclosed land and open downs interspersed throughout it. The street of Norborne, having the church and vicarage-house within it, and containing twentysix houses, is situated at the north-east boundary of the parish. Near it is Norborne-court, the almonry or parsonage, and a house and estate, called the Vine farm, now in the possession of the hon. lady Frances Benson.
Besides this, there are several other streets, hamlets, and eminent farms, within the bounds of this parish, of which, those most worthy of notice, the reader will find described hereafter.
THE MANOR OF NORBORNE, which is of very large extent, was given in the year 618, by Eadbald, king of Kent, by the description of a certain part of his kingdom, containing thirty plough lands, called Northborne, to the abbot and convent of St. Augustine, in which monastery his father lay, and where he had ordered himself to be buried. In this state it con tinued at the time of taking the survey of Domesday, in the 15th year of the Conqueror's reign, in which it is entered under the general title of the land of the church of St. Augustine, as follows:
In the lath of Estrea. In Cornelest hundred.
The abbot himself holds Norborne. It was taxed at thirty sulings. The arable land is fifty-four carucates. In demesne there are three, and seventy-nine villeins, with forty-two borderers, having thirty-seven carucates. There are forty acres of meadow, and wood for the pannage of ten hogs.
In the time of king Edward the Consessor, it was worth four times twenty pounds; when he received it twenty pounds; now seventy-six pounds.
Of the lands of the villeins of this manor, Oidelard holds one suling, and there he has two carucates, with eleven borderers..... It is worth four pounds. .... Of the same land of the villeins, Gislebert holds two sulings, all but half a yoke, and there he has one carucate, and four villeins, with one carucate. It is worth six pounds.
Wadard holds of this manor three sulings, all but sixty acres of the land of the villeins, and there he has one carucate, and eight villeins, with one carucate and two servants. It is worth nine pounds; but he pays no service to the abbot, except thirty shillings, which he pays in the year.
Odelin holds of the same land of the villeins one suling, and there he has one carucate, with three borderers..... It is worth three pounds.
Marcherius holds of the same land of the villeins what is worth eight shillings.
Osbern the son of Letard holds half a suling, and eleven acres of meadow, of the land of the villeins, which is worth twenty-five shillings. He pays to the abbot fifteen shillings.
Rannulf de Colubers holds one yoke .......worth fifty pence.
Rannulf de Ualbadon holds one yoke, and pays from thence fifty pence.
The above-mentioned Oidelard holds also of this manor one suling, and it is called Bevesfel, and there he has two carucates, with ten borderers. It is worth six pounds.
In the reign of king Edward II. the 7th of it, anno 1313, the abbot claimed upon a quo warranto, in the iter of H. de Stanton and his sociates, justices itinerant, and was allowed sundry liberties therein mentioned in this manor, among others, and the view of frank-pledge, and likewise wrec of the sea in this manor in particular, in like manner as has been mentioned before in the description of the several manors belonging to the monastery, in the former parts of this History. (fn. 1) And the liberty of the view of frankpledge was in particular further confirmed by that king, in his 10th year.
King Edward III. in his 5th year, anno 1330, exempted the men and tenants of this manor from their attendance at the turne of the sheriff, before made by the borsholder, with four men of each borough within it; and directed his writ to Roger de Reynham, then sheriff, commanding that in future they should be allowed to perform the same with one man only.
In the 8th year of king Richard II. the measurement of the abbot and convent's lands at Nordburne, with 208 acres of wood, was 2179 acres and an half and one rood.
Salamon de Ripple, a monk of this monastery, being, about the 10th year of king Edward III. appointed by the abbot keeper of this manor, among others, made great improvements in many of them, and in particular he new built the barns here, and a very fair chapel, from the foundations. But after wards, in the year 1371, their great storehouses here, full of corn, were, by the negligence of a workman, entirely burnt down; the damage of which was estimated at one thousand pounds.
After which, I find nothing further in particular relating to this manor, which continued part of the possessions of the monastery, till its final dissolution, in the 30th year of king Hen. VIII. when it was surrendered into the king's hands, with whom this manor continued but a small time; for the king, in his 31st year, granted it, with the parsonage or rectory, to archbishop Cranmer, in exchange, and it remained parcel of the possessions of the see of Canterbury, till archbishop Parker, in the 3d year of queen Elizabeth, reconveyed it to the crown, in exchange. After which, the manor itself, with its courts, franchises, and liberties, continued in the crown, till king Charles I. in his 5th year, granted it in fee to William White and others, to hold, as of his manor of East Greenwich, by sealty only, in free and common socage, and not in capite, or by knight's service; (fn. 2) and they that year sold it to Stephen Alcocke, gent. of London, who next year passed it away by sale, with some exceptions, to Edward Boys, gent. of Betshanger, to hold of the king in like manner, as above-mentioned. His descendant, Edward Grotius Boys, dying s. p. in 1706, gave it by will to his kinsman, Thomas Brett, LL. D. of Spring grove, and he, in 1713, alienated it to Salmon Morrice, esq. afterwards an admiral of the British navy, and of Betshanger, whose grandson William Morrice, esq. died possessed of it in 1787, unmarried; upon which it came to his only brother, James Morrice, clerk, who is the present owner of this manor.
The fee-farm rent reserved when this manor was granted away by the crown, came into the hands of the earl of Ilchester, who in 1788 sold it to the Rev. Mr. Morrice, the present owner of this manor; so there is now no fee-farm rent paid for it.
A court leet and court baron is yearly held for it; at the former of which, two constables, one for the upper half hundred, and the other for the lower half hundred of Cornilo, are chosen. The present manorhouse is a small cottage in Norborne-street, built upon the waste for that purpose.
NORTHBORNE-COURT, usually called Norborne abbey, from its having belonged to the abbey of St. Augustine, was the antient court-lodge of the manor, before they were separated by different grants from the crown. It is said to have been in the time of the Saxons the palace of king Eadbald, who gave it as above-mentioned, with the manor, to the above monastery. Accordingly, Leland, in his Itinerary, says, (fn. 3) "A ii myles or more fro Sandwich from Northburn cummeth a fresch water yn to Sandwich haven. At Northburn was the palayce or maner of Edbalde Ethelberts sunne. There but a few years syns (viz. in king Henry VIII.'s reign) yn breking a side of the walle yn the hawle were found ii childrens bones that had been mured up as yn burielle yn time of Paganits of the Saxons. Among one of the childrens bones was found a styffe pynne of Latin." This court-lodge, with the demesne lands of the manor, remained but a very short time in the hands of the crown, after the reconveyance of it by the archbishop, in the 3d year of queen Elizabeth, as has been mentioned above; for it was almost immediately afterwards granted by the queen, for life, to Edward Sanders, gent. her foster brother. He afterwards resided at Norborne court, having married Anne, daughter and coheir of Francis, son of Milo Pendrath of Norborne, by Elizabeth, one of the heirs of Thomas Lewin, and nurse to queen Elizabeth. Elizabeth. His ancestors had resided for some generations at Chilton, in Ash, but were originally descended from Minister, in Thanet. They bore for their arms, Or, on a chevron, gules, three mullets, argent, between three elephants heads, erased, of the second. (fn. 4) On his death, about the middle of that reign, the possession of it reverted to the crown, where it remained, till king James I. soon after his accession, granted it in see to Sir Edwin Sandys, on whom he conferred the honour of knighthood, and had given this estate, for his firm attachment to him at that time. He rebuilt this mansion, and kept his shrievalty at it, in the 14th year of king James I. and dying in the year 1629, was buried in the vault which he had made in this church for himself and his posterity, and in which most of his direct descendants were afterwards deposited. He was second son of Edwin Sandys, archbishop of York, by his second wife. The archbishop's eldest son was Samuel, who was of Worcestershire, from whom descended the lords Sandys, late of Ombersley, in that county. Two of his younger sons were, Miles Sandys, of Worcestershire, and George, the noted traveller. They bore for their arms, Or, a fess dancette, between three cross croslets, fitchee, gules.o
Sir Edwin Sandys, though he had four wives, left male issue only by his last wife. From Edwin, their second son, descended the Sandys's, of Norbornecourt; and from Richard, the third son, those of Canterbury, still remaining there. On Sir Edwin Sandys's death, in 1629, his eldest son, Henry Sandys, esq. succeeded to this estate; and on his death, s. p. his next brother, Col. Edwin Sandys, the noted rebel colonel under Oliver Cromwell, well known for his sacrilegious depredations and insolent cruelties to the royalists, who died at Norborne-court of the wound he had received in 1642, at the battle of Worcester, His grandson Sir Richard Sandys, of Norborne-court, was created a baronet in 1684, and died in 1726. By his first wife he left only four daughters his coheirs, viz. Priscilla, the eldest, married to Henry Sandys, esq. (grandson of Henry Sandys, esq. of Downe, the son of Col. Richard Sandys, the younger brother of Col. Edwin Sandys, the great grandfather of Priscilla, above-mentioned). Mary, the second daughter and coheir, married William Roberts, esq. of Harbledowne; Elizabeth, the third daughter, died unmarried soon after her father's death; and Anne, the fourth and youngest daughter, married Charles Pyott, esq. of Canterbury, and they respectively, in right of their wives, became possessed of this, among the rest of his estates, in undivided shares, by the entail made in Sir Richard Sandys's will.
The third part of Henry Sandys, in right of his wife Priscilla, descended to his son Richard Sandys, esq. of Canterbury, whose surviving sons, and daughter Susan married to Henry Godfrey Faussett, esq. of Heppington, at length succeeded to it.
The third part of William Roberts, in right of his wife Mary, descended at length to his grand-daughter Mary, only daughter of Edward Wollet, esq. who carried it in marriage to Sir Robert Mead Wilmot, bart. and on his decease came to his eldest son Sir Robert Wilmot, bart.
The remaining third part of Charles Pyott, esq. in right of his wife Anne, descended to his only daughter Anne, married to Robert Thomas Pyott, esq. of Hull, but afterwards of Canterbury.
In 1795, all the parties interested in this estate joined in conveying their respective shares to the several purchasers undermentioned: to James Tillard, esq. of Street-End Place, near Canterbury, Northborne-court lodge, farm, and lands; to Robert-Thomas Pyott, esq. Stoneheap-farm; to Wm. Wyborn, the scite of the late mansion house, gardens, and LongLane farm; to Mr. John Parker, Cold-Harbour farm; and to several other persons, the remaining small detached parts of this estate. The whole purchase-monies amounting nearly to 30,000l. The whole estate contained near 1100 acres, all tithe-free, except about forty acres.
The mansion of Norborne-court, the residence of the Sandys's, appears to have been a large and stately building. It was pulled down in 1750, and the materials sold; and the walls are all that now remain of it, forming a very considerable ruin. Near the house was a handsome chapel, formerly used by the abbot and convent of St. Augustine, when they visited this mansion, and afterwards by the Sandys family. It is at this time nearly entire, excepting the roof, which has been long since taken off.
LITTLE BETSHANGER is an estate in the western part of this parish, which was antiently accounted a manor, and had once owners of the same name; one of whom, Ralph de Betshanger, was possessed of it in king Edward II.'s reign, as was his descendant Thomas de Bethanger, in the 20th year of the next reign of king Edward III. Soon after which, Roger de Cliderow, says Philipott, was proprietor of it, as appears by the seals of old evidences, which commenced from that reign, the shields on which are upon a chevron, between three eagles, five annulets. Notwithstanding which, it appears by the gravestone over his successor, Richard Clitherow, esq. in Ash church, that the arms of these Clitherows were, Three cups covered, within a bordure, ingrailed, or; at least that he bore different arms from those of his predecessor. At length, Roger Clitherow died without male issue, leaving three daughters his coheirs; of whom Joane, the second, married John Stoughton, of Dartford, second son of Sir John Stoughton, lord-mayor of London. After which, this estate was alienated from this family of Stoughton to Gibbs, from which name it passed into that of Omer; in which it staid, till Laurence Omer, gent. of Ash, leaving an only daughter and heir Jane, she carried it in marriage to T. Stoughton, gent of Ash, afterwards of St. Martin's, Canterbury, son of Edward Stoughton, of Ash, the grandson of John Stoughton, of Dartford, the former possessor of this estate. He died in 1591, leaving three daughters his coheirs; of whom, Elizabeth was married to Thomas Wild, esq. of St. Martin's, Canterbury; Ellen to Edward Nethersole, gent. and Mary to Henry Paramore, gent. of St. Nicholas, and they by a joint conveyance passed it away to Mr. John Gookin, who about the first year of king James, alienated it to Sir Henry Lodelow, and he again, in the next year of king Charles I. sold it to Edward Boys, esq. of Great Betshanger, whole descendant Edward Grotius Boys, dying s. p. in 1706, gave it by will to his kinsman Thomas Brett, LL. D. who not long afterwards alienated it to Sir Henry Furnese, bart. of Waldershare, and his son, Sir Robert Furnese, bart. of the same place, died possessed of it in 1733. His three daughters and coheirs afterwards succeeded to his estates, on the partition of which this estate was wholly allotted, among others, to Anne, the eldest sister, wife of John, viscount St. John, which was confirmed by an act passed next year. After which it descended down to their grandson George, viscount Bolingbroke, who sold it in 1791 to Mr. Thomas Clark, the present owner of it. The house is large, and has been the residence of gentlemen; a family of the name of Boys has inhabited it for many years, Mr. John Boys now resides in it, a gentleman, whose scientific knowledge in husbandry is well known, especially by the publication of the Agricultural Society of the state of it, and its improvements in this county, for which they are, I believe, wholly indebted to him.
THE TITHES of this estate of Little Betshanger, as well great as small, belonged, with those of Finglisham in this parish, to the abbot and convent of St. Augusting, and were assigned in the year 1128 to the cloathing of the monks there; and after the dissolution of the monastery were granted together to the archbishop of Canterbury, part of whose revenues they remain at this time. (fn. 5)
Mr. Boteler, of Eastry, found near Little Betshanger, the plant astragalus glyeyphyllos, wild liquorice, or liquorice vetch, which is very scarce, and has never been observed by him any where else.
THE MANOR OF TICKENHURST, now called Tickness; in Domesday, Ticheteste, and in other antient records, Tygenhurst, is situated in the borough and hamlet of its own name. It lies most part of it in this parish, but at some distance westward from the rest of it, several parishes intervening, and partly in that of Knolton. In the time of the Conqueror, Odo, the great bishop of Baieux and earl of Kent, was owner of it, and continued so at the taking of the survey of Domesday, in which this manor is thus entered in it, under the general title of the bishop's lands:
Turstin holds of the bishop Ticheteste. It was taxed at one suling and an half. The arable land is ..... In demesne there is one carucate, with four borderers, and a small wood. In the time of king Edward the Consessor it was worth four pounds, and afterwards forty shillings, now one hundred shillings. Edric de Alham held it of king Edward.
Four years after the taking of the above survey, the bishop was disgraced, and all his possessions were confiscated to the crown. After which, this manor came into the possession of a family, which took their surname from it, some of whom were witnesses to deeds of a very antient date; but they became ex tinct before the reign of king Henry VI. and it was afterwards the property of the Stoddards, ancestors of those of this name, of Mottingham, in this county, in which this manor remained for some generations, till about the latter end of queen Elizabeth's reign it was alienated to Peyton, of Knolton; since which it has continued in the possession of the owners of that manor and seat, down to Sir Narborough D'Aeth, bart. now of Knolton, the present owner of it.
In the year 1074, the bishop of Baieux gave to St. Augustine's monastery, those tithes which his tenants had; i. e. the chamberlain Adelold, in the villes of Cnolton, Tickenhurst, and Ringelton, and likewise of Bedleshangre, and of Osbern Paisforer, in the small ville of Bocland, all which the king confirmed by his charter. But the tithes of Cnolton and Ringelton, William de Albiney, in process of time, being lord of the fee of those lands, took away from the monastery through his power; and the tithe of Boclonde, Roger de Malmains took away from it.
Within this borough and hamlet of Tickenhurst are two farms, called Great and Little Tickenhurst, belonging to Sir Narborough D'Aeth, bart, both which pay tithes to the almonry or parsonage of Norborne, formerly belonging to St. Augustine's monastery.
NEAR THE north west boundary of the parish is the HAMLET OF WEST-STREET, containing five houses. In it is an estate, called WEST-STREET, alias PARK GATE, the first mention that I find of which is in the will of Roger Litchfield, anno 1513, who mentions his farm of West-street. This, with another farm called Parkgate, (the buildings of which are now pulled down) stood in Ham parish. Sir Cloudesley Shovel was in later times possessed of this estate, and after his unfortunate decease, his two daughters and coheirs. On the division of their estate, Anne the youngest daughter, entitled her husband John Black wood to the possession of it. He died in 1777, and was succeeded in it by his two sons and coheirs in gavelkind, Shovel Blackwood, esq. and Col. John Blackwood, of Cheshunt, in Hertfordshire, who made a division of their inheritance; in which partition this estate of West-street, alias Parkgate, was, among others, allotted to the latter, who next year procured an act for the sale of it. After his death this estate came to his widow, who sold it in 1790 to Mr. William Nethersole, the present owner of it.
ABOUT HALF A MILE from West-street is THE HAMLET OF FINGLESHAM, containing thirty houses. It is written in the survey of Domesday, Flenguessam, in which it is thus entered, under the title of lands held of the archbishop by knight's service:
In Estrei hundred. William Folet holds of the archbishop, Flenguessam. It was taxed at half a suling. There he has six villeins, with one carucate and an half.
After this, I find no further mention of this place for some time; but in the reign of king Edward I. in the year 1288, the king granted licence to the abbot and convent of St. Augustine, to appropriate to their use a messuage, and certain rents and lands in different parishes, and among others, in the tenancy of Norborne, at Fenlesham.
In later times I find that William Poyshe, of Norborne, by will in 1524, gave his place at Fynglisham, to John his son, and that Thomas Parker, late one of the jurats of Sandwich, by will in 1596, gave to Nicholas Parker, his brother's son, his house and lands in Fynglisham, called Fynglisham farm, situated in this street. His descendant, Valentine Parker, gent. resided here in 1669, and by will gave this estate to his godson, Mr. Valentine Hild, or Hoile, from whom it has descended to his great-grandson Mr. Thomas Hoile, the present owner of it.
ROBERT, abbot of St. Augustine's monastery, in king Henry III.'s reign, anno 1240, confirmed an exchange, made by his convent, of all THE TITHES of Finglesham and Little Betshangre, as well great as small, to the eleemosinary of his monastery, which tithes had before belonged to the chamberlain of it. (fn. 6) These tithes of Finglisham now belong to the archbishop, and are, with those of Little Betshanger in this parish, demised by him on a beneficial lease.
Through Finglesham, and over Howe bridge, the high road leads to Deal. From hence, the water, called the Gestling, or north stream, takes its course towards the river Stour, below Sandwich.
AT A SMALL DISTANCE southward from Finglesham, is the little HAMLET OF MARLEY, which consists of only four houses, one of which is that of GROVE, alias MARLEY FARM, the former of which is its proper name, though it is now usually called by the latter. It formerly belonged to the family of Brett. Percival Brett, of Wye, possessed it in 1630, whose descendant, Richard Brett, gent. left an only daughter Catherine, who married John Cook, formerly of Mersham, but afterwards of Canterbury, clerk. They left two daughters, Catherine, wife of Thomas Shindler, alderman of Canterbury, and Mary, and they joined in the conveyance of this estate, in 1727, to John Paramor, gent. of Statenborough; after which, it descended in like manner as Statenborough, to his niece, Mrs. Jane Hawker, afterwards the wife of John Dilnot, esq. who on her death became possessed of the see of it, which he sold in 1792, together with a farm in Finglisham, to William Boteler, esq. of Eastry, who resided here, and two years afterwards alienated them both to Mr. James Jeken, of Oxney, the present owner of them.
ABOUT A MILE south-westward, at the western boundary of this parish, is THE MANOR OF WESTCOURT, alias BURNT-HOUSE, stiled in the antient book of the Fædary of Kent, the manor of Westcourt, alias East Betshanger, and said in it to have been held of the late monastery of St. Augustine by knight's service, being then the property of Roger Litchfield, who died possessed of it in 1513, and in his will calls it a manor, since which it has always had the same owners as Great Betshanger, and is now possessed accordingly by the Rev. James Morrice.
Upon the north-north east point of the open downs adjoining to Little Betshanger are the remains of a camp, formed for the forces which lay here, under the command of Capt. Peke, to oppose the landing of the Spaniards, at the time of the armada, in 1588. About a mile further southward from hence, over an open uninclosed country, is Stoneheap, a good farm, which has long had the same owners as Norbornecourt, and is now by a late purchase, wholly vested in Robert-Thomas Pyott, esq. as has been already mentioned before. This estate is tithe-free, being most probably part of the demesnes of Norborne manor. It takes tithes of corn and grain, of eighteen acres of land in Little Mongeham, belonging to Mr. John Boys, and twenty-two acres in Norborne, late belonging to Sir Edward Dering, bart. separate from it, but by what means I know not.
AT A LIKE DISTANCE, still further southward, is WEST STUDDAL, formerly written Stodwald, an estate which some time since belonged to a branch of the numerous family of Harvey, originally of Tilmanstone, under which a further account of them may be seen. In the descendants of this family it continued down to Richard Harvey, who was afterwards of Dane-court; not long after which, this estate came into the possession of James Six, of whom it was purchased by Sir Henry Furnese, bart. of Waldershare, about the year 1707. After which it passed, in the allotment of the Furnese estates, to Sir Edward Dering, bart. who not long since conveyed it to Solley, of Sandwich, and he sold it to Mr. Thomas Packe, of Deal, whose daughter carried it in marriage to James Methurst Pointer, esq. who lately sold it to Mr. Laurence Dilnot, the present owner of it.
FROM HENCE over Maimage, but more properly Malmains down, is THE HAMLET OF ASHLEY, containing fifteen houses. In it is Ashley farm, belonging to Mrs. Elizabeth Herring. The rectory or parsonage of Ashley, called in antient records, Essela, was part of the possessions of the abbot and convent of St. Augustine, with whom it continued till the dissolution of that abbey, anno 30 Henry VIII. After which it was granted to the archbishop, of whom it is now held on a beneficial lease; the interest in which belongs to Isaac Bargrave, esq. of Eastry, in right of his late wife Sarah, sister and coheir of Robert Lynch, M. D. of Canterbury, and to Mrs. Elizabeth Herring above-mentioned, the other sister and coheir. This lease consists of the glebe of land, with the tithes of the hamlet of Ashley, West Studdal, Minacre, Napchester, and of others in Little Mungeham.
SOUTHWARD from the above, is THE HAMLET OF MINACRE, sometimes spelt Minaker, one moiety, or half of which, was formerly the property of Silkwood, and was purchased of one of them by Sir Robert Furnese, bart. of Waldershare. Since which it has passed in like manner as the rest of the Furnese estates in this county, which came to the late earl of Guildford, by his marriage with the countess of Rockingham, one of Sir Robert Furnese's daughters and coheirs, and his grandson the present right hon. George Augustus, earl of Guildford, is now owner of it.
The other moiety, or half of this hamlet, belongs to Mr. Leonard Woodward, of Ashley.
Still further southward, at the utmost limits of this parish, is another hamlet of five houses, called NAPCHESTER, which adjoins to the parishes of Walder share and Whitfield, the principal farm of which belongs to the earl of Guildford. There are no fairs kept in this parish.
Charities.
SIR RICHARD SANDYS, bart. of this parish, by will in 1726, gave to the churchwardens and overseers 5l. to be laid out in buying coals at the cheapest time of the year, and to be by them sold out to the poor at the same price that they cost, and the monies arising from such sale to be a fund, to be yearly employed for the same purpose.
The poor constantly relieved are about twenty-five, casually thirty.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sandwich.
The church, which is exempted from the archdeacon, is dedicated to St. Augustine. It is a large goodly building, consisting of a nave, chancel, and transept, having a large square tower in the middle, which has probably been much higher. There are five bells in it. The church is built of flint, with quoins, door, and window cases of ashler squared stone; some arches of the windows are pointed, some circular, and some with zig-zag ornaments. The western arch of the tower is pointed with triple dancette ornaments; the others circular. The chancel is repaired by the archbishop's lessee of the almonry. In the south transept, which is repaired by the Sandys's family, is a large vault, in which are deposited their remains. Over it is a most costly and sumptuous monument, having at the back a plain blank tablet; on the tomb the recumbent essigies of a knight in armour and his lady in a loose mantle. Above the pediment, and in other places, several shields of arms, with the coat of Sandys, with quarterings and impalements. This tomb is for Sir Edwin Sandys, second son of Edwin, archbishop of York. He had a grant of Norborne court from king James I. and died in 1639. (His marriages and issue have been already mentioned before). This monument was erected by him in his life time; but he who erected this sumptuous monument, and added the provisional blank tablet and escutcheons on it, with a thought of securing to himself and his posterity a king of immortality, left not one behind him, of all his numerous children, who had the least veneration for him, or respect for his memory; both the tablet and escutcheons remaining a blank at this time. In the nave is a memorial for Richard Harvie of Eastry, obt. 1675. In the church-yard are three altar-tombs, one for George Shocklidge, A. M. vicar forty-nine years, ob. 1772; arms, Three fishes, their heads conjoined in fess, their tails extended into the corners of the escutcheon; and the other two for the family of Gibbon.
The church of Norborne, with its chapels of Cotmanton and Sholdon, was antiently appendant to the manor, and was in early times appropriated to the abbey of St. Augustine; and in 1128, anno 29 king Henry I. was assigned by Hugh, the abbot of it, to the use of the eleemosinary or almonry belonging to it, which almonry was an hospital, built just without the gate of the monastery, for the reception of strangers and the poor resorting to it from all parts, and the relief of the weak and infirm.
After this, there were continual disputes between the abbots of this monastery and the several archbishops, concerning their respective privileges and jurisdictions relating to the churches belonging to it, among others, to this of Norborne, which at last ended in the allowance of the abbot's exemption from all such jurisdiction; archbishop Arundel in 1397 pronouncing a definitive sentence in the abbot's favour; all which may be found inserted at large in Thorne's Chronicle. (fn. 7)
In the year 1295, the abbot made an institution of several new deanries, for the purpose of apportioning the churches belonging to his monastery to each of them, as exempt from the jurisdiction of the archbishop; in which institution this church was included in the new deanry of Sturry. This caused great contentions between the abbots and the several archbishops, which at last ended in the total abolition of this new institution.
In which state this appropriation, with the advowson of the vicarage, remained, till the final dissolution of the abbey in the 30th year of king Henry VIII. when it came into the king's hands, whence the parsonage appropriate, otherwise called the Almonry farm, was granted the next year in exchange to the archbishop, and it remains parcel of the possessions of the see of Canterbury at this time.
But the advowson of the vicarage of this church, being excepted out of the above grant, remained in the crown, till king Edward VI. in his 1st year granted it, being an advowson in gross, to the archbishop, in whose successors it has continued to this time, his grace the archbishop being the present patron of it.
¶Though the church of Norborne was so early appropriated to the use of the almonry, as has been mentioned before, and a vicarage instituted in it, yet there was no endowment of it till the 1st year of the reign of king Edward I. when the abbot and convent, under their chapter seal, granted an endowment of it, which was approved of by the archbishop's commissary. He decreed and ordained, that the vicar should have the usual mansion of the vicarage, with the garden, and two acres of land contiguous to it, together with eleven acres of land lying at Donneslonde, and the way usual to the same; all which the vicars had heretofore enjoyed. And that they should have yearly two cows feeding, and the right of feeding them, from the feast, of St. Gregory until that of St. Martin in winter, with the cows of the religious wheresoever within the bounds of the parish. Also that they should have, in the name of their vicarage, within the limits or titheries of this church, or chapels of it, all the tithes whatsoever of sheaves, corn, and other vegetables, in orchards or gardens, being dug with the foot; and also all tithes arising from all mills so situated then, or which hereafter might be built, excepting of the mill of the religious, nigh to the King's highway, leading from Northborne towards Canterbury. Also that they should receive, in the name of the vicarage, all tithes of hay arising within the parish, or within the bounds of the chapels aforesaid, excepting the tithe of hay, arising from the meadows of the religious in this parish, at the time of the endowment. Also that they should receive, in the name of the vicarage, all oblations whatsoever in the church of Northborne, and the chapels or oratories, wheresoever situated, dependent on it, excepting the oblations made by strangers, not parishioners of the church, or chapels, in the chapel of the religious, situated within their manor of Norborne, which they had retained to themselves. Moreover, that the vicars should receive all tithes of lambs, wool, chicken, calves, ducks, pigs, geese, swans, peas, pigeons, milk, milk-meats, trades, merchandizes, eggs, flax, hemp, broom, rushes, fisheries, pasture, apples, onions, garlic, pears, and all manner of small tithes, within the bounds, or tithings of the church and chapels aforesaid, in any shape arising or to arise in future; and also whatsoever legacies should be left in future to the church and chapels, and especially the tithes of reed, rushes, and silva cædua, whenever cut down, within the bounds or tithings of the chapels of Cotmanton and Scholdon, to this church belonging, or at any time arising. But that the vicars should undergo the burthen of serving in divine offices themselves, or other fit priests, in this church and chapels depending on it; but that the burthen of providing bread and wine, lights, and other things, which should be necessary there for the celebration of divine services, they should undergo in the said church and chapels, at their own expence, excepting in the chapel of Cotmanton; in which the burthens of this kind, and likewise of the rebuilding and repairing of the chapel, used to be borne, by the lords of the manor of Cotmanton. In the payment likewise of the tenth, or other quota of ecclesiastical benefices, when it happened that the same should be imposed on the churches in England, or in the archbishop's province or diocese, the vicars and their successors there, according to the portion of taxation of the said vicarage, should be bound to pay the same for the said vicarage. But the burthens of repairing and rebuilding the chancel of the church of Northborne, and the chapel of Scholdon depending on it, within and without; and of finding and repairing the books, vestments, and ornaments of the church and chapel of Scholdon, which by the rectors of churches ought, or were wont to be found and repaired of custom or of right, and other burthens ordinary and extraordinary incumbent on the said church and chapel, the religious should undergo for ever and acknowledge; all and singular of which, he, the aforesaid John, archbishop of Canterbury, approving, confirmed by that his ordinary authority, reserving to him and his successors, &c. (fn. 8)
In 1396 there was an agreement entered into between the rector of East Langdon and the vicar of Norborne, concerning the annual payment of four shillings to the latter. In which the parishioners of East Langdon are mentioned as being bound to contribute to the repair of the church of Norborne.
The vicarage of Norborne, with the chapel of Sholdon annexed, is valued in the king's books at 12l. 11s. 8d. and the yearly tents at 1l. 5s. 2d.
In 1578 here were one hundred and ninety-two communicants, and it was valued at sixty pounds. In 1640 here were communicants two hundred and ninety-seven, and it was valued at Seventy-four pounds.
Here is a good vicarage-house, which with the homestall, measures two acres; and there are nine acres of glebe land beside.