View allAll Photos Tagged sacral
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
de.wikipedia.org/wiki/Flossing
================================================
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info hier:
www.puerten.com/index.php/35-kirche-puerten
===================================================
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
www.erzbistum-muenchen.de/pfarrei/pv-obertaufkirchen/cont...
================================================
In the middle of the Graubünden community of Domat / Ems is the parish church of the Assumption of Mary, which can be seen from afar.
The foundation stone was laid in May 1730 and the church was consecrated in May 1739.
The master builder is Johann Baptist Berna from Lombardy, who creates his main work with this church.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
de.wikipedia.org/wiki/Heiligenh%C3%A4uschen
===================================================
The most precious part of the altar is located in its top. It is a late Gothic polychrome wood carving depicting St. Anna of Metercia. The term "Samotretia" (in the Latin tradition Metercia) expresses that St. Anna is depicted in the group "alone third" – together with her daughter Virgin Mary and grandson Jesus. This sculpture survived devastating fires and historical reconstructions of the church and at the beginning of the 20th century it was sensitively incorporated into the upper part of the altar architecture.
In the main altar field (in the center of the altar) there is a Baroque painting of Our Lady of the Snows. This painting has great historical value for believers and is almost completely covered with artistic silver rivet (with a decorative metal cloak that leaves only the faces and hands of the characters exposed)
The altar as a whole shows a unique synthesis – while its central part bears the Baroque Marian devotion of the 17th century, its top is made up of more than a hundred years older, monumental medieval Gothic art from around 1500.
Chrch of St. John (at front) and church of St. Stephan (at background) in the old part of village Podaca :)
Church of St. John - the pre-romanesque Church of St. John, from 12-th century, is the oldest sacral building in this ares, built as the mausoleum of the noble Kacic family, as evidences by the tombstones which were once inside the church and are now visible in the front of it.
Church of St. Stephan Protomartyr - this church is a neo-romanesque building from 18-th century, built on the foundations of the old church of St. Stephen from the 15-th century, and it was a gift by Ivan Tomic, an emigrant who gained fame and fortune in building the Suez Canal.
Podaca is a coastal village and tourist locality in southern Dalmatia, Croatia. It's divided in three neighborhoods that are seamlessly connected to next willages: Kapeć, Viskovića vala and Ravanje. Old Podaca was founded on the rocky slopes as defensible location, and there are traces of human habitation since Stone Age. During the Roman rule this area was administrated from Narona. After an earthquake in 1962, almost the entire population migrated to the coastal area and the old settlement of Podaca under the Biokovo mountains is almost completely abandoned. Currently, the main source of income for the inhabitants is tourism, but they also engage in fishing, agriculture and cultivation of olive groves.
-------------------------------------------------------------------------------------
Kościół św. Jana (z przodu) oraz Kościół św. Szczepana (w tle) w starej części miejscowości Podaca :)
Kościół św. Jana - przedromański kościół św. Jana z XII wieku jest najstarszą budowlą sakralną na tym terenie, powstał jako mauzoleum szlacheckiego rodu Kaciców, o czym świadczą nagrobki, wcześniej znajdujące się w kościele, zaś obecnie umieszczone przed nim.
Kościół św. Szczepana Pierwszego Męczennika - kościół ten jest neoromańską budowlą z XVIII wieku, zbudowany na fundamentach starego kościoła św. Szczepana z XV wieku, który był darem Ivana Tomica, emigranta, który zyskał sławę i fortunę budując Kanał Sueski.
Podaca – wieś w Chorwacji, położona w południowej części Riwiery Makarskiej, u podnóża Biokova. Składa się z trzech części: Kapec, Viskovica Vala i Ravanje. Podaca powstała na skalistych zboczach Biokova, w strategicznym miejscu, gdzie znajdują się ślady osadnictwa pochodzące z epoki kamiennej. Podczas panowania rzymskiego miejscowość była administrowana z Narony. Po trzęsieniu ziemi w 1962 roku, niemal cała ludność przeniosła się do strefy przybrzeżnej, zaś stara osada Podaca pod klifami Biokova jest prawie zupełnie opuszczona. Obecnie głównym źródłem dochodu mieszkańców jest turystyka, ale zajmują się też rybołówstwem, rolnictwem i uprawianiem gajów oliwnych.
L'uomo lascia tracce innumerevoli nel paesaggio. Spesso è la qualità stessa della vegetazione a testimoniare il suo ruolo. Altre volte, invece, è la presenza di strutture e di manufatti speciali. Come in questo caso, in cui sugli orizzonti della palude affacciata al mare si staglia l'inconfondibile profilo di un piccolo edificio religioso. Proprio a lui si deve pertanto la dimensione sacrale di questo paesaggio, altrimenti del tutto naturale ..... ..
The Cathedral of the Resurrection of Christ (in the foreground) is the main cathedral of the Ukrainian Greek Catholic Church, located in Kyiv.
The temple was built in a modern style that distinguishes it from the Ukrainian sacral architectural tradition and makes it one of the unique buildings of Ukraine.
It was opened on March 27, 2011 by the enthronement of Svyatoslav Shevchuk, who was elected Supreme Archbishop of the Ukrainian Greek Catholic Church. Consecrated on August 18, 2013.
While the locally used term "patriarchal" reflects Ukrainian Greek Catholic desire to have their major archbishop recognized as a "patriarch," the Catholic Church does not officially regard this sui iuris church as a "patriarchate," just as the largest branches of Orthodox Christianity in Ukraine do not regard their respective bishops of Kyiv as "patriarchs."
Патріа́рший собо́р Воскресі́ння Христо́вого УГКЦ — головний собор та осередок Української греко-католицької церкви.
Образне вирішення у сучасному стилі виділяє храм з української сакральної архітектурної традиції та ставить його у ряд унікальних споруд України.
Патріарший собор Воскресіння Христового на лівому березі Дніпра в Києві є продовженням великих зусиль багатьох поколінь українців та одним з проявів духовного відродження Української греко-католицької церкви.
Відкритий 27 березня 2011 року інтронізацією Святослава Шевчука, що був обраний Верховним архієпископом Української греко-католицької церкви. Освячений 18 серпня 2013 року.
Among the beautiful sacral sights we can undoubtedly include the Greek Catholic wooden Church of the Protection of the Holy Mother of God from 1770, which stands in the mountain village of Miroľa in the northeastern region of Slovakia.
It has a characteristic log structure and a three-part outer and inner division. The interior is decorated with iconostasis and altar. In the sanctuary, there is the icon of the archangel Michael and the icon of the Mother of God, Virgin Hodegetria with praise located. Liturgical objects are found in the anteroom that were revealed in the individual rebuildings of the temple. Especially the rare raincoat, probably from the 17th century, is worth noticing.
A special chapter is the rare books used in religious services in the Church-Slavic language. The temple has been repaired several times, most recently a complete reconstruction in 2005-2008 has been carried out. As well as with other wooden churches, even here stands a wooden entrance gate with a low shingled roof in front of the church.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
de.wikipedia.org/wiki/St._Michael_
===================================================
I wish you all my loyal Flickr friends a Merry Christmas and a healthy passage into a hopefully peaceful 2024. Not to forget lots of light for beautiful photos.....
Українська хата мазанка під стріхою - традиційне житло українців на Поділлі.
На Поділлі хати у селі завжди виглядали гарно. Завжди побілені, іноді розписані в квітах та в пташках. В конструкції будівель цих районів у другій половині 19 століття переважав каркас з заповненням його деревом та глино-соломою з наступною обмазкою та побілкою. Особливістю подільської народної архітектури є широке застосування в декорі поліхромних розписів, підводок, кольорового пофарбування стін як житла, так і господарських будівель. Тридільна споруда (хата-сіни-хата). Поруч з хатою знаходилась клуня в якій молотили хліб.
Хата 1907 року села Яснозір`я-2 Черкаського району Черкаської області.
Садиба заможного селянина – це приклад «відкритого двору», де чиста частина розташована на першому плані при вході: хата, комора, криниця та погріб. Центральне місце на садибі відводилося хаті, за планом вона тридільна: хата, сіни, хата-світлиця, рублена із соснових пиляних брусів, з короткими випусками вінців. У великих просторих хатах на дві половини виділено одне чисте приміщення – світлиця, прибрана по-святковому: мальовані ікони, народна картинка в купованих червоних «кролівецьких» рушниках перед образами – святкові обрядові прикраси. Біля полу на лаві стоїть маленька скринька, в якій зберігалося намисто, стрічки, дукачі, гроші, документи.
У лівій хаті – щоденний побут селянської родини, де готувалася їжа, бавили дітей, ткали, пряли. У сінях великий спільний димохід для печей. На долівці стоїть ножна ступа, діжка-шаплик для купання, струг для вичинення шкіри.
Заможність господаря простежується і на подвір’ї. Господарські приміщення великі, відрізняються різноманітністю та гарним будівельним матеріалами, з яких вони зроблені.
This farmstead of a prosperous farmer exemplifies a concept of an “open yard”. Its clean part is located at the fore, near the entrance: a house, a storeroom, a wall and a vault. The farmstead’s central place is occupied by the three-room house, consisting of a house, a mudroom, a solar and made of pine-tree saw beams with short open tips. One clean room – a solar – was separated in big double-halved houses. This is a lovely decorated room with painted icons and a national picture, framed by purchased “krolivetsky” embroidered towels and sacral festive items in front of them. A small box on a bench next to the pil (rest space) was made for keeping bead necklaces, strips, precious items, money, and documents.
An ordinary life of a farmer’s family is represented by the left-side house. Here they cooked, nursed babies, wove, spun yarn. A large chimney, common for the both stoves was placed in the mudroom. A mortar, a trough for bathing and a drawing-knife lay here on the floor.
Prosperity of the owner of the house is also evidenced by the yard. All service buildings here are quite big and notable for their difference and good building materials.
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
Bratislavský hrad - BRATISLAVA CASTLE
BRATISLAVA CASTLE
RECONSTRUCTION OF NATIONAL CULTURAL MONUMENT
The oldest written mention of Bratislava Castle dates back to 907, when the name Pressalauspurch is mentioned in the Salzburg Annals in connection with the great battle between the Hungarians and the Bavarians.
This name bore an important Great Moravian fort built during the 9th century. The wood-based fortification protected the area, in which, in addition to wooden buildings, stood a brick three-nave basilica and probably a stone palace, whose foundations were also uncovered.
The dimensions of the aforementioned basilica rank it among the largest sacral buildings of Great Moravia ever, which suggests the importance of the Bratislava fortified settlement in this period.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
www.erzbistum-muenchen.de/pfarrei/pv-waldkraiburg/unsere-...
===================================================
I always loved contemplating that kind of image and this time, I've been well inspired when walking to the banks of the river with these stones. I hope you will enjoy it and how knows... maybe till feeling a little wave of zen... zenitude!!! ;)
.
.
I choose a Buddha Bar sound track: SACRAL NIRVANA to listen with ;)
Hope you will enjoy and have a good time !.
.
As always, I'm really thankful for all your comments, invitations, and faves, thank you so much!! - © Fab Aeb :)
.
.
Der bereits laufende Umbau der St. Hedwigs Kathedrale in Berlin-Mitte scheidet die Geister. Neben einer notwendigen Sanierung des Kirchenbaus wird auch der vom Architekten Hans Schwippert gebaute, berühmte Innenraum vollkommen neu strukturiert. Ein Vorhaben, das nicht nur die Fachwelt spaltet.
Seit November 2023 ist der neue Altar geweiht - man hatte zu diesem Zweck Gläubige aufgerufen, einen Stein ihrer Wahl abzugeben... alle erbeuteten Steine - vom Kiesel bis zum Bernstein - wurden dann als neuer, halbkugelförmiger Altar gegossen.
Im Herbst soll der Umbau dann fertig sein und man darf gespannt auf den Tag der Wiedereröffnung warten.
Bilder sind im Netz bereits zu sehen - guckst du hier... www.hedwigs-kathedrale.de/fileadmin/_subsites/_St._Hedwig...
The Cathedral of Seville is built on the old aljama mosque of the city, this shows the power that one culture exercises over another when it is conquered. This fact makes its plan different, facing Mecca and not Jerusalem, that is, facing south instead of east. It should be clarified that Mecca is oriented at 10o from Seville and not at 86o as the old mosque is oriented, this is due to the fact that in Al-Andalus the mosques had to be oriented towards the south quadrant and not towards the east, as the Christian churches did. When the Cathedral Chapter commissioned the design of the Gothic Cathedral, it stated verbatim that it wanted a Cathedral that everyone who saw it would take for crazy. For this, 5 naves were created that covered the 116 by 76 meter rectangle occupied by the Almohad mosque, this results, unlike what was usual in the great European Gothic Cathedrals, a hall plan with a Latin cross marked in height and in width by the central naves and the transept. This hall plan also results in the absence of an ambulatory at the head, which ends in a straight line like the wall of the old mosque. Later the Royal Chapel would be added, which is a Renaissance apse, but it does not really correspond to the Gothic company. In the naves of the Gospel and the Epistle, which are the lateral naves, there are many chapels. The 60 pillars support 68 ogive vaults, highlighting those of the transept and central nave with their star shapes. Instead of placing a clerestory, a continuous balcony was chosen along the main nave in order to be able to wander around the temple without being seen. Located in the central nave, in order from the feet, are the Retrochoir, the Choir, with two organs, the Transept, the Main Altar, the Back of Altar and the Royal Chapel.
This beautiful parish church, which is dedicated to St. Mauritius, is located in the municipality of Appenzell, the capital of the canton of Appenzell Innerrhoden.
The current church building was built between 1823 and 1826. The choir and the church tower are taken over from the late Gothic predecessor church. Enoch Breitmeier and his journeymen act as the builder.
Joseph Anton and Joseph Simon Moosbrugger stucco the church in the Rococo style.
Franz Vettinger paints the ceiling paintings and the 14 medallions.
The high altar dates from 1622. From 1890 to 1892 the Greppi company builds the side altars together with the sculptor Eduard Müller.
The eight windows in the nave show the 14 stations of the cross.
Wang Temple is a wooden Protestant church in Upper Karpacz. Arose in the twelfth / thirteenth century in Vang in southern Norway. Hence its name. Intended to demolish the building purchased in the nineteenth century Prussia Friedrich Wilhelm IV. Thanks to the efforts of the Countess Frederica von Reden from Bukowiec hit the church in the Giant Mountains. July 28, 1844 there was a grand opening and dedication of the church. Wang church was built on the model of the best examples of Scandinavian wooden sacral architecture and a priceless work of art of ancient Norse. This medieval building is probably the biggest attraction, so there's no way to visit while in Karpacz.
Die Kirche verfügt über eine bedeutende Orgel.
Das Jugendstil-Instrument steht auf der Westempore und wurde im Jahre 1906 von der Giengener Orgelmanufaktur Gebr. Link erbaut.
Das Instrument steht unter Denkmalschutz. Es ist bis heute weitgehend unverändert erhalten und ist die einzige große Orgel Süddeutschlands aus der Zeit der Spätromantik.
Die Orgel hat einen orchestralen Klang und verfügt über eine Vielzahl verschiedener Flötenregister und Streicher.
-Wikipedia-
Small church in Karpacz with interesting history :)
Vang Stave Church (Polish: Świątynia Wang) is a stave church which was bought by King Frederick William IV of Prussia and transferred from Norway and re-erected in 1842 in Karpacz in the Karkonosze mountains of Poland. The church is a four-post single-nave stave church originally built around 1200 in the parish of Vang in the Valdres region of Norway. In 1832, the local council decided to pull down the stave church because it was too small and had become structurally unsafe over the years. The Norwegian painter Johan Christian Dahl would like to save it as a cultural monument. The solution came from Crown Prince, later King Frederick William IV of Prussia, whom Dahl knew personally. He persuaded the prince to take over responsibility for the Vang Stave Church and cover the costs of re-erecting it in Potsdam. The original plan had been to re-erect the church on the Pfaueninsel near Potsdam. But in the meantime, this plan was discarded in favour of a site at the remote village of Brückenberg near Krummhübel (today Karpacz) in the Giant Mountains (now the Karkonosze mountains), in the province of Silesia. The idea probably came from countess Friederike von Reden of Buchwald, now Bukowiec, whose memorial stands beside the church. The foundation stone was laid on 2 August 1842 in the presence of King Friedrich Wilhelm himself. In spite of excellent drawings, most of the materials were discarded. Only the main construction, consisting of sills, posts and wall plates, were made use of, in addition to the carved doorframes. All of the external gallery was built with new materials, and every wall plank was precisely replaced. The original elements are placed in the center of the church - four wooden columns and carved portals, as well as carved Nordic lions. Wang Church followed the best examples of the Scandinavian sacral architecture and is now a unique work of the old Nordic art. Built in the way the Viking longships were, that is without a single nail, it features wooden bolts and dovetails. Nowadays, serving a Polish Lutheran community, Wang church has become a major tourist attraction and is probably the world's most visited stave church with about 200 000 visitors each year.
-------------------------------------------------------------------------------------
Kościółek Wang w Karpaczu, ładny i z ciekawą historią :)
Kościół Górski Naszego Zbawiciela (powszechnie znany jako Świątynia Wang) – ewangelicki kościół parafialny w Karpaczu w Karkonoszach, przeniesiony w 1842 z miejscowości Vang, leżącej nad jeziorem Vangsmjosa w Norwegii. Zbudowany został z sosnowych bali w miejscowości Vang w południowej Norwegii, na przełomie XII i XIII wieku. Powstał jako jeden z około tysiąca (przetrwało kilkadziesiąt) norweskich kościołów klepkowych. Uważany jest za najstarszy drewniany kościół w Polsce. W XIX wieku świątynia stała się już za mała na potrzeby ludności miejscowości Vang, która chcąc wybudować sobie nowy kościół, musiała zaciągnąć pożyczkę na pokrycie kosztów budowy. Kościół był mocno zniszczony, ale nadawał się do sprzedaży w celu rozbiórki i odbudowania w innym miejscu. Wtedy norweski malarz Jan Krystian Dahl przebywający w Dreźnie skłonił pruskiego króla Fryderyka Wilhelma IV do jej zakupu za 427 marek dla berlińskiego muzeum. W 1841 rozebraną świątynię przewieziono najpierw do Szczecina, a potem do Berlina, jednak zaprzyjaźniona z królem hrabina Fryderyka von Reden z Bukowca przekonała go, żeby przewieźć ją na Śląsk. Świątynię najpierw Odrą przewieziono do Malczyc, potem drogą lądową do Karpacza Górnego, w którym znalazł się w roku 1842. Znaczna część oryginalnych elementów kościoła nie nadawała się do użytku. Brakujące części dorabiano w trakcie budowy na podstawie rysunków. Oryginalne są umieszczone pośrodku kościoła cztery drewniane kolumny oraz bogato rzeźbione portale, a także rzeźbione lwy nordyckie. Konstrukcja kościoła wykonana jest bez użycia gwoździ, wszystkie połączenia zrealizowano przy pomocy drewnianych złączy ciesielskich. 28 lipca 1844 świątynia Wang stała się kościołem miejscowej parafii ewangelickiej i jest nim nadal. Stanowi atrakcję turystyczną Karpacza.
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
de.wikipedia.org/wiki/Flossing
================================================
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
gottesdienstheute.de/bayern/waldkraiburg/stadtpfarrkirche...
=================================================
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
de.wikipedia.org/wiki/Rupert_von_Salzburg
===================================================
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
Info's zum Foto hier
www.erzbistum-muenchen.de/pfarrei/pv-kraiburg/cont/74487
===================================================