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A different view of the same little twigs and branches held together by string!
7 Days of Shooting Week #34 Multiples Texture Tuesday ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
This photography was taken at 2016 Bartlemy Ploughing Match that was held near Rathcormac County Cork
Same position as my previous but swinging the camera round to include the Shard and part of London Bridge.
The final half of my shift.
The TRB here is quite odd in that trains passing the box in the same direction are entered on opposite sides of thebook.
In the Line column in the centre of the page the enteries are thus...
On the Down side
M : Roxton - Brock'.
IB : Immingham to Brock'
MN : Main to New Holland
On the Up side
M : Brock - Roxton
BI : Brock - Immingham
NM : New Holland - Main
Thus the freight from Immingham to Brock and the Barton from Goxhill to Roxton both pass the box heading south but appear on opposite sides of the TRB.
When you don't come here too often as I didn't I always had to keep reminding myself....
Left was RR and right was BB,
i.e. the left hand page, the Down was for trains from Roxton and Reception,
Trains on the right hand page, the UP were for services being passed from Barton and Brocklesby.
Right then, time to keep catching up. Following on from my last Barnetby East on Saturday 19th I was not required Sunday and was booked Rest Day on Monday & Tuesday but that didn't last and I found myself working my two rest days at Ulceby Junction, both night turns.
In both instances I relieved Ulceby resident Steve Arnold and was taken off in the morning by long time resident Johnny Branker. Both were recorded for posterity !
In between times I took a couple of external shots of the box and the TRB was recorded using my iPhone.
All shots taken overnight Tuesday 22nd December into Wednesday 23rd December 2015 and Ulceby Junctions penultimate day.
Badami formerly known as Vatapi, is a town and headquarters of a taluk by the same name, in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from 540 to 757 AD. It is famous for its rock cut structural temples. It is located in a ravine at the foot of a rugged, red sandstone outcrop that surrounds Agastya lake. Badami has been selected as one of the heritage cities for HRIDAY - Heritage City Development and Augmentation Yojana scheme of Government of India.
HISTORY
- Dravidian architecture - Badami Chalukyas
- Hindu temple architecture - Badami Chalukya architecture
- Political history of medieval Karnataka - Badami Chalukyas
- Architecture of Karnataka - Badami Chalukya architecture
- Chalukyas of Badami
PRE-HISTORIC
Badami is surrounded by many pre-historic places including Khyad area of Badami, Hiregudda, Sidlaphadi and Kutkankeri (Junjunpadi, Shigipadi and Anipadi), there we can see the rock shelters megalithic burial sites and paintings.
BADAMI CHALUKYAS AND OTHER DYNASTIES
MYTHOLOGY
The Puranic story says the wicked asura Vatapi was killed by sage Agastya (as per Agastya-Vatapi story), the area in which the incident happened so named as Vatapi. At Aihole there was a merchant guild known as Ayyavole Ainuravaru lived in the area have reformed. As per scholar Dr. D. P. Dikshit, the first Chalukya king was Jayasimha (a feudatory lord in the Kadamba dynasty), who in 500 AD established the Chalukya kingdom. His grandson Pulakeshin Ibuilt a fort at Vatapi.
BADAMI CHALUKYAS
It was founded in 540 AD by Pulakeshin I (535-566 AD), an early ruler of the Chalukyas. His sons Kirtivarma I (567-598 AD) and his brother Mangalesha (598-610 AD) constructed the cave temples.Kirtivarma I strengthened Vatapi and had three sons Pulakeshin II, Vishnuvardhana and Buddhavarasa, who at his death were minors, thus making them ineligible to rule, so Kirtivarma I's brother Mangalesha took the throne and tried to establish rule, only to be killed by Pulakeshin II who ruled between 610 A.D to 642 A.D. Vatapi was the capital of the Early Chalukyas, who ruled much of Karnataka, Maharashtra, Few parts of Tamil Nadu and Andhra Pradesh between the 6th and 8th centuries. The greatest among them was Pulakeshin II (610-642 AD) who defeated many kings including the Pallavas of Kanchipuram.
The rock-cut Badami Cave Temples were sculpted mostly between the 6th and 8th centuries. The four cave temples represent the secular nature of the rulers then, with tolerance and a religious following that inclines towards Hinduism, Buddhism and Jainism. cave 1 is devoted to Shiva, and Caves 2 and 3 are dedicated to Vishnu, whereas cave 4 displays reliefs of Jain Tirthankaras. Deep caverns with carved images of the various incarnations of Hindu gods are strewn across the area, under boulders and in the red sandstone. From an architectural and archaeological perspective, they provide critical evidence of the early styles and stages of the southern Indian architecture.
The Pallavas under the king Narasimhavarma I seized it in 642 AD & destroyed the vatapi. Pulakeshin II's son Vikramaditya I of Chalukyas drove back Pallavas in 654 AD and led a successful attack on Kanchipuram, the capital of Pallavas. Then Rashtrakutas came to power in Karnataka including Badami around 757 AD and the town lost its importance. Later it was ruled by the Hoysalas.
Then it passed on to Vijayanagara empire, The Adil Shahis, Mughal Empire, The Savanur Nawabs (They were vassals of Nizams and Marathas), The Maratha, Hyder Ali. The Britishers made it part of the Bombay Presidency.
INSCRIPTIONS
Badami has eighteen inscriptions, among them some inscriptions are important. The first Sanskrit inscription in old Kannada script, on a hillock dates back to 543 CE, from the period of Pulakeshin I (Vallabheswara), the second is the 578 CE cave inscription of Mangalesha in Kannada language and script and the third is the Kappe Arabhatta records, the earliest available Kannada poetry in tripadi (three line) metre. one inscription near the Bhuthanatha temple also has inscriptions dating back to the 12th century in Jain rock-cut temple dedicated to the Tirtankara Adinatha.
VATAPI GANAPATI
In the Carnatic music and Hamsadhwani raga the Vatapi Ganapatim Bhaje by the composer Muthuswami Dikshitar. The idol of Vatapi Ganapati brought from Badami by Pallavas, is now in the Uthrapathiswaraswamy Temple, near Thanjavur of Tamil Nadu.
In 7th century, Vatapi Ganapati idol was brought from Badami (Vatapi - Chalukya capital) by Pallava who defeated Chalukyas.
TOURISM
Landmarks in Badami include cave temples, gateways, forts, inscriptions and sculptures.
- A Buddhist cave in a natural setting that can be entered only by crawling on knees.
- The Bhuhtanatha temple, a small shrine, facing the lake, constructed in 5th century.
- Badami Fort situated on top of the hill.
- Many Shivalayas including the Malegatti Shivalaya with 7th century origins.
- The Dattatreya temple.
- The Mallikarjuna temple dating back to the 11th century, built on a star shaped plan.
- a Dargah, a dome of an Islamic place of worship on the south fort side.
- Vista points on top of the North Fort for the view of the ancient town below.
- Temple of Banashankari, a Kuladevata (family deity) for many families, is located near Badami.
- Archaeological museum, that has collection of sculptures from Badami, Aihole and Pattadakal.
BADAMI CAVE TEMPLES
The Badami cave temples are a complex of four cave temples located at Badami, a town in the Bagalkot district in the north part of Karnataka, India. They are considered an example of Indian rock-cut architecture, especially Badami Chalukya architecture initiated during the 6th century. Badami was previously known as Vataapi Badami, the capital of the early Chalukya dynasty, who ruled much of Karnataka from middle of the sixth until the middle of the eighth centuries. Badami is situated on the west bank of an artificial lake filled with greenish water dammed by an earthen wall faced with stone steps. Badami is surrounded in the north and south by forts built in later times from the ramparts that crown their summits.
The Badami cave temples represent some of the earliest known experimentation of Hindu temple prototypes for later temples in the Indian peninsula. Along with Aihole, states UNESCO, their pioneering designs transformed the Malaprabha river valley into a cradle of Temple Architecture, whose ideas defined the components of later Hindu Temples elsewhere. Caves 1 to 3 feature Hindu themes of Shiva and Vishnu, while Cave 4 features Jain icons. There is also a Buddhist Cave 5 which has been converted into a Hindu temple of Vishnu. Another cave identified in 2013 has a number of carvings of Vishnu and other Hindu deities, and water is seen gushing out through the cave all the time.
GEOGRAPHY
The Badami cave temples are located in the Badami town in the north central part of Karnataka, India. The temples are about 110 km northeast from Hubli-Dharwad, the second largest metropolitan area of the state. Malaprabha river is 4.8 km away. Badami, also referred to as Vatapi, Vatapipuri and Vatapinagari in historical texts, and the 6th-century capital of Chalukya dynasty, is at the exit point of the ravine between two steep mountain cliffs. Four cave temples have been excavated in the escarpment of the hill to the south-east of the town above the artificial lake called Agastya Lake created by an earthen dam faced with stone steps. To the west end of this cliff, at its lowest point, is the first cave temple dedicated to Shiva, followed by a cave north east to it dedicated to Vishnu but is at a much higher level. The largest is Cave 3, mostly a Vaishnava cave, is further to the east on the northern face of the hill. The first three caves are dedicated to Hindu gods and goddesses including Brahma, Vishnu and Shiva. The fourth cave, dedicated to Jainism, is a short distance away.
HISTORY OF CAVE TEMPLES
The cave temples, numbered 1 to 4 in the order of their creation, identified in the town of Badami, the capital city of the Chalukya kingdom (also known as Early Chalukyas) are dated from the late 6th century onwards. The exact dating is known only for cave 3 which is a Brahmanical temple dedicated to Vishnu. An inscription found here records the creation of the shrine by Mangalesha in Saka 500 (lunar calendar, spanning 578 to 579 CE). These inscriptions are in Kannada language, and have been the source for dating these rock cave temples to the 6th-century. The Badami caves complex are part of the UNESCO inscribed World Heritage Site under the title "Evolution of Temple Architecture – Aihole-Badami-Pattadakal" in the Malaprabha river valley which is considered a cradle of Temple Architecture, which formed the template for later Hindu temples in the region. The art work in Cave 1 and Cave 2 exhibit the northern Deccan style of 6th- and 7th-century, while those in Cave 3 show a simultaneous co-exhibition of two different ancient Indian artistic traditions – the northern Nagara and the southern Dravida styles. The Cave 3 also shows icons and reliefs in the Vesara style – a creative fusion of ideas from the two styles, as well as some of the earliest surviving historical examples of yantra-chakra motifs and colored fresco paintings in Karnataka. The first three caves feature sculpture of Hindu icons and legends focusing on Shiva and Vishnu, while Cave 4 features Jain icons and themes.
TEMPLE CAVES
The Badami cave temples are composed of mainly four caves, all carved out of the soft Badami sandstone on a hill cliff, dated to the late 6th to 7th centuries. The planning of four caves (1 to 4) is simple. The entrance is a verandah (mukha mandapa) with stone columns and brackets, a distinctive feature of these caves, leading to a columned mandapa – main hall (also maha mandapa) and then to the small square shrine (sanctum sanctorum, garbhaghrha) cut deep into the cave. The cave temples are linked by stepped path with intermediate terraces looking over the town and lake. Cave temples are labelled 1–4 in their ascending series even though this numbering does not necessarily reflect the sequence of excavation.
The cave temples are dated to 6th to 8th century, with an inscription dated to 579 CE. The inscriptions are in old Kannada script. The architecture includes structures built in Nagara style and Dravidian style which is the first and most persistent architectural idiom to be adopted by the early chalukyas There is also the fifth natural cave temple in Badami – a Buddhist temple, a natural cave, which can be entered kneeling on all fours.
CAVE 1
The cave is just about 18 m above the street level on the northwest part of the hill. Access is through series of steps which depict carvings of dwarfish ganas (with "bovine and equine heads") in different postures. The verandah with 21 m length with a width of 20 m in the interior, has four columns all sculpted with reliefs of the god Shiva in different dancing positions and different incarnations. The guardian dwarapalas at the entrance to the cave stand to a height of 1.879 m.
The cave portrays the Tandava-dancing Shiva, as Nataraja. The image, (1.5 m tall, has 18 arms, in a form that express the dance positions arranged in a geometric pattern, which Alice Boner states, is a time division symbolizing the cosmic wheel. Some of the arms hold objects while most express mudras (symbolic hand postures). The objects include drums, trident and axe. Some arms also have serpents coiled around them. Shiva has his son Ganesha and the bull Nandi by his side. Adjoining to the Nataraja, a wall depicts the goddess Durga, depicted slaying the buffalo-demon Mahishasura. Elsewhere, the two sons of Shiva, Ganesha and Kartikkeya, the god of war and family deity of the Chalukya dynasty are seen in one of the carved sculptures on the walls of the cave with Kartikkeya riding a peacock.
The cave also has carved sculptures of the goddesses Lakshmi and Parvati flanking Harihara, a 2.36 m high sculpture of a fused image that is half Shiva and half Vishnu. To the right, Ardhanarishvara, a composite androgynous form of Shiva and his consort Parvati, is sculpted towards the end of the walls. All the carved sculptures show ornaments worn by them, as well as borders with reliefs of various animals and birds. Lotus design is a common theme. On the ceiling are images of the Vidyadhara couples. Through a cleavage in the back side of the cave is a square sanctuary with more images carved.
Other prominent images in the cave are Nandi, the bull, in the sculptural form of Dharmadeva, the god of justice, Bhringi, a devotee of Shiva, a female decorated goddess holding a flat object in her left hand, which are all part of Ardhanarishvara described earlier. The roof in the cave has five carved panels with the central panel depicting the serpent Shesha. The head and bust are well formed and project boldly from the centre of the coil. In another compartment a bass-relief of 0.76 m diameter has carvings of a male and female; the male is Yaksha carrying a sword and the female is Apsara with a flying veil. The succeeding panel has carvings of two small figures; and the panel at the end is carved with lotuses.
CAVE 2
Cave 2, facing north, to the west of Cave 3, created in late 6th century AD, is almost same as cave 1 in terms of its layout and dimensions but it is dedicated primarily to Vishnu. Cave is reached by climbing 64 steps from the first cave. The cave entrance is the verandah, divided by four square pillars, which has carvings from its middle section to the top where there are yali brackets with sculptures within them. The cave is adorned with reliefs of guardians. Like the Cave 1, the cave art carved is a pantheon of Hindu divinities.
The largest relief in Cave 2 shows Vishnu as Trivikrama – with one foot on Earth and another – directed to the north. Other representations of Vishnu in this cave include Varaha (boar) where he is shown rescuing Bhudevi (symbolism for earth) from the depths of ocean, and Krishna avatars – legends found in Hindu Puranas text such as the Bhagavata Purana. Like other major murti (forms) in this and other Badami caves, the Varaha sculpture is set in a circle, the panel is an upright rectangle, states Alice Boner, whose "height is equal to the octopartite directing circle and sides are aligned to essential geometric ratios, in this case to the second vertical chord of the circle". The doorway is framed by pilasters carrying an entablature with three blocks embellished with gavaksha ornament. The entrance of the cave also has two armed guardians holding flowers rather than weapons. The end walls of the outer verandah is occupied by sculpted panels, to the right, Trivikrama; to the left, Varaha rescuing Bhudevi, with a penitent multi-headed snake (Nag) below. The adjacent side walls and ceiling have traces of colored paintwork, suggesting that the cave used to have fresco paintings. The columns show gods and battle scenes, the churning of cosmic ocean (Samudra Manthan), Gajalakshmi and figures, Brahma, Vishnu asleep on Shesha, illustrations of the birth of Krishna, Krishna's youth, Krishna with gopis and cows.
The ceiling of Cave 2 shows a wheel with sixteen fish spokes in a square frame along with swastikas and flying couples. The end bays have a flying couple and Vishnu on Garuda.[8] The main hall in the cave is 10.16 m in width, 7.188 m deep and 3.45 m high and is supported by eight square pillars in two rows. The roof of this hall has panels which have carvings. At the upper end of the wall a frieze runs all along the wall with engravings of episodes from the Krishna or Vishnu legends.
The sculptures of Cave 2, like Cave 1, are of the northern Deccan style of 6th-and 7th-century similar to that found in Ellora caves.
CAVE 3
The Cave 3 is dedicated to Vishnu, and is the most intricately carved and the biggest. It has well carved giant figures of Trivikrama, Anantasayana, Paravasudeva, Bhuvaraha, Harihara and Narasimha. The theme on which the Cave 3 is carved is primarily Vaishnavite, however the cave also shows Harihara on its southern wall – half Vishnu and half Shiva shown fused as one, making the cave important to Shaivism studies as well. Cave 3, facing north, is 60 steps away from the Cave 2. This cave temple's veranda, 21 m in length with an interior width of 20 m, has been sculpted 15 m deep into the mountain, and an added square shrine at the end extends the cave some 3.7 m further inside. The verandah itself is 2.1 m wide and has four free standing carved pillars separating it from the hall. The cave is 4.6 m high, supported by six pillars each measuring 0.76 m square. Each column and pilaster is carved with wide and deep bases crowned by capitals which are camouflaged by brackets on three sides. Each bracket, except for one bracket, has carvings of standing human figures, under foliage in different postures, of a male and female mythological characters, along with attendant figure of a dwarf. A moulded cornice in the facia, with a dado of blocks below it (generally in 2.1 m lengths), have about thirty compartments carved with series of two fat dwarfs called ganas. The cave shows a Kama scene on one pillar, where a woman and man are in maithuna (erotic) embrace beneath a tree.
Cave 3 also shows fresco paintings on the ceiling, but some of these are faded, broken and unclear. These are among the earliest known and surviving evidence of fresco painting in Indian art.[14] The Hindu god Brahma is seen in one of the murals, while the wedding of Shiva and Parvati, attended by various Hindu deities, is the theme of another. There is a lotus medallion on the floor underneath the mural of four armed Brahma. The sculpture is well preserved, and a large number of Vishnu's reliefs including standing Vishnu with 8 arms, Vishnu seated on a hooded serpent called Sesha or Ananta on the eastern side of the verandha, Vishnu as Narasimha (half human – half lion), Varaha fully armed, a boar incarnation of Vishnu in the back wall of the cave, Harihara (a syncretic sculpture of Vishnu and Shiva), and Trivikrama avatars. The back wall also has carvings of Vidhyadaras holding offerings to Varaha, and adjoining this is an inscription dated 579 AD with the name Mangalis inscribed on it. At one end of the pilaster there is a sculpture of the fourth incarnation of Vishnu as Vamana shown with eight arms called Ashtabhuja decorated with various types of weapons. A crescent moon is crafted above his face, crown of Vishnu decorates his head and is flanked by Varaha and two other figures and below on his right is his attendant Garuda. The images in front of Vamana are three figures of Bali and his wife with Shukra, his councilor. Reliefs stand 4 metres tall. The culture and clothing embedded in the sixth century is visible in the art sculpted in this cave. The roof in the verandha has seven panels created by cross beams, each is painted in circular compartments with images of Shiva, Vishnu, Indra, Brahma, Kama and so forth with smaller images of Dikpalas (cardinal guardians) with geometric mosaics filling the gaps at the corners.
The front aisle's roof has panels with murals in the center of male and female figurines flying in the clouds; the male figure is yaksha holding a sword and a shield. Decoration of lotus blooms are also seen on the panels. The roof in the hall is divided into nine panels slightly above the level of the ceiling. The central panel here depicts a deva mounted on a ram – conjectured as Agni. Images of Brahma and Varuna are also painted in the central panels while the floating figures are seen in the balance panels.
CAVE 4
The Cave 4, to the east of Cave 3, excavated around 650 AD, is located higher than other caves. It is dedicated to revered figures of Jainism and was constructed last among all the caves. It also features detailed carvings and diverse range of motifs. The cave has five bayed entrance with four square columns with brackets and capitals, and to the back of this verandah is a hall with two standalone and two joined pillars. The first aisle is a verandah 9.4 m in length, 2.0 m wide and extends to 4.9 m deep. From the hall, steps lead to the sanctum sanctorum, which is 7.8 m wide extending to a depth of 1.8 m. On the back part of this, Mahavira is represented, sitting on lion throne, flanked by bas-reliefs of attendants with chauri (fans), sardulas and makara's heads. The end walls have Parshvanath (about 2.3 m tall) with his head decorated to represent protection and reverence by a multi-headed cobra, Indrabhuti Gautama covered by four snakes and Bahubali are seen; Bahubali is present to the left of Gautama shown with his lower legs surrounded by snakes along with his daughters Brahmi and Sundari. The sanctum, which is adorned by the image of Mahavira, has pedestal which contains an old Kannada inscription of the 12th century A.D. which registers the death of one Jakkave. Many Jaina Tirthankara images have been engraved in the inner pillars and walls. In addition, there are some idols of Yakshas, Yakshis, Padmavati and other Tirthankaras. Some scholars also assign the cave to the 8th century.
CAVE 5
It is a natural cave of small dimensions, undated, is approached by crawling as it has a narrow opening. Inside, there is a carved statue seated over a sculpted throne with reliefs showing people holding chauris (fans), tree, elephants and lions in an attacking mode. The face of this statue was reasonably intact till about 1995, and is now damaged and missing. There are several theories as to who the statue represents.
The first theory states that it is a Buddha relief, in a sitting posture. Those holding the chauris are Bodhisattvas flanking the Buddha, states this theory, and that the cave has been converted to a Hindu shrine of Vishnu, in later years, as seen from the white religious markings painted on the face of the Buddha as the 9th incarnation of Vishnu. Shetti suggests that the cave was not converted, but from the start represented a tribute to Mayamoha of the Hindu Puranas, or Buddhavatara Vishnu, its style suggesting it was likely carved in or before 8th century CE.
The second theory, found in colonial era texts such as one by John Murray, suggested that the main image carved in the smallest fifth cave is that of Jaina figure.
The third theory, by Henry Cousens as well as A. Sundara, and based by local legends, states that the statue is of an ancient king because the statue's photo, when its face was not damaged, lacked Ushnisha lump that typically goes with Buddha's image. Further, the statue has unusual non-Buddha ornaments such as rings for fingers, necklace and chest-band, it wears a Hindu Yajnopavita thread, and its head is stylistically closer to a Jina head than a Buddha head. These features suggest that the statue may be of a king represented with features of various traditions. The date and identity of the main statue in Cave 5, states Bolon, remains enigmatic.
OTHER CAVES
In 2013, Manjunath Sullolli reported the discovery of another cave with 27 rock carvings, about 500 metres from the four caves, from which water gushes year round. It depicts Vishnu and other Hindu deities, and features inscription in Devanagari script. The dating of these carvings is unknown.
OTHER TEMPLES AT BADAMI
On the north hill, there are three temples, of which Malegitti-Shivalaya is perhaps the oldest temple and also the finest in Badami, and has a Dravidian tower. Out of the two inscriptions found here, one states that Aryaminchi upadhyaya, as the sculptor who got this temple constructed and the other dated 1543 speaks of the erection of a bastion during the Vijayanagara rule. The lower Shivalaya has a Dravidian tower, and only the sanctum remains now.
Jambhulinga temple, situated in the town, is presumably the oldest known trikutachala temple in Karnataka. An inscription dated 699 ascribes construction of this temple to Vinayavathi mother of Emperor Vijayaditya.
The place also has Agasthya Tirtha, temples of Goddess Yellamma, Mallikarjuna, Datttreya and Virupaksha. Bhuthanatha group of temples are most important in Badami.
BADAMI FORT
Badami fort lies east of the Bhuthnatha temple, atop a cliff right opposite the Badami cave temples. The entrance to this temple is right through the Badami museum. It is a steep climb with many view points and dotted with little shrines. The path is laid with neatly cut stone, the same that adores all the architecture around.
ETYMOLOGY
The name Vatapi has origin in the Vatapi legend of Ramayana relating to Sage Agastya.There were two demon siblings Vatapi and Ilvala. They used to kill all mendicants by tricking them in a peculiar way. The elder Ilvala would turn Vatapi into a ram and would offer its meat to the guest. As soon as the person ate the meat, Ilvala would call out the name of Vatapi. As he had a boon that whomsoever Ilvala calls would return from even the netherland, Vatapi would emerge ripping through the body of the person, thus killing him. Their trick worked until Sage Agastya countered them by digesting Vatapi before Ilvala could call for him, thus ending the life of Vatapi at the hands of Ilvala. Two of the hills in Badami represent the demons Vatapi and Ilvala.
It is also believed that name Badami has come from colour of its stone (badam - Almond).
CULTURE
The main language is Kannada. The local population wears traditional Indian cotton wear.
GEOGRAPHY
Badami is located at 15.92°N 75.68°E. It has an average elevation of 586 metres. It is located at the mouth of a ravine between two rocky hills and surrounds Agastya tirtha water reservoir on the three other sides. The total area of the town is 10.3 square kilometers.
It is located 30 kilometers from Bagalkot, 128 kilometers from Bijapur, 132 kilometers from Hubli, 46 kilometers from Aihole, another ancient town, and 589 kilometers from Bangalore, the state capital.
WIKIPEDIA
This set mixes it up a bit with both a pretty blonde and brunette goddess! You can see them both modeling the Gold 45 Revolver swimsuits as well as a 45SURFER camera bracket mount for shooting stills & video at the same time.
Here's some epic video of the beautiful goddesses:
www.youtube.com/watch?v=txvupr5xOZ4 (modeling swimsuit)
www.youtube.com/watch?v=4G5w3u6L8x8 (modeling swimsuit)
www.youtube.com/watch?v=4pYrQbPayZs (modeling the bracket)
www.youtube.com/watch?v=BGSVw9jbAR0 (pretty closeups!)
Nikon D800 Photos of Brunette and Blonde Swimsuit Bikini Goddesses with Pretty Green Eyes and Pretty Blue Eyes shot with the Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
All the Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
Modeling both the the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Black Bikini and the Red, White, an Blue American flag bikini!
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! all the bets on your Heroic Journey from Johnny Ranger McCoy!
Parish of St. Catherine of Siena
Samal, Bataan
Church of Samal
The spiritual ministration of Samal was entrusted to the Dominicans in 1596. The town was attacked by Dutch invaders in April, 1647, but the local Garrison of Pampangos under the command of Alejo Aguas compelled the Dutch forces to retreat. The Church and the Convent built by the Rev. Jeronimo Belen, O.P., were ruined during the Dutch invasions. In 1898 the church was burned by the Katipuneros to drive out their enemies in the convent. The Rev. Justo Quesada rebuilt the church and convent in 1905.
Philippine Historical Committee
Same mannequin but model on the left with makeup for Evil Queen, Fairy Tale window at Bloomingdales, NYC..2012
Same mannequin on the right for "Vintage Bodies", NYC....2013
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You don't really think anyone is going to open a church in this weather? Said Jools. And at about the same time, a warden's wife was saying, you're not going to go and open the church are you? No one will visit a church on a day like this.
So, the madness of man wins out, as I did visit and found that the warden had just opened the church.
Sadly, Great Mongehmam wasn't open later, but looked interesting enough to demand a return visit ASAP.
As I now know, any settlement ending with "bourne" should have a stream source or running through it. And that is the case here, a winterbourne, though not as frequently running as the Nailbourne rises here and flows to Sandwich.
Northbourne lies to the west of Deal, in a patchwork of fields and woods that is most pleasant. It used to be near to Tilmanstone Colliery and the Davy Lamp hanging in the chanel remembers this.
I walk into the porch and there is the warden helpfully hanging the "church open" sign on the door. Come to visit the church he asked. Yes, is there one nearby, I quipped.
He showed me some interesting details, shred a bit of histor, then began his long walk back to Finglesham.
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One of the few cruciform churches to have been built in Kent in the twelfth century, on the site of, and incorporating fragments of, a Saxon building. Curtains help shut off parts of the church during the winter months. There is a good mass dial by the main door. The Lady Chapel contains the monument to Sir Edwin Sandys and his wife (d. 1629). It is one of the best of its date in Kent and shows the pair in recumbent position hand in hand. Surprisingly the wordy inscription was not added until 1830! The chancel was refitted in the mid-nineteenth century but the east window shows good quality medieval stonework of thirteenth-century date.
www.kentchurches.info/church.asp?p=Northbourne
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NORTHBORNE,
USUALLY called Norborne, as it is written in the survey of Domesday, lies the next parish westward from Little Mongeham, being so called from the north borne, or stream, which runs from hence into the river at Sandwich. There are four boroughs in it, Norborne, Finglesham, Asheley, and Tickness, or Tickenhurst, for each of which a borsholder is chosen at the manor court of Norborne.
THIS PARISH lies for the most part exceedingly dry and healthy, in a fine uphill, open and pleasant country, though it extends northward towards Howbridge and Foulmead, into a low country of wet ground and marsh lands. It is a large parish, for although it is very long and narrow, extending only a mile and an half from east to west, yet it is full five miles from north to south, till it joins Waldershare and Whitfield. The part of this parish containing the borough, hamlet, and manor of Tickenhurst, is separated from the rest of it by the parishes of Eastry, Ham, and Betshanger, intervening; and there is a small part of the parish of Goodneston within this of Norborne, and entirely surrounded by it. The soil of this parish being so very extensive, must necessarily vary much. It is, however, much inclined to chalk, and is throughout it very hilly; though much of it is very light earth, yet there is a great deal of rich fertile land in the lower part of it northward. There is much uninclosed land and open downs interspersed throughout it. The street of Norborne, having the church and vicarage-house within it, and containing twentysix houses, is situated at the north-east boundary of the parish. Near it is Norborne-court, the almonry or parsonage, and a house and estate, called the Vine farm, now in the possession of the hon. lady Frances Benson.
Besides this, there are several other streets, hamlets, and eminent farms, within the bounds of this parish, of which, those most worthy of notice, the reader will find described hereafter.
THE MANOR OF NORBORNE, which is of very large extent, was given in the year 618, by Eadbald, king of Kent, by the description of a certain part of his kingdom, containing thirty plough lands, called Northborne, to the abbot and convent of St. Augustine, in which monastery his father lay, and where he had ordered himself to be buried. In this state it con tinued at the time of taking the survey of Domesday, in the 15th year of the Conqueror's reign, in which it is entered under the general title of the land of the church of St. Augustine, as follows:
In the lath of Estrea. In Cornelest hundred.
The abbot himself holds Norborne. It was taxed at thirty sulings. The arable land is fifty-four carucates. In demesne there are three, and seventy-nine villeins, with forty-two borderers, having thirty-seven carucates. There are forty acres of meadow, and wood for the pannage of ten hogs.
In the time of king Edward the Consessor, it was worth four times twenty pounds; when he received it twenty pounds; now seventy-six pounds.
Of the lands of the villeins of this manor, Oidelard holds one suling, and there he has two carucates, with eleven borderers..... It is worth four pounds. .... Of the same land of the villeins, Gislebert holds two sulings, all but half a yoke, and there he has one carucate, and four villeins, with one carucate. It is worth six pounds.
Wadard holds of this manor three sulings, all but sixty acres of the land of the villeins, and there he has one carucate, and eight villeins, with one carucate and two servants. It is worth nine pounds; but he pays no service to the abbot, except thirty shillings, which he pays in the year.
Odelin holds of the same land of the villeins one suling, and there he has one carucate, with three borderers..... It is worth three pounds.
Marcherius holds of the same land of the villeins what is worth eight shillings.
Osbern the son of Letard holds half a suling, and eleven acres of meadow, of the land of the villeins, which is worth twenty-five shillings. He pays to the abbot fifteen shillings.
Rannulf de Colubers holds one yoke .......worth fifty pence.
Rannulf de Ualbadon holds one yoke, and pays from thence fifty pence.
The above-mentioned Oidelard holds also of this manor one suling, and it is called Bevesfel, and there he has two carucates, with ten borderers. It is worth six pounds.
In the reign of king Edward II. the 7th of it, anno 1313, the abbot claimed upon a quo warranto, in the iter of H. de Stanton and his sociates, justices itinerant, and was allowed sundry liberties therein mentioned in this manor, among others, and the view of frank-pledge, and likewise wrec of the sea in this manor in particular, in like manner as has been mentioned before in the description of the several manors belonging to the monastery, in the former parts of this History. (fn. 1) And the liberty of the view of frankpledge was in particular further confirmed by that king, in his 10th year.
King Edward III. in his 5th year, anno 1330, exempted the men and tenants of this manor from their attendance at the turne of the sheriff, before made by the borsholder, with four men of each borough within it; and directed his writ to Roger de Reynham, then sheriff, commanding that in future they should be allowed to perform the same with one man only.
In the 8th year of king Richard II. the measurement of the abbot and convent's lands at Nordburne, with 208 acres of wood, was 2179 acres and an half and one rood.
Salamon de Ripple, a monk of this monastery, being, about the 10th year of king Edward III. appointed by the abbot keeper of this manor, among others, made great improvements in many of them, and in particular he new built the barns here, and a very fair chapel, from the foundations. But after wards, in the year 1371, their great storehouses here, full of corn, were, by the negligence of a workman, entirely burnt down; the damage of which was estimated at one thousand pounds.
After which, I find nothing further in particular relating to this manor, which continued part of the possessions of the monastery, till its final dissolution, in the 30th year of king Hen. VIII. when it was surrendered into the king's hands, with whom this manor continued but a small time; for the king, in his 31st year, granted it, with the parsonage or rectory, to archbishop Cranmer, in exchange, and it remained parcel of the possessions of the see of Canterbury, till archbishop Parker, in the 3d year of queen Elizabeth, reconveyed it to the crown, in exchange. After which, the manor itself, with its courts, franchises, and liberties, continued in the crown, till king Charles I. in his 5th year, granted it in fee to William White and others, to hold, as of his manor of East Greenwich, by sealty only, in free and common socage, and not in capite, or by knight's service; (fn. 2) and they that year sold it to Stephen Alcocke, gent. of London, who next year passed it away by sale, with some exceptions, to Edward Boys, gent. of Betshanger, to hold of the king in like manner, as above-mentioned. His descendant, Edward Grotius Boys, dying s. p. in 1706, gave it by will to his kinsman, Thomas Brett, LL. D. of Spring grove, and he, in 1713, alienated it to Salmon Morrice, esq. afterwards an admiral of the British navy, and of Betshanger, whose grandson William Morrice, esq. died possessed of it in 1787, unmarried; upon which it came to his only brother, James Morrice, clerk, who is the present owner of this manor.
The fee-farm rent reserved when this manor was granted away by the crown, came into the hands of the earl of Ilchester, who in 1788 sold it to the Rev. Mr. Morrice, the present owner of this manor; so there is now no fee-farm rent paid for it.
A court leet and court baron is yearly held for it; at the former of which, two constables, one for the upper half hundred, and the other for the lower half hundred of Cornilo, are chosen. The present manorhouse is a small cottage in Norborne-street, built upon the waste for that purpose.
NORTHBORNE-COURT, usually called Norborne abbey, from its having belonged to the abbey of St. Augustine, was the antient court-lodge of the manor, before they were separated by different grants from the crown. It is said to have been in the time of the Saxons the palace of king Eadbald, who gave it as above-mentioned, with the manor, to the above monastery. Accordingly, Leland, in his Itinerary, says, (fn. 3) "A ii myles or more fro Sandwich from Northburn cummeth a fresch water yn to Sandwich haven. At Northburn was the palayce or maner of Edbalde Ethelberts sunne. There but a few years syns (viz. in king Henry VIII.'s reign) yn breking a side of the walle yn the hawle were found ii childrens bones that had been mured up as yn burielle yn time of Paganits of the Saxons. Among one of the childrens bones was found a styffe pynne of Latin." This court-lodge, with the demesne lands of the manor, remained but a very short time in the hands of the crown, after the reconveyance of it by the archbishop, in the 3d year of queen Elizabeth, as has been mentioned above; for it was almost immediately afterwards granted by the queen, for life, to Edward Sanders, gent. her foster brother. He afterwards resided at Norborne court, having married Anne, daughter and coheir of Francis, son of Milo Pendrath of Norborne, by Elizabeth, one of the heirs of Thomas Lewin, and nurse to queen Elizabeth. Elizabeth. His ancestors had resided for some generations at Chilton, in Ash, but were originally descended from Minister, in Thanet. They bore for their arms, Or, on a chevron, gules, three mullets, argent, between three elephants heads, erased, of the second. (fn. 4) On his death, about the middle of that reign, the possession of it reverted to the crown, where it remained, till king James I. soon after his accession, granted it in see to Sir Edwin Sandys, on whom he conferred the honour of knighthood, and had given this estate, for his firm attachment to him at that time. He rebuilt this mansion, and kept his shrievalty at it, in the 14th year of king James I. and dying in the year 1629, was buried in the vault which he had made in this church for himself and his posterity, and in which most of his direct descendants were afterwards deposited. He was second son of Edwin Sandys, archbishop of York, by his second wife. The archbishop's eldest son was Samuel, who was of Worcestershire, from whom descended the lords Sandys, late of Ombersley, in that county. Two of his younger sons were, Miles Sandys, of Worcestershire, and George, the noted traveller. They bore for their arms, Or, a fess dancette, between three cross croslets, fitchee, gules.o
Sir Edwin Sandys, though he had four wives, left male issue only by his last wife. From Edwin, their second son, descended the Sandys's, of Norbornecourt; and from Richard, the third son, those of Canterbury, still remaining there. On Sir Edwin Sandys's death, in 1629, his eldest son, Henry Sandys, esq. succeeded to this estate; and on his death, s. p. his next brother, Col. Edwin Sandys, the noted rebel colonel under Oliver Cromwell, well known for his sacrilegious depredations and insolent cruelties to the royalists, who died at Norborne-court of the wound he had received in 1642, at the battle of Worcester, His grandson Sir Richard Sandys, of Norborne-court, was created a baronet in 1684, and died in 1726. By his first wife he left only four daughters his coheirs, viz. Priscilla, the eldest, married to Henry Sandys, esq. (grandson of Henry Sandys, esq. of Downe, the son of Col. Richard Sandys, the younger brother of Col. Edwin Sandys, the great grandfather of Priscilla, above-mentioned). Mary, the second daughter and coheir, married William Roberts, esq. of Harbledowne; Elizabeth, the third daughter, died unmarried soon after her father's death; and Anne, the fourth and youngest daughter, married Charles Pyott, esq. of Canterbury, and they respectively, in right of their wives, became possessed of this, among the rest of his estates, in undivided shares, by the entail made in Sir Richard Sandys's will.
The third part of Henry Sandys, in right of his wife Priscilla, descended to his son Richard Sandys, esq. of Canterbury, whose surviving sons, and daughter Susan married to Henry Godfrey Faussett, esq. of Heppington, at length succeeded to it.
The third part of William Roberts, in right of his wife Mary, descended at length to his grand-daughter Mary, only daughter of Edward Wollet, esq. who carried it in marriage to Sir Robert Mead Wilmot, bart. and on his decease came to his eldest son Sir Robert Wilmot, bart.
The remaining third part of Charles Pyott, esq. in right of his wife Anne, descended to his only daughter Anne, married to Robert Thomas Pyott, esq. of Hull, but afterwards of Canterbury.
In 1795, all the parties interested in this estate joined in conveying their respective shares to the several purchasers undermentioned: to James Tillard, esq. of Street-End Place, near Canterbury, Northborne-court lodge, farm, and lands; to Robert-Thomas Pyott, esq. Stoneheap-farm; to Wm. Wyborn, the scite of the late mansion house, gardens, and LongLane farm; to Mr. John Parker, Cold-Harbour farm; and to several other persons, the remaining small detached parts of this estate. The whole purchase-monies amounting nearly to 30,000l. The whole estate contained near 1100 acres, all tithe-free, except about forty acres.
The mansion of Norborne-court, the residence of the Sandys's, appears to have been a large and stately building. It was pulled down in 1750, and the materials sold; and the walls are all that now remain of it, forming a very considerable ruin. Near the house was a handsome chapel, formerly used by the abbot and convent of St. Augustine, when they visited this mansion, and afterwards by the Sandys family. It is at this time nearly entire, excepting the roof, which has been long since taken off.
LITTLE BETSHANGER is an estate in the western part of this parish, which was antiently accounted a manor, and had once owners of the same name; one of whom, Ralph de Betshanger, was possessed of it in king Edward II.'s reign, as was his descendant Thomas de Bethanger, in the 20th year of the next reign of king Edward III. Soon after which, Roger de Cliderow, says Philipott, was proprietor of it, as appears by the seals of old evidences, which commenced from that reign, the shields on which are upon a chevron, between three eagles, five annulets. Notwithstanding which, it appears by the gravestone over his successor, Richard Clitherow, esq. in Ash church, that the arms of these Clitherows were, Three cups covered, within a bordure, ingrailed, or; at least that he bore different arms from those of his predecessor. At length, Roger Clitherow died without male issue, leaving three daughters his coheirs; of whom Joane, the second, married John Stoughton, of Dartford, second son of Sir John Stoughton, lord-mayor of London. After which, this estate was alienated from this family of Stoughton to Gibbs, from which name it passed into that of Omer; in which it staid, till Laurence Omer, gent. of Ash, leaving an only daughter and heir Jane, she carried it in marriage to T. Stoughton, gent of Ash, afterwards of St. Martin's, Canterbury, son of Edward Stoughton, of Ash, the grandson of John Stoughton, of Dartford, the former possessor of this estate. He died in 1591, leaving three daughters his coheirs; of whom, Elizabeth was married to Thomas Wild, esq. of St. Martin's, Canterbury; Ellen to Edward Nethersole, gent. and Mary to Henry Paramore, gent. of St. Nicholas, and they by a joint conveyance passed it away to Mr. John Gookin, who about the first year of king James, alienated it to Sir Henry Lodelow, and he again, in the next year of king Charles I. sold it to Edward Boys, esq. of Great Betshanger, whole descendant Edward Grotius Boys, dying s. p. in 1706, gave it by will to his kinsman Thomas Brett, LL. D. who not long afterwards alienated it to Sir Henry Furnese, bart. of Waldershare, and his son, Sir Robert Furnese, bart. of the same place, died possessed of it in 1733. His three daughters and coheirs afterwards succeeded to his estates, on the partition of which this estate was wholly allotted, among others, to Anne, the eldest sister, wife of John, viscount St. John, which was confirmed by an act passed next year. After which it descended down to their grandson George, viscount Bolingbroke, who sold it in 1791 to Mr. Thomas Clark, the present owner of it. The house is large, and has been the residence of gentlemen; a family of the name of Boys has inhabited it for many years, Mr. John Boys now resides in it, a gentleman, whose scientific knowledge in husbandry is well known, especially by the publication of the Agricultural Society of the state of it, and its improvements in this county, for which they are, I believe, wholly indebted to him.
THE TITHES of this estate of Little Betshanger, as well great as small, belonged, with those of Finglisham in this parish, to the abbot and convent of St. Augusting, and were assigned in the year 1128 to the cloathing of the monks there; and after the dissolution of the monastery were granted together to the archbishop of Canterbury, part of whose revenues they remain at this time. (fn. 5)
Mr. Boteler, of Eastry, found near Little Betshanger, the plant astragalus glyeyphyllos, wild liquorice, or liquorice vetch, which is very scarce, and has never been observed by him any where else.
THE MANOR OF TICKENHURST, now called Tickness; in Domesday, Ticheteste, and in other antient records, Tygenhurst, is situated in the borough and hamlet of its own name. It lies most part of it in this parish, but at some distance westward from the rest of it, several parishes intervening, and partly in that of Knolton. In the time of the Conqueror, Odo, the great bishop of Baieux and earl of Kent, was owner of it, and continued so at the taking of the survey of Domesday, in which this manor is thus entered in it, under the general title of the bishop's lands:
Turstin holds of the bishop Ticheteste. It was taxed at one suling and an half. The arable land is ..... In demesne there is one carucate, with four borderers, and a small wood. In the time of king Edward the Consessor it was worth four pounds, and afterwards forty shillings, now one hundred shillings. Edric de Alham held it of king Edward.
Four years after the taking of the above survey, the bishop was disgraced, and all his possessions were confiscated to the crown. After which, this manor came into the possession of a family, which took their surname from it, some of whom were witnesses to deeds of a very antient date; but they became ex tinct before the reign of king Henry VI. and it was afterwards the property of the Stoddards, ancestors of those of this name, of Mottingham, in this county, in which this manor remained for some generations, till about the latter end of queen Elizabeth's reign it was alienated to Peyton, of Knolton; since which it has continued in the possession of the owners of that manor and seat, down to Sir Narborough D'Aeth, bart. now of Knolton, the present owner of it.
In the year 1074, the bishop of Baieux gave to St. Augustine's monastery, those tithes which his tenants had; i. e. the chamberlain Adelold, in the villes of Cnolton, Tickenhurst, and Ringelton, and likewise of Bedleshangre, and of Osbern Paisforer, in the small ville of Bocland, all which the king confirmed by his charter. But the tithes of Cnolton and Ringelton, William de Albiney, in process of time, being lord of the fee of those lands, took away from the monastery through his power; and the tithe of Boclonde, Roger de Malmains took away from it.
Within this borough and hamlet of Tickenhurst are two farms, called Great and Little Tickenhurst, belonging to Sir Narborough D'Aeth, bart, both which pay tithes to the almonry or parsonage of Norborne, formerly belonging to St. Augustine's monastery.
NEAR THE north west boundary of the parish is the HAMLET OF WEST-STREET, containing five houses. In it is an estate, called WEST-STREET, alias PARK GATE, the first mention that I find of which is in the will of Roger Litchfield, anno 1513, who mentions his farm of West-street. This, with another farm called Parkgate, (the buildings of which are now pulled down) stood in Ham parish. Sir Cloudesley Shovel was in later times possessed of this estate, and after his unfortunate decease, his two daughters and coheirs. On the division of their estate, Anne the youngest daughter, entitled her husband John Black wood to the possession of it. He died in 1777, and was succeeded in it by his two sons and coheirs in gavelkind, Shovel Blackwood, esq. and Col. John Blackwood, of Cheshunt, in Hertfordshire, who made a division of their inheritance; in which partition this estate of West-street, alias Parkgate, was, among others, allotted to the latter, who next year procured an act for the sale of it. After his death this estate came to his widow, who sold it in 1790 to Mr. William Nethersole, the present owner of it.
ABOUT HALF A MILE from West-street is THE HAMLET OF FINGLESHAM, containing thirty houses. It is written in the survey of Domesday, Flenguessam, in which it is thus entered, under the title of lands held of the archbishop by knight's service:
In Estrei hundred. William Folet holds of the archbishop, Flenguessam. It was taxed at half a suling. There he has six villeins, with one carucate and an half.
After this, I find no further mention of this place for some time; but in the reign of king Edward I. in the year 1288, the king granted licence to the abbot and convent of St. Augustine, to appropriate to their use a messuage, and certain rents and lands in different parishes, and among others, in the tenancy of Norborne, at Fenlesham.
In later times I find that William Poyshe, of Norborne, by will in 1524, gave his place at Fynglisham, to John his son, and that Thomas Parker, late one of the jurats of Sandwich, by will in 1596, gave to Nicholas Parker, his brother's son, his house and lands in Fynglisham, called Fynglisham farm, situated in this street. His descendant, Valentine Parker, gent. resided here in 1669, and by will gave this estate to his godson, Mr. Valentine Hild, or Hoile, from whom it has descended to his great-grandson Mr. Thomas Hoile, the present owner of it.
ROBERT, abbot of St. Augustine's monastery, in king Henry III.'s reign, anno 1240, confirmed an exchange, made by his convent, of all THE TITHES of Finglesham and Little Betshangre, as well great as small, to the eleemosinary of his monastery, which tithes had before belonged to the chamberlain of it. (fn. 6) These tithes of Finglisham now belong to the archbishop, and are, with those of Little Betshanger in this parish, demised by him on a beneficial lease.
Through Finglesham, and over Howe bridge, the high road leads to Deal. From hence, the water, called the Gestling, or north stream, takes its course towards the river Stour, below Sandwich.
AT A SMALL DISTANCE southward from Finglesham, is the little HAMLET OF MARLEY, which consists of only four houses, one of which is that of GROVE, alias MARLEY FARM, the former of which is its proper name, though it is now usually called by the latter. It formerly belonged to the family of Brett. Percival Brett, of Wye, possessed it in 1630, whose descendant, Richard Brett, gent. left an only daughter Catherine, who married John Cook, formerly of Mersham, but afterwards of Canterbury, clerk. They left two daughters, Catherine, wife of Thomas Shindler, alderman of Canterbury, and Mary, and they joined in the conveyance of this estate, in 1727, to John Paramor, gent. of Statenborough; after which, it descended in like manner as Statenborough, to his niece, Mrs. Jane Hawker, afterwards the wife of John Dilnot, esq. who on her death became possessed of the see of it, which he sold in 1792, together with a farm in Finglisham, to William Boteler, esq. of Eastry, who resided here, and two years afterwards alienated them both to Mr. James Jeken, of Oxney, the present owner of them.
ABOUT A MILE south-westward, at the western boundary of this parish, is THE MANOR OF WESTCOURT, alias BURNT-HOUSE, stiled in the antient book of the Fædary of Kent, the manor of Westcourt, alias East Betshanger, and said in it to have been held of the late monastery of St. Augustine by knight's service, being then the property of Roger Litchfield, who died possessed of it in 1513, and in his will calls it a manor, since which it has always had the same owners as Great Betshanger, and is now possessed accordingly by the Rev. James Morrice.
Upon the north-north east point of the open downs adjoining to Little Betshanger are the remains of a camp, formed for the forces which lay here, under the command of Capt. Peke, to oppose the landing of the Spaniards, at the time of the armada, in 1588. About a mile further southward from hence, over an open uninclosed country, is Stoneheap, a good farm, which has long had the same owners as Norbornecourt, and is now by a late purchase, wholly vested in Robert-Thomas Pyott, esq. as has been already mentioned before. This estate is tithe-free, being most probably part of the demesnes of Norborne manor. It takes tithes of corn and grain, of eighteen acres of land in Little Mongeham, belonging to Mr. John Boys, and twenty-two acres in Norborne, late belonging to Sir Edward Dering, bart. separate from it, but by what means I know not.
AT A LIKE DISTANCE, still further southward, is WEST STUDDAL, formerly written Stodwald, an estate which some time since belonged to a branch of the numerous family of Harvey, originally of Tilmanstone, under which a further account of them may be seen. In the descendants of this family it continued down to Richard Harvey, who was afterwards of Dane-court; not long after which, this estate came into the possession of James Six, of whom it was purchased by Sir Henry Furnese, bart. of Waldershare, about the year 1707. After which it passed, in the allotment of the Furnese estates, to Sir Edward Dering, bart. who not long since conveyed it to Solley, of Sandwich, and he sold it to Mr. Thomas Packe, of Deal, whose daughter carried it in marriage to James Methurst Pointer, esq. who lately sold it to Mr. Laurence Dilnot, the present owner of it.
FROM HENCE over Maimage, but more properly Malmains down, is THE HAMLET OF ASHLEY, containing fifteen houses. In it is Ashley farm, belonging to Mrs. Elizabeth Herring. The rectory or parsonage of Ashley, called in antient records, Essela, was part of the possessions of the abbot and convent of St. Augustine, with whom it continued till the dissolution of that abbey, anno 30 Henry VIII. After which it was granted to the archbishop, of whom it is now held on a beneficial lease; the interest in which belongs to Isaac Bargrave, esq. of Eastry, in right of his late wife Sarah, sister and coheir of Robert Lynch, M. D. of Canterbury, and to Mrs. Elizabeth Herring above-mentioned, the other sister and coheir. This lease consists of the glebe of land, with the tithes of the hamlet of Ashley, West Studdal, Minacre, Napchester, and of others in Little Mungeham.
SOUTHWARD from the above, is THE HAMLET OF MINACRE, sometimes spelt Minaker, one moiety, or half of which, was formerly the property of Silkwood, and was purchased of one of them by Sir Robert Furnese, bart. of Waldershare. Since which it has passed in like manner as the rest of the Furnese estates in this county, which came to the late earl of Guildford, by his marriage with the countess of Rockingham, one of Sir Robert Furnese's daughters and coheirs, and his grandson the present right hon. George Augustus, earl of Guildford, is now owner of it.
The other moiety, or half of this hamlet, belongs to Mr. Leonard Woodward, of Ashley.
Still further southward, at the utmost limits of this parish, is another hamlet of five houses, called NAPCHESTER, which adjoins to the parishes of Walder share and Whitfield, the principal farm of which belongs to the earl of Guildford. There are no fairs kept in this parish.
Charities.
SIR RICHARD SANDYS, bart. of this parish, by will in 1726, gave to the churchwardens and overseers 5l. to be laid out in buying coals at the cheapest time of the year, and to be by them sold out to the poor at the same price that they cost, and the monies arising from such sale to be a fund, to be yearly employed for the same purpose.
The poor constantly relieved are about twenty-five, casually thirty.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sandwich.
The church, which is exempted from the archdeacon, is dedicated to St. Augustine. It is a large goodly building, consisting of a nave, chancel, and transept, having a large square tower in the middle, which has probably been much higher. There are five bells in it. The church is built of flint, with quoins, door, and window cases of ashler squared stone; some arches of the windows are pointed, some circular, and some with zig-zag ornaments. The western arch of the tower is pointed with triple dancette ornaments; the others circular. The chancel is repaired by the archbishop's lessee of the almonry. In the south transept, which is repaired by the Sandys's family, is a large vault, in which are deposited their remains. Over it is a most costly and sumptuous monument, having at the back a plain blank tablet; on the tomb the recumbent essigies of a knight in armour and his lady in a loose mantle. Above the pediment, and in other places, several shields of arms, with the coat of Sandys, with quarterings and impalements. This tomb is for Sir Edwin Sandys, second son of Edwin, archbishop of York. He had a grant of Norborne court from king James I. and died in 1639. (His marriages and issue have been already mentioned before). This monument was erected by him in his life time; but he who erected this sumptuous monument, and added the provisional blank tablet and escutcheons on it, with a thought of securing to himself and his posterity a king of immortality, left not one behind him, of all his numerous children, who had the least veneration for him, or respect for his memory; both the tablet and escutcheons remaining a blank at this time. In the nave is a memorial for Richard Harvie of Eastry, obt. 1675. In the church-yard are three altar-tombs, one for George Shocklidge, A. M. vicar forty-nine years, ob. 1772; arms, Three fishes, their heads conjoined in fess, their tails extended into the corners of the escutcheon; and the other two for the family of Gibbon.
The church of Norborne, with its chapels of Cotmanton and Sholdon, was antiently appendant to the manor, and was in early times appropriated to the abbey of St. Augustine; and in 1128, anno 29 king Henry I. was assigned by Hugh, the abbot of it, to the use of the eleemosinary or almonry belonging to it, which almonry was an hospital, built just without the gate of the monastery, for the reception of strangers and the poor resorting to it from all parts, and the relief of the weak and infirm.
After this, there were continual disputes between the abbots of this monastery and the several archbishops, concerning their respective privileges and jurisdictions relating to the churches belonging to it, among others, to this of Norborne, which at last ended in the allowance of the abbot's exemption from all such jurisdiction; archbishop Arundel in 1397 pronouncing a definitive sentence in the abbot's favour; all which may be found inserted at large in Thorne's Chronicle. (fn. 7)
In the year 1295, the abbot made an institution of several new deanries, for the purpose of apportioning the churches belonging to his monastery to each of them, as exempt from the jurisdiction of the archbishop; in which institution this church was included in the new deanry of Sturry. This caused great contentions between the abbots and the several archbishops, which at last ended in the total abolition of this new institution.
In which state this appropriation, with the advowson of the vicarage, remained, till the final dissolution of the abbey in the 30th year of king Henry VIII. when it came into the king's hands, whence the parsonage appropriate, otherwise called the Almonry farm, was granted the next year in exchange to the archbishop, and it remains parcel of the possessions of the see of Canterbury at this time.
But the advowson of the vicarage of this church, being excepted out of the above grant, remained in the crown, till king Edward VI. in his 1st year granted it, being an advowson in gross, to the archbishop, in whose successors it has continued to this time, his grace the archbishop being the present patron of it.
¶Though the church of Norborne was so early appropriated to the use of the almonry, as has been mentioned before, and a vicarage instituted in it, yet there was no endowment of it till the 1st year of the reign of king Edward I. when the abbot and convent, under their chapter seal, granted an endowment of it, which was approved of by the archbishop's commissary. He decreed and ordained, that the vicar should have the usual mansion of the vicarage, with the garden, and two acres of land contiguous to it, together with eleven acres of land lying at Donneslonde, and the way usual to the same; all which the vicars had heretofore enjoyed. And that they should have yearly two cows feeding, and the right of feeding them, from the feast, of St. Gregory until that of St. Martin in winter, with the cows of the religious wheresoever within the bounds of the parish. Also that they should have, in the name of their vicarage, within the limits or titheries of this church, or chapels of it, all the tithes whatsoever of sheaves, corn, and other vegetables, in orchards or gardens, being dug with the foot; and also all tithes arising from all mills so situated then, or which hereafter might be built, excepting of the mill of the religious, nigh to the King's highway, leading from Northborne towards Canterbury. Also that they should receive, in the name of the vicarage, all tithes of hay arising within the parish, or within the bounds of the chapels aforesaid, excepting the tithe of hay, arising from the meadows of the religious in this parish, at the time of the endowment. Also that they should receive, in the name of the vicarage, all oblations whatsoever in the church of Northborne, and the chapels or oratories, wheresoever situated, dependent on it, excepting the oblations made by strangers, not parishioners of the church, or chapels, in the chapel of the religious, situated within their manor of Norborne, which they had retained to themselves. Moreover, that the vicars should receive all tithes of lambs, wool, chicken, calves, ducks, pigs, geese, swans, peas, pigeons, milk, milk-meats, trades, merchandizes, eggs, flax, hemp, broom, rushes, fisheries, pasture, apples, onions, garlic, pears, and all manner of small tithes, within the bounds, or tithings of the church and chapels aforesaid, in any shape arising or to arise in future; and also whatsoever legacies should be left in future to the church and chapels, and especially the tithes of reed, rushes, and silva cædua, whenever cut down, within the bounds or tithings of the chapels of Cotmanton and Scholdon, to this church belonging, or at any time arising. But that the vicars should undergo the burthen of serving in divine offices themselves, or other fit priests, in this church and chapels depending on it; but that the burthen of providing bread and wine, lights, and other things, which should be necessary there for the celebration of divine services, they should undergo in the said church and chapels, at their own expence, excepting in the chapel of Cotmanton; in which the burthens of this kind, and likewise of the rebuilding and repairing of the chapel, used to be borne, by the lords of the manor of Cotmanton. In the payment likewise of the tenth, or other quota of ecclesiastical benefices, when it happened that the same should be imposed on the churches in England, or in the archbishop's province or diocese, the vicars and their successors there, according to the portion of taxation of the said vicarage, should be bound to pay the same for the said vicarage. But the burthens of repairing and rebuilding the chancel of the church of Northborne, and the chapel of Scholdon depending on it, within and without; and of finding and repairing the books, vestments, and ornaments of the church and chapel of Scholdon, which by the rectors of churches ought, or were wont to be found and repaired of custom or of right, and other burthens ordinary and extraordinary incumbent on the said church and chapel, the religious should undergo for ever and acknowledge; all and singular of which, he, the aforesaid John, archbishop of Canterbury, approving, confirmed by that his ordinary authority, reserving to him and his successors, &c. (fn. 8)
In 1396 there was an agreement entered into between the rector of East Langdon and the vicar of Norborne, concerning the annual payment of four shillings to the latter. In which the parishioners of East Langdon are mentioned as being bound to contribute to the repair of the church of Norborne.
The vicarage of Norborne, with the chapel of Sholdon annexed, is valued in the king's books at 12l. 11s. 8d. and the yearly tents at 1l. 5s. 2d.
In 1578 here were one hundred and ninety-two communicants, and it was valued at sixty pounds. In 1640 here were communicants two hundred and ninety-seven, and it was valued at Seventy-four pounds.
Here is a good vicarage-house, which with the homestall, measures two acres; and there are nine acres of glebe land beside.
Metroline London VWH2320 (LK17DDO) on 260 towards Golders Green and Metroline West VW1298 (LK12ATU) on 28 at Shepherd’s Bush Station towards Wandsworth
Masked tree frog (Smilisca phaeota) - Buenaventura Reserve, Ecuador
In light of the supreme court ruling that same-sex marraige was legal throughout the US today, here is a shot of two male Smilisca getting passionate. I saw the 2 amorous males calling from the same puddle and I wanted a shot highlighting the color difference between them. So I scooped them up and put them on a nearby branch, no sooner had I stepped back than the green male moved over and started grasping the brown male attempting to embrace him in what is known in frogs as amplexus. Amplexus is normally done between a male and female frog with the male ontop from where he fertilizes the females eggs as she releases them. Of course with two males no fertilization will occur, but as long as they're happy :)
Same day, but linear shadows either sepia or black & white.
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The program collects films that are asking the same questions: What was here before? And how can you show it if it’s not there anymore? When and how did absence turn into presence? Does it always do that?
It also connects places in East and West, New York, Berlin and Warsaw. Shanghai and Venice. Not only through images, but also through the people who made the films (and are in them): For them, 1984 had been fiction and 1989 a reality. They are from a generation that has been producing images and sounds before and after the Berlin Wall, in East and West, until today.
Program runtime is 62 minutes.
a-b-city by Dieter Hormel and Brigitte Bühler
BRD 1985, 8 minutes, digital projection
Accompanied by a score using music of Pere Ubu and Einstürzende Neubauten, a-b-city revolves around West-Berlin’s psychodelic atmosphere. Brigitte Bühler and Dieter Hormel, who were renown for their fast paced and skillfully edited Super-8 clips, mix TV images and time-lapse shots of nightly streets, drifting clouds, and a men continuously jumping in front of the Berlin Wall, bringing about an impression of the enclosed city that constantly shifts between ecstasis and depression. (Text: Florian Wüst)
Haunt No. 1-3 by Niklas Goldbach
2007, 2 minutes, digital projection
Haunt No. 1, Video Loop, 35 sec., Stereo
Assistance: Daniel Reuter
Haunt No. 2, Video Loop, 28 sec., Stereo
Assistance: Viktor Neumann
Haunt No. 3, Video Loop, 36 sec., Stereo
Assistance: Viktor Neumann
The video triptych focuses on the historical background and the future of up to now abandoned places in Berlin’s former working-class district Prenzlauer Berg where the gentrification process is almost accomplished.
5 lessons and 9 questions about Chinatown by Shelly Silver
USA, 2009, 10 minutes, digital projection
You live somewhere, walk down the same street 50, 100, 10,000 times, each time taking in fragments, but never fully registering THE PLACE. Years, decades go by and you continue,unseeing, possibly unseen. A building comes down, and before the next one is up you ask yourself ‘what used to be there?’ You are only vaguely aware of the district’s shifting patterns and the sense that, since the 19th century, wave after wave of inhabitants have moved through and transformed these alleyways, tenements, stoops and shops.
10 square blocks, past, present, future, time, light, movement, immigration, exclusion, gentrification, racism, history, China, America, 3 languages, 13 voices, 152 years, 17,820 frames, 9 minutes, 54 seconds, 9 questions, 5 lessons, Chinatown.
View Excerpt
Former East/Former West by Shelly Silver
USA, 1994, excerpt 10-15 minutes digital projection
Made up of hundreds of street interviews done in Berlin two years after the Reunification, FORMER EAST/FORMER WEST is a vital, surprisingly open, and at times disturbing documentary. Silver questions the very notion of a shared language, focusing on changing definitions of words for political and economic systems – democracy, freedom, capitalism, socialism, nationality and history.
Magnetic [eye] Berlin by Gunter Krüger
Germany, 2007 / 08, excerpt 10 minutes, digital projection
Since 1997, Gunter Krüger has been archiving media fragments which he finds on the street – broken audiotapes, scraps of VHS and discarded compact discs. At the location he records additional filmic notes.
In the second part of the “Magnetic [eye]” series, “Magnetic [eye] Berlin”, a selection of media fragments forms a portrait of his living space. The film is designed as a generative structure, i.e. there is no final version.
In 2007 and 2008, three different playlists were made, each varying in both the selection of the media fragments as well as their compilation. By integrating new modules, new playlists with predefined running times can be created for each screening.
Nullpanorama by Martin Ebner
Germany, 2003, 1 minute, digital projection
The ascent and decent of an advertiser’s captive balloon over the roofs of the capital.
Proprio Aperto by Judith Hopf, Natascha Sadr Haghighian, Florian Zeyfang
Germany / USA, 2005, 6 minutes, digital projection
The single channel video and installation work PROPRIO APERTO, which was first presented in February 2005 at the Museum of Contemporary Art, Chicago in the exhibition, “Universal Experience: Art, Life and the Tourist’s Eye,” shows a walk taken through the giardini, the grounds of the Venice Biennale, in winter.
The conversations that took place there among Judith Hopf, Natascha Sadr-Hadhighian and Florian Zeyfang result in a text that circles around landscapes of ruin, ghosts and the Dasein in cultural hegemony. The images — actually photographs — are presented in slow pans, and the various levels of destruction of the pavilion come more and more into the center.
The tone of voice and language congenially conveys the suitably contemplative mood during the walk, which carries over to the spectator.
The Rooms (excerpt) by Tim Blue and Paul Rowley
USA 2010, 5 minutes, digital projection
With rich sound design and diverse formats, THE ROOMS is an experimental study of an abandoned world that somehow continues to operate. This excerpt feautures the HAU 1 / Hebbel am Ufer, a historical theater in Berlin, that turned into a cultural space for contemporary experimental and innovative theater and performance art (HAU 1).
We will be strong in our weakness. Notes from the first congress of the Jewish Renaissance in Poland.Performance by Yael Bartana with Susanne Sachsse and Slawomir Sierakowski
Israel/Netherlands/Poland, 2010, 15 minutes, digital video projection
Jewish Renaissance movement in Poland, Tel-Aviv/Amsterdam/Warsaw
Stefanie Schulte Strathaus is a film and video curator who lives and works in Berlin. She is Co-Director of Arsenal – Institute for Film and Video Art (with Milena Gregor and Birgit Kohler) and Member of the selection committee of the Berlinale Forum and founding director of Forum Expanded, a new section of the Berlin International Film Festival which negotiates the boundaries of cinema. Her curatorial work comprises numerous film programs, retrospectives and exhibitions, among them Michael Snow, Guy Maddin, Heinz Emigholz, Birgit Hein, Ulrike Ottinger, Stephen Dwoskin and many others. She recently co-curated (with Susanne Sachsse and Marc Siegel) LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World (October 2009).
Her texts have been published in Frauen und Film, The Moving Image, Texte zur Kunst, Ästhetik & Kommunikation, Schriftenreihe Kinemathek as well as in various festival and exhibition catalogues. She is the editor of: Kinemathekheft Nr. 93: Germaine Dulac (with Sabine Nessel and Heide Schlüpmann), Berlin 2002; “The Memo Book. Films, Videos and Installations by Matthias Müller”, Berlin: Vorwerk 8, 2005; “The Primal Scene: Christine Noll Brinckmann. Films and Texts”, Berlin: arsenal edition, 2008; “Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s” (with Florian Wüst), Berlin: arsenal edition, 2008. www.arsenal-berlin.de
Paul Rowley was born 1971 in Dublin. He has worked for more than ten years as a filmmaker and visual artist.
His critically acclaimed feature documentary Seaview, which he co-directed with Nicky Gogan, premiered at the Berlin Film Festival and has toured festivals internationally since.
Together with David Phillips, Paul completed a collection of films to accompany a live performance of John Cage’s Sonatas and Interludes, premiered at The Stone in New York in collaboration with pianist Emily Manzo. They recently completed a 60 screen permanent video installation in the international terminal at LAX airport.
Paul was artist in residence at the Atlantic Center for the Arts in Florida with Gillian Wearing, and has received many awards from the Irish Arts Council for his work since 1997. He was a fellow at the Macdowell Artist Colony in New Hampshire, and the Bogliasco Foundation, Italy. He was awarded a residency at the Experimental Television Center in New York, which led to a grant from NYCSA, the New York State Council for the Arts. He lives in Dublin and Brooklyn.
See also www.condensate.net and www.stillfilms.org
Shelly Silver is a New York based artist utilizing video, film and photography. Her work, which spans a wide range of subject matter and genres, explores the personal and societal relations that connect and restrict us; the indirect routes of pleasure and desire; the stories that are told about us and the stories we construct about ourselves.
Silver’s work has been exhibited and broadcast widely throughout the U.S., Europe and Asia. Screenings and installations have been mounted by venues such as the Museum of Modern Art in New York, the International Center of Photography in New York, the Museum of Contemporary Art in Los Angeles, the Yokohama Museum, the Pompidou Center, the Kyoto Museum, the London Institute of Contemporary Arts, the Museo Reina Sofia, and the London, Singapore, New York, Moscow, and Berlin film festivals. Her work has been broadcast on BBC/England, PBS/USA, Arte, Planete/Europe, RTE/Ireland, SWR/Germany, and Atenor/Spain. Silver’s numerous fellowships and grants include awards from the Guggenheim Foundation, the NEA, NYSCA, NYFA, the DAAD, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. She is based in New York where she is an Associate Professor of Visual Arts in the School of the Arts, Columbia University.
Nikon D810 & 4K Sony Camcorder & 45surf Achilles' Odyssey T-shirt Photos Taken by the Nikon D800E! She (The d800E) Was Jealous, But I still Love Her!
The 45surfer bracket setup for simultaneous stills and video (Nikon D810 + 150-600mm Tamron Zoom Lens for Nikon + the new 4K Sony FDR-AX100/B 4K Video Camcorder) allows me to shoot 4K video alongside 36mp stills of the Surf Goddesses! Will be using this setup at the Vans US Open of Surfing in late July in Huntington Beach (Surf City USA!), and the Hurley Pro at Trestles in September! This power was simply inconceivable a few short years ago! There was a lull so I shot some of the 45surf t shirts and 45surf hoodies too! Fall is around the corner when I sleep in my hoody every night as the Malibu Canyons nights get cold!
The Nikon D810 is the hottest model I have shot to date, up there with the swimsuit bikini model goddesses! :)
JK, I could shoot the bikini models with a Canon 5D MK3 even and they'd still look good.
Shown with the Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon ! For shooting Alana Blanchard & the surf goddesses at the Van's US Open in a couple weeks!
Nikon D810 + Sony FDR-AX100/B 4K Video Camcroder Photos Taken by Nikon D800E! She (the D800E) Was Jealous, But I still Love Her!
The Nikon D 810 is mounted on a sturdy aluminum Vanguard Tripod or quality Manfroto Monopod! I prefer the alunimum over the carbon as it is thinner and heavier and has less of a chance of getting caught in a gust and tipping over! Although it happened once at the grand canyon, but I caught it! But the lightweight carbon-fiber with the wider legs would blow away! :)
All the best on your Epic Hero's Journey from Johnny Ranger McCoy! :)
Same bird but looking alot more green here, i took both rosella shots in Taranna which is just north of Port Arthur.
oliver + s lazy days skirt in chambray with chevron ribbon for kcwc day #4
more here: probablyactually.wordpress.com/2011/10/13/deja-vu/
Missoni-esque faux wrap dress, Lipstick. Metallic khaki bolero, No Boundaries. Headband, Claire’s. Blue handbag, Wilson’s Leather. Khaki slingbacks, Linea Paolo. Faux pearl cuff, Forever 21. Cat, Yoda aka Smunch.
Same old missoni-esque wrap dress I scored for under $10 at Body Central and have worn a thousand times (see comment).
This is neutral shoe week. You’ve surely noticed my penchant for brightly colored shoes, but I often wear khaki/tan heels in the summer. Worn with bare legs or nude fishnets, the shoes create the illusion of longer, slimmer legs. I consider nude heels as much of a staple as black. I read recently (on a YLF forum post) that some people don’t like a flesh-colored shoe because of the lack of visual impact. I was surprised. Do you own nude shoes and do you wear them?
NEw video channels for epic bikini swimsuit model goddess videos shot at the same time as photography stills!
Nikon D800E photography of Pretty Brunette Swimsuit Bikini Model Goddess @ the 45SURF Summer Beach House! Gorgeous Brown Eyes! I'm thiking about adding a deck and a pool to the beach house / surf shack! You'll have to visit!
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
Classic California--an athletic model goddess modeling Gold 45 Revolver bikini with the Moving Dimensions Theory Equation on it: dx4/dt=ic! Tall, thin, fit and very, very pretty!
Be sure to enjoy the epic videos in full screen HD! :)
Photos shot with the AMAZING Nikon D800 E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens and the B W 77mm XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating. Classic California Brunette Beach Babe! Beautiful Swimsuit Bikini Model Goddess with Pretty Blue Eyes and wavy sandy-brown hair!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5 ! :)
Modeling the classic 45surf t-shirts and the Gold 45 Revolver Gold'N'Virtue Bikini on a sunny Malibu summer afternoon--my favorite for shooting on the beautiful socal beach!
Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! :)
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
May the classic California HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
A second visit to Lynsted, and the same result; locked.
On one of the hottest days of the year, we stop at the pub next door for lunch, and whilst we wait for it to be served, I go down to see if I can snap inside.
I am still trying to work out the logic that someone comes every day to open the metal door to the porch, but the inner wooden door is kept locked.
I tried and tried the door, pulling, pushing both while trying the handle of the door. Jools did the same, and neither of us could get in.
Same as last time.
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The church stands close to the road in a dark and sombre churchyard. Inside, the chancel arch is unusual in that the capitals have been cut off to facilitate the construction of the rood loft. The interesting east window of five lights has a very closely set grouping of openings under the canopy. There are two chapels - the north belonging to the Hugessons and the south to the Teynhams. They both contain excellent monuments. The most important commemorates Lord Teynham (d. 1622) and is signed by Epiphanius Evesham. It shows Lord Teynham lying on his back with his widow kneeling under an arch behind him. At the base are relief carvings of their children. The sons have just returned from hunting and the daughters are crying - two of them have little dogs. Opposite this monument is another to his father who died in 1618, altogether it forms a more ordinary composition.
www.kentchurches.info/church.asp?p=Lynsted
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LINSTED.
THE next parish southward from Tenham is Linsted, which lies adjoining the high London road, at the 43d mile-stone at Green-street, the south side of which is within the bounds of it, hence the ground rises towards the south to the village, which, with the church, is situated near the centre of it. It is a situation more pleasant than it is healthy, especially in the lower part of it. The lands below the village are very fertile, much like those of Tenham described before, having several hop-grounds of a kindly growth, interspersed throughout them; but southward of the village, the land lying still higher, approaches the chalk and becomes stony and much less fertile, till it joins Doddington, its southern boundary, not far from which is Linsted-lodge, a fine old mansion of the time of king James I. situated not very pleasantly, in a low part of the park, which however has been for some years disparked, and most of it let out in farms. On the west side of it is a feat called Dadmans, formerly Dodmannys, so called from a family of that name. It was, in the reign of Henry VII. in the possession of William Apulderfield, of Faversham. The fee of it has for many years belonged to the Ropers, lords Teynham; it is occupied by the hon. Philip Roper, uncle to the present lord Teynham. A little below Dadmans is an estate, called Bumpit, belonging likewife to lord Teynham. On the opposite or north west part of the parish, close to the south side of the high London road, near Radfield, is an estate called Claxfield, which was the residence of the family of Greenstreet, who were possessed of many good estates in this part of the county, for several generations. After which it became the property of Mr. George Smith, whose daughter Jane sold it to John Sawbridge, esq. of Ollantigh, and his son Samuel-Elias Sawbridge, esq. is the present owner of it.
About half a mile from the London road, beyond Green-street, at the north-east corner of the parish, is a house called Nowdes, which was part of the possessions of the family of Greenstreet likewise, in which it continued till Peter Greenstreet, in 1703, alienated it to Mr. John Smith, gent. whose daughter having married Mr. T. Barling, gent. he resided here, and died in 1770, leaving two sons, John Smith, (to whom his grandfather, Mr. John Smith, bequeathed this seat) and Philip, of London, surgeon, and one daughter Dorothy, married to Mr. Edward Dering, of Doddington. John Smith Barling, gent. of Faversham, the son, on his father's death, took possession of this seat, in which he at times resided. He died in 1795, leaving one son and two daughters, (one of whom lately married Mr. Lushington Taylor, of Rodmersham,) and they are now jointly intitled to it.
At Greenstreet, on May 12, there is a fair annually for horses and cattle.
Bartholomew Fowle, alias Linsted, a native of this place, was the last prior of St. Mary Overie, London, being elected to that office anno 1513. He was a learned man, and wrote a book, De Ponte Londini.
About thirty years ago a large chesnut tree was felled in Lodge park, which was sawed off close to the ground: in the centre of it, where the saw crossed, was a cavity, of about two inches diameter, in which was a live toad, which filled the space entirely. The wood of the tree was, to all appearance, perfectly found all round it, without any the smallest aperture whatever. The tree itself was six feet in circumserence.
THE MANOR of the hundred of Tenham claims over this parish, subordinate to which is THE MANOR OF BADMANGORE, with THE MANORS OF LODGE and NEWNHAM united, the former of which, though it IS but little known at present, either as to its name or situation, yet in early times was eminent, by having for its proprietors successively, the Cheneys and Apulderfields, families of no small repute in this county.
Sir Alexander de Cheney, of Patrixborne, the seat of this family, where they had been settled for some generations, was one of those Kentish gentlemen, who attended king Edward I. in his victorious expedition into Scotland, in the 28th year of his reign, and being present at the siege of Carlaverock, in that Kingdom, was knighted by him there, with many other of the gentry of this county. His son William de Cheney died possessed of the manor of Badmangore, in the 8th year of Edward III. having married Margaret, daughter and heir of Sir Robert de Shurland, in whose right he became entitled to the seat of Shurland, with many other estates in this county. His son Sir Robert Cheney, sold it before the 27th year of that reign, to William de Apulderfield, who made it his chief residence, and kept his shrievalty here in the year above-mentioned, and in several years afterwards. He was descended from Henry de Apulderfeld, of Apulderfeld, in Cowdham, (fn. 1) who, with his son Henry, were, with other Kentish gentlemen, with Richard I. at the siege of Acon, in Palestine, where, on account of their bravery, they had granted to them an augmentation to their arms, which they and their descendants continued afterwards to bear, viz. Sable, a cross, or, voided of the field, their original arms being, Ermine, a fess vaire, or, and gules. His great-grandson Sir William de Apulderfield was a man of much note in the reigns of Henry VI. and Edward IV. He left an only daughter Elizabeth, who became his heir to this manor, among the rest of his estates, which she carried in marriage to Sir John Fineux, chief justice of the king's bench in the reigns of king Henry VII. and VIII. He died in the 17th year of the latter reign, anno 1525, (fn. 2) leaving two daughters his coheirs, Jane, married to John Roper, esq. of Eltham, and Mildred, to James Diggs, esq. of Barham.
The origin of the family of Roper has been very fully treated of in the first volume of this history, p. 472, under the description of Eltham, where the eldest branch of it remained till within memory, and the descent of it is there brought down to the abovementioned John Roper, esq.
On the division of their inheritance, this manor, among others, was allotted to John Roper, in right of his wife. He was prothonotary of the king's bench, and attorney-general to Henry VIII. and died in 1524, at his manor of Welhall, in Eltham, to which he had removed from St. Dunstan's, the antient seat of the family. He left two sons, William Roper, esq. clerk of the king's bench, who succeeded him at Eltham, and Christopher, ancestor of the lords Teynham, and six daughters.
Christopher Roper, esq. the second son, succeeded his father in the manor of Badmangore, and its appendages, at the manor-house of which he resided; it stood on the east side of the park, but on the family's removing their residence from it, it was suffered to decay and run to ruin. By Elizabeth his wife, daughter and coheir of Christopher Blore, esq. of Rainham, he had several children, of whom John Roper, esq. the eldest son, succeeded him in this manor. He was Knighted in 1616, anno 14 James I. and on the same day created lord Teynham, baron of Teynham in this county, as a reward for his forward attachment to the king's interest, having been the first man of note who proclaimed the king in this county. He built the present seat of Linsted lodge, and inclosed a park round it, and afterwards made it his residence. He died in 1618, and was buried in the vault which he had made in the south chancel of this church.
His descendants, lords Teynham, continued to reside at Linsted lodge, all of whom lie buried in this church, down to Christopher, lord Teynham, the fifth in succession, who in 1687 was constituted lord-lieutenant and custos rotulorum of this county. He died at Brussels next year, having married Elizabeth, daughter of Francis Brown, viscount Montague, by whom he had several sons and daughters, of the former, John, Christopher and Henry, became all three successively lords Teynham, the latter succeeding to the title and estate on the deaths of his two elder brothers unmarried, and became the eighth lord Teynham. He died in 1716, leaving by his first wife two sons, Philip and Henry, successively lords Teynham, and by his third wife the lady Anne, second daughter and coheir of Thomas Lennard, earl of Suffex, and widow of Richard Barret Lennard, lord Dacre, remarried thirdly to the hon. Robert Moore, he likewise left issue, whose descendant became afterwards, in her right, intitled to the fee barony of Dacre. He was succeeded by his eldest son Philip, lord Teynham, who died unmarried in 1727, upon which the title and estate devolved to his next and only whole brother Henry, lord Teynham, who left by his first wife Catherine, daughter and coheir of Edward Powell, esq. of Sandford, in Oxfordshire, five sons and two daughters, of whom Henry the eldest son, on his death in 1781, succeeded him as lord Teynham, and married first Mary-Wilhelmina, eldest daughter of Sir Francis Head, bart. (whose second daughter and coheir married John his next brother) who died s.p. and secondly Betsy, widow of John Mills, esq. of the island of St. Christopher, and daughter of Mr. Webber, of Somersetshire, by whom he had two sons Henry and John, and two daughters. He died in 1786, and was succeeded by his eldest son Henry, being the present right hon. lord Teynham, and the twelfth lord, in succession from the first grant of the title. He has never resided at the Lodge, which has been for some years occupied by different tenants, and the greatest part of the park converted into farms of arable land. He is at present unmarried, and still continues the proprietor of these estates, with Colyers and Newnham farm, and others in this parish. He bears for his arms, Party per fess, azure, and or, a pale and three roebucks heads erased, counterchanged; for his crest, On a wreath, a lion rampant, sable, holding a ducal coronet between his paws, or; and for his supporters, on the dexter side, a buck, or; on the finister, a tiger reguardant, argent. And he has likewise a right to quarter with those of Roper, the several coats of Apledore, St. Laurence, Tattersal, Apulderfield, the same for service, Twite, Parke, and Hugdon, as appeared by a pedigree in the possession of Edward Roper, esq. of Welhall, in Eltham, attested and collected by John Philipott, Somerset herald in 1629.
SEWARDS, is a manor which had an antient seat in this parish, and in very early times was the residence of a family of that name, in which it continued till about the reign of Henry V. when Richard Seward leaving an only daughter and heir Elizabeth, she carried it in marriage to John Finch, esq. second son of Vincent Herbert, alias Finch, of Netherfield, in Sussex, whose eldest son William Herbert, alias Finch, was ancestor of the Finch's, earls of Winchelsea and Nottingham, and others of that name at different times enabled, all of whom bore the same coat of arms.
John Finch, esq. died possessed of Sewards in 1442, anno 21 Henry VI. and was buried at Sevington. His grandson John Finch, esq. was of Sewards, and left two sons, Herbert, who was of Linsted, from whom descended the Finch's, of Linsted, Norton, Faversham, and Wye, and other younger branches of that name; and Thomas Finch, the second son, who was of Kingsdown, from whom descended those of that parish and of Stalisfield. (fn. 3)
Herbert Finch. the eldest son, became possessed of Sewards on his father's death, and from him it descended to William Finch, esq. who dying without issue male in the reign of queen Elizabeth, his only daughter and heir Catherine carried it in marriage to Sir Drue Drury, gentleman usher of the privy chamber, the fifth son of Sir Robert Drury, of Edgerly, in Buckinghamshire, who bore for his arms, Argent, on a chief vert, a Roman T between two mullets, or, and was descended lineally from John Drury, esq. of that place, son and heir of Drury, one of the Norman nobles, who came in with king William the Conqueror. (fn. 4) He built a large and handsome seat in this parish, opposite to the church, and resided in it. His son Sir Drue Drury, in the beginning of the reign of king Charles I. resided at the seat built by his father as before-mentioned, which he alienated to Mr. James Hugessen, merchant adventurer of Dover, who kept his shrievalty at it in the 17th year of Charles I. He was the son of James Hugessen, of Dover, merchant adventurer, who bore for his arms, Argent, on a mount vert, an oak proper, between two boars erect, sable, armed, or, as did his descendants afterwards. He died in 1646, and was buried in the chapel on the north side of the chancel of this church, which has continued the burial-place of his descendants to this time. He left six sons and one daughter, of whom William the eldest, succeeded him in this seat, and John the second son was a merchant adventurer of Dover, where a branch of this family remained many years afterwards in that line. After the restoration of king Charles II. William Hugessen, the eldest son, having removed his residence to Provender, in the adjoining parish of Norton, where he kept his shrievalty in 1671, in which year he was knighted, this house was pulled down, but the scite of it remained the property of his descendants, down to William Western Hugessen, esq. of Provender, whose two surviving daughters and coheirs, Mary, married to Edward Knatchbull, esq. who has since his father's death succeeded to the title of baronet, and Sarah, to Sir Joseph Banks, bart. since K. B. and privy counsellor, have entitled their respective husbands to the possession of it. There are still the garden walls, and some other such remains of this mansion left.
BUT THE MANOR AND MANSION OF SEWARDS, which is a large building, was alienated by Sir Drue Drury's heirs, about the year 1670, to William Finch, esq. though whether he was a descendant of the former owners of this name I have not found, and he died possessed of it, as appears by the court-rolls of Tenham manor, in 1672, whose heir, in 1677, alienated it to Mr. John George, in which name it continued till by a female heir, Jane George, it went in marriage to Vincent Underdowne, gent. of Dover, who was a distributor of Stamps; but he becoming greatly in arrears on that account, an extent was issued from the exchequer, and this estate continued till about the year 1773, in the hands of government, when all debts being satisfied, which were due to it, it was ordered by a decree of that court to be sold, to satisfy the costs and expences, which had accrued by the proceedings on it, which it was accordingly soon afterwards to Mr. John Smith Barling, gent. of Faversham, who died in 1795, leaving one son and two daughters, who are now entitled to it.
Henry Eve, D.D. vicar of this parish and of Tenham, died in 1685, possessed of a capital house, called Edwards, in Linsted, where he resided; the heirs of whose grandson of the same name, some years afterwards sold it to John Sympson, esq. of Canterbury, whose widow Mrs. Mary Sympson afterwards possessed it, on whose death it came to Mr. Baptist Sympson, whose heir is the present owner of it, but it is now in the state of a mean cottage.
Charities.
JOHN WESTON, of this parish, by his will in 1482, ordered, that his seoffees should make an estate to twelve of the most sufficient men of the parish, in a tenement called Goddys-house, with a garden and land adjoining, in this parish; the profits to be applied by them to find an obit yearly for ever, on the day of his anniversary, and the residue to the repair of the church for ever. And he ordered, that his seoffees should yearly permit the parishioners to occupy one piece of land, in a field called Chirchefielde, to the making a place called a pleying-place, on holy-days, and other six days, for ever, on condition that the parishioners should keep the sence of it, and the profits of the pasture of the piece of land to remain to his house, called Weston tenement, yearly for ever.— This is still called the Playstool; being a meadow of between three and four acres, and is part of the estate of Mr. Baptist Sympson. It is situated opposite the vicarage-house. There is a house belonging to Mr. Tappenden, of London, situated at the end of the vicarage meadow, called the School house. The report of the parish is, that there was once a free school there, which by some means or other the parish has been deprived of.
TEN SHILLINGS, in lieu of corn, is yearly paid to the poor of this parish by the lessee of the parsonage, by covenant in his lease.
THERE were 20s. per annum paid to the poor of this parish, out of a farm called Theobalds, near Erriot-wood. It was paid in 1695, by Mr. Tong, of Sittingborne, as it has been several times since, though it does not appear by whom. This payment has been withheld for some years pall.
LINSTED is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which stands on the south side of the village, is dedicated to St. Peter and St. Paul. It is a handsome building, and consists of three isles and three chancels. The steeple, which is a spired shaft, covered with shingles, stands at the north west corner of it: in it is a ring of five bells. William Apulderfield, of Faversham, was a benefactor to it by his will anno 1487, in which he directed his wife to repair the buttresses of the wall of the church-yard, on the east side of it, and to new shingle the chapel of our Lady in the church. In the Hugessen chancel are several brass plates and monuments likewise for that family, one of them an elegant one for William-Western Hugessen, esq. obt. 1764, æt. 29, and for his widow, obt. 1774, æt. 39; against the south pillar a tablet and inscription for Rodulph Wecherlin, esq. of Championcourt, obt. 1667; in the vault underneath lies his widow, remarried to Gideon Delaune, esq. obt. 1719; a monument on the north side of the chancel for Catherine, wife of Sir Drue Drury, obt. 1601. In the Teynham chancel are monuments for John Rooper, first lord Teynham, obt. 1618, and for Christopher, lord Teynham, obt. 1622, and no others, or even gravestones for this family. In the high chancel a brass for John Aiscough, esq. justice of peace, temp. Elizabeth, obt. 1601; another for John Worley, gent. of Skuddington, in Tong, obt. 1621, and his wife; in the east window, in a pane of glass of a lozenge form, is the figure of a venerable old man bearded, clad in purple, sitting in a gilt chair, holding a book open on his right hand, from which he looks forward as speaking or exhorting.
The church of Linsted was antiently esteemed as a chapel to the church of Tenham, as appears by the black book of the archdeacon of Canterbury, and was given and appropriated, with that church and its appendages, in 1227, by archbishop Stephen Langton, to that archdeaconry. It has long been independent of the church of Tenham, and still continues appropriated to the archdeacon, who is likewise patron of it.
It is a vicarage, valued in the king's books at 8l. 3s. 11½d. and is of the yearly certified value of 70l. 12s. 4d. the yearly tenths being 16s. 4¼d. In 1640 it was valued at one hundred pounds. Communicants two hundred and thirty-five.
¶Dr. Samuel Parker, archdeacon of Canterbury, at the instance of archbishop Sancroft, by lease, anno 27 Charles II. reserved the additional pension of ten pounds per annum to the vicar of Linsted and his successors. It pays no procurations to the archdeacon.
Rabari people in Goriyawad village (Gujarat).
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Blooming Lilacs in the Kinsman Valley view park and at the same period is the annual Peony Festival at the Oshawa Valley Botanical gardens with a beautiful trail and creek that runs through the Oshawa Valley concervation area , Martin’s photographs , Oshawa , Ontario , Canada , June 17. 2020
Kinsman Valley view park
Rotary bridge
Rotary bridge plaque
Plaque
Having a walk on this beautiful autumn day on trail
Eastbourne park
large trees
edited photograph
Having a walk
autumn
Bridge
Oshawa creek
Bridge across Oshawa creek
trail in Eastbourne park
trail in Eastbourne park in Oshawa
Alliums
Lilacs in the Kinsman Valley view park
Kinsman Valley view park
Lilac trees
Peony
Peony Festival
Botanical gardens
Oshawa Botanical gardens
Martin’s photographs
Edited photograph
Oshawa
Ontario
Canada
June 2020
Gazebo
Gazebo at the Oshawa Botanical Gardens
Peony Festival at the Oshawa Valley Botanical gardens
Oshawa Valley Botanical gardens
Oshawa Valley
IPhone XR
Favourites
Hosta
Hosta collection
Oshawa Garden Club Hosta Collection
Oshawa Garden Club
Martin’s photographs
Cropped photograph
Alliums and Peonies at the Annual Peony Festival in Oshawa
October 2016
Trail in Oshawa conservation area
Having a walk
large trees
IPhone 6
We having nice a walk at Oshawa Valley Botanical gardens trail in the Oshawa Valley concervation area
June 2021
IPhone XR
Park bench
Lilac
Alliums
Peonies
Annual Peony Festival in Oshawa
Lilacs in the Kinsman Valley view park
Gateway Camp Verse
(Pin1) Ging1 Mahn4
Isaiah 62:10
What Dale instructed about going out of our way to treat the Mainland Chinese well resonated within me. To be sure, just as the Koreans have gone out of their way to bless me so I must step out to bless and to love my Mainland brethren.
After the first meeting, Ed and I wandered off campus and found inside a shopping mall a cha chaan teng where we had a late-night snack. And hardly had we tucked into our meals when in walked several dozen volunteers, all locals, who were overcome, it seemed, by the same munchies that infected Ed and me. It’s surprising how such a primal urge, at such a time, drives everyone to no less than the same, impossibly far location.
I thus far have met so many people that, had I not brought along my iPod, I would have already lost track of the multitudinous names flying around like fireflies at night, sparkling luminously one moment and then disappearing the next. And this is only the beginning: more and more people will arrive both today and tomorrow so I had better stay awake, alert, and writing.
I am working with a partner who really challenges me, and indeed that is why I chose to work with him. From the first words that came streaming out of his mouth, I knew he would be a special one, and as if to conifrm my conjecture, indeed, the more he spoke, the more confused I became. The challenge, I have realized after much ruminating, isn’t so much the pace of his speech as his choice of words, which fall outside a normal lexical range; that is, at least with me, when he talks, he doesn’t use familiar collocations to communicate; besides, he has an uncanny Tin Shui Wai accent; those, along with his amazing resistance to Chinglish, which impresses me, by the way, have made our communication tedious, since I am bombarded by peculiar lexical constructions that I generally never encounter in Cantonese conversation and must therefore stop our flow to clarify his speech. It’s too bad that he doesn’t speak English as I would love to hear how he structures ideas in my native language to determine whether or not this strange lexis has spilled over into his other modes of communication.
Regardless, in being with him, I have learned to be patient, and if I am truly to walk away from resentment, I must continue rather to engage him than to keep him at arm’s length. It helps us, then, that he is a congenial fellow, prone more to expressing love, much in the same way that I do by warmly grabbing a forearm or a shoulder, than to venting his frustration, which with me could certainly be great. He is verily a good guy, and so long as the Lord keeps him — I am sure Daddy will — Tin Shui Wai, that small patch of concrete moon colony, is in capable, faithful human hands.
Sau2 muhn6 je2
Mihng6 dihng6
Kyuhn4 lihk6
Lihk6 leuhng6
Chong3 yi3 adjective
Chong3 jouh6 verb
Romans 5:3-5
Not only so, but we rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us, because God has poured out his love into our hearts by the Holy Spirit, whom He has given us.
I cried this morning when I read these words, because they are true, and comfort my soul as water to a dry, parched land. However many times I’ve lamented this place and its people, I am still inextricably tied to this rock, per God’s will for my life; and God really is faithful in providing a way out not from this place but from these spiritual hindrances. These past few days, what with communication failures and fatigue setting in, I could have more easily give into my rationality, in defense of my weaknesses, than resisted this bait of satan. Thank God, hence, for the words which are like fuel for the refiner’s fire that burns up all my expectations, my pride and my flesh. I can survive, nay, rejoice, indeed, because of God, who, in me, day by day teaches me to suffer long with a smile.
This is what the gateway is all about, I believe: jumping head-first out of my comfort zone to confront the nations, for my brothers and sisters and I must face each other if we are to raise the banners together. Battling through enemy strongholds of mistrust ad resentment, we demolish carnal thoughts and dig deep in the Spirit for the unity that shall overcome as much language as culture; God, after all, is bigger, even, than the battlefield. In these ways can my brethren and I love each other as ourselves, as we shall be one in the Father, with audacious power and boldness laying hands on His kingdom which advances, in this kairos moment, over all of China, including, no doubt, Hong Kong. No longer will there be curses thrown upon the nations; but rather the river of life will flow through the city, and the leaves of the tree on each side of the river will be for the healing of the nations.
1) Welcoming the Father
2) Unifying the body
3) Partnering with the Chinese
4) Serving the city
5) Supporting the Chinese
Isaac and I have worked quite hard this morning, putting up signs all over campus, and as if to reward me for my assiduity, he offered to buy me a drink, an offer which I took up. Indeed, this man’s care and concern for others, genuine, doubtlessly, fills me with joy, for, to be sure, the joy of the lord is his strength. My friend is indefatigable, always encouraging and never slighting, no matter the circumstances, rain (that has happened a lot today) or shine. Praise God!
Much like my relationship with Isaac, my relationships with my other team members have improved considerably since, even, this morning’s briefing during which, the code-switching, happening too fast and too furiously for my comfort, vexed me so terribly that if Isaac had not put a generous arm around my shoulder immediately afterwards, I surely would have blown my top in frustration at the perplexing language option. Thankfully, my team and I settled our language arrangements: Isaac, Dorcas and I will intractably speak Cantonese to each other whereas my other group mates and I will use English with as little code-switching as possible; and I, along with Ed, no doubt, am satisfied. It’s best to avoid misunderstandings.
Lihng4 Mahn4 (soul)
Sihng4 jeung2
Muhng6 Seung2 (dreams)
The Lord’s mercies are new everyday. Just now, during the morning rally, by His Spirit, hundreds of brothers and sisters received a new anointing, to be spiritual mothers and fathers of a new generation so as to minister to the next. This outpouring of the Spirit was sudden, and so captivated me that when the call came to reap, I rushed to the front to ask my father for this anointing, and naturally, my life was transformed. In the same way, the pastor called up a new generation of spiritual children to receive the love, care and support of these new parents; and likewise, so many young men and women heeded this call that verily, the pit in front of the stage was soon awash in hugs and tears between generations that, once lost, were now found. Indeed, no sooner did these people embrace their father than Dad immediately swept them up in his strong arms and showered them with audacious encouragement and support. Praise God!
An Outburst
I was angry this morning during our team time. I temporarily lost my ability to be merciful and to live in God’s grace. When my team leader began to address me in English, yet again, I couldn’t help but berate him for doing so when Cantonese, I argued, would be a more economical medium of delivery. And then I compounded this already incendiary situation by ranting about the hypocrisy of Hong Kong being a gateway to China but not a gateway into its own neighborhoods teeming with Chinese people, 97% of whom, according to one of the pastors at this camp, do not know the Lord Jesus. Cantonese will matter, I posit, if anyone dares to take on the onerous mission in this vexing place.
To be sure, even my brother announced that language was a prohibitive barrier to closer relationships with these local people, and therefore, since he neither speaks Cantonese nor is going to give learning the language a go, he is relegated to the outer walls of the gates into Hong Kong.
In hindsight, I thought I cared enough about God’s purposes for me in Hong Kong, but I realize now that I still care a lot about myself, and resentment. Though I have prayed and declared boldly that God is bigger than language and culture, I know I don’t believe it; and that’s upsetting. For the time being, I don’t verily believe in my heart that I can have deeper, closer relationships with Chinese people without the benefit of language and culture, patterns of action.
OK. This is actually an opportune start for my spiritual parentship, for now I have an opportunity to put aside my very compelling arguments for the necessity of language and culture in deep and close relationships, these conclusions born out of my reason, and to step out in faith, to trust in the Lord who, I pray, will show me deep and close relationships sans language and culture, and with whom my deep and close relationship shall obviously be the key to this victory.
I’m thinking about events at this camp that heretofore demonstrated loving relationships without language and culture, and I recalled two acts: the first happened yesterday when I spontaneously joined a line of ushers to high-five and to cheer the audience as they flooded out of the auditorium, the morning rally having scarcely finished; and the second, this was my meeting Yao, a man from the Ivory Coast, whom I befriended in those first, fleeting, if not frantic moments before the opening rally on Friday evening. That encounter was immediate and sudden, neither words nor habits needed; Yao and I simply high-fived, hugged and sat beside each other; and wow, that was terrific companionship — praise God!
Finally, however hard my diatribe may have struck my team members’ hearts, my merciful group mates still forgave me, not only on an personal level, but also, as I had sought forgiveness on behalf of all foreigners who have ever cursed locals or stood passively outside the gateway, on a corporate level, thereby releasing countless non-Chinese people into the freedom of these Hong Kong people’s forgiveness; just as brothers and sisters had so recently been reconciled to each other in my church, so local and non-local people have received the others’ freedom of forgiveness; more than a homecoming, that, indeed, is a breakthrough.
In listening to this morning’s sermon, I hear such verses as I know God is speaking to me through His word. 2Corinthians 4:16-18, this scripture in particular carries a buoyant, hopeful currency in my heart. My spirit soaks in this divine revelation as a sponge soaks in water and thus becomes malleable, able to be formed and shaped according to its holder’s will: Therefore we do not lose heart. Though outwardly we are wasting away, yet inwardly we are being renewed day by day. For our light and momentary troubles are achieving for us an eternal glory that far outweighs them all. So we fix our eyes not on what is seen, but on what is unseen. For what is seen is temporary, but what is unseen is eternal.
Disagreeable
I don’t know why my brother and I undermine each others’ comments; why we no more know consensus than the deaf music. Our interactions have been especially abrasive recently since we have spent so much time together without the benefit of our other brother to act as a natural, vociferous buffer; and as a result we argue like pieces of sand paper being rubbed against flesh, which inevitably leads to significant soreness. I feel sore now.
I think back to my outburst this morning and can appreciate my role in this evening’s embarrassing outcome; I am certainly not without fault, for I choose these days not only to venture my opinions but to do so passionately, if not emotionally. People consequently who otherwise are phlegmatic at best are put in a discomfiting position by my impassioned pleas. Besides, I recall Interrupting my brother prolifically, which understandably would not make him a happy camper; just as a hyperactive child doesn’t know when to stop pestering his sibling, so I don’t know nowadays when to hold my tongue. Indeed, I would rather not respond at all to my brother, even after he has fired off his rejoinder, than to strike him down in mid-speech.
In view of this latest incident, I have resolved to take the former course of action. To be sure, I simply stopped our petty dispute about a stupid basketball game by, awkward as it was, taking out my book and perusing it as fixedly as my tattered mind would allow. I will try my best to stay away from my brother for a spell, to create physical and spiritual space between us, so hopefully, in this way at least one of us will be able to come to his senses about this matter; better yet, now would be an opportune time for our father in his mercy to reveal to us the fault lines in our flesh so that we could surrender these tremulous spots in our soul, crucifying them to the father for our healing and the redemption of our relationship. I will pray about this.
…Praise God. If I had not separated myself from my brother’s presence, I wouldn’t have been sitting at that bench at the exact moment when Isaac came over to me in a plaintive mood. Obviously upset, he had been so recently wronged, he lamented on the verge of tears. And at that, mercy swept over my countenance, for my brother felt as aggrieved as I did earlier; and this appointment, per God’s unfailing, obstinate love, had at last come for me, convicting me to be very, very agreeable, sympathetic and kind to my fellow long-suffering brother. In this instance, thank God, language did not matter so much as empathy, carrying each others’ burdens and thus fulfilling the rule of Christ. We prayed and blessed each other in Jesus’ name, and then boldly went forward into the rally.
I suspect the enemy has infiltrated our team what with my outbursts and Isaac’s failing out as evidence. My group mates and I must be more vigilant in prayer and in digging deep into the Father’s word if we are to overcome the spies in our camp that have planted incendiary devices in our mouths and in our hearts. We certainly need such encouragement as the Lord provides for the edification and encouragement of each other, even more so, in fact, in the face of adversity, despite our fatigue and other physical ills that befall us like a hail of arrows. In faith, I’m sure, faith will see us through; and per what the pastors exhorted at the rally, we will become as if the smooth stone in David’s sling, ready to fly into the air to crush the Goliath in this world.
Sihng4 jauh6 achievement
Ngwuih misunderstanding
Nggaai2 to misunderstand
Yuhn4 leuhng6 forgive
Gaan2syun2 chosen
The Security Guard
At the morning rally, a security guard left an indelible impression on my heart what with her showing of unconditional support and her proffering of words of encouragement, which like a waterfall fell in force and power over my friends and me. To my amazement, I first saw her out of the corner of my eye stepping out of her role as a security guard to pray as a spiritual parent to two spiritual children during the morning rally’s prayer time; there she was, clad in her blue uniform, laying hands on those weeping kids; finally, I had witnessed someone courageous enough to step out of that rule of law, her boundary in Hong Kong, to be bound to that which is ethereal, the rule of Christ to carry each others’ burdens. Later, as the audience passed through the exit, I had time to confirm her love for the Lord and at that, we broke into a torrent of encouragement and followed this with a flurry of picture-taking. Indeed, never have I stumbled upon such good will from a dragon security guard in HK so I am hopeful, therefore, that this is but the the start of a greater movement within that particular demon-worshipping core, that at this time, God is opening up the heavenly armory and placing his prayer warriors inside that particular stronghold in Hong Kong to demolish every pretension that sets itself up against the knowledge of God and placing in its stead a profusion of love, gentleness and kindness. I look forward to the day when wisdom, and not languid stares, shall emanate from all the people who man the facilities in these universities.
Reconciliation
This is special. No sooner had Isaac and I stepped into the auditorium than we heard the plaintive cry of the mainland Chinese on the stage forgiving the Hong Kong people for their trespasses against their brethren from the north. A flurry of hugs, replete with a few tears, ensued. That was, as Dale announced from the stage, a delicious moment. Jesus must have been breaking out the good champagne in heaven for a rousing celebration in view of this victory.
Sex Talk – Part One
The kids finally received the sex talk this morning; a fiery pastor delivered the message which was as much shocking as informative; and gasps and wincing abounded in the audience.
While I have recently heard the sex talk at the men’s retreat, and have furthermore by God’s grace been inoculated against this particular area of struggle, it was nonetheless refreshing to hear the news, as shocking and as sensational as it was. I am willing, in addition, to believe that some of the atrocious acts that the pastor referenced, such as gruesome abortions and bizarre sexual acts, are more prevalent than my reason will believe, because my scope is limited by experience, but as the Father witnesses everything, if the Spirit has convicted this man and has told him that the world is heading closer and closer into the mouth of Jezebel in this way, I accept this. In fact, believing this is important if I am to be a good spiritual parent who will not only protect but educate the new generation from the prowling enemy that lurks these days, even, in our computers.
Prayer
The Holy Spirit fell over me this morning during my group’s team time. He convicted me to pray in Cantonese for the first time, and so I did without fear, those Chinese words pouring out of me as if perfume from an alabaster jar. Praise God: he is good; and this was the moment I have been waiting for.
I think about what happened, and am amazed at the Father’s favor; despite my critiques against this culture, and in spite of my recent lamentations, the Lord, ever faithfully, provided a way out under which I could stand and by which I could be protected from the bait of Satan. Little did I know that the escape route would, in fact, ironically, direct me to the very thing that heretofore has stood as an obstruction, a spiritual roadblock, in my mind.
A missionary on the stage just spoke into my life when she said about her experience learning Putonghua in China: the difficult part was not learning the language but learning to love those people as Jesus loves them. This will always be my mission, no matter where I am.
Keuhng4 jong3
Lai1 hei2 (pull up)
In the afternoon, my team had a reconciliation meeting during which, in small groups, each team member at last was given an opportunity to share alternately their joys and struggles. At that time, though having staved off an open rebuke for several days, I could no longer hold back this challenge to my small group: to step out in faith to be a gateway to the nations; and second, per the morning’s message, to on their guard against the sexually explicit, insidious media. I laid out my argument with much cogency, and such a response as I saw fit knocked my group mates into a stupor, because they certainly didn’t have much to say afterwards.
Oscillate between…and…
Vacillate…
Equivocated
Prevaricate
Sex Talk – Part Two
1) Jesus came to show us the Father; John1:18
2) Grace First, Truth Second; John 1:24:25; 16-18
Pahn4 mohng6 (hope)
Do you believe that Jesus can heal you? Then lay hands.
Dale and I are men who have shared similar struggles. His testimony is riveting.
Suddenly, I realized that this rally is, in fact, a continuation of yesterday morning’s sex talk, because we ended the previous rally praying more against the shame of abortion than against personal sexual immorality. Notionally, what is being discussed will enable people to really experience the love of the Father such that to change permanently our behavior. So when we are tempted:
1) Call for help; Romans 10:13
2) Escape Plan; 1Corinthians 10:13
Remember not to stand and rebuke the enemy with your own strength; move physically from the situation.
3) Run Away; 2Timothy 2:22
4) Into the Father’s Arms; Hebrews 4:14
I like this talk. This might be the first time that these young people get straight sex talk from their leaders; and there is no better time than now for these young people to break through in this particular area of struggle, just as the young men of SP broke through these obstinate barriers during our men’s retreat.
5) Confess and be Healed; James 5:16
I hope these young people find faithful accountability brothers and sisters in this service.
6) Walk in Transparent Accountable Relationships; 1John 1:7
7) Resist the Enemy; James 4:7