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The first mention of a church in Durach can be found in the Kempten calendar in 1390.
In 1527 the church was enlarged.
In 1748 the church was expanded again and in 1754 it was given its current appearance through a baroque design.
In 1871, large pieces of the ceiling fell, which required a complete renovation.
In 1880 a new high altar is purchased.
From Bronseplassen, Norway.
To the right of gods, Freyr (Old Norse: Lord), sometimes anglicized as Frey, is a widely attested god in Norse mythology, associated with sacral kingship, virility, peace and prosperity, with sunshine and fair weather, and with good harvest. Freyr, sometimes referred to as Yngvi-Freyr, was especially associated with Sweden and seen as an ancestor of the Swedish royal house.
According to Adam of Bremen, Freyr was associated with peace and pleasure, and was represented with a phallic statue in the Temple at Uppsala. According to Snorri Sturluson, Freyr was "the most renowned of the æsir", and was venerated for good harvest and peace. wikipedia
Urheberrecht bei Andreas Dlugosch
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Urheberrecht bei Andreas Dlugosch
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One of the most beautiful village churches in Bavaria is in Gabelbach, a municipality in the Augsburg district.
The church was built between 1737 and 1738 under the direction of the master builder Johannes Paulus. The consecration takes place in 1746.
The plasterers Ignaz and Johann Finsterwalder and, probably, Johann Georg Wolcker for the painting are responsible for the splendid furnishings.
On the west gallery is the oldest organ still in use in the Augsburg district from 1609. It is a work by Marx Günzer. Originally built for the Barfüsser Church in Augsburg, it came to Gabelbach in 1758, purchased for 250 guilders by pastor Dominikus Paulus.
A pleasant valley of the meandering Muráň river south of Jelšava has a significant landmark. You cannot overlook the strategically interesting hill above the village of Šivetice, on which a brick Romanesque church dedicated to St. Margaret of Antioch was built in the middle of the 13th century. Šivetice belonged to the Jelšava estate back then and from the 15th century on was administered by the Castle of Muráň. In the past, the village was known for its typical ceramics.
The church has the shape of a rotunda with an internal diameter of 11 m and is one of the largest structures with circular footprint in Central Europe. In addition to the primary sacral significance, it is assumed that the rotunda originally served as a watchtower, taking into consideration its location on a hill and its proximity of a castle (that no longer exists). During the 14th century, the interior of the church was divided into a nave and a chancel by a monumental pointed triumphal arch. Original Romanesque murals depicting scenes from the legend of St. Margaret were covered by gothic paintings with the same theme and complemented with scenes of the Passion Cycle. Like many other Gemer temples, the rotunda of Šivetice belonged in the 17th century to the Evangelical Lutheran church. In the 18th century, the church was partially rebuilt into Baroque style and the bell tower with the entrance gate was inserted into the stone wall. A cemetery is surrounding the church nowadays.
This is a very special yard of Naddniprianshchyna display, because this house was brought from the motherland of Taras Grygorovych Shevchenko, the famous poet of Ukraine. It belonged to Shevchenko family. A grandson of the poet’s brother Mykyta – Tymish Petrovych Shevchenko – lived here till 1954. He was a miller and had his own mill. The poet Taras Shevchenko was growing in such a house, listening to the stories of his grandfather Ivan, a participant of Koliivshchyna rebel, about heroic times of Haydamaks and Cossacks.
This is a triple-room building: the house, the mudroom and the storeroom. The walls are made of oak bars, fixed to a wooden frame. Inside of the house there are washed wooden beams; painted icons are decorated by embroidered towels. National garments – a shirt, skirt plakhta, a belt, and a jacket yupka hang on a rail. Above the trunk box there are musical instruments – lira and bandura. Musicians traveled with such instruments to villages and town to play for people in squares fairs, near churches and, quite less frequently, in farmers’ houses.
The honor corner pokut is the lightest and the most decorated place of a house. Icons and a table are placed here. This is the best place of a home, intended for the most respected guest. During a wedding ceremony, a groom with his bride had to sit there on an upside-down fur outwear. At dinner time, there was a place for an oldest man in the family - a grandfather or a father; it was the right place for the first sheaf of a harvest and for a sacral Christmas cereals kutia. Icons had to be covered by embroidered, self-made or purchased towels. They served also for decoration of a house for holidays. Traditional patterns on towels were considered to be talismans, protecting the house and the whole family against invisible evil forces.
The house, the storeroom and the vault are placed in a clean yard. A shed and a barn were located in a service yard.
Хата 19 ст. села Шевченкове Звенигородського району Черкаської області. Це особливе подвір’я на експозиції Наддніпрянщини, тому що хата перевезена із батьківщини Тараса Григоровича Шевченка, належала родині Шевченків, в ній прожив свій вік онук Тарасового брата Микити – Тиміш Петрович Шевченко до 1954 року, був мірошником, мав свій млин. В такій хаті виріс Тарас Григорович, слухаючи розповіді дідуся Івана, який був учасником «Коліївщини», про героїчні часи гайдамаків, козацтва
Тридільне житло: хата. сіни, комора. Стіни з дубових брусів, в закидку. У хаті миті дерев’яні сволоки, на стінах мальовані ікони в рушниках, над скринею – музичний інструмент ліра та бандура, на жердці – народне вбрання: сорочка, плахта, пояс, юпка. Мандрівні музиканти з цими інструментами подорожували селами та містечками, зупиняючись і граючи на майданах, ярмарках, біля церков та монастирів, рідше у сільських хатах.
Найбільш освітлений і прикрашений у хаті покуть, де висять ікони, стоїть стіл. Це саме почесне місце за столом, на покуть садили самого дорогого серцю гостя, а під час весілля на вивернутому кожусі – садили молодих. Під час обіду на покуті мав право сидіти дідусь чи тато, там ставили перший обжинковий сніп, на Різдвяні свята ставили в макітрі кутю. Ікони покривали вишитими, домотканими та купованими рушниками, ними прикрашали хату у свята. Традиційні орнаментальні мотиви на рушниках вважалися оберегами, які захищали житло, де живе вся родина від невидимих злих сил.
Хата, комора і погрібник розташовані на чистому дворі. На господарчому дворі розміщені повітка і хлів з повіткою.
Christazhofen is located in the district of Ravensburg and belongs to the municipality of Argenbühl. The first church is mentioned in 1182, but not much is known about it.
The current church building is completed in 1829.
Church of St. John of Dukla and Monastery of Bernadine monks - the church with two towers was built between 1761 and 1764 in the late baroque style. The temple was extended from 1890 to 1902 when a chapel of St. John of Dukla was built and the main nave was enlarged. Also monastery building was added. The interior dates back to the turn of the 19th century. The paintings of Tadeusz Popiel present scenes from life of St. John of Dukla. There is a silver coffin with relics of St. John. Pope John Paul II came to Dukla on 9th of August, a day before the canonization event and he spent a night in the monastery
The pilgrimage church of the Assumption of Mary in Oberostendorf can be seen from afar. The interior of the church is characterized by its rich and magnificent rococo furnishings. The actual church building dates from the 15th century. However, it has been redesigned over time. Last in 1747, when the church received its rococo dress. Johann Georg Wolker paints the fresco cycle, which has the Seven Sorrows of Mary as its theme. Franz Xaver Feichtmayr the Elder equipped the interior with rich, colored stucco. The magnificent pulpit, a work by Ignaz Hillebrandt, is richly decorated with figures.
The high altar and the side altars from 1719/20, a work by Matthäus Schäffler, were slightly reworked in 1747 and adapted to the newly designed room.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
de.wikipedia.org/wiki/Kapelle_(Kirchenbau)
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The Church of St. Lawrence in Březina is originally a gothic sacral building standing in a cemetery on the outskirts of the village of Březina in the Mladá Boleslav region. The church is an important Gothic monument of the central Pojizera region. It is protected as a cultural monument of the Czech Republic.
The church dates from the turn of the 13th and 14th centuries, it was rebuilt in the Renaissance style in the 16th century and partly modernized.
The Rochuskapelle "auf der Geißel" in Biberwier - Tyrol was built in 1611 as a plague chapel. It is the oldest sacral building in Austra and was restored in 1985.
a very modern church near Leknes, Lofoten islands, which is reminiscent in its architecture of the post-Viking wooden stave churches. Loved the Norwegian red and green.
St. Jakob is the catholic parish church of Cham, a city in the Swiss canton Zug.
The foundation stone was layed 1784, and the consecration was 1796.. Jakob Singer and Fidel Moos were the master builder of this sacral building.
ENG: The ceiling painting by Adam Friedrich Oeser can be seen.
The Nikolaikirche (official: City- und parish church St. Nikolai) is the oldest and largest church in Leipzig and next to the Thomaskirche the most famous church of the city. The reconstruction and furnishing of the interior of the Nikolai Church is an important creation of classicism. The appearance has remained almost unchanged to this day since about 1797. The first mention and the construction of the church was built in the Romanesque style from 1165 after the award of city and market rights to Leipzig.
I mention two small characteristics here still. Although there would be certainly numerous stories to tell.
The reformer Martin-Luther! On 25 May 1539 the reformation was started in Leipzig by the sermons of the reformers Justus Jonas the Elder and Martin Luther. The church thus became the seat of the first Superintendent of the city Johann Pfeffinger.
The musician Bach! In the Nikolaikirche Johann Sebastian Bach performed numerous of his cantatas and oratorios for the first time with the Thomanerchor, including the St. John Passion, his most extensive work to date, on Good Friday, 7 April 1724.
GER: Zu sehen ist das Deckengemälde von Adam Friedrich Oeser.
Die Nikolaikirche (offiziell: Stadt- und Pfarrkirche St. Nikolai) ist die älteste und größte Kirche in Leipzig sowie neben der Thomaskirche die bekannteste Kirche der Stadt. Die Umgestaltung und Ausstattung des Innenraumes der Nikolaikirche stellt eine bedeutende Schöpfung des Klassizismus dar. Das bis heute fast unveränderte aussehen besteht seit etwa 1797. Die erste Erwähnung und der Bau der Kirche wurde ab 1165 nach der Verleihung des Stadt- und Marktrechtes an Leipzig im romanischen Stil erbaut.
Zwei kleine Besonderheiten erwähne ich hier noch. Obwohl es bestimmt zahlreiche Geschichten zu erzählen gäbe.
Der Reformator Martin-Luther! Am 25. Mai 1539 wurde durch die Predigten der Reformatoren Justus Jonas der Ältere und Martin Luther die Reformation in Leipzig begonnen. Die Kirche wurde damit Sitz des ersten Superintendenten der Stadt Johann Pfeffinger.
Der Musiker Bach! In der Nikolaikirche führte Johann Sebastian Bach zahlreiche seiner Kantaten und Oratorien zum ersten Mal mit dem Thomanerchor auf, darunter auch die Johannespassion, sein bis dahin umfangreichstes Werk, am Karfreitag, dem 7. April 1724.
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Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
www.erzbistum-muenchen.de/pfarrei/stadtkirche-muehldorf/p...
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
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Info's zum Foto hier
www.oberbergkirchen.de/oberbergkirchen/gemeinde/geschichte/
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St. Peter and Paul is the parish church of the municipality of Buxheim in the Unterallgäu district. This church was built between 1727 and 1729 by the builder Dominikus Zimmermann, who also stuccoed the church. The frescoes are by Franz Georg Hermann.
The fortified early Gothic church from the first half of the 14th century was built on the site of an older building. In the 15th century it was fortified with a wall and a wooden bell tower was built on the grounds in 1657. The single-nave space with a square-ended presbytery and a built-in sacristy has a painted cassette ceiling from 1758, the presbytery is characteristic by its rib vault. The mural paintings date back to the 60s of the 14th century and the creator of at least a part of them is the Master of Ochtiná presbytery. These interior frescoes were discovered in the early 20th century by I. Huszka who was restoring them in 1905. All the paintings, interior and exterior ones, were completely restored between 1983 and 1985 by J. Josefík, L. Székely and I. Žuch.
Within the almost intact medieval church, the murals have a uniquely strong impression and informative value, thanks to their scale and complexity of preservation. Thematically they focus on individual scenes from the Marian and the Passion cycle, but they do not have a uniform concept unlike the upper belt on the nave’s northern wall with a complete depiction of the St. Ladislaus legend.
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"The Crown of Tölz" is the name of the widely visible Holy Cross Church in Bad Tölz.
The church is a so-called double church, consisting in the front part of the Holy Sepulcher Chapel and the Holy Staircase in the rear part. It was built between 1723 and 1726. First, the Holy Staircase was built over in 1723, until the Holy Sepulcher Chapel was completed and consecrated in 1726.
Magnificent frescoes adorn both ceilings and were created by Joseph Matthias Ott in 1785.
The Holy Sepulcher Chapel is shown in the photo.
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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de.wikipedia.org/wiki/Flossing
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© by Jean Claude Castor I 030mm - Photography I 030mm-Travel
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Abbot Georg III Gaißler started 1688 with the building, architect was Michael Thumb. But it was abbot Romanus Vogler who layed the foundation stone. At October the 24th 1725 the auxiliary bishop Franz Anton of Syrgenstein consecrated this sacral building.
On the organ loft there is a Silbermann organ of 1752.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
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