View allAll Photos Tagged sacral
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©Andreas Dlugosch
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
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de.wikipedia.org/wiki/St._Peter_und_Paul_
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The monastery of the Benedictine Order at Pannonhalma was founded in 996 in Western Hungary and had a major role in the diffusion of Christianity in medieval Central Europe. The monastery shows a stratification of different architectural styles and various buildings.
Among these buildings: a school (the first ever school founded in the country), the monastic complex – home to the monks whose life is still based on St. Benedict’s Rule ‘Ora et labora’ -, the tourist welcome points and hospitality facilities, the Chapel of Our Lady, the Millennium Chapel and the botanical and herbal gardens.
www.comece.eu/christian-artworks-benedictine-archabbey-of...
I think it is not necessary to describe the most important church in the world. It is so impressive and an absolutly masterpiece of sacral buildings.
This is the rococo church of Unterliezheim, a small village in Bavaria. Built between 1732 and 1738 by Johann Windschmid d.Ä and his son.
The frescos are painted by Christoph Thomas Scheffler.
Among the beautiful sacral sights we can undoubtedly include the Greek Catholic wooden Church of the Protection of the Holy Mother of God from 1770, which stands in the mountain village of Miroľa in the northeastern region of Slovakia.
It has a characteristic log structure and a three-part outer and inner division. The interior is decorated with iconostasis and altar. In the sanctuary, there is the icon of the archangel Michael and the icon of the Mother of God, Virgin Hodegetria with praise located. Liturgical objects are found in the anteroom that were revealed in the individual rebuildings of the temple. Especially the rare raincoat, probably from the 17th century, is worth noticing.
A special chapter is the rare books used in religious services in the Church-Slavic language. The temple has been repaired several times, most recently a complete reconstruction in 2005-2008 has been carried out. As well as with other wooden churches, even here stands a wooden entrance gate with a low shingled roof in front of the church.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
franziskanerinnen-au.de/ueber-uns/
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Ruins of a medieval fortified church are located above the village of Lúčka, situated at the border of the Slovenské rudohorie mountain range and the national park of Slovenský kras. The village had been known since 1409 as part of the Turňa Castle Estate donated to Pál Besen by King Sigismund.
According to the testimony provided by the local church, however, the village dates back to at least the half of the 13th century. The church itself was built as an early-Gothic church of the Gemer style. In the first half of the 15th century, it was surrounded by a defensive stone wall with a watchtower situated in the front. The small fortress was captured by Jan Jiskra’s troopsand is commonly called the Hussite church by the locals. Only the external walls of the church and the considerably lowered defensive wall with the tower that later on served as a belfry have been preserved up to the present. The quadratic tower used to have two floors in the past, with three windows on the first floor and three loopholes on the ground floor that served to watch the surroundings and to protect the fortress from three sides: the west, the south, and the east. The top of the slope upon which the church was built provided for the natural protection from the north.
The area where the church stands counts among the ecologically cleanest territories in Slovakia. It provides for exceptionally good conditions for recreationin a peaceful natural setting and for short walks in the basin of the Čremošná, to the lake of Lúčka, as well as to the surrounding beech and fir forests. Moreover, the unique natural reserve of Zádielska dolina is located in close distance, lined with plateaux where traces of fortified prehistoric settlements were confirmed by archaeological surveys.
The fortified early Gothic church from the first half of the 14th century was built on the site of an older building. In the 15th century it was fortified with a wall and a wooden bell tower was built on the grounds in 1657. The single-nave space with a square-ended presbytery and a built-in sacristy has a painted cassette ceiling from 1758, the presbytery is characteristic by its rib vault. The mural paintings date back to the 60s of the 14th century and the creator of at least a part of them is the Master of Ochtiná presbytery. These interior frescoes were discovered in the early 20th century by I. Huszka who was restoring them in 1905. All the paintings, interior and exterior ones, were completely restored between 1983 and 1985 by J. Josefík, L. Székely and I. Žuch.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
tourismus.ulm.de/de/entdecken/sehen-und-erleben/sehenswue...
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C'est un exemple unique de l'architecture sacrale juive. Les Synagogues en bois, en raison du prix bon marché et de la disponibilité des matières premières, étaient très répandues au XVIIe siècle. C'étaient des artisans locaux, pas nécessairement juifs qui les ont construit. Cette synagogue en bois a été construite probablement en 1640. Au cours de son existence, elle a subi de nombreux changements. La synagogue était célèbre pour ses peintures multicolores (peintures murales) couvrant les plafonds et les murs, entrecoupées de versets bibliques, des proverbes et des abréviations. L’un de ces artistes était Israël ben Mordechai Lissnitzki. Les peintures ont été restaurées par Izhak Ben Yehuda en 1729.
It is a unique example of Jewish sacral architecture. Wooden synagogues, because of the cheap price and availability of raw materials, were widespread in the seventeenth century. They were artisans, not necessarily Jews who built them. This wooden synagogue was probably built in 1640. During its existence it has undergone many changes. The synagogue was famous for his colorful paintings (murals) covering the ceilings and walls, interspersed with Bible verses, proverbs and abbreviations. One of these artists was Israel ben Mordechai Lissnitzki. The paintings were restored by Izhak Ben Yehuda in 1729.
To unikatowy przykład żydowskiej architektury sakralnej.
Drewniane synagogi, ze względu na dostępność i taniość surowca, były w XVII wieku powszechne. Budowali je lokalni rzemieślnicy, niekoniecznie Żydzi. Drewniana synagoga została zbudowana prawdopodobnie w 1640 roku. W czasie swego istnienia przechodziła wiele zmian. Synagoga słynęła z wielobarwnych malowideł (polichromii) pokrywających sufity i ściany, przeplatanych wersami biblijnymi, przysłowiami i skrótami.
Jednym z artystów był Israel ben Mordechai Lissnitzki. Malowidła zostały odrestaurowane przez Izhaka ben Jehudę w roku 1729.
On the way to Lucinasco, where you get the best Ligurian olive oil you can see the Chiesa di Sant'Andrea on the right side.
The monastery of the Benedictine Order at Pannonhalma was founded in 996 in Western Hungary and had a major role in the diffusion of Christianity in medieval Central Europe. The monastery shows a stratification of different architectural styles and various buildings.
Among these buildings: a school (the first ever school founded in the country), the monastic complex – home to the monks whose life is still based on St. Benedict’s Rule ‘Ora et labora’ -, the tourist welcome points and hospitality facilities, the Chapel of Our Lady, the Millennium Chapel and the botanical and herbal gardens.
www.comece.eu/christian-artworks-benedictine-archabbey-of...
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
gs-heldenstein.de/kirchenfuehrung-4b/
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Church of St. John of Dukla and Monastery of Bernadine monks - the church with two towers was built between 1761 and 1764 in the late baroque style. The temple was extended from 1890 to 1902 when a chapel of St. John of Dukla was built and the main nave was enlarged. Also monastery building was added. The interior dates back to the turn of the 19th century. The paintings of Tadeusz Popiel present scenes from life of St. John of Dukla. There is a silver coffin with relics of St. John. Pope John Paul II came to Dukla on 9th of August, a day before the canonization event and he spent a night in the monastery
The municipality of Stöttwang is located in the Bavarian district of Ostallgäu near Kaufbeuren with around 1800 inhabitants.
The parish church of St. Gordian and Epimachus is located on a slight hill in the middle of the village.
The nave of the church in Stöttwang is rebuilt under Pastor Martin Johann Klein.
The construction work was carried out between 1744 and 1745 under the direction of Joseph Galler, master builder from Kempten.
In 1749 Franz Georg Hermann was commissioned to paint and fresco the interior of the church.
Franz Xaver Feuchmayr, plasterer from Wessobrunn is hired for the stucco work in 1745. The pulpit also comes from him.
Placidus Verhelst makes the high altar and all the figures. His father Aegidius is the creator of the crucifix.
The Augsburg Bishop Johann Jakob Mayr consecrated the new church on September 11, 1746.
In 1715, a new church is built in Epfenhausen, a small community in the Landsberg am Lech district, under the direction of Joseph Schmuzer, master builder from Wessobrunn. The stucco comes from the workshop of Joseph Schmuzer. Instead of frescoes, the fresco mirrors are provided with the monograms of Mary and Joseph. The high altar was made in 1738, the two side altars as early as 1725. The motif of the main altarpiece is the Assumption of Mary, a work by Johann Caspar Schäffler. The figures were carved by Johann Luidl.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
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©Andreas Dlugosch
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Info's zum Foto hier
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One of the most charming medieval churches in the Gemer region is preserved in the village of Chyžné, near Jelšava. Its tall east-oriented brick gable and massive fortifications around the church dominates its surroundings. The church was built in the second half of the 13th century as a one-nave edifice with a quadratic chancel and an annexed sacristy. Later, a detached belltower, a traditional wooden construction from the 18th century, and a groundfloor building of a former school were added. The church chancel is vaulted by a cross ribbed vault, and the nave has a flat painted ceiling. The walls and vaults of the chancel, including the so-called Triumphal Arch, are covered with frescos dating back to the 70s-80s of the 14th century.
The former monastery church of St. Marinus and Anianus in Rott am Inn is considered a rococo masterpiece in Bavaria. Well-known artists contribute to the magnificent appearance of the church. Starting with the ingenious master builder Johann Michael Fischer, through the fresco painter Matthäus Günther and the plasterer Jakob Rauch.
In 1759 the construction of the church began, which was consecrated by the Freising Auxiliary Bishop in 1763.
The municipality of Buchloe is located in the Bavarian district of Ostallgäu. The Catholic parish church Maria Himmelfahrt, as it can now be admired, has a Gothic core.
In 1517, after a fire that also damaged the church, the nave was rebuilt and two aisles were added. Between 1729 and 1730 the Tyrolean Franz Kleinhans redesigned the nave in baroque style. The stucco probably came from the workshop of Dominikus Zimmermann, while Johannes Heel from Göggingen paints the frescoes and medallions.
The Jesuit Church of St. Michael belongs to the College of St. Michael in Fribourg, Switzerland.
Giovanni de Rossi built the church between 1604 and 1613 in a post-Gothic style.
The court architect Franz Wilhelm Rabaliatti, the painter Franz Anton Ermeltraut and the plasterer Giuseppe Antonio Albuccio redesigned the interior between 1756 and 1771 in the Rococo style.
The organ from 1764 comes from the Constance organ builder Bihler.
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