View allAll Photos Tagged sacral
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
Ogni venerdì santo, dal XIII secolo, lungo le vie di Gubbio sfila una processione pregna di sacralità. Alla luce di falò e fiaccole, al suono di un antichissimo canto in latino, il Miserere [ www.youtube.com/watch?v=3AEuEl7jYuI ], che si è tramandato per secoli oralmente, al ritmo delle preghiere e del suono cupo dei penitenti con le caratteristiche “battistrangole” e il rumore dei passi lenti sul selciato, si richiama alla penitenza, alla purificazione e alla redenzione.
La processione del venerdì santo di Gubbio rievoca i simboli della passione che sfilano portati da uomini in saio e incappucciati: sono il teschio che rappresenta il Golgota, l’uomo con la croce, altri uomini con croci, il calice, i 40 denari, la corda, la colonna, il gallo, i flagelli, la corona di spine, la scritta Inri, il velo della Veronica, il sudario, i chiodi, il martello, la spugna, la lancia, i vestiti di Gesù, i dadi, la scala, le tenaglie. Questi simboli sono proceduti dagli uomini della confraternita che recano in mano il battistrangole, uno strumento in ferro che, scosso, determina un suono lugubre e sordo e richiama la popolazione alla processione e alla sua sacralità.
Seguono le statue del Cristo Morto e della Madonna Addolorata, entrambe preziose statue lignee, la prima si presume cinquecentesca, la seconda ottocentesca. Sono trasportate da uomini che indossano saio bianco con cappa nera (statua del Cristo) e saio bianco con cappa blu (statua della Madonna). Tutti i luoghi più significativi della storia di Gubbio sono raggiunti dal corteo: dal “pietrone”, antichissima pietra sacrificale che indica le origini pre-romane di Gubbio, ai conventi cittadini, all’ospedale, attraversando le vie del centro storico. In piazza San Pietro, Via Dante e Largo San Marziale sono accesi i fuochi e i bracieri. L’attenzione, il coinvolgimento con cui viene seguita la processione dai presenti determina una forte solennità e suggestione.
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
Church of St. Ladislav ( Bratislava )
Country Slovakia Slovakia
City of Bratislava
Coordinates : 48 ° 8'45 "N 17 ° 6'50 " W
Classicism style
Construction 1830 - 1832
Roman Catholic
Consecration of St. Ladislav
Report parish of St. Martin of Tours, Bratislava
Wikimedia Commons: Church of St. Ladislav
Address: Spitalska Street 7
Church of St. Ladislav is a classicist sacral building in Bratislava's Old Town district, Spitalska Street. Is dedicated Ugrian king Ladislaus I. of the House of Árpád. The church is part of the four-wing urban hospital.
Construction History
Church of St. Ladislav is one of the oldest religious buildings in the city. Construction of the present church, is the third standing here. According to the traditional instrument of June 1309 was established at this point, before the Bratislava suburb of Lawrence 's gate, thanks to the Order Antonito, a hospital, which was attached to already existing chapel of the monastery. This building existed here until the end of 14th century. In its place was established in 1397 a new hospital building with a chapel dedicated to St. Ladislaus. According to the hospital it was given the name of the street where it was built.
In 1428, Bratislava was in the Hussite threat. The city is safe hidden behind walls, however, the Hussites failed to capture it, but the area in front of it was very devastated. Since their looting did not escape the hospital, the city was forced to leave after their construction services while simultaneously reconstructed the monastery building Antonito .
The entire complex of buildings served its purpose until 1529, when it was in preparation for the defense against the Turks zrúcali. Antonito went out of town.
Špitála new building built in 1543, the hospital was established a cemetery, which in 1596 built an ossuary. Hospital had two wings vaulted ground floor cross vaults and central columns. In the courtyard stood another building, on the right side of the street wing was nave chapel. Ladislav. Early 19th century building was in a very dilapidated condition and chapel for safety reasons had to close.
Today's new building was built on the Catholic faithful offerings designed by St. Ignatius Feigler. When laying the foundation stone in 1830 (figure testifies to the inscription over the entrance to the church) was personally present Hungarian monarch Ferdinand V. together with the archbishop of Esztergom, cardinal Alexander Rudnaya. The construction was completed in 1832.
Contract description
Insight into the presbytery
Spacious four-winged building footprint on a one-nave church in the central axis. Sacral building with a dome was built on an oval ground plan with radial chapels. Špitála facade is developed in width, but in the middle kinked facade of the church, culminating built square tower with a bell tower, topped pyramidal roof. The facade dominant semicircular window and massive Tympanum.
In 1891 F. Cancel restored the church. Proposed colorful windows, which were drawn up in the following year A. Vermes in Šoporňa. Originally, the interior painted in white, F. Grünwind, painter churches in 1927 filled the interior of the church figural wall paintings and override the classical character of the building .
The main altar consists of outposts canteen with classical tabernacle. On the wall hangs a large painting The Apotheosis of St. Ladislaus, the works of the painter Ferdinand Lütgendorf of 1830, the plan to lower the image to see the church. Ladislaus the hospital.
Altarpiece on the side altar of St. Anna classicism, painted by Viennese painter Joseph Kliegl in1830. From the same year comes a portrait of Christ on the cross at Calvary side altar by the Viennese painter Mayer.
sk.wikipedia.org/wiki/Kostol_sv%C3%A4t%C3%A9ho_Ladislava_(Bratislava)
Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia
for educational purpose only
please do not use without permission
AMDG
This vajra was quite tricky to focus-stack, because it has 23 cm from tip to tip. It isn´t really a macro. So the bokeh was not fine until using an unsharping filter for the background .....
The monastery of the Benedictine Order at Pannonhalma was founded in 996 in Western Hungary and had a major role in the diffusion of Christianity in medieval Central Europe. The monastery shows a stratification of different architectural styles and various buildings.
Among these buildings: a school (the first ever school founded in the country), the monastic complex – home to the monks whose life is still based on St. Benedict’s Rule ‘Ora et labora’ -, the tourist welcome points and hospitality facilities, the Chapel of Our Lady, the Millennium Chapel and the botanical and herbal gardens.
www.comece.eu/christian-artworks-benedictine-archabbey-of...
provenance: St Ann´s church, Bardejov, north-east Slovakia
location: Šariš Museum Bardejov
IMHO the statue comes from 1480s
for educational purpose only
please do not use without permission
provenance: Fričovce, Šariš county, north-east Slovakia
location: Šariš Museum Bardejov
for educational purpose only
please do not use without permission
Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia
for educational purpose only
please do not use without permission
AMDG
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
Church of St. Ladislav ( Bratislava )
Country Slovakia Slovakia
City of Bratislava
Coordinates : 48 ° 8'45 "N 17 ° 6'50 " W
Classicism style
Construction 1830 - 1832
Roman Catholic
Consecration of St. Ladislav
Report parish of St. Martin of Tours, Bratislava
Wikimedia Commons: Church of St. Ladislav
Address: Spitalska Street 7
Church of St. Ladislav is a classicist sacral building in Bratislava's Old Town district, Spitalska Street. Is dedicated Ugrian king Ladislaus I. of the House of Árpád. The church is part of the four-wing urban hospital.
Construction History
Church of St. Ladislav is one of the oldest religious buildings in the city. Construction of the present church, is the third standing here. According to the traditional instrument of June 1309 was established at this point, before the Bratislava suburb of Lawrence 's gate, thanks to the Order Antonito, a hospital, which was attached to already existing chapel of the monastery. This building existed here until the end of 14th century. In its place was established in 1397 a new hospital building with a chapel dedicated to St. Ladislaus. According to the hospital it was given the name of the street where it was built.
In 1428, Bratislava was in the Hussite threat. The city is safe hidden behind walls, however, the Hussites failed to capture it, but the area in front of it was very devastated. Since their looting did not escape the hospital, the city was forced to leave after their construction services while simultaneously reconstructed the monastery building Antonito .
The entire complex of buildings served its purpose until 1529, when it was in preparation for the defense against the Turks zrúcali. Antonito went out of town.
Špitála new building built in 1543, the hospital was established a cemetery, which in 1596 built an ossuary. Hospital had two wings vaulted ground floor cross vaults and central columns. In the courtyard stood another building, on the right side of the street wing was nave chapel. Ladislav. Early 19th century building was in a very dilapidated condition and chapel for safety reasons had to close.
Today's new building was built on the Catholic faithful offerings designed by St. Ignatius Feigler. When laying the foundation stone in 1830 (figure testifies to the inscription over the entrance to the church) was personally present Hungarian monarch Ferdinand V. together with the archbishop of Esztergom, cardinal Alexander Rudnaya. The construction was completed in 1832.
Contract description
Insight into the presbytery
Spacious four-winged building footprint on a one-nave church in the central axis. Sacral building with a dome was built on an oval ground plan with radial chapels. Špitála facade is developed in width, but in the middle kinked facade of the church, culminating built square tower with a bell tower, topped pyramidal roof. The facade dominant semicircular window and massive Tympanum.
In 1891 F. Cancel restored the church. Proposed colorful windows, which were drawn up in the following year A. Vermes in Šoporňa. Originally, the interior painted in white, F. Grünwind, painter churches in 1927 filled the interior of the church figural wall paintings and override the classical character of the building .
The main altar consists of outposts canteen with classical tabernacle. On the wall hangs a large painting The Apotheosis of St. Ladislaus, the works of the painter Ferdinand Lütgendorf of 1830, the plan to lower the image to see the church. Ladislaus the hospital.
Altarpiece on the side altar of St. Anna classicism, painted by Viennese painter Joseph Kliegl in1830. From the same year comes a portrait of Christ on the cross at Calvary side altar by the Viennese painter Mayer.
sk.wikipedia.org/wiki/Kostol_sv%C3%A4t%C3%A9ho_Ladislava_(Bratislava)
location: parish church of St Nicholas in Prešov, eastern Slovakia
dating: c 1720s
(please do not use without permission)
High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.
for educational purpose only
please do not use without permission
AMDG
Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG