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Die Hofkirche, ursprünglich ein romanischer Bau, ist das sakrale Zentrum des Chorherrenstifts St. Leodegar und Mauritius.
Die Kirche wurde bei einem Brand 1633 zerstört. Die beiden Türme der Kirche, die noch romanische Bauelemente zeigen, blieben bestehen.
The Hofkirche, originally a Romanesque building, is the sacral center of the monastery of St. Leodegar and Mauritius.
The church was destroyed in a fire in 1633. The two towers of the church, which still show Romanesque elements, remained.
St. Peter and Paul is the parish church of the municipality of Buxheim in the Unterallgäu district. This church was built between 1727 and 1729 by the builder Dominikus Zimmermann, who also stuccoed the church. The frescoes are by Franz Georg Hermann.
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Ilsenburg Abbey (German: Kloster Ilsenburg) was a monastery of the Benedictine Order located at Ilsenburg near Wernigerode, in Saxony-Anhalt in Germany. The former abbey is a stop on the Romanesque Road.
The monastery was built in the Saxon lands of Eastphalia at the site of a former Pfalz and hunting lodge, mentioned as Elysynaburg in a 995 deed issued by King Otto III.
On 15 April 1003 King Henry II donated the estate for this purpose to the Bishop of Halberstadt, and the abbey had been founded by 1009. In 1018 the Halberstadt bishop vested the monastery with further possessions around Ilsenburg and Osterwieck. The first monks possibly descended from Fulda Abbey in Franconia.
Fostered by Bishop Burchard II of Halberstadt from about 1070, the convent experienced a flourishing period whereupon numerous filial monasteries were established, such as Huysburg, and the abbeys of Harsefeld, Hillersleben, and Wimmelburg.
A larger Romanesque church was erected and dedicated to Sts Peter and Paul on 5 June 1087; including the oldest preserved three-aisled choir of all Benedictine sacral buildings in Germany.
The adjacent cloister buildings were erected after a blaze in 1120 and finished in 1176. The monastic community included up to 25 monks, it joined the Benedictine Bursfelde Congregation in 1464/65.
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The parish church of Arth in the Swiss canton Schwyz, is an important early baroque church of Switzerland. Built between 1694 – 1697 this sacral building is a striking landmark of this town.
The black altars are a contrast to the white interior, they were built by Johann Jörg Hagenmüller.
Church of St. John of Dukla and Monastery of Bernadine monks - the church with two towers was built between 1761 and 1764 in the late baroque style. The temple was extended from 1890 to 1902 when a chapel of St. John of Dukla was built and the main nave was enlarged. Also monastery building was added. The interior dates back to the turn of the 19th century. The paintings of Tadeusz Popiel present scenes from life of St. John of Dukla. There is a silver coffin with relics of St. John. Pope John Paul II came to Dukla on 9th of August, a day before the canonization event and he spent a night in the monastery
The collegiate church of the former monastery is located in Vornbach, near the banks of the Inn.
Established in 1050 by Countess Himiltrud von Vornbach as a collegiate monastery, the monastery was converted into a Benedictine monastery in 1094.
Around 1125 a double-towered basilica was built as a monastery church. This church was rebuilt between 1630 and 1637 in the Baroque style with the inclusion of the Romanesque surrounding walls. The church was redecorated in Rococo style between 1728 and 1733. Franz Ignaz Holzinger stuccoed the interior of the church while Innocent Anton Warathy paints the frescoes. On the west gallery there is an organ by Johann Ignaz Egedacher, which is largely preserved in the original.
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Its construction started at the beginning of the 15th century probably at the site of the Cistercian monastery. It was conceived as a majestic Gothic basilica with three naves. The main nave and the church as a whole were finished in the years 1513-1518.
The generally simple architecture of the church contains many valuable details and artistic works. In the set of 11 Late Gothic wing altars built in the period between 1460 and 1520, the side altar of Nativity of the Lord, attributed to the circle of artists around the Krakow workshop of W. Stwosz is considered the most valuable.
The statue The Chair of Mercy on the altar of St Barbara made probably in the workshop of Master Pavol of Levoča is considered the top wood-carving work in Slovakia.
Pope John Paul II promoted the Church of St Egidius to basilica minor in 2001.
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It was to be five domes, based on the model of the Holy Sepulcher of St. Anthony in Padua, as the client, Pastor Johann Ulrich Julius, wanted it. But such an execution clearly exceeds the financial means of the parish. But master builder Johann Georg Fischer built the desired five domes, not visible from the outside, as a so-called pendentive dome without a drum ring, a nave dome, a dome above the crossing and in the choir, as well as the domes in the two side chapels.
In 1727 Fischer delivered the final design, and the first mass could be celebrated in the church as early as 1733. Fischer entrusts the construction work to his foreman Paul Bienz.
Ignaz Finsterwalder contributes significantly to the splendid furnishings with his stucco. The frescoes, created by Matthias Wolcker and Anton Wenzeslaus Haffe, are also excellent work.
Retrochoir of the Roman Catholic cathedral of Seville, Seville, Spain. This wonderful Baroque style retrochoir is work of Miguel de Zumárraga and was finalized in 1635. It was constructed with precious materials like marmor or jasper and it's decorated with bas-relieves and bronce busts.
A pleasant valley of the meandering Muráň river south of Jelšava has a significant landmark. You cannot overlook the strategically interesting hill above the village of Šivetice, on which a brick Romanesque church dedicated to St. Margaret of Antioch was built in the middle of the 13th century. Šivetice belonged to the Jelšava estate back then and from the 15th century on was administered by the Castle of Muráň. In the past, the village was known for its typical ceramics.
The church has the shape of a rotunda with an internal diameter of 11 m and is one of the largest structures with circular footprint in Central Europe. In addition to the primary sacral significance, it is assumed that the rotunda originally served as a watchtower, taking into consideration its location on a hill and its proximity of a castle (that no longer exists). During the 14th century, the interior of the church was divided into a nave and a chancel by a monumental pointed triumphal arch. Original Romanesque murals depicting scenes from the legend of St. Margaret were covered by gothic paintings with the same theme and complemented with scenes of the Passion Cycle. Like many other Gemer temples, the rotunda of Šivetice belonged in the 17th century to the Evangelical Lutheran church. In the 18th century, the church was partially rebuilt into Baroque style and the bell tower with the entrance gate was inserted into the stone wall. A cemetery is surrounding the church nowadays.
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Sveti Stefan - Demir Kilise / İstanbul, Türkiye
Für die bulgarisch-orthodoxe Kirche St. Stefan wurden 1893-96 fünfhundert Tonnen Eisen und Stahl verbaut. Sie steht am Goldenen Horn in Istanbul.
Nähere Infos siehe entsprechende Links im Internet.
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For the construction of the Bulgarian Orthodox Church of St. Stephen in the years 1893-96 five hundred tons of iron and steel were installed. It stands on the Golden Horn in Istanbul.
For more information see corresponding links on the Internet.
In 1750 Kaspar Radmiller built the pilgrimage church Heilig Kreuz in Mindelzell in the district of Günzburg.
The reason for the pilgrimage is a particle of the Holy Cross, which was received by the provost in front of Ursberg in 1230.
Martin Kuen paints the frescoes.
The Metten Monastery was founded in the 8th century and was one of the original Bavarian monasteries. Under Abbot Roman II, the church, which dates from the Carolingian era, was redesigned in Baroque style between 1712 and 1729, based on plans by Jakob Ruesch.
In 1722 the Austrian Franz Josef Holzinger stuccoed the church interior, Wolfgang Andreas Heindl, also from Austria, painted the frescoes.
Die Jesuitenkirche ist der erste grosse, sakrale Barockbau in der Schweiz.
1666 begann der Bau, 1677 wurde die Jesuitenkirche feierlich eingeweiht. Eindrucksvoll ist auch die Akustik des prächtigen Kirchenraumes. Er dient heute neben Gottesdiensten auch der Ausbildung von Organisten der Luzerner Hochschule für Musik und als Konzertlokalität.
The Jesuit Church is the first large, sacral Baroque building in Switzerland.
Construction began in 1666, and in 1677 the Jesuit church was inaugurated. Impressive are also the acoustics of the magnificent church space. Today, in addition to services, it also serves as a training place for organists at the Lucerne University of Music and as a concert venue.
The tomb of Cardinal Marcelo Espínola (early 20th century) stands out, in the altarpiece a half-length image of the Virgin of Sorrows attributed to Pedro de Mena (17th century), a Crucified attributed to Juan Francisco Vázquez “the Old” (S. XVI) and the painting The betrothal of the Virgin and Saint Joseph made by Valdés Leal (mid 17th century). Through this chapel you can access the Sacristy of the Chalices.
LO QUE HACES CON DULZURA, REZUMA AMOR
Donde siembras, recoges.
Si pones dulzura en tu manera de cocinar, en tus alimentos… comes amor.
Si pones dulzura en tu familia, en tus relaciones, en tu trabajo… estás creando un entorno de sanación para todos.
Si pones dulzura en las tareas del hogar, estás haciendo de tu casa un santuario.
Puedes elegir transformar tu mundo, y enseñar a otros cómo transformar el suyo, llevando la paz, la calma y el agradecimiento a tus acciones.
Paso a paso, día a día, mes a mes… suma cambios amorosos que se irán estableciendo en tu vida como el “nuevo normal”.
Con tu dulzura y tu consciencia, de-vuelve a tus palabras, a tus relaciones, a tus espacios y entornos… su importancia y su Sacralidad.
En amor y por amor a la Tierra, y a todos los seres que la habitamos.
Texto de Myriam Aram
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The Cathedral of Seville is built on the old aljama mosque of the city, this shows the power that one culture exercises over another when it is conquered. This fact makes its plan different, facing Mecca and not Jerusalem, that is, facing south instead of east. It should be clarified that Mecca is oriented at 10o from Seville and not at 86o as the old mosque is oriented, this is due to the fact that in Al-Andalus the mosques had to be oriented towards the south quadrant and not towards the east, as the Christian churches did. When the Cathedral Chapter commissioned the design of the Gothic Cathedral, it stated verbatim that it wanted a Cathedral that everyone who saw it would take for crazy. For this, 5 naves were created that covered the 116 by 76 meter rectangle occupied by the Almohad mosque, this results, unlike what was usual in the great European Gothic Cathedrals, a hall plan with a Latin cross marked in height and in width by the central naves and the transept. This hall plan also results in the absence of an ambulatory at the head, which ends in a straight line like the wall of the old mosque. Later the Royal Chapel would be added, which is a Renaissance apse, but it does not really correspond to the Gothic company. In the naves of the Gospel and the Epistle, which are the lateral naves, there are many chapels. The 60 pillars support 68 ogive vaults, highlighting those of the transept and central nave with their star shapes. Instead of placing a clerestory, a continuous balcony was chosen along the main nave in order to be able to wander around the temple without being seen. Located in the central nave, in order from the feet, are the Retrochoir, the Choir, with two organs, the Transept, the Main Altar, the Back of Altar and the Royal Chapel.
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From Bronseplassen, Norway.
To the right of gods, Freyr (Old Norse: Lord), sometimes anglicized as Frey, is a widely attested god in Norse mythology, associated with sacral kingship, virility, peace and prosperity, with sunshine and fair weather, and with good harvest. Freyr, sometimes referred to as Yngvi-Freyr, was especially associated with Sweden and seen as an ancestor of the Swedish royal house.
According to Adam of Bremen, Freyr was associated with peace and pleasure, and was represented with a phallic statue in the Temple at Uppsala. According to Snorri Sturluson, Freyr was "the most renowned of the æsir", and was venerated for good harvest and peace. wikipedia