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Urheberrecht bei Andreas Dlugosch
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©Andreas Dlugosch
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The parish church of St. Johannes Baptist in Kaufering near Landsberg am Lech is a baroque jewel. The exact start of construction of this church is not known, it is assumed that it was around 1699/1700. It must have been finished in 1707, as it is referred to as a "splendidly furnished" church. In any case, it will be consecrated in 1723. It is certain that Joseph Schmuzer and his father Johann stuccoed the interior. The high age, an early work by Johann Georg Bergmüller, was created between 1725 - 1730 .. In general, the furnishings of the church dragged on for years, mostly due to a lack of money.
St. Blasius and Alexander is the Catholic parish church of Altusried in Ostallgäu.
The church was built in 1204, the nave was built by Georg Schöneberg between 1670 and 1681 after it collapsed.
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
Dopo un pranzo veloce in vetta , ci siamo incamminati per il ritorno . Nubi minacciose sulle nostre teste e improvvisamente un vento freddo di tempesta. Nella valle una luce sinistra....Entro pochi minuti si sarebbe scatenato il finimondo....
Purtroppo non si è potuto vedere la vista spettacolare : da una parte la Corsica, , l'Elba, Capraia e i rilievi della Toscana; a nord le Alpi con le vette del Gran Paradiso, Rosa , Monviso e , se si è fortunati il gruppo del Brenta e Cevedale....
Questa cima esprime sacralità, anche il nome è antico e importante: in greco significa 'bianco ' , forse allusione alla neve abbondante nei lunghi mesi invernali, O forse richiama il mito del dio omonimo e della ninfa Aretusa, trasformata in fonte .Nel Nuovo Testamento Alfeo è il padre dell'apostolo Giacomo il Minore
Monte Alfeo , 1651 m
Church of St. John of Dukla and Monastery of Bernadine monks - the church with two towers was built between 1761 and 1764 in the late baroque style. The temple was extended from 1890 to 1902 when a chapel of St. John of Dukla was built and the main nave was enlarged. Also monastery building was added. The interior dates back to the turn of the 19th century. The paintings of Tadeusz Popiel present scenes from life of St. John of Dukla. There is a silver coffin with relics of St. John. Pope John Paul II came to Dukla on 9th of August, a day before the canonization event and he spent a night in the monastery
The Cathedral of Seville is built on the old aljama mosque of the city, this shows the power that one culture exercises over another when it is conquered. This fact makes its plan different, facing Mecca and not Jerusalem, that is, facing south instead of east. It should be clarified that Mecca is oriented at 10o from Seville and not at 86o as the old mosque is oriented, this is due to the fact that in Al-Andalus the mosques had to be oriented towards the south quadrant and not towards the east, as the Christian churches did. When the Cathedral Chapter commissioned the design of the Gothic Cathedral, it stated verbatim that it wanted a Cathedral that everyone who saw it would take for crazy. For this, 5 naves were created that covered the 116 by 76 meter rectangle occupied by the Almohad mosque, this results, unlike what was usual in the great European Gothic Cathedrals, a hall plan with a Latin cross marked in height and in width by the central naves and the transept. This hall plan also results in the absence of an ambulatory at the head, which ends in a straight line like the wall of the old mosque. Later the Royal Chapel would be added, which is a Renaissance apse, but it does not really correspond to the Gothic company. In the naves of the Gospel and the Epistle, which are the lateral naves, there are many chapels. The 60 pillars support 68 ogive vaults, highlighting those of the transept and central nave with their star shapes. Instead of placing a clerestory, a continuous balcony was chosen along the main nave in order to be able to wander around the temple without being seen. Located in the central nave, in order from the feet, are the Retrochoir, the Choir, with two organs, the Transept, the Main Altar, the Back of Altar and the Royal Chapel.
Kurzbesuch in Xanten - ein rascher Blick in den beeindruckenden sakralen Raum vom St. Viktor Dom
Short visit to Xanten - a quick look into the impressive sacral space of St. Victor's Cathedral
The oldest parish church in Passau, which is often referred to by locals as the "mother church of the city". This Roman Catholic church is strategically located, right at the beginning of Passau's pedestrian zone on Neumarkt Square, where it forms an imaginary gateway to the historic old town.
Establishment: The first Romanesque church was consecrated on this site as early as around 1050.
The original building was completely destroyed during two major city fires in 1512 and 1662. Current Baroque form It was founded in 1663–1678 under the leadership of a Swiss-Italian master Carlo Antonio Carlone.
While its first incarnations were mentioned already in 11th century, the present parish church of St. George was built from 1359 onwards and completed in 1407. In the 17th century the Gothic interior was transformed into a harmonious, baroque sacral room with imposing stucco work and frescoes.
Multi-row panorama (stitched from 6 individual HDR images) covering a viewing angle of 175°H x 155°V.
Zoom in to and take a virtual tour!
Nemi è il borgo più piccolo dei Castelli Romani e si trova al centro dei Colli Albani. Il centro storico è un intreccio di vicoli, torri e case in pietra affacciate sull'omonimo lago. Fiore all’occhiello del borgo sono le fragoline di bosco, protagoniste della celebre Sagra delle Fragole e Mostra dei Fiori, che si tiene ogni anno la prima domenica di giugno.
Il Lago di Nemi, di origine vulcanica, è immerso in una quiete quasi sacrale, circondato da boschi e coltivazioni di fragoline. Sulle sponde del lago, in epoca romana, sorgeva l’imponente Tempio di Diana Nemorensis, uno dei più importanti luoghi di culto della Lega Latina. Ai suoi piedi, l’imperatore Caligola fece costruire due gigantesche navi cerimoniali, recuperate tra il 1927 e il 1932 e successivamente distrutte da un incendio doloso durante la Seconda guerra mondiale. Oggi, il Museo delle Navi Romane ne conserva resti, modelli e reperti, in un edificio costruito appositamente negli anni ’30.
ENG: A view into the tower of the basilica St. Lorenz in Kempten Allgäu.
The catholic parish church and basilica St. Lorenz is a former Benedictine collegiate church of the abolished prince monastery Kempten. It belongs to the parish of the same name in Kempten (Allgäu) in the diocese of Augsburg. The church is dedicated to St. Laurentius of Rome, the patron saints are the Assumption of the Virgin Mary and the patron saints of Epimach and Gordian.
During the Thirty Years' War Roman Giel von Gielsberg began preparations for the construction of the church. The church became one of the first large church buildings in Germany after the Thirty Years War around 1650. A special feature of the church was the division into a collegiate church and a parish church.
GER: Ein Blick in den Turm der Basilika St. Lorenz in Kempten Allgäu.
Die katholische Stadtpfarrkirche und Basilika St. Lorenz ist eine ehemalige Benediktinerstiftskirche des aufgehobenen Fürststifts Kempten. Sie gehört zur gleichnamigen Pfarrei in Kempten (Allgäu) im Bistum Augsburg. Die Kirche ist dem heiligen Laurentius von Rom geweiht, Nebenpatronate sind Mariä Himmelfahrt und die Schutzpatrone der Stadt Epimach und Gordian.
Noch während des Dreißigjährigen Krieges begann Roman Giel von Gielsberg die Vorbereitungen zum Kirchenbau. Die Kirche wurde einer der ersten großen Kirchenbauten nach dem Dreißigjährigen Krieg um 1650 rum in Deutschland. Eine Besonderheit der Kirche war die Teilung in Stifts- und Pfarrkirche.
The great sacristy has a shallow cruciform plan, surmounted by a dome. Originally designed by Diego de Riaño ca. 1530, work carried on after his death in 1534 under Martín de Gainza and was completed ca. 1544. Designed in the Plateresque style, it houses the treasury. Among the displays are silver reliquaries and monstrances, and artworks by Goya, Murillo, and Zurbarán.
De Sint-Lambertuskerk (Duits: St. Lamberti) is een rooms-katholiek kerkgebouw in de Duitse stad Münster. Het bouwwerk is het belangrijkste sacrale gebouw van de Westfaalse laatgotiek.
Aan de toren van de Lambertuskerk hangen de ijzeren kooien waarin ooit de lijken van de aanvoerders van de Wederdopers Jan van Leiden, Berend Krechting en Berend Knipperdolling hingen.
Uit een ingeslagen datering is op te maken dat de kooien in het jaar 1535 werden gemaakt. Ze werden vervaardigd door de smid Bertolt von Lüdinghausen uit Dortmund. Oorspronkelijk zouden de kooien voor gevangenentransport dienen, maar ze kwamen te hangen aan de kerktoren. In de bovenste kooi werd het lijk van Jan van Leiden gelegd, in de linker het lijk van Berend Knipperdolling en de rechter het lijk van Berend Krechting.
De kooien zijn allemaal verschillend in afmeting. Nadat de oude kerktoren bouwvallig geworden was, werden de kooien op 3 december 1881 verwijderd. De afbraak van de oude toren begon in 1887, na de voltooiing van de nieuwe toren werden de kooien weer aan de zuidzijde opgehangen. Toen op 18 november 1944 een bom de toren van de kerk trof, stortten twee kooien mee de diepte in, alleen de rechter kooi bleef hangen. Alle drie kooien werden zwaar getroffen en konden na de oorlog niet meer worden gerestaureerd daarom werden er andere kooien gemaakt zodat het lijkt dat ze nog steeds echt zijn.
Wikipedia
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
20220812_700c
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Info's zum Foto hier
www.sehenswerter-bayerischer-wald.de/bayern-wallfahrtsort...
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
www.innjournal.de/waldkraiburg/sehenswertes/filialkirche-...
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The original cathedral was built between 1019 and 1500 in Romanesque and Gothic styles.
Thank you for your visits / comments / faves!
Die Stiftskirche Mariä Himmelfahrt in Obermedlingen ist Teil des ehemaligen Klosters Obermedlingen. Im Jahre 1700 wurde der Grundstein für den Neubau des ehemaligen Klosters und der heutigen Stiftskirche gelegt. Die Kirche wurde 1721 vom damaligen Augsburger Weihbischof Johann Jakob Mayer geweiht, obwohl die Ausstattung noch nicht fertiggestellt war.
Die Ausstattung ist in einem vornehmen frühbarocken Weiß gehalten, zu dem die Altäre, Beichtstühle, Sitzreihen, das Chorgestühl, die Orgel und die Kanzel aus dunkelbraunem Holz einen harmonischen Kontrast bilden. Äußerst beachtenswert sind die Intarsienarbeiten. Die großen Gemälde und Fresken an der Decke schuf Konrad Huber 1784. Davon ist allerdings nur noch das Deckengemälde im Chor erhalten, da ein Teil des Langhausgewölbes 1861 einstürzte. Die heutigen neobarocken Deckengemälde im Langhaus schuf 1894/1896 der Münchner Maler Josef Huber-Feldkirch. Der Deckenstuck ging 1861 ebenfalls verloren, aber die verbliebenen, überaus reichen Stuckaturen im Chor und der Sakristei zeugen von großem Können und sind von hoher Qualität, sodass das Wirken Dominikus Zimmermanns angenommen wird.
Der Außenbau ist durch den weithin sichtbaren, 73 Meter hohen Kirchturm mit Doppelzwiebelhaube besonders imponierend. Er ist der höchste Kirchturm Nordschwabens. Beeindruckend ist auch die Gestaltung der Westfassade der Kirche.
Weltenburg Abbey is located directly on the Danube just before the narrowing near Kehlheim.
The monastery church was rebuilt between 1716 and 1718. The builder is Philipp Plank. But in 1718 the shell was only completed, only a provisional altar was set up and the interior work began.
Cosmas Damian Asam and his brother Egid Quirin Asam can be obtained for the equipment.
Master stonemason Pietro Francesco Giorgioli from Ticino and the local stonemason Matthias Einsele created all marble work until 1720.
In 1721 Cosmas Damian Asam started the dome fresco. Also in 1721, Egid Quirin Asam arrived at the construction site after he had finished his work in the nearby Rohr monastery. He starts with the high altar in the same year. Up to this point the choir wall is still a straight end. The Asam brothers have the choir rebuilt in order to better illuminate the high altar with its figure of St. George. Maria Salome Bornschlegel, the sister of the Asam brothers, began in 1723 with the gold setting of the stucco work and the setting of the high altar.
In 1734, the building was suspended for 10 years, Egid Quirin and Cosmas Damian Asam were given to build the side altars. In 1735 Cosmas Damian Asam leaves the construction site due to payment problems. This is how his son Franz Erasmus Asam completes the work.
The pulpit and confessionals are made by the stonemason Johann Jakob Kürschner. And made entirely of marble. In 1729 the organ was installed on the west gallery. The organ builder Konrad Brandenstein received the order for this in 1728.
Despite the fact that the church is not large, it is one of the most important baroque sacred buildings in Europe. The entire architecture is geared towards the indirectly illuminated ceiling fresco as well as the indirectly backlit statue of St. George on the high altar, a masterpiece executed as the “Theatrum sacrum”.
At the highest point in the old town, the cathedral defines the backdrop of Passau. The cathedral is the cathedral of the Diocese of Passau.
The history of the sacred building goes back to the 8th century.
The baroque church was built between 1668 and 1693, only the Gothic choir was included.
Carlo Lurago is responsible for the overall planning, with the help of the stonemasons Francesco della Torre and Giovanni Battista Passerini.
The interior is characterized by the rich, plastic stucco by Giovanni Battista Carleone.
Carpoforo Tencalla painted the frescoes between 1679 and 1684 according to a program by the dean Johann Bernhadin Gentilotti from Linz.
Not only the stucco comes from Giovanni Battista Carleone, but also the side altars, while the high altar is the work of Josef Henselmann, from 1947-1953.
What would Passau Cathedral be without its organ? It is the largest cathedral organ in the world with 17,974 pipes. Its history is long and it has undergone several renovations.