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La construction de cette église (1873-1923), monument à la fois politique et culturel, suit l'après-guerre de 1870. Elle est déclarée d'utilité publique par une loi votée le 24 juillet 1873 par l'Assemblée nationale de 1871 ; le bâtiment est officiellement achevé en 1923. Elle s'inscrit dans le contexte de recharge sacrale et dans le cadre d'un nouvel « ordre moral » faisant suite aux événements de la Commune de Paris, dont Montmartre fut un des hauts lieux. Sa situation à 130 m d'altitude près de l'un des points culminants de Paris, et son dôme qui s'élève à 83 mètres, la rendent visible de très loin.
Abbot Georg III Gaißler started 1688 with the building, architect was Michael Thumb. But it was abbot Romanus Vogler who layed the foundation stone. At October the 24th 1725 the auxiliary bishop Franz Anton of Syrgenstein consecrated this sacral building.
On the organ loft there is a Silbermann organ of 1752.
Ruins of a medieval fortified church are located above the village of Lúčka, situated at the border of the Slovenské rudohorie mountain range and the national park of Slovenský kras. The village had been known since 1409 as part of the Turňa Castle Estate donated to Pál Besen by King Sigismund.
According to the testimony provided by the local church, however, the village dates back to at least the half of the 13th century. The church itself was built as an early-Gothic church of the Gemer style. In the first half of the 15th century, it was surrounded by a defensive stone wall with a watchtower situated in the front. The small fortress was captured by Jan Jiskra’s troopsand is commonly called the Hussite church by the locals. Only the external walls of the church and the considerably lowered defensive wall with the tower that later on served as a belfry have been preserved up to the present. The quadratic tower used to have two floors in the past, with three windows on the first floor and three loopholes on the ground floor that served to watch the surroundings and to protect the fortress from three sides: the west, the south, and the east. The top of the slope upon which the church was built provided for the natural protection from the north.
The area where the church stands counts among the ecologically cleanest territories in Slovakia. It provides for exceptionally good conditions for recreationin a peaceful natural setting and for short walks in the basin of the Čremošná, to the lake of Lúčka, as well as to the surrounding beech and fir forests. Moreover, the unique natural reserve of Zádielska dolina is located in close distance, lined with plateaux where traces of fortified prehistoric settlements were confirmed by archaeological surveys.
a very modern church near Leknes, Lofoten islands, which is reminiscent in its architecture of the post-Viking wooden stave churches. Loved the Norwegian red and green.
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The Cathedral of Seville is built on the old aljama mosque of the city, this shows the power that one culture exercises over another when it is conquered. This fact makes its plan different, facing Mecca and not Jerusalem, that is, facing south instead of east. It should be clarified that Mecca is oriented at 10o from Seville and not at 86o as the old mosque is oriented, this is due to the fact that in Al-Andalus the mosques had to be oriented towards the south quadrant and not towards the east, as the Christian churches did. When the Cathedral Chapter commissioned the design of the Gothic Cathedral, it stated verbatim that it wanted a Cathedral that everyone who saw it would take for crazy. For this, 5 naves were created that covered the 116 by 76 meter rectangle occupied by the Almohad mosque, this results, unlike what was usual in the great European Gothic Cathedrals, a hall plan with a Latin cross marked in height and in width by the central naves and the transept. This hall plan also results in the absence of an ambulatory at the head, which ends in a straight line like the wall of the old mosque. Later the Royal Chapel would be added, which is a Renaissance apse, but it does not really correspond to the Gothic company. In the naves of the Gospel and the Epistle, which are the lateral naves, there are many chapels. The 60 pillars support 68 ogive vaults, highlighting those of the transept and central nave with their star shapes. Instead of placing a clerestory, a continuous balcony was chosen along the main nave in order to be able to wander around the temple without being seen. Located in the central nave, in order from the feet, are the Retrochoir, the Choir, with two organs, the Transept, the Main Altar, the Back of Altar and the Royal Chapel.
The former Cistercian abbey church and current parish church of the Assumption of Mary is the most important attraction of the market town of Fürstenzell in the district of Passau.
The first monastery church is consecrated in 1334.
In 1739, the sculptor and architect Joseph Matthias Götz and Joseph Wolff, who came from Passau, were commissioned to build a new church. But soon they were dismissed and the construction work was entrusted to the leading master builder of his time, Johann Michael Fischer. His Parlier Martin Wöger takes over the building supervision. Fischer is only on the construction site three times. In 1748 the abbey church was consecrated.
Johann Jakob Zeiller paints the frescoes. The nave fresco shows the pilgrimage of the Cistercians. Zeiller also paints the high altar picture, which has the Assumption of Mary as the theme. Johann Baptist Straub makes the high altar.
With his stucco, Johann Baptist Modler contributes to the magnificent overall appearance of the abbey church.
The Jesuit Church of St. Michael belongs to the College of St. Michael in Fribourg, Switzerland.
Giovanni de Rossi built the church between 1604 and 1613 in a post-Gothic style.
The court architect Franz Wilhelm Rabaliatti, the painter Franz Anton Ermeltraut and the plasterer Giuseppe Antonio Albuccio redesigned the interior between 1756 and 1771 in the Rococo style.
The organ from 1764 comes from the Constance organ builder Bihler.
Urheberrecht bei Andreas Dlugosch
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Urheberrecht bei Andreas Dlugosch
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One of the most charming medieval churches in the Gemer region is preserved in the village of Chyžné, near Jelšava. Its tall east-oriented brick gable and massive fortifications around the church dominates its surroundings. The church was built in the second half of the 13th century as a one-nave edifice with a quadratic chancel and an annexed sacristy. Later, a detached belltower, a traditional wooden construction from the 18th century, and a groundfloor building of a former school were added. The church chancel is vaulted by a cross ribbed vault, and the nave has a flat painted ceiling. The walls and vaults of the chancel, including the so-called Triumphal Arch, are covered with frescos dating back to the 70s-80s of the 14th century.
This is the rococo church of Unterliezheim, a small village in Bavaria. Built between 1732 and 1738 by Johann Windschmid d.Ä and his son.
The frescos are painted by Christoph Thomas Scheffler.
The Catholic parish church of Langerringen in the Augsburg district is easy to spot due to its elevated position in the center of the village.
The origins of the sacred building are late Romanesque, and the nave was expanded in the 14th century and renewed around 1440. In 1712 the nave was redesigned in the baroque style, followed by the choir in 1768.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
www.erzbistum-muenchen.de/pfarrei/pv-obertaufkirchen/cont...
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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de.wikipedia.org/wiki/Mari%C3%A4_Himmelfahrt_
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I think it is not necessary to describe the most important church in the world. It is so impressive and an absolutly masterpiece of sacral buildings.
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
Slovak early Baroque Franciscan monastic church dating back to the late 14th century. Currently the only dual-towered Franciscan church in Slovakia.
The site of the Church of St. Joseph has been sacred for centuries. Originally, a Gothic church dedicated to the Holy Trinity occupied this location. In 1380, the Carmelite brothers constructed a new church, maintaining the dedication to the Holy Trinity. However, during the Reformation, the Carmelites departed, and the church fell under municipal control, serving various secular purposes.
In 1661, Emperor Leopold I granted the church and its accompanying monastery to the Franciscan brothers, marking a new chapter in its history. Despite resistance from the Protestant city council, the Franciscans took possession in 1671, thanks to the intervention of royal forces. This marked the beginning of a significant transformation, supported by local nobility, including Baron František Klobušický.
The Church of St. Joseph underwent extensive reconstruction from 1708 to 1718, led by the Košice builder Ján Tornyossi. The renovations were heavily inspired by the Jesuit Church of the Gesù in Rome, introducing Baroque elements that replaced the original Gothic features. The façade, adorned with stucco ornaments and sculptures by Šimon Griming, presents an impressive display of Baroque artistry.
Inside, the church boasts a stunning altar dedicated to the Holy Family, crafted by František Strecius. This masterpiece features over 40 sculptures, including depictions of the 12-year-old Jesus, the Virgin Mary, and Saint Joseph. Although the original altar was lost to a fire in 1870, it was replaced by an illusionistic oil painting by the Franciscan artist Konrád Švestka, capturing the essence of the lost masterpiece.
www.mycityhunt.com/cities/presov-sk-10488/poi/church-of-s...
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Die Bergkirche Beucha ist ein im 13. Jahrhundert entstandener und 1848 erweiterter, ursprünglich romanischer Sakralbau der Evangelisch-Lutherischen Landeskirche Sachsens auf dem Kirchberg von Beucha, einem Ortsteil der Gemeinde Brandis im sächsischen Landkreis Leipzig. Die Kirche steht unter Denkmalschutz. Das wusste Wikipedia ;-)
The mountain church Beucha is a 13th century and expanded in 1848, originally Romanesque sacral building of the Evangelical Lutheran Church of Saxony on the church mountain of Beucha, a district of the municipality Brandis in the Saxon district of Leipzig. The church is a listed building. Wikipedia knew that ;-)
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Urheberrecht bei Andreas Dlugosch
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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The fortified early Gothic church from the first half of the 14th century was built on the site of an older building. In the 15th century it was fortified with a wall and a wooden bell tower was built on the grounds in 1657. The single-nave space with a square-ended presbytery and a built-in sacristy has a painted cassette ceiling from 1758, the presbytery is characteristic by its rib vault. The mural paintings date back to the 60s of the 14th century and the creator of at least a part of them is the Master of Ochtiná presbytery. These interior frescoes were discovered in the early 20th century by I. Huszka who was restoring them in 1905. All the paintings, interior and exterior ones, were completely restored between 1983 and 1985 by J. Josefík, L. Székely and I. Žuch.
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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