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Same Atlanta 42 by samestorici

Asta RB Ritchie Bros - Caorso - PC - 12/2019

Sameer AlSaeed Portrait by Sameer Alsaeed

Sameer AlSaeed Portrait at Home Studio

Mackinac Bridge at Dusk II by Dan Waskiewicz

Same shot just a little later to capture the changing colors.

same as his brother in law ? - Shirland Derbyshire by jmc4 - Church Explorer

2 1

On the north side of the chancel altar is a tomb which possibly doubled up as the Easter Sepulchre

The Lysons brothers who visited in 1817 recorded :

"In the parish church under a richly-ornamented arch on the north aisle is a handsome monument for one of the Grey family, Sir Henry de Grey of Shirland, (died 19 Rich II - 1396 ) who was summoned to Parliament as a Baron in the reign of Edward III" Whilst the knight's effigy was mutilated by 1817, it was "richly ornamented with scrolls of foliage" and "the side is covered with shields of arms".

Sadly the effigy has disappeared since then and it may be it was similar to his brother in law Sir Richard Willoughbys +++ . All that remains today is a large ogee recess in the chancel's north wall that contains a chest carved with the shields

Henry was born c 1340 in Wilton, Herefordshire to Reynold de Grey, 4th Lord Grey of Wilton 1370 and wife Maud Boutetout 1391 who both died in Shirland

His maternal grandparents were Margaret & Sir John de Botetourt

His paternal grandparents were Henry de Grey, 3rd Lord Grey of Wilton and Anne daughter of Ralph de Rockley and Isabel Clare

He had two sisters ;

1. Maud m1 Sir Richard Willoughby dsp 1369 +++ flic.kr/p/wsQrRE of Willoughby on the Wolds ; m2 John Tuchet 1372 m3 John Daubridgecourt 1415

2. Agnes m Robert de Clifton 1376

Henry fought in Gascony in 1366.

He m Elizabeth c1353 - 1401/2 daughter of Gilbert Talbot 1387 3rd Lord of Goodrich Castle Herefordshire by 1st wife Petronella / Pernel 1368 daughter of James Butler / Boteler , 1st Earl of Ormond & Eleanor (Bohun) Dagworth

Children

1.. Margaret de Grey c 1378-1 Jun 1454 m1 John 5th Baron Darcy of Knaith 1411 (buried in Selby Abbey flic.kr/p/To1eZ3 ) son of Philip d’Arcy 1399 & Elizabeth de Grey 1412; m2 Thomas 1432 son of Hugh Swynford Catherine de Roet 1403 flic.kr/p/pSWsqM later 3rd wife of John of Gaunt ).

2. Richard 6th Baron Grey 1442 (buried at Bletchley) m1 d Matilda daughter of Roger le Scrope 1403 & Margaret de Tybotot 1431 ; m2 Blanche Vache; m3 Margaret Ferrers 1452.

3. Petronilla dc 1414 m (1st wife) Gerard Braybrooke 1422 who m2 Joan daughter of Thomas Raleigh & Joan Astley

Sir Henry died on April 22nd, 1396.

- Church of St Leonard Shirland Derbyshire

mathcs.clarku.edu/~djoyce/gen/oldfolks/rr05/rr05_303.html...

www.wikitree.com/wiki/Grey-225

Picture with many thanks - copyright John Hawes flic.kr/p/feCG6D

The Chapter House, Westminster Abbey, City of Westminster by Jelltex

My friend, Aidan, described Westminster Abbey as English history written in stone, which as good as a description as I could think of. And English, as the Kings and Queens of that country, later of Great Britain are buried here.

Anyway, I had a fabulous time at the Abbey, and already planning a return for the details I missed.

-------------------------------------------

Of all the churches and cathedrals in London, the one I wanted to visit and photograph was Westminster Abbey. But, the Abbey didn't allow photography didn't go. And then a few weeks back, my friend, Aidan, started to post shots from inside, and as it turns out, photography, in most areas of the Abbey, is now allowed. So it was a case of when we would visit, not "if", and once we had a free weekend, I began to plan and book.

£25 to go in, each. £10 each for the new museum. And £15 each for a hidden highlights tour. It wasn't cheap, but then if you're going to do it, do it well!

All chores were done Friday, including shopping, so we were free to catch the quarter to eight train from Dover. On the way we called into the garage to pick up some stuff to eat on the train, so we were set.

Saturday was also the last day of British Summer Time (BST), as the clocks would go back early on Sunday morning, then five long winter months would begin.

So, better make most of the daylight.

We were early for the train, so we ate breakfast on the platform, then once the train pulled in, I picked my favourite seats and we settled down for the hour run into London. THe one thing I hadn't planned well was the weather, and some rain was expected during the morning.

The train wasn't busy, and most people wore masks, though enough didn't to make one wonder if the message about COVID really hadn't got through. But then with Johnson as PM, we shouldn't be surprised.

We get off at Statford, and the rain was falling heavily even before we left the Essex marshes behind and entered the long tunnel. But at Stratford, day had become night and the rain fell in what is called stair-rods. I hoped that if we walked slowly through the shopping centre it might have eased by the time we needed to cross over the bridge to the regional station, but the rain was falling just as hard.

And there was no way to avoid it, so we just pulled our collars up and walked as quickly as possible.

Which is why, by the time we arrived at the other side, we were wet little hobbitses.

A quick walk to the Jubilee Line platforms, catching the next train out, we took seats and sat there, gently steaming.

Twenty minutes later, we arrived in Westminster, no dryer, really, taking the four flights of escalators to the surface, where outside it had, atleast, stopped raining for now.

Demonstrations are now outlawed in Parliament Square, so it was quiet, once you got to the other side of the road, its a five minute walk past the Palace of Westminster (Houses of Parliament), and round to the entrance of the Abbey.

Amazingly, there was no queue, and once inside the doorway I show my e tickets, they were scanned and we were allowed in. There was a one way system round the Abbey, so I began the first circuit with the 50mm lens, thinking I would go round again with the wide angle, and a third time with the big lens to snap detail.

That was the plan.

Westminster Abbey is where the Kings and Queens of England and Britain have been crowned. Also, where until Henry V11 thought otherwise, they were buried too, so the chancel is jammed with tombs of many famous and infamous figures from history, from Edward the Confessor to William and Mary, most tombs are grand, some less so. As well as Kings and Queens, minor royals and members of the nobility also were either buried here, or had monument erected. As have military figures, and famousnames from the arts.

It really is quite remarkable.

That and the Abbey itself, in parts dating from just before the Norman COnquest, to a rebuilding just after to the 13th Century when Henry III pulled the old Abbey down and started to rebuild it, until he ran out of money.

But it was completed, and since then had filled up with monuments, so many, I lost count and gave up trying to record them all. Instead, marvelling at their range and beauty.

I walked down the nave, through the arch into the Quire, and it was as breathtaking as expected, then round the Chancel looking and photographing the tombs of the Kings and Queens, round Henry VII's chapel.

And then repeating it with the wide angle lens, taking shots of the various chapels and tombs, all the while keeping an eye on the time as we were to go to visit the new gallery musuem at 11, and then a guided tour of some normally off limit places at half past.

Neither of these allowed photography, which is a great shame as the views from the gallery were stunning down the length of the Nave and then the ancinent chain library and the sanctuary of Henry VII's chapel where we could reach out and touch the shrine of St Edward the Confessor.

The museum had dozens of funeral effigies of the Kings and Queens, some made I'm sure to look better than they did in real life, but others had a degree of realism about them. The one of Queen Mary seemed pregnant, while the one for Queen Elizabeth Ist had a tight corset, so she would have appeared in death as she had as a young woman.

There were carvings, ceremonial cloaks, replicas of the Crown Jewels, and so much more, but we had run out of time, as we had to get to the other side of the church for the hidden secrets tour.

Us and three other couples joined our guide as he showed us the latest escavations revealing the area where monks used to prepare for services. This is hidden behind screens now, and will soon become the site of a new visitor's centre. The trenches were filled with uncvered skeletons and bones, all human of course, and these will all either be rebuuried here or some other Christian place.

Next we went to the Dean's quarters where we saw where he prepared for services, and were allowed into, but not allowed to photograph the Jerico Room, before being allowed outside for a while, then walking around the cloisters, back into the chancel and into Henry's chapel to see the tombs and shrine. Envious looks rained down on us as we climbed the wooden steps into the usually closed area, and then only the people in the gallery above could see us.

-------------------------------------------

Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is a large, mainly Gothic abbey church in the City of Westminster, London, England, just to the west of the Palace of Westminster. It is one of the United Kingdom's most notable religious buildings and the traditional place of coronation and a burial site for English and, later, British monarchs.

The building itself was originally a Catholic Benedictine monastic church until the monastery was dissolved in 1539. Between 1540 and 1556, the abbey had the status of a cathedral and seat of the catholic bishop. After 1560 the building was no longer an abbey or a cathedral, after the Catholics had been driven out by King Henry VIII, having instead was granted the status of a Church of England "Royal Peculiar"—a church responsible directly to the sovereign—by Queen Elizabeth I.

According to a tradition first reported by Sulcard in about 1080, a church was founded at the site (then known as Thorn Ey (Thorn Island)) in the seventh century at the time of Mellitus, a Bishop of London. Construction of the present church began in 1245 on the orders of King Henry III.[4]

Since the coronation of William the Conqueror in 1066, all coronations of English and British monarchs have occurred in Westminster Abbey.[4][5] Sixteen royal weddings have occurred at the Abbey since 1100.[6]

The Abbey is the burial site of more than 3300 persons, usually of prominence in British history: at least 16 monarchs, 8 Prime Ministers, poets laureate, actors, scientists, military leaders, and the Unknown Warrior. As such, Westminster Abbey is sometimes described as "Britain's Valhalla", after the iconic hall of the chosen heroes in Norse mythology.

Between 1042 and 1052, King Edward the Confessor began rebuilding St Peter's Abbey to provide himself with a royal burial church. It was the first church in England built in the Romanesque style. The building was completed around 1060 and was consecrated on 28 December 1065, only a week before Edward's death on 5 January 1066.[9] A week later, he was buried in the church; and, nine years later, his wife Edith was buried alongside him.[10] His successor, Harold II, was probably crowned in the abbey, although the first documented coronation is that of William the Conqueror later the same year.[11]

The only extant depiction of Edward's abbey, together with the adjacent Palace of Westminster, is in the Bayeux Tapestry. Some of the lower parts of the monastic dormitory, an extension of the South Transept, survive in the Norman Undercroft of the Great School, including a door said to come from the previous Saxon abbey. Increased endowments supported a community that increased from a dozen monks in Dunstan's original foundation, up to a maximum of about eighty monks.

The abbot and monks, in proximity to the royal Palace of Westminster, the seat of government from the later 13th century, became a powerful force in the centuries after the Norman Conquest. The Abbot of Westminster often was employed on royal service and in due course took his place in the House of Lords as of right. Released from the burdens of spiritual leadership, which passed to the reformed Cluniac movement after the mid-10th century, and occupied with the administration of great landed properties, some of which lay far from Westminster, "the Benedictines achieved a remarkable degree of identification with the secular life of their times, and particularly with upper-class life", Barbara Harvey concludes, to the extent that her depiction of daily life provides a wider view of the concerns of the English gentry in the High and Late Middle Ages.[13]

The proximity of the Palace of Westminster did not extend to providing monks or abbots with high royal connections; in social origin the Benedictines of Westminster were as modest as most of the order. The abbot remained Lord of the Manor of Westminster as a town of two to three thousand persons grew around it: as a consumer and employer on a grand scale the monastery helped fuel the town economy, and relations with the town remained unusually cordial, but no enfranchising charter was issued during the Middle Ages.[14]

The abbey became the coronation site of Norman kings. None were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the abbey in Anglo-French Gothic style as a shrine to venerate King Edward the Confessor and as a suitably regal setting for Henry's own tomb, under the highest Gothic nave in England. The Confessor's shrine subsequently played a great part in his canonization.

The following English, Scottish and British monarchs and their consorts are buried in the Abbey:

Sæberht of Essex (d. c. 616) [possibly]

Edward the Confessor (d. 1066) and Edith of Wessex (d. 1075)

Henry III of England (d. 1272) [his wife, Eleanor of Provence, is buried at Amesbury Priory]

Edward I of England (d. 1307) and Eleanor of Castile (d. 1290)

Edward III of England (d. 1377) and Philippa of Hainault (d. 1369)

Richard II of England (d. 1400) and Anne of Bohemia (d. 1394)

Henry V of England (d. 1422) and Catherine of Valois (d. 1437)

Edward V of England (d. c. 1483) and his brother, Richard of Shrewsbury, Duke of York (d. c. 1483) [possibly]

Also known as the Princes in the Tower. In 1674, the remains of two boys were exhumed from the Tower of London and at the orders of Charles II, they were interred in the wall of the Henry VII Lady Chapel.

Anne Neville (d. 1485), wife of Edward of Westminster, Prince of Wales [m. 1470–71; buried at Tewkesbury Abbey] and of Richard III [m. 1472–85; buried at Leicester Cathedral]

Henry VII of England (d. 1509) and Elizabeth of York (d. 1503)

Edward VI of England (d. 1553)

Anne of Cleves (d. 1557), former wife of Henry VIII [buried at St. George's Chapel, Windsor Castle]

Mary I of England (d. 1558)

Elizabeth I of England as shown on her tomb

Mary, Queen of Scots (d. 1542), mother of James VI & I of England and Scotland [brought from Peterborough Cathedral in 1612]

Elizabeth I of England (d. 1603)

In the 19th century, researchers looking for the tomb of James I partially opened the underground vault containing the remains of Elizabeth I and Mary I of England. The lead coffins were stacked, with Elizabeth's resting on top of her half-sister's.[9]

James VI & I of England and Scotland (d. 1625) and Anne of Denmark (d. 1619)

The position of the tomb of King James was lost for two and a half centuries. In the 19th century, following an excavation of many of the vaults beneath the floor, the lead coffin was found in the Henry VII vault.[9]

Charles II of England and Scotland (d. 1685)

Mary II of England and Scotland (d. 1694) and William III of England and II of Scotland (d. 1702)

Anne, Queen of Great Britain (d. 1714) and Prince George of Denmark, Duke of Cumberland (d. 1708)

George II of Great Britain (d. 1760) and Caroline of Ansbach (d. 1737)

en.wikipedia.org/wiki/Burials_and_memorials_in_Westminste...

en.wikipedia.org/wiki/Westminster_Abbey

------------------------------------------

Built by the royal masons in 1250, the Chapter House of Westminster Abbey was originally used in the 13th century by Benedictine monks for their daily meetings. It later became a meeting place of the King's Great Council and the Commons, predecessors of today's Parliament.

A beautiful octagonal building with a vaulted ceiling and delicate central column, it offers rarely seen examples of medieval sculpture, an original floor of glazed tiles and spectacular wall paintings.

The 11th century Pyx Chamber also has a medieval tiled floor, and was used as a monastic and royal treasury. It contains a 13th century stone altar which survived the Reformation.

www.english-heritage.org.uk/visit/places/chapter-house-an...

This image is taken from United States Naval Medical Bulletin Vol. 14, Nos. 1-4, 1920 by Medical Heritage Library, Inc.

Go to the Book with image in the Internet Archive

Title: United States Naval Medical Bulletin Vol. 14, Nos. 1-4, 1920

Creator: U.S. Navy. Bureau of Medicine and Surgery

Publisher:

Sponsor:

Contributor:

Date: 1920

Language: eng

Table of Contents

Number 1

PREFACE V

NOTICE TO SERVICE CONTRIBUTORS VI

SPECIAL ARTICLES:

ANTHROPOMETRIC STUDY AT ANNAPOLIS.

By Lieutenant L. B. Solhaug, Medical Corps, U. S. N 1

Medical and Hygienic Aspects of Submarine Service.

By Lieutenant Commander E. W. Brown, Medical Corps, U. S. N 8

Report on Facial and Jaw Injuries.

By Lieutenant Commander L. W. Johnson, Medical Corps, U. S. N 17

Military Orthopedic Hospitals in the British Isles.

By Lieutenant R. Hammond. Medical Corps, U. S. N. R. F. 65

HISTORICAL :

Medicine in Rome 103

EDITORIAL :

The New Year — Standards of Duty 127

IN MEMORIAM :

Edward Grahame Parker.

By Captain C. E. Riggs, Medical Corps, U. S. N 135

SUGGESTED DEVICES:

Changes in Scuttle Butts Aboard Ship.

By Lieutenant Commander J. A. B. Sinclair, Medical Corps,

U. S. N. R. F 137

An Emergency Evacuation Device 145

CLINICAL NOTES :

Bronchopulmonary Spirochetosis in an American.

By Lieutenant G. W. Lewis, Medical Corps, U. S. N 149

Encephalitis Lethargica.

By Lieutenant A. F. Kuhlman, Medical Corps, U. S. N 151

Defense of the Open-Air Treatment of Pneumonia.

By Lieutenant D. Ferguson, jr., Medical Corps, U. S. N 153

NOTES AND COMMENTS :

Carbon tetrachloride poisoning. —Civil service positions. — Serum treatment

in yellow fever. —" Deer-fly disease." — Request for specimens.—

Medical personnel of the French Navy.—Centenary celebrations. —Situs inversus.

—Italian view of prohibition. — Effects of prohibition In Chicago. — Treatment

of sterility. — Pilocarpine in influenza. —A death from anesthesia.- — Free

hospital service in Oklahoma City. —Birth rate of Manila. —Expansion of the

Faculty of Medicine, Paris. —Statistics on blindness. —French eight-hour law. —

Corporation philanthropy 155

REPORTS :

The Receiving Ship Barracks, New York.

By Commander W. G. Farwell and Lieutenant R. M. Krepps, Medical Corps,

U. S. N 163

Grounding of the U. S. S. Northern Pacific.

By Lieutenant J. C. Ruddock, Medical Corps, U. S. N 185

Impressions of a Reservist.

By Commander L. R. G. Crandon, Medical Corps, U. S. N. R. F 188

Number 2

PREFACE v

NOTICE TO SERVICE CONTRIBUTORS vi

SPECIAL ARTICLES:

Types of Neurological and Psychiatric Cases.

By Lieutenant Commander E. C Taylor, Medical Corps, U. S. N. R. F 191

Yellow Fever.

By Lieutenant Commander T. Wilson, Medical Corps, U. S. N 200

Asepsis of Abdominal Incisions.

By Lieutenant Commander F. H. Bowman, Medical Corps, U. S. N 208

Calcium Chloride Intravenously for Hemoptysis.

By Lieutenant Commander W. H. Fickel, Medical Corps, U. S. N 210

Hospital Records 213

HISTORICAL:

The Arabians and the First Revival of Learning 225

SUGGESTED DEVICES:

Hospital Garbage Disposal.

By Captain A. Farenholt, Medical Corps, U. S. N 237

The Flat-Foot Ladder 240

CLINICAL NOTES:

Chondrodysplasia with Exostoses.

By Lieutenant R. W. Hutchinson, Medical Corps, U. S. N 243

A Case of Vascular Syphilis.

By Lieutenant A. E. Kuhlmann, Medical Corps, U. S. N., and Lieutenant

Commander C. C. Ammerman, Medical Corps, U.S.N.R. F 245

Two Cases of Encephalitis Lethargica.

By Lieutenant Commander R. I. Longabaugh, Medical Corps, U. S. N 249

A Case of Foreign Body in the Head.

By Lieutenant Commander L. M. Schimdt, Medical Corps, U. S. N. 254

The Late Treatment of War Osteomyelitis.

By Lieutenant E. I. Salisbury, Medical Corps, U. S. N. R. F 255

Two Cases of Gas Gangrene.

By Lieutenant Commander L. M. Schmidt, Medical Corps. U. S. N 257

Gastric Ulcer with Perforation.

By Lieutenant G. G. Holladay, Medical Corps, U. S. N. R. F 259

Internal Ophthalmoplegia.

By Lieutenant Commander E. E. Woodland, Medical Corps, U.S.N 260

Open Treatment of a Fractured Metacarpal Bone.

By Lieutenant R. W. Auerbach, Medical Corps, U. S. N 263

Supernumerary Phalanx.

By Lieutenant R. S. Reeves, Medical Corps, U. S. N. R. F 265

A Cask of Ruptured Kidney.

By Commander K. It. Richardson, Medical Corps, U. S. N

Mustard Gas and the Cardiovascular System.

Ry Lieutenant Commander W. H. Michael, Medical Corps, U. S. N

A Case of Ulcer of the Sigmoid Flexure.

By Lieutenant H. R. Coleman, Medical Corps, U. S. N

A Case of Malposition.

By Lieutenant A. C. Toll inner, Dental Corps, U. S. N

PROGRESS IN MEDICAL SCIENCES :

General Medicine — Blood pressure and posture —Intramuscular Injections

of quinine in malaria — Vincent's disease Surgery — Appendicitis amongst

sailors— Transplanting of bone— Rectal ether anesthesia

Hygiene and Sanitation — Destruction of lice by steam

Eye, Ear. Nose, and Throat — Ocular phenomena in the psychoneuroses of

warfare —Ocular complications due to typhoid inoculations

NOTES AND COMMENTS:

Syphilis and the war—Bone surgery —National Research Council— Laboratories

in Poland— National Anaesthesia Research Society — Vanderbilt Medical School —

Municipal education in Detroit — Female medical matriculates— Degrees conferred

by Royal College of Surgeons of Edinburgh — Speech defects — Typhoid fever in

New York — Venereal diseases in California- — Omissions in the Annual Report of

the Surgeon General, 1919

REPORTS :

U. S. Navy Ambulance Boat No. 1.

By Chief Pharmacist's Mate D. V. De Witt, U. S. N

Physical Development in the Navy.

By Lieutenant B. G. Baker, Medical Corps, U. S. N

Venereal Prophylaxis at Great Lakes, III.

By Lieutenants D. It. Blender and L. A. Burrows, Medical Corps, U. S.

N. R. F

Report of 505 Tonsillectomies.

By Lieutenant W. P. Vail, Medical Corps, U. S. N. R. F

BOOK NOTICES

Number 3

PREFACE v

NOTICE TO SERVICE CONTRIBUTORS vi

SPECIAL ARTICLES :

History of the U. S. Naval Hospital, Chelsea, Mass.

By Captain N. J. Blackwood, Medical Corps, U. S. N 311

INSTRUCTION FOR THE HOSPITAL CORPS.

By Lieutenant Commander W. M. Kerr, Medical Corps, U. S. N. 338

Study of Two Cases of Diabetes Mellitus.

By Lieutenant L. F. Craver, Medical Corps, TJ. S. N 345

Flat Foot in the Navy.

By Lieutenant C. F. Painter, Medical Corps, U. S. N. R. F 359

Static Defects of the Lower Extremities.

By Lieutenant A. A. Marsteller, Medical Corps, U. S. N 365

Treatment of Malaria.

By Lieutenant Commander W. H. Michael, Medical Corps, U. S. N 367

Navy Recruiting.

By Lieutenant W. H. Cechla, Medical Corps, U. S. N 371

HISTORICAL:

American Founders of Gynecology 373

EDITORIAL :

"Bring Forth Your Dead "—Is Educational Prophylaxis Effective

381

William Martin —John Wolton Ross —Oliver Dwight Norton, Jr 389

CLINICAL NOTES:

Interdental Ligation for Jaw Fractures.

By Lieutenant W. F. Murdy, Dental Corps, U. S. N 391

A Temporary Stopping.

By Lieutenant Commander H. E. Harvey, Dental Corps, U. S. N 394

ASCARIASIS AND APPENDICITIS.

By Lieutenant Commander E. G. Hakansson, Medical Corps, U. S. N 394

Malarial Crescents.

By Lieutenant Commander W. H. Michael, Medical Corps, U. S. N_ 395

Poisoning by Jelly Fish.

By Commander A. H. Allen, Medical Corps, U. S. N 396

Traumatic Rupture of Kidney.

By Lieutenant Commander F. H. Bowman, Medical Corps, U. S. N 397

A Case of Erythema Multiforme.

By Lieutenant M. F. Czubak, Medical Corps, U. S. N 399

PROGRESS IN MEDICAL SCIENCES:

General Medicine. — Static back trouble—Benzyl benzoate —Relation of

anaphylaxis to asthma and eczema —High enema —Treatment of typhus —Thilerium

hominis 401

Mental and Nervous Diseases. —Insanity as a defense in crime —The nervousness

of the Jew— The Babinski reflex —Problems of delinquency —Encephalomyelitis in

Australia 408

Surgery. — Radium — Surgery of peripheral nerves — Referred symptoms in

diseases of gall-bladder and appendix—Intracranial pressure —Protection of the

skin in surgical operations—Anesthesia

from drugs administered by the mouth —A new skin-suture material —

Roentgen-ray problems , 414

Hygiene and Sanitation. — Birth control—Typhoid fever in vaccinated

troops —Detection of typhoid carriers —Streptococci in market milk

—Tuberculosis in San Francisco —An experiment in sanitary education —Oral

hygiene —Differential diagnosis between trachoma and follicular conjunctivitis

—Left - handedness —The Negritos of the Philippine Islands —Tropical Australia

425

NOTES AND COMMENTS :

American Society for the Control of Cancer — Pay of Italian medical officers

— The passing of the book worm— The neurotic girl —Control of druggists in

Michigan — English statistics on alcoholism —Prevention of simple goiter— Value

of quarantine against influenza in Australia —W. P. C. Barton, first chief of

the Bureau of Medicine and Surgery—Information on blood-pressure estimation

—Automobile accidents —Egyptian Medical School — Educational movement In U. S.

Army 443

REPORTS :

Health Conditions in Santo Domingo.

By Lieutenant Commander G. F. Cottle, Medical Corps, U. S. N 453

History of U. S. S. Pocahontas During the War,

By Lieutenant Commander M. Boland, Medical Corps, U. S. N 460

With the American Peace Commission.

By Commander A. D. McLean, Medical Corps, U. S. N 500

Testing Water for Storage Batteries.

502

Report from Naval Medical School Laboratory 505

BOOK NOTICES 505

Number 4

PREFACE V

NOTICE TO SERVICE CONTRIBUTORS VI

SURGICAL ACTIVITIES AT THE NAVAL

HOSPITAL, NEW YORK.

Interesting bone cases 512

Fractubes of the anterior tuberosity of the tibia and Osgood-Schlatter's

disease 516

Carrel-Dakin technique for empyema 527

Physical therapy 535

Occupational therapy 536

War wounds of the joints.

By Dr. L. Delrez, Faculty of Medicine Liege 537

A case or joint treatment by Willems's method 545

Chronic intestinal stasis 545

Carrel-Dakin technique in treatment of carbuncle 549

A case of sarcoma of the foot 550

A case of Jacksonian epilepsy with spastic contracture 551

A Case Of Osteoma Of The Humerus 552

A Case Of Bone Infection Resembling Sarcoma 552

Wound closures after Carrel-Dakin treatment 553

Ether in peritonitis 557

HISTORICAL:

The founders ok naval hygiene. Lind, Trotter, and Blane 563

EDITORIAL:

Hospital standards —As seen from within 629

SUGGESTED DEVICES :

Vision test apparatus.

By Lieutenant Commander H. W. Glltner, Medical Corps, U. S.N. R. F 637

Treatment of cement floors.

By Captain A. Farenholt, Medical Corps, U. S. N 638

CLINICAL NOTES:

Ophthalmitis in secondary syphilis.

By Lieutenant Commander W. H. Whitmore, Medical Corps, U. S. N 639

TWO CASES OF OPTIC ATROPHY.

By Lieutenant Commander C. B. Camerer, and Lieutenant G. L. McClintock,

Medical Corps, U. S. N 641

Arsphenamine in malaria.

By Lieutenant Commander W. H. Michael, Medical Corps, U. S. N 643

Ureteral calculus.

By Commander W. J. Zalesky and Lieutenant Commander P. F. Prioleau,

Medical Corps, U. S. N 644

PROGRESS IN MEDICAL SCIENCES :

General medicine. — Treatment of respiratory catarrhs.—Tests of thyroid

hypersensitiveness. —A diet sheet for nephritics.— Delayed arsenical poisoning

647

Surgery. —Open treatment of fractures. — Treatment of crushed extremities.

—Nerve injuries of the war 653

Hygiene and sanitation. —Disinfection of tubercular sputum. — Syphilis

in railroad employees 659

Tropical diseases. —Ulcerating granuloma 663

Eye, ear, .nose, and throat. — Frontal sinus drainage. —Anesthetics in throat

surgery. —Correction of nasal deformities

NOTES AND COMMENTS :

American Library Association.— Mental defects in the United States. —

"Tea-taster's " cough. — Scientific basis of carelessness. — "The

case against the prophylactic packet." —Treatment of leprosy. — Medical

training in London. —A new Army and Navy Club. — The Navy Mutual Aid

Association. — Medical school of the University of Virginia. —A new medical

quarterly. —Solar therapy. — Novarsenobenzol subcutaneously. —Economic loss

from rats. —The flight of mosquitoes. —A medical centenarian. — A French hospital

ship. — Potassium-mercuric-iodide.— Dermatitis in industrial work. —

Radium.— A twelfth century epitaph 663

REPORTS :

Arsenical preparations used intravenously.

By Captain E. S. Bogert, Medical Corps, U. S. N 679

Venereal disease in the Dominican Republic.

By Lieutenant J. W. Vann and Lieutenant B. Groesbeck, Medical Corps, U.

S. N 681

American legation guard, Managua, Nicaragua.

By Lieutenant Commander F. F. Murdock, Medical Corps, U. S. N_ 684

Sanitary conditions in Vladivostok.

By Lieutenant A S. Judy, Medical Corps, U. S. N 689

Hospital records.

Commander H. W. Smith, Medical Corps, U. S. N 698

HOSPITAL RECORDS.

By Commander E. U. Reed, Medical Corps, U. S. N 706

A DEATH FROM ETHER DUE TO STATUS LYMPHATICUS.

By Captain A. W. Dunbar, Medical Corps, U. S. N 714

Medical prophylaxis against venereal diseases.

By Lieutenant P. W. Dreifus, Medical Corps, U. S. N 715

BOOK NOTICES 718

INDEX 721

If you have questions concerning reproductions, please contact the Contributing Library.

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

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See all images from this book

See all MHL images published in the same year

tiket by bunga boo

Under the Same Sky - Kate THOMSON ケイト・トムソン by Dominic Alves

1 1

Part of a Set / Slideshow documenting the art works on display at the touring exhibition "Postcards from Japan", subtitled "A message from Tohoku artists". The photographs were taken while the exhibition was hosted by the Embassy of Japan, London, UK.

Title: Under the Same Sky

Artist: Kate THOMSON ケイト・トムソン - living in Iwate / Edinburgh

Artist's website: www.ukishima.net/ [日本語 and English]

Media: Photographs taken in the sky from Scotland to Iwate; Collage of inkjet prints on paper.

The exhibition has been curated and organised by Scottish and Japanese artists and sculptors Kate THOMSON and KATAGIRI Hironori. They are based both in Scotland and their Ukishima Sulpture Studio in Iwate prefecture, part of the Tohoku region. They were living and working in Iwate when the Great Earthquake and Tsunami struck the pacific coast on 11th March 2011.

Electricty, telephone and internet services (fixed and mobile) all stopped (or had to be prioritised for emergency relief purposes), and retail supplies of bottled drinking water and petrol (gasoline) quickly ran out.

Japan Post proved the most resilient communications service for people living in the affected areas. It was often the first service available for people to check on the welfare of friends and relatives. This is the inspiration behind the theme of the exhibition. All the works are A5 postcard sized - measuring 21 x14.8 cm (approximately 8.3 x 5.8 inches).

St Johns Church, Princes Street, Edinburgh, EH2 4BJ

6 - 29 August 2011

Japan Society, 333 East 47th Street, New York, NY 10017

7 October 2011 - 27 November 2011

Embassy of Japan, 101/104 Piccadilly, London W1J 7JT

12 December 2011 - 31 January 2012

Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham, B1 2HS

15 February 2012 - 22 April 2012

The exhibition is part of the Postcard project [www.postcardproject.org/], the catalogue is available for purchase online [scroll down to foot of page] with profits used to sustain the project.

The exhibition has been supported by the The Great Britain Sasakawa Foundation and The Daiwa Anglo-Japanese Foundation.

Long exposures on a tripod enabled the use of a slow - low noise - sensor setting and small aperture settings to optimise the depth of field. The frames were glazed, and so the art works were photographed at an angle - to avoid reflections of the camera and tripod. A dark coat was also used to minimise visible reflections. The images were subsequently adjusted to appear rectilinear - using Photoshop's lens correction "Perspective" and "Barrel Distortion" functions, and also the "Distort" transformation. This is why the images of the frames have one point perspective, with an offset vanishing point. Some "Smart Sharpening" was also selectively used.

24 Aug 13 Infrared HDR Palmer Park Colorado Springs by David

IR HDR. IR converted Canon 40D. Canon 17-55 F2.8 IS lens. Shot at ISO 100, F16, AEB +/-3 total of 7 exposures processed with Photomatix. Levels adjusted in PSE.

High Dynamic Range (HDR)

High-dynamic-range imaging (HDRI) is a high dynamic range (HDR) technique used in imaging and photography to reproduce a greater dynamic range of luminosity than is possible with standard digital imaging or photographic techniques. The aim is to present a similar range of luminance to that experienced through the human visual system. The human eye, through adaptation of the iris and other methods, adjusts constantly to adapt to a broad range of luminance present in the environment. The brain continuously interprets this information so that a viewer can see in a wide range of light conditions.

HDR images can represent a greater range of luminance levels than can be achieved using more 'traditional' methods, such as many real-world scenes containing very bright, direct sunlight to extreme shade, or very faint nebulae. This is often achieved by capturing and then combining several different, narrower range, exposures of the same subject matter. Non-HDR cameras take photographs with a limited exposure range, referred to as LDR, resulting in the loss of detail in highlights or shadows.

The two primary types of HDR images are computer renderings and images resulting from merging multiple low-dynamic-range (LDR) or standard-dynamic-range (SDR) photographs. HDR images can also be acquired using special image sensors, such as an oversampled binary image sensor.

Due to the limitations of printing and display contrast, the extended luminosity range of an HDR image has to be compressed to be made visible. The method of rendering an HDR image to a standard monitor or printing device is called tone mapping. This method reduces the overall contrast of an HDR image to facilitate display on devices or printouts with lower dynamic range, and can be applied to produce images with preserved local contrast (or exaggerated for artistic effect).

In photography, dynamic range is measured in exposure value (EV) differences (known as stops). An increase of one EV, or 'one stop', represents a doubling of the amount of light. Conversely, a decrease of one EV represents a halving of the amount of light. Therefore, revealing detail in the darkest of shadows requires high exposures, while preserving detail in very bright situations requires very low exposures. Most cameras cannot provide this range of exposure values within a single exposure, due to their low dynamic range. High-dynamic-range photographs are generally achieved by capturing multiple standard-exposure images, often using exposure bracketing, and then later merging them into a single HDR image, usually within a photo manipulation program). Digital images are often encoded in a camera's raw image format, because 8-bit JPEG encoding does not offer a wide enough range of values to allow fine transitions (and regarding HDR, later introduces undesirable effects due to lossy compression).

Any camera that allows manual exposure control can make images for HDR work, although one equipped with auto exposure bracketing (AEB) is far better suited. Images from film cameras are less suitable as they often must first be digitized, so that they can later be processed using software HDR methods.

In most imaging devices, the degree of exposure to light applied to the active element (be it film or CCD) can be altered in one of two ways: by either increasing/decreasing the size of the aperture or by increasing/decreasing the time of each exposure. Exposure variation in an HDR set is only done by altering the exposure time and not the aperture size; this is because altering the aperture size also affects the depth of field and so the resultant multiple images would be quite different, preventing their final combination into a single HDR image.

An important limitation for HDR photography is that any movement between successive images will impede or prevent success in combining them afterwards. Also, as one must create several images (often three or five and sometimes more) to obtain the desired luminance range, such a full 'set' of images takes extra time. HDR photographers have developed calculation methods and techniques to partially overcome these problems, but the use of a sturdy tripod is, at least, advised.

Some cameras have an auto exposure bracketing (AEB) feature with a far greater dynamic range than others, from the 3 EV of the Canon EOS 40D, to the 18 EV of the Canon EOS-1D Mark II. As the popularity of this imaging method grows, several camera manufactures are now offering built-in HDR features. For example, the Pentax K-7 DSLR has an HDR mode that captures an HDR image and outputs (only) a tone mapped JPEG file. The Canon PowerShot G12, Canon PowerShot S95 and Canon PowerShot S100 offer similar features in a smaller format.. Nikon's approach is called 'Active D-Lighting' which applies exposure compensation and tone mapping to the image as it comes from the sensor, with the accent being on retaing a realistic effect . Some smartphones provide HDR modes, and most mobile platforms have apps that provide HDR picture taking.

Camera characteristics such as gamma curves, sensor resolution, noise, photometric calibration and color calibration affect resulting high-dynamic-range images.

Color film negatives and slides consist of multiple film layers that respond to light differently. As a consequence, transparent originals (especially positive slides) feature a very high dynamic range

Tone mapping

Tone mapping reduces the dynamic range, or contrast ratio, of an entire image while retaining localized contrast. Although it is a distinct operation, tone mapping is often applied to HDRI files by the same software package.

Several software applications are available on the PC, Mac and Linux platforms for producing HDR files and tone mapped images. Notable titles include

Adobe Photoshop

Aurora HDR

Dynamic Photo HDR

HDR Efex Pro

HDR PhotoStudio

Luminance HDR

MagicRaw

Oloneo PhotoEngine

Photomatix Pro

PTGui

Information stored in high-dynamic-range images typically corresponds to the physical values of luminance or radiance that can be observed in the real world. This is different from traditional digital images, which represent colors as they should appear on a monitor or a paper print. Therefore, HDR image formats are often called scene-referred, in contrast to traditional digital images, which are device-referred or output-referred. Furthermore, traditional images are usually encoded for the human visual system (maximizing the visual information stored in the fixed number of bits), which is usually called gamma encoding or gamma correction. The values stored for HDR images are often gamma compressed (power law) or logarithmically encoded, or floating-point linear values, since fixed-point linear encodings are increasingly inefficient over higher dynamic ranges.

HDR images often don't use fixed ranges per color channel—other than traditional images—to represent many more colors over a much wider dynamic range. For that purpose, they don't use integer values to represent the single color channels (e.g., 0-255 in an 8 bit per pixel interval for red, green and blue) but instead use a floating point representation. Common are 16-bit (half precision) or 32-bit floating point numbers to represent HDR pixels. However, when the appropriate transfer function is used, HDR pixels for some applications can be represented with a color depth that has as few as 10–12 bits for luminance and 8 bits for chrominance without introducing any visible quantization artifacts.

History of HDR photography

The idea of using several exposures to adequately reproduce a too-extreme range of luminance was pioneered as early as the 1850s by Gustave Le Gray to render seascapes showing both the sky and the sea. Such rendering was impossible at the time using standard methods, as the luminosity range was too extreme. Le Gray used one negative for the sky, and another one with a longer exposure for the sea, and combined the two into one picture in positive.

Mid 20th century

Manual tone mapping was accomplished by dodging and burning – selectively increasing or decreasing the exposure of regions of the photograph to yield better tonality reproduction. This was effective because the dynamic range of the negative is significantly higher than would be available on the finished positive paper print when that is exposed via the negative in a uniform manner. An excellent example is the photograph Schweitzer at the Lamp by W. Eugene Smith, from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to a dark shadow.

Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two methods. Adams wrote a comprehensive book on producing prints called The Print, which prominently features dodging and burning, in the context of his Zone System.

With the advent of color photography, tone mapping in the darkroom was no longer possible due to the specific timing needed during the developing process of color film. Photographers looked to film manufacturers to design new film stocks with improved response, or continued to shoot in black and white to use tone mapping methods.

Color film capable of directly recording high-dynamic-range images was developed by Charles Wyckoff and EG&G "in the course of a contract with the Department of the Air Force". This XR film had three emulsion layers, an upper layer having an ASA speed rating of 400, a middle layer with an intermediate rating, and a lower layer with an ASA rating of 0.004. The film was processed in a manner similar to color films, and each layer produced a different color. The dynamic range of this extended range film has been estimated as 1:108. It has been used to photograph nuclear explosions, for astronomical photography, for spectrographic research, and for medical imaging. Wyckoff's detailed pictures of nuclear explosions appeared on the cover of Life magazine in the mid-1950s.

Late 20th century

Georges Cornuéjols and licensees of his patents (Brdi, Hymatom) introduced the principle of HDR video image, in 1986, by interposing a matricial LCD screen in front of the camera's image sensor, increasing the sensors dynamic by five stops. The concept of neighborhood tone mapping was applied to video cameras by a group from the Technion in Israel led by Dr. Oliver Hilsenrath and Prof. Y.Y.Zeevi who filed for a patent on this concept in 1988.

In February and April 1990, Georges Cornuéjols introduced the first real-time HDR camera that combined two images captured by a sensor3435 or simultaneously3637 by two sensors of the camera. This process is known as bracketing used for a video stream.

In 1991, the first commercial video camera was introduced that performed real-time capturing of multiple images with different exposures, and producing an HDR video image, by Hymatom, licensee of Georges Cornuéjols.

Also in 1991, Georges Cornuéjols introduced the HDR+ image principle by non-linear accumulation of images to increase the sensitivity of the camera: for low-light environments, several successive images are accumulated, thus increasing the signal to noise ratio.

In 1993, another commercial medical camera producing an HDR video image, by the Technion.

Modern HDR imaging uses a completely different approach, based on making a high-dynamic-range luminance or light map using only global image operations (across the entire image), and then tone mapping the result. Global HDR was first introduced in 19931 resulting in a mathematical theory of differently exposed pictures of the same subject matter that was published in 1995 by Steve Mann and Rosalind Picard.

On October 28, 1998, Ben Sarao created one of the first nighttime HDR+G (High Dynamic Range + Graphic image)of STS-95 on the launch pad at NASA's Kennedy Space Center. It consisted of four film images of the shuttle at night that were digitally composited with additional digital graphic elements. The image was first exhibited at NASA Headquarters Great Hall, Washington DC in 1999 and then published in Hasselblad Forum, Issue 3 1993, Volume 35 ISSN 0282-5449.

The advent of consumer digital cameras produced a new demand for HDR imaging to improve the light response of digital camera sensors, which had a much smaller dynamic range than film. Steve Mann developed and patented the global-HDR method for producing digital images having extended dynamic range at the MIT Media Laboratory. Mann's method involved a two-step procedure: (1) generate one floating point image array by global-only image operations (operations that affect all pixels identically, without regard to their local neighborhoods); and then (2) convert this image array, using local neighborhood processing (tone-remapping, etc.), into an HDR image. The image array generated by the first step of Mann's process is called a lightspace image, lightspace picture, or radiance map. Another benefit of global-HDR imaging is that it provides access to the intermediate light or radiance map, which has been used for computer vision, and other image processing operations.

21st century

In 2005, Adobe Systems introduced several new features in Photoshop CS2 including Merge to HDR, 32 bit floating point image support, and HDR tone mapping.

On June 30, 2016, Microsoft added support for the digital compositing of HDR images to Windows 10 using the Universal Windows Platform.

HDR sensors

Modern CMOS image sensors can often capture a high dynamic range from a single exposure. The wide dynamic range of the captured image is non-linearly compressed into a smaller dynamic range electronic representation. However, with proper processing, the information from a single exposure can be used to create an HDR image.

Such HDR imaging is used in extreme dynamic range applications like welding or automotive work. Some other cameras designed for use in security applications can automatically provide two or more images for each frame, with changing exposure. For example, a sensor for 30fps video will give out 60fps with the odd frames at a short exposure time and the even frames at a longer exposure time. Some of the sensor may even combine the two images on-chip so that a wider dynamic range without in-pixel compression is directly available to the user for display or processing.

en.wikipedia.org/wiki/High-dynamic-range_imaging

Infrared Photography

In infrared photography, the film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum (the filter thus looks black or deep red). ("Infrared filter" may refer either to this type of filter or to one that blocks infrared but passes other wavelengths.)

When these filters are used together with infrared-sensitive film or sensors, "in-camera effects" can be obtained; false-color or black-and-white images with a dreamlike or sometimes lurid appearance known as the "Wood Effect," an effect mainly caused by foliage (such as tree leaves and grass) strongly reflecting in the same way visible light is reflected from snow. There is a small contribution from chlorophyll fluorescence, but this is marginal and is not the real cause of the brightness seen in infrared photographs. The effect is named after the infrared photography pioneer Robert W. Wood, and not after the material wood, which does not strongly reflect infrared.

The other attributes of infrared photographs include very dark skies and penetration of atmospheric haze, caused by reduced Rayleigh scattering and Mie scattering, respectively, compared to visible light. The dark skies, in turn, result in less infrared light in shadows and dark reflections of those skies from water, and clouds will stand out strongly. These wavelengths also penetrate a few millimeters into skin and give a milky look to portraits, although eyes often look black.

Until the early 20th century, infrared photography was not possible because silver halide emulsions are not sensitive to longer wavelengths than that of blue light (and to a lesser extent, green light) without the addition of a dye to act as a color sensitizer. The first infrared photographs (as distinct from spectrographs) to be published appeared in the February 1910 edition of The Century Magazine and in the October 1910 edition of the Royal Photographic Society Journal to illustrate papers by Robert W. Wood, who discovered the unusual effects that now bear his name. The RPS co-ordinated events to celebrate the centenary of this event in 2010. Wood's photographs were taken on experimental film that required very long exposures; thus, most of his work focused on landscapes. A further set of infrared landscapes taken by Wood in Italy in 1911 used plates provided for him by CEK Mees at Wratten & Wainwright. Mees also took a few infrared photographs in Portugal in 1910, which are now in the Kodak archives.

Infrared-sensitive photographic plates were developed in the United States during World War I for spectroscopic analysis, and infrared sensitizing dyes were investigated for improved haze penetration in aerial photography. After 1930, new emulsions from Kodak and other manufacturers became useful to infrared astronomy.

Infrared photography became popular with photography enthusiasts in the 1930s when suitable film was introduced commercially. The Times regularly published landscape and aerial photographs taken by their staff photographers using Ilford infrared film. By 1937 33 kinds of infrared film were available from five manufacturers including Agfa, Kodak and Ilford. Infrared movie film was also available and was used to create day-for-night effects in motion pictures, a notable example being the pseudo-night aerial sequences in the James Cagney/Bette Davis movie The Bride Came COD.

False-color infrared photography became widely practiced with the introduction of Kodak Ektachrome Infrared Aero Film and Ektachrome Infrared EIR. The first version of this, known as Kodacolor Aero-Reversal-Film, was developed by Clark and others at the Kodak for camouflage detection in the 1940s. The film became more widely available in 35mm form in the 1960s but KODAK AEROCHROME III Infrared Film 1443 has been discontinued.

Infrared photography became popular with a number of 1960s recording artists, because of the unusual results; Jimi Hendrix, Donovan, Frank and a slow shutter speed without focus compensation, however wider apertures like f/2.0 can produce sharp photos only if the lens is meticulously refocused to the infrared index mark, and only if this index mark is the correct one for the filter and film in use. However, it should be noted that diffraction effects inside a camera are greater at infrared wavelengths so that stopping down the lens too far may actually reduce sharpness.

Most apochromatic ('APO') lenses do not have an Infrared index mark and do not need to be refocused for the infrared spectrum because they are already optically corrected into the near-infrared spectrum. Catadioptric lenses do not often require this adjustment because their mirror containing elements do not suffer from chromatic aberration and so the overall aberration is comparably less. Catadioptric lenses do, of course, still contain lenses, and these lenses do still have a dispersive property.

Infrared black-and-white films require special development times but development is usually achieved with standard black-and-white film developers and chemicals (like D-76). Kodak HIE film has a polyester film base that is very stable but extremely easy to scratch, therefore special care must be used in the handling of Kodak HIE throughout the development and printing/scanning process to avoid damage to the film. The Kodak HIE film was sensitive to 900 nm.

As of November 2, 2007, "KODAK is preannouncing the discontinuance" of HIE Infrared 35 mm film stating the reasons that, "Demand for these products has been declining significantly in recent years, and it is no longer practical to continue to manufacture given the low volume, the age of the product formulations and the complexity of the processes involved." At the time of this notice, HIE Infrared 135-36 was available at a street price of around $12.00 a roll at US mail order outlets.

Arguably the greatest obstacle to infrared film photography has been the increasing difficulty of obtaining infrared-sensitive film. However, despite the discontinuance of HIE, other newer infrared sensitive emulsions from EFKE, ROLLEI, and ILFORD are still available, but these formulations have differing sensitivity and specifications from the venerable KODAK HIE that has been around for at least two decades. Some of these infrared films are available in 120 and larger formats as well as 35 mm, which adds flexibility to their application. With the discontinuance of Kodak HIE, Efke's IR820 film has become the only IR film on the marketneeds update with good sensitivity beyond 750 nm, the Rollei film does extend beyond 750 nm but IR sensitivity falls off very rapidly.

Color infrared transparency films have three sensitized layers that, because of the way the dyes are coupled to these layers, reproduce infrared as red, red as green, and green as blue. All three layers are sensitive to blue so the film must be used with a yellow filter, since this will block blue light but allow the remaining colors to reach the film. The health of foliage can be determined from the relative strengths of green and infrared light reflected; this shows in color infrared as a shift from red (healthy) towards magenta (unhealthy). Early color infrared films were developed in the older E-4 process, but Kodak later manufactured a color transparency film that could be developed in standard E-6 chemistry, although more accurate results were obtained by developing using the AR-5 process. In general, color infrared does not need to be refocused to the infrared index mark on the lens.

In 2007 Kodak announced that production of the 35 mm version of their color infrared film (Ektachrome Professional Infrared/EIR) would cease as there was insufficient demand. Since 2011, all formats of color infrared film have been discontinued. Specifically, Aerochrome 1443 and SO-734.

There is no currently available digital camera that will produce the same results as Kodak color infrared film although the equivalent images can be produced by taking two exposures, one infrared and the other full-color, and combining in post-production. The color images produced by digital still cameras using infrared-pass filters are not equivalent to those produced on color infrared film. The colors result from varying amounts of infrared passing through the color filters on the photo sites, further amended by the Bayer filtering. While this makes such images unsuitable for the kind of applications for which the film was used, such as remote sensing of plant health, the resulting color tonality has proved popular artistically.

Color digital infrared, as part of full spectrum photography is gaining popularity. The ease of creating a softly colored photo with infrared characteristics has found interest among hobbyists and professionals.

In 2008, Los Angeles photographer, Dean Bennici started cutting and hand rolling Aerochrome color Infrared film. All Aerochrome medium and large format which exists today came directly from his lab. The trend in infrared photography continues to gain momentum with the success of photographer Richard Mosse and multiple users all around the world.

Digital camera sensors are inherently sensitive to infrared light, which would interfere with the normal photography by confusing the autofocus calculations or softening the image (because infrared light is focused differently from visible light), or oversaturating the red channel. Also, some clothing is transparent in the infrared, leading to unintended (at least to the manufacturer) uses of video cameras. Thus, to improve image quality and protect privacy, many digital cameras employ infrared blockers. Depending on the subject matter, infrared photography may not be practical with these cameras because the exposure times become overly long, often in the range of 30 seconds, creating noise and motion blur in the final image. However, for some subject matter the long exposure does not matter or the motion blur effects actually add to the image. Some lenses will also show a 'hot spot' in the centre of the image as their coatings are optimised for visible light and not for IR.

An alternative method of DSLR infrared photography is to remove the infrared blocker in front of the sensor and replace it with a filter that removes visible light. This filter is behind the mirror, so the camera can be used normally - handheld, normal shutter speeds, normal composition through the viewfinder, and focus, all work like a normal camera. Metering works but is not always accurate because of the difference between visible and infrared refraction. When the IR blocker is removed, many lenses which did display a hotspot cease to do so, and become perfectly usable for infrared photography. Additionally, because the red, green and blue micro-filters remain and have transmissions not only in their respective color but also in the infrared, enhanced infrared color may be recorded.

Since the Bayer filters in most digital cameras absorb a significant fraction of the infrared light, these cameras are sometimes not very sensitive as infrared cameras and can sometimes produce false colors in the images. An alternative approach is to use a Foveon X3 sensor, which does not have absorptive filters on it; the Sigma SD10 DSLR has a removable IR blocking filter and dust protector, which can be simply omitted or replaced by a deep red or complete visible light blocking filter. The Sigma SD14 has an IR/UV blocking filter that can be removed/installed without tools. The result is a very sensitive digital IR camera.

While it is common to use a filter that blocks almost all visible light, the wavelength sensitivity of a digital camera without internal infrared blocking is such that a variety of artistic results can be obtained with more conventional filtration. For example, a very dark neutral density filter can be used (such as the Hoya ND400) which passes a very small amount of visible light compared to the near-infrared it allows through. Wider filtration permits an SLR viewfinder to be used and also passes more varied color information to the sensor without necessarily reducing the Wood effect. Wider filtration is however likely to reduce other infrared artefacts such as haze penetration and darkened skies. This technique mirrors the methods used by infrared film photographers where black-and-white infrared film was often used with a deep red filter rather than a visually opaque one.

Another common technique with near-infrared filters is to swap blue and red channels in software (e.g. photoshop) which retains much of the characteristic 'white foliage' while rendering skies a glorious blue.

Several Sony cameras had the so-called Night Shot facility, which physically moves the blocking filter away from the light path, which makes the cameras very sensitive to infrared light. Soon after its development, this facility was 'restricted' by Sony to make it difficult for people to take photos that saw through clothing. To do this the iris is opened fully and exposure duration is limited to long times of more than 1/30 second or so. It is possible to shoot infrared but neutral density filters must be used to reduce the camera's sensitivity and the long exposure times mean that care must be taken to avoid camera-shake artifacts.

Fuji have produced digital cameras for use in forensic criminology and medicine which have no infrared blocking filter. The first camera, designated the S3 PRO UVIR, also had extended ultraviolet sensitivity (digital sensors are usually less sensitive to UV than to IR). Optimum UV sensitivity requires special lenses, but ordinary lenses usually work well for IR. In 2007, FujiFilm introduced a new version of this camera, based on the Nikon D200/ FujiFilm S5 called the IS Pro, also able to take Nikon lenses. Fuji had earlier introduced a non-SLR infrared camera, the IS-1, a modified version of the FujiFilm FinePix S9100. Unlike the S3 PRO UVIR, the IS-1 does not offer UV sensitivity. FujiFilm restricts the sale of these cameras to professional users with their EULA specifically prohibiting "unethical photographic conduct".

Phase One digital camera backs can be ordered in an infrared modified form.

Remote sensing and thermographic cameras are sensitive to longer wavelengths of infrared (see Infrared spectrum#Commonly used sub-division scheme). They may be multispectral and use a variety of technologies which may not resemble common camera or filter designs. Cameras sensitive to longer infrared wavelengths including those used in infrared astronomy often require cooling to reduce thermally induced dark currents in the sensor (see Dark current (physics)). Lower cost uncooled thermographic digital cameras operate in the Long Wave infrared band (see Thermographic camera#Uncooled infrared detectors). These cameras are generally used for building inspection or preventative maintenance but can be used for artistic pursuits as well.

en.wikipedia.org/wiki/Infrared_photography

sunset, as seen by the spectra by laura alice watt

13 4

same as previous, but very different camera!

Same Color Scheme by Laurette McGovern

7 2

I came first!

Jimmy Choos by Michaela Cruz

13 3

Same Dress this time paired with Jimmy Choos for a more modern edge

Lexus Brighton by Clive Andrews

7 4

Same location as this one a few months later.

Same town, new story by Rafael Gonzalez

Los Angeles, California 2014.

Hasselblad Xpan on Ilford HP5 Plus.

Instagram

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Nikon D800E Photos Beautiful Swimsuit Bikini Model Goddesses! Shooting Stills & Video @ Same Time by 45SURF Hero's Odyssey Mythology Photography

This set mixes it up a bit with both a pretty blonde and brunette goddess! You can see them both modeling the Gold 45 Revolver swimsuits as well as a 45SURFER camera bracket mount for shooting stills & video at the same time.

Here's some epic video of the beautiful goddesses:

www.youtube.com/watch?v=txvupr5xOZ4 (modeling swimsuit)

www.youtube.com/watch?v=4G5w3u6L8x8 (modeling swimsuit)

www.youtube.com/watch?v=4pYrQbPayZs (modeling the bracket)

www.youtube.com/watch?v=BGSVw9jbAR0 (pretty closeups!)

Nikon D800 Photos of Brunette and Blonde Swimsuit Bikini Goddesses with Pretty Green Eyes and Pretty Blue Eyes shot with the Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens!

Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)

All the Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:

herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

Modeling both the the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Black Bikini and the Red, White, an Blue American flag bikini!

May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! all the bets on your Heroic Journey from Johnny Ranger McCoy!

KDE vs. Windows? Nope running both by Orbmiser

Same computer on dual displays. Running SolydK linux and Windows 7 in Virtualbox.

So running apps from both is a snap.

My Linux Dual Display Desktop.

Posted for use in Linux Forums.

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The Bigest Park at Captital city Dhaka is Ramna Pak, and The iDEAL PLACE FOR A ROMANTIC TOUR,

A Candid shot on such romanticisam captured here,

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The Other Photos are available here at this set CHipay CHapay

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SAME -471 by SAME

Liz & Hillary by Vivian Chen

Dixon Ridge Farms, Winters

same negative for different alt processes by Kaku66

7 3

camera : Rolleiflex 3.5E

film : Fuji Pro160C

taken @ Hamamatsu Shizuoka, Japan

media : cyanotype from B&W digital negative

exposure : about 10 min

paper : white coldpress paper(acid free)

Same 480 DT by samestorici

Festa campagnola - Santhià - VC - 7/2015

Same planet, different worlds by Bill Raftery

DSC_8080ed

Alana Blanchard! Nikon D800E Photos of Surf Girl Goddess Alanna Blanchard! by 45SURF Hero's Odyssey Mythology Photography

Alana Blanchard! Nikon D800E Photos of Surf Girl Goddess Alana Blanchard wearing swimsuit/wetsuit bikini bottoms. Shot with the awesome Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras. She's a professional model too!

And here're some epic video of pretty goddess Alanna Blanchard I shot at the same time with the Panasonic X900MK 3MOS 3D Full HD SD Camcorder with 32GB Internal Memory mounted on my Nikon D800E via the 45surfer configuration.

www.youtube.com/watch?v=HIqA-0TOkjk

www.youtube.com/watch?v=GVEcj3bTdeQ

Last year I was shooting with a Nikon D4 with a 600mm F4 Prime monster Nikkor lens mounted on the tripod:

www.flickr.com/photos/herosjourneymythology45surf/8555104...

This year I wanted to be more nimble and work the whole area (shoot surfers warming up down the beach, coming and goring, running, hanging out/watching/etc.), so I opted to shoot with a Nikon D800E with the Sigma 150-500m lens mounted on a monopod. It can be tough to move tripod around with a 600mm F4 Prime monster Nikkor lens on a crowded beach, and it would be easy to upset folks each time you tried to set it up! There's a good chance they would say "enough" and throw you and all your equipment in the water! There's a common etiquette that one ought arrive early to claim a good spot, set up there, and keep it for the day. Latecomers are not welcome to set up on the main beach once it has filled up. But it's OK to walk around with a smaller setup as long as you stay out of everyone's way. Generally you can hug the water/shoreline with your feet and monopod in the water, as you're down low enough so that you don't block anyone's view from higher up on the beach, where all the tripods are mounted. The Sigma 150-500mm lens also allowed me to zoom out when surfers ran down the beach or got in and out of the water, and I also had a Nikon D800E with the 28-300 mm lens strapped around my neck. And both cameras had video cameras mounted to them in my famous 45surfer configuration! Needless to say, it can be a bit scary standing knee-deep in water with all that equipment, with large waves breaking. You wouldn't want to fall in!

Well, hope you enjoy the surf goddess photography!

All the best on your epic hero's journey from Johnny Ranger McCoy! :)

P.S. There's nothing like shooting the nikon D4 with the 600mm prime for quality, but I felt it was cool to give up a bit of quality for far more variety this year! Plus I do not want to become a pixel-peeper! :)

Same woman outlaw by Jen Jelacic

Sameer AlSaeed Portrait by Sameer Alsaeed

Sameer Alsaeed Portrait gold tie at home Studio

Same cuttlefish but electrified! by Greg James Wade

SAME by Remco

Same as before,but edited in TOPAZ ADJUST 5 "I feel lucky" setting. by (JOHNNY) Joao Marcelino

4 2

Same Centauro 60 by samestorici

2 1

Sameer AlSaeed Black BG Rim Light by Sameer Alsaeed

Sameer AlSaeed at Home Studio black backgroung and rim light

Bloody Dream of Winter | رویای خونین زمستان by Nima Fatemi

6 20

Dedicated to him

Large size

Do you come together ever with him?

And is he dark enough?

Enough to see your light?

And do you brush your teeth before you kiss?

Do you miss my smell?

And is he bold enough to take you on?

Do you feel like you belong?

And does he drive you wild?

Or just mildly free?

What about me?

Well I know I make you cry

And I know sometimes you wanna die

But do you really feel alive without me?

If so, be free

If not, leave him for me

Before one of us ...

www.youtube.com/watch?v=TzTRmFpXc_w

SAME DA 30 by MARVIN 345

3 9

SAME DA 30

Cavalo Valpolicella Vr 23.08.2012

Same Time by leszee

7 13

Dominion Bus Lines 8071

Date taken: 17/01/10

Location: National Road, Bulag Centro, Bantay, Ilocos Sur

Same game by std70040

3 3

Different players.

Beijing.

P1060145 by rodney smith

The trouble with Sudbury is the same trucks keep turning up Sudbury based Simon Murton Haulage Volvo FH 480 coupled to a three axle skeleton trailer loaded with a forty foot + iso Evergreen container in a nice shade of Green

Marines Lining Up for Food, Guadalcanal, circa 1942 by USMC Archives

"Same"

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From the Thayer Soule Collection (COLL/2266) at the Archives Branch, Marine Corps History Division

OFFICIAL USMC PHOTOGRAPH

"We are the Same", say Jewish and Arab youth. by U.S. Embassy Jerusalem

"We are the Same", say Jewish and Arab youth.

"Wow wow wow, I have no specific words to describe two of the most spectacular days I have ever had in my life,” wrote Eman Darawshe, English Language coordinator at Iksal High School on her FaceBook page. Her eleventh-grade grade Muslim students met with Jewish students from Afula for a two-day intensive negotiation workshop facilitated by NGO Pathways. The program uses Harvard Law School’s Program on Negotiation (PON) methodology, specifically designed to teach over 400 eleventh-grade students from 16 high schools around the country. The workshop pairs together schools from different communities, whose students learn basic negotiation skills by participating in simulations and exercises to reinforce these life skills. This unique program opens up new lines of communication between Arab and Jewish youth who seldom have the opportunity to meet one another by providing a platform to break down stereotypes and prejudice and explore areas of mutual respect, tolerance and understanding.

Same lash, same train, different day by Jacob Gunderson