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Vanitas Symbolism
A vanitas still-life painting or photograph represents an old genre that goes back at least to the 17th-century Dutch and Flemish painters (with some notable contributions as well from the Spanish). It’s moralistic through and through, its message deriving ultimately from passages in the Bible, both the Old and the New Testaments, stressing the fragility and impermanence of life and life’s pleasures both intellectual, cultural, hedonistic, and artistic. From the Hebrew Bible: “Vanity of vanity, saith the preacher; all is vanity” (Ecclesiastes 12: 8). From the Gospel of Matthew: “Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt, and where thieves break through and steal: But lay up for yourselves treasures in heaven” (6: 19-20). I hasten to add that I am not a religious person—but I find the vanitas genre fascinating. I tried to represent as many vanitas symbols as I could. What follows, for those academically inclined, is a brief explanation of the 5 categories covering the typical icons.
Category 1: Items representing hedonistic indulgence
- musical instruments: the gold clock behind, left, shows a woman playing a lute. Here, the green Russian balalaika is meant to stand in for the stringed instrument that (I presume) would have been readily available during the European Renaissance.
- alcohol and wine goblets: I have two decanters, one with orange liqueur, the other with what seems to be red wine to the left of the half full (or half empty) wine glass. That decanters and glass aren’t full symbolizes how quickly life’s pleasures disappear (see also Category 2).
- food: the limes and the lemon in the glass bowl to the left. The lemon especially is understood to be beautiful to the sight and smell but bitter, just like life can be.
- combs and mirrors symbolize narcissism, our infatuation with personal beauty (our vanity). We have a mirror, difficult to see, laying on its side just beside the fruit.
- objects of art: paintings, busts, statues, and the like. Here we have two paint brushes and a bust (of the ancient Greek poet Homer).
- jewelry: I meant to put some gold rings in there but I forgot. We do have what appears to be a heart-shaped blue diamond and, yes, it’s a replica of the Heart of the Ocean, the famous stone in Titanic and which I purchased for my wife (“she who must be obeyed”) at the Titanic exhibit in Halifax, Nova Scotia, Canada, when I was there a few years ago.
- perfume: we have two small bottles beside the mirror
- items of revelry or sinful living are represented here by dice and playing cards. Four of the five cards have an added, more modern, symbolic significance: two black aces and two black 8s comprise the famous Dead Man’s Hand, allegedly held by American gunfighter Wild Bill Hickok when he was shot down while playing poker. The mask—I can’t pretend to have seen one in a classic vanitas painting—was my idea as another symbol of revelry and reminds me of Poe’s story “The Masque of the Red Death,” which is a vanitas painting in prose.
- expensive items (“conspicuous consumption”) are represented here by the exotic red rug. Though we can barely see it, it’s a prized possession of mine all the way from Turkey.
- seashells are exotic and hard to acquire (see bottom left)
- a terrestrial globe, such as we see on the far left, back, is a meta-symbol of the world’s wealth and vanity (and is made, in this case, of semi-precious stones)
Category 2: Items representing life’s transitory nature and the decay of all earthly things
- music and instruments, while Cat. 1, also belong to Cat. 2 because music is transitory
- coins, as represented here by silver and gold pieces, are also transitory, never staying with us but moving from hand to hand
- bubbles, smoke, candles, butterflies: flame from candles eventually expires, as do we; its smoke recalls Psalm 102:3: “For my days are consumed like smoke.” Bubbles, like life itself, are short-lived, fragile and easily broken; butterflies are beautiful but fragile and easily killed.
- flowers symbolize beauty and so might belong to Cat. 1 but they are short-lived and soon wilt and die, as the photo’s Calla Lilies will. The Book of Job may have provided the inspiration: “Man that is born of a woman is of few days. . . . He cometh forth like a flower, and is cut down” (14: 1-2).
- clocks, watches, hour-glasses are centrally significant because they measure and record time passing: with every second, we move closer to death. Here we have three kinds of time pieces: a sand-clock, a normal clock, and a little pocket watch in front of the books. This photo is a 30-second time-exposure: you can actually see the sliver of sand running from the top to the bottom of the sand-clock.
- the skull is the central symbol in a vanitas illustration, symbolizing our inescapable death and decay. We’s all gonna die!
Category 3: Items representing human achievement and culture
- books, for instance, represent the delights of reading. They also contain human knowledge but it’s only of this world, typically, and won’t endure. (Note that one of the two books is a collection of Poe’s works: he illustrates vanitas themes in “The Masque of the Red Death” and a few other tales.)
- writing instruments are related to books and we have a gold pen on top of the Poe edition—but, again, pens record and therefore symbolize human knowledge and culture, which won’t last as this world will eventually come to an end. Human strivings, achievements, and culture are futile and impermanent.
- weapons and armor are products of human culture as well (military culture), but even these can’t protect us from death. The knight’s helmet on the far right is here to remind us of that grim truth. Death is a great leveler: even the wealthiest and most powerful among us will come to the same end as the poorest and weakest.
Category 4: Items representing the permanent in the Christian context
- religious icons such as crucifixes, rosaries, angels, saints, certain types of flora (carnations, ivy, wheat, laurel): these remind us of or symbolize life after death—in other words, what’s truly important. Life in Heaven is eternal as opposed to the transient pleasures of Earth, which we should scorn. I have none of these symbols here because I don’t swing that way, baby. Not all vanitas paintings, even the classic ones, contain religious images.
Category 5: Written messages to clarify the moralistic meaning of the illustration
- for those viewers who can’t figure it out on their own, some painters provide messages, typically in Latin, explaining it all with well-known epigrams or quotes from the Bible. I have provided perhaps the most famous: Vanitas vanitatum, omnia vanitas. “Vanity of vanity, all is vanity.”
In some respects I prefer this to one I posted a few years ago because this one has a dark backdrop, which reinforces the somber mood and meaning of the classic vanitas painting.
“The room itself is in messy disorder. On the table is a dish of fruit, which is real but appears artificial. Around it are grouped an ominous assortment of decanters, glasses, and heaped ash-trays, the latter still raising wavy smoke-ladders into the stale air—the effect on the whole needing but a skull to resemble that venerable chromo, once a fixture in every ‘den,’ which presents the appendages to the life of pleasure with delightful and awe-inspiring sentiment.” (F. Scott Fitzgerald, The Beautiful and Damned)
This bronze sculpture - representing only a portion of the International Monument at Dachau - is even more powerful when you realize it was created by a Holocaust survivor. Nandor Glid, a Jewish artist from former Yugoslavia, lost his entire family when they were sent to Auschwitz; Glid himself was sent to a forced labor camp in Szeged, Hungary, but he managed to escape. After the war, he continued to work in his craft and created many memorials for the victims of WWII.
Measuring 48 feet wide, 19 feet tall and about 4 feet deep, the skeletons represent the starved bodies of the victims of the camp - their hands and feet serving as the barbs from the fences surrounding the camp. Standing behind the sculpture is the former maintenance building where prisoners were received and registered; today it serves as the Dachau museum.
© LMGFotography 2014; please do not use without permission.
Representing a sizeable component of the China Motor Bus fleet before the gradual dismembering of its franchised operations from 1993 onwards, were the class of Leyland Victory 2, most of which carried Alexander kit-built bodywork assembled locally. LV142 was one of the last examples of this combination and was leaving the Stanley Village terminus of the 73 in this view from October 1992 and just under a year before the route was handed over to Citybus as part of its 'Network 26' franchise.
This image is copyright and must not be reproduced or downloaded without the permission of the photographer.
The Chapel of Christ the Servant in Coventry Cathedral is essentially a free-standing clear glass cylinder at the ecclesiastical south-east of the building, connected only by a short passage. It thus makes an ideal room for display. This 15th Century stained glass was removed in 1939 with war looming and put into storage. It therefore represents one of the few surviving parts of the old Cathedral.
In 1992 one of Coventry’s then largest employers, the insurance giant, Axa Equity and Law, funded the conservation of three mosaic panels and three more seraph figures by Peter Gibson and the York Glaziers Trust. Initially the new panels were exhibited in display cabinets in the company’s own city centre offices but in 2002, following a change of ownership in the company, both the glass and the cabinets were transferred to their current location.
Just occasionally people tell me they don’t like Coventry Cathedral. I couldn’t disagree more; a powerful symbol of Resurrection, restored to a very different life barely twenty years after being destroyed in the Blitz on 14 November 1940. The Modernist Cathedral of St Michael of the 20th Century both surrounded by and incomprehensible without the ruins of 14th Century building that surrounds it.
Coventry Cathedral incarnates the twin and interconnected British revivals of the two decades after the end of the Second World War – a revival of high culture and a revival of Christian faith. Basil Spence’s cathedral housing Jacob Epstein’s sculptures, John Piper’s massive arrangements of stained glass into windows, and Graham Sutherland’s tapestry, still in 2021 the largest in the world, represent collectively a totemic achievement in modernist visual arts and architecture.
The brief for the competition to select the architect of the new Cathedral demanded that the design emphasise the celebration of the Eucharist; Spence himself had a further vision of the building as the repository of great modern works of art. He described his building as “a plain jewel casket”. Piper’s windows cast shafts of colour into the heart of the nave, while the plain glass West Screen, which faces to the geographical south, allows much natural light into the building, essential given that the east end is entirely filled with Graham Sutherland’s great tapestry, still the largest in the world at 22 metres tall by 12 metres wide.
Coventry Cathedral was built to a tight budget – “not more than £985,000” – and making much use of reinforced concrete, the new cathedral was constructed in just six years, between Queen Elizabeth II laying the foundation stone on 23 March 1956 and the dedication ceremony on 25 May 1962.
Could there have been a finer or more appropriate setting for the world première of Benjamin Britten’s War Requiem on 30 May 1962? On that night, the Cathedral’s great post-War religious theme was also incarnated in the three soloists: Peter Pears (Britten’s partner) from the host nation, Dietrich Fischer-Dieskau from Germany, Galina Vishnevskaya from the USSR, representing three belligerent nations. That tri-national partnership continues to be symbolised by the presence of a replica of the Stalingrad Madonna given by the Kaiser Wilhelm Memorial Church in Berlin, where the original hangs, with a second copy being in Kazan Cathedral in Volgograd.
A building that breathes with the presence of the Holy Spirit, giving new life the Church in every generation.
The paintings represent the return of a warrior on horseback and a woman driving a cart.
Tomb 1799, necropolis at Sarno, loc. Galitta del Capitano.
Excavated 17 September 2002.
The chamber tomb was reopened in antiquity and contained two depositions; the first, found swept to one corner and including a miniature bronze belt, is dated to the late 4th or early 3rd c. BCE (early Hellenistic period).
Museo Archeologico della Valle del Sarno, Sarno, Campania, Italy
www.polomusealecampania.beniculturali.it/index.php/il-mus...
www.beniculturali.it/mibac/opencms/MiBAC/sito-MiBAC/Luogo...
IR HDR. IR converted Canon 40D. Canon 17-55 F2.8 IS lens. Shot at ISO 100, F16, AEB +/-3 total of 7 exposures processed with Photomatix. Levels adjusted in PSE. Blue and Red color channels swapped with GIMP.
High Dynamic Range (HDR)
High-dynamic-range imaging (HDRI) is a high dynamic range (HDR) technique used in imaging and photography to reproduce a greater dynamic range of luminosity than is possible with standard digital imaging or photographic techniques. The aim is to present a similar range of luminance to that experienced through the human visual system. The human eye, through adaptation of the iris and other methods, adjusts constantly to adapt to a broad range of luminance present in the environment. The brain continuously interprets this information so that a viewer can see in a wide range of light conditions.
HDR images can represent a greater range of luminance levels than can be achieved using more 'traditional' methods, such as many real-world scenes containing very bright, direct sunlight to extreme shade, or very faint nebulae. This is often achieved by capturing and then combining several different, narrower range, exposures of the same subject matter. Non-HDR cameras take photographs with a limited exposure range, referred to as LDR, resulting in the loss of detail in highlights or shadows.
The two primary types of HDR images are computer renderings and images resulting from merging multiple low-dynamic-range (LDR) or standard-dynamic-range (SDR) photographs. HDR images can also be acquired using special image sensors, such as an oversampled binary image sensor.
Due to the limitations of printing and display contrast, the extended luminosity range of an HDR image has to be compressed to be made visible. The method of rendering an HDR image to a standard monitor or printing device is called tone mapping. This method reduces the overall contrast of an HDR image to facilitate display on devices or printouts with lower dynamic range, and can be applied to produce images with preserved local contrast (or exaggerated for artistic effect).
In photography, dynamic range is measured in exposure value (EV) differences (known as stops). An increase of one EV, or 'one stop', represents a doubling of the amount of light. Conversely, a decrease of one EV represents a halving of the amount of light. Therefore, revealing detail in the darkest of shadows requires high exposures, while preserving detail in very bright situations requires very low exposures. Most cameras cannot provide this range of exposure values within a single exposure, due to their low dynamic range. High-dynamic-range photographs are generally achieved by capturing multiple standard-exposure images, often using exposure bracketing, and then later merging them into a single HDR image, usually within a photo manipulation program). Digital images are often encoded in a camera's raw image format, because 8-bit JPEG encoding does not offer a wide enough range of values to allow fine transitions (and regarding HDR, later introduces undesirable effects due to lossy compression).
Any camera that allows manual exposure control can make images for HDR work, although one equipped with auto exposure bracketing (AEB) is far better suited. Images from film cameras are less suitable as they often must first be digitized, so that they can later be processed using software HDR methods.
In most imaging devices, the degree of exposure to light applied to the active element (be it film or CCD) can be altered in one of two ways: by either increasing/decreasing the size of the aperture or by increasing/decreasing the time of each exposure. Exposure variation in an HDR set is only done by altering the exposure time and not the aperture size; this is because altering the aperture size also affects the depth of field and so the resultant multiple images would be quite different, preventing their final combination into a single HDR image.
An important limitation for HDR photography is that any movement between successive images will impede or prevent success in combining them afterwards. Also, as one must create several images (often three or five and sometimes more) to obtain the desired luminance range, such a full 'set' of images takes extra time. HDR photographers have developed calculation methods and techniques to partially overcome these problems, but the use of a sturdy tripod is, at least, advised.
Some cameras have an auto exposure bracketing (AEB) feature with a far greater dynamic range than others, from the 3 EV of the Canon EOS 40D, to the 18 EV of the Canon EOS-1D Mark II. As the popularity of this imaging method grows, several camera manufactures are now offering built-in HDR features. For example, the Pentax K-7 DSLR has an HDR mode that captures an HDR image and outputs (only) a tone mapped JPEG file. The Canon PowerShot G12, Canon PowerShot S95 and Canon PowerShot S100 offer similar features in a smaller format.. Nikon's approach is called 'Active D-Lighting' which applies exposure compensation and tone mapping to the image as it comes from the sensor, with the accent being on retaing a realistic effect . Some smartphones provide HDR modes, and most mobile platforms have apps that provide HDR picture taking.
Camera characteristics such as gamma curves, sensor resolution, noise, photometric calibration and color calibration affect resulting high-dynamic-range images.
Color film negatives and slides consist of multiple film layers that respond to light differently. As a consequence, transparent originals (especially positive slides) feature a very high dynamic range
Tone mapping
Tone mapping reduces the dynamic range, or contrast ratio, of an entire image while retaining localized contrast. Although it is a distinct operation, tone mapping is often applied to HDRI files by the same software package.
Several software applications are available on the PC, Mac and Linux platforms for producing HDR files and tone mapped images. Notable titles include
Adobe Photoshop
Aurora HDR
Dynamic Photo HDR
HDR Efex Pro
HDR PhotoStudio
Luminance HDR
MagicRaw
Oloneo PhotoEngine
Photomatix Pro
PTGui
Information stored in high-dynamic-range images typically corresponds to the physical values of luminance or radiance that can be observed in the real world. This is different from traditional digital images, which represent colors as they should appear on a monitor or a paper print. Therefore, HDR image formats are often called scene-referred, in contrast to traditional digital images, which are device-referred or output-referred. Furthermore, traditional images are usually encoded for the human visual system (maximizing the visual information stored in the fixed number of bits), which is usually called gamma encoding or gamma correction. The values stored for HDR images are often gamma compressed (power law) or logarithmically encoded, or floating-point linear values, since fixed-point linear encodings are increasingly inefficient over higher dynamic ranges.
HDR images often don't use fixed ranges per color channel—other than traditional images—to represent many more colors over a much wider dynamic range. For that purpose, they don't use integer values to represent the single color channels (e.g., 0-255 in an 8 bit per pixel interval for red, green and blue) but instead use a floating point representation. Common are 16-bit (half precision) or 32-bit floating point numbers to represent HDR pixels. However, when the appropriate transfer function is used, HDR pixels for some applications can be represented with a color depth that has as few as 10–12 bits for luminance and 8 bits for chrominance without introducing any visible quantization artifacts.
History of HDR photography
The idea of using several exposures to adequately reproduce a too-extreme range of luminance was pioneered as early as the 1850s by Gustave Le Gray to render seascapes showing both the sky and the sea. Such rendering was impossible at the time using standard methods, as the luminosity range was too extreme. Le Gray used one negative for the sky, and another one with a longer exposure for the sea, and combined the two into one picture in positive.
Mid 20th century
Manual tone mapping was accomplished by dodging and burning – selectively increasing or decreasing the exposure of regions of the photograph to yield better tonality reproduction. This was effective because the dynamic range of the negative is significantly higher than would be available on the finished positive paper print when that is exposed via the negative in a uniform manner. An excellent example is the photograph Schweitzer at the Lamp by W. Eugene Smith, from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to a dark shadow.
Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two methods. Adams wrote a comprehensive book on producing prints called The Print, which prominently features dodging and burning, in the context of his Zone System.
With the advent of color photography, tone mapping in the darkroom was no longer possible due to the specific timing needed during the developing process of color film. Photographers looked to film manufacturers to design new film stocks with improved response, or continued to shoot in black and white to use tone mapping methods.
Color film capable of directly recording high-dynamic-range images was developed by Charles Wyckoff and EG&G "in the course of a contract with the Department of the Air Force". This XR film had three emulsion layers, an upper layer having an ASA speed rating of 400, a middle layer with an intermediate rating, and a lower layer with an ASA rating of 0.004. The film was processed in a manner similar to color films, and each layer produced a different color. The dynamic range of this extended range film has been estimated as 1:108. It has been used to photograph nuclear explosions, for astronomical photography, for spectrographic research, and for medical imaging. Wyckoff's detailed pictures of nuclear explosions appeared on the cover of Life magazine in the mid-1950s.
Late 20th century
Georges Cornuéjols and licensees of his patents (Brdi, Hymatom) introduced the principle of HDR video image, in 1986, by interposing a matricial LCD screen in front of the camera's image sensor, increasing the sensors dynamic by five stops. The concept of neighborhood tone mapping was applied to video cameras by a group from the Technion in Israel led by Dr. Oliver Hilsenrath and Prof. Y.Y.Zeevi who filed for a patent on this concept in 1988.
In February and April 1990, Georges Cornuéjols introduced the first real-time HDR camera that combined two images captured by a sensor3435 or simultaneously3637 by two sensors of the camera. This process is known as bracketing used for a video stream.
In 1991, the first commercial video camera was introduced that performed real-time capturing of multiple images with different exposures, and producing an HDR video image, by Hymatom, licensee of Georges Cornuéjols.
Also in 1991, Georges Cornuéjols introduced the HDR+ image principle by non-linear accumulation of images to increase the sensitivity of the camera: for low-light environments, several successive images are accumulated, thus increasing the signal to noise ratio.
In 1993, another commercial medical camera producing an HDR video image, by the Technion.
Modern HDR imaging uses a completely different approach, based on making a high-dynamic-range luminance or light map using only global image operations (across the entire image), and then tone mapping the result. Global HDR was first introduced in 19931 resulting in a mathematical theory of differently exposed pictures of the same subject matter that was published in 1995 by Steve Mann and Rosalind Picard.
On October 28, 1998, Ben Sarao created one of the first nighttime HDR+G (High Dynamic Range + Graphic image)of STS-95 on the launch pad at NASA's Kennedy Space Center. It consisted of four film images of the shuttle at night that were digitally composited with additional digital graphic elements. The image was first exhibited at NASA Headquarters Great Hall, Washington DC in 1999 and then published in Hasselblad Forum, Issue 3 1993, Volume 35 ISSN 0282-5449.
The advent of consumer digital cameras produced a new demand for HDR imaging to improve the light response of digital camera sensors, which had a much smaller dynamic range than film. Steve Mann developed and patented the global-HDR method for producing digital images having extended dynamic range at the MIT Media Laboratory. Mann's method involved a two-step procedure: (1) generate one floating point image array by global-only image operations (operations that affect all pixels identically, without regard to their local neighborhoods); and then (2) convert this image array, using local neighborhood processing (tone-remapping, etc.), into an HDR image. The image array generated by the first step of Mann's process is called a lightspace image, lightspace picture, or radiance map. Another benefit of global-HDR imaging is that it provides access to the intermediate light or radiance map, which has been used for computer vision, and other image processing operations.
21st century
In 2005, Adobe Systems introduced several new features in Photoshop CS2 including Merge to HDR, 32 bit floating point image support, and HDR tone mapping.
On June 30, 2016, Microsoft added support for the digital compositing of HDR images to Windows 10 using the Universal Windows Platform.
HDR sensors
Modern CMOS image sensors can often capture a high dynamic range from a single exposure. The wide dynamic range of the captured image is non-linearly compressed into a smaller dynamic range electronic representation. However, with proper processing, the information from a single exposure can be used to create an HDR image.
Such HDR imaging is used in extreme dynamic range applications like welding or automotive work. Some other cameras designed for use in security applications can automatically provide two or more images for each frame, with changing exposure. For example, a sensor for 30fps video will give out 60fps with the odd frames at a short exposure time and the even frames at a longer exposure time. Some of the sensor may even combine the two images on-chip so that a wider dynamic range without in-pixel compression is directly available to the user for display or processing.
en.wikipedia.org/wiki/High-dynamic-range_imaging
Infrared Photography
In infrared photography, the film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum (the filter thus looks black or deep red). ("Infrared filter" may refer either to this type of filter or to one that blocks infrared but passes other wavelengths.)
When these filters are used together with infrared-sensitive film or sensors, "in-camera effects" can be obtained; false-color or black-and-white images with a dreamlike or sometimes lurid appearance known as the "Wood Effect," an effect mainly caused by foliage (such as tree leaves and grass) strongly reflecting in the same way visible light is reflected from snow. There is a small contribution from chlorophyll fluorescence, but this is marginal and is not the real cause of the brightness seen in infrared photographs. The effect is named after the infrared photography pioneer Robert W. Wood, and not after the material wood, which does not strongly reflect infrared.
The other attributes of infrared photographs include very dark skies and penetration of atmospheric haze, caused by reduced Rayleigh scattering and Mie scattering, respectively, compared to visible light. The dark skies, in turn, result in less infrared light in shadows and dark reflections of those skies from water, and clouds will stand out strongly. These wavelengths also penetrate a few millimeters into skin and give a milky look to portraits, although eyes often look black.
Until the early 20th century, infrared photography was not possible because silver halide emulsions are not sensitive to longer wavelengths than that of blue light (and to a lesser extent, green light) without the addition of a dye to act as a color sensitizer. The first infrared photographs (as distinct from spectrographs) to be published appeared in the February 1910 edition of The Century Magazine and in the October 1910 edition of the Royal Photographic Society Journal to illustrate papers by Robert W. Wood, who discovered the unusual effects that now bear his name. The RPS co-ordinated events to celebrate the centenary of this event in 2010. Wood's photographs were taken on experimental film that required very long exposures; thus, most of his work focused on landscapes. A further set of infrared landscapes taken by Wood in Italy in 1911 used plates provided for him by CEK Mees at Wratten & Wainwright. Mees also took a few infrared photographs in Portugal in 1910, which are now in the Kodak archives.
Infrared-sensitive photographic plates were developed in the United States during World War I for spectroscopic analysis, and infrared sensitizing dyes were investigated for improved haze penetration in aerial photography. After 1930, new emulsions from Kodak and other manufacturers became useful to infrared astronomy.
Infrared photography became popular with photography enthusiasts in the 1930s when suitable film was introduced commercially. The Times regularly published landscape and aerial photographs taken by their staff photographers using Ilford infrared film. By 1937 33 kinds of infrared film were available from five manufacturers including Agfa, Kodak and Ilford. Infrared movie film was also available and was used to create day-for-night effects in motion pictures, a notable example being the pseudo-night aerial sequences in the James Cagney/Bette Davis movie The Bride Came COD.
False-color infrared photography became widely practiced with the introduction of Kodak Ektachrome Infrared Aero Film and Ektachrome Infrared EIR. The first version of this, known as Kodacolor Aero-Reversal-Film, was developed by Clark and others at the Kodak for camouflage detection in the 1940s. The film became more widely available in 35mm form in the 1960s but KODAK AEROCHROME III Infrared Film 1443 has been discontinued.
Infrared photography became popular with a number of 1960s recording artists, because of the unusual results; Jimi Hendrix, Donovan, Frank and a slow shutter speed without focus compensation, however wider apertures like f/2.0 can produce sharp photos only if the lens is meticulously refocused to the infrared index mark, and only if this index mark is the correct one for the filter and film in use. However, it should be noted that diffraction effects inside a camera are greater at infrared wavelengths so that stopping down the lens too far may actually reduce sharpness.
Most apochromatic ('APO') lenses do not have an Infrared index mark and do not need to be refocused for the infrared spectrum because they are already optically corrected into the near-infrared spectrum. Catadioptric lenses do not often require this adjustment because their mirror containing elements do not suffer from chromatic aberration and so the overall aberration is comparably less. Catadioptric lenses do, of course, still contain lenses, and these lenses do still have a dispersive property.
Infrared black-and-white films require special development times but development is usually achieved with standard black-and-white film developers and chemicals (like D-76). Kodak HIE film has a polyester film base that is very stable but extremely easy to scratch, therefore special care must be used in the handling of Kodak HIE throughout the development and printing/scanning process to avoid damage to the film. The Kodak HIE film was sensitive to 900 nm.
As of November 2, 2007, "KODAK is preannouncing the discontinuance" of HIE Infrared 35 mm film stating the reasons that, "Demand for these products has been declining significantly in recent years, and it is no longer practical to continue to manufacture given the low volume, the age of the product formulations and the complexity of the processes involved." At the time of this notice, HIE Infrared 135-36 was available at a street price of around $12.00 a roll at US mail order outlets.
Arguably the greatest obstacle to infrared film photography has been the increasing difficulty of obtaining infrared-sensitive film. However, despite the discontinuance of HIE, other newer infrared sensitive emulsions from EFKE, ROLLEI, and ILFORD are still available, but these formulations have differing sensitivity and specifications from the venerable KODAK HIE that has been around for at least two decades. Some of these infrared films are available in 120 and larger formats as well as 35 mm, which adds flexibility to their application. With the discontinuance of Kodak HIE, Efke's IR820 film has become the only IR film on the marketneeds update with good sensitivity beyond 750 nm, the Rollei film does extend beyond 750 nm but IR sensitivity falls off very rapidly.
Color infrared transparency films have three sensitized layers that, because of the way the dyes are coupled to these layers, reproduce infrared as red, red as green, and green as blue. All three layers are sensitive to blue so the film must be used with a yellow filter, since this will block blue light but allow the remaining colors to reach the film. The health of foliage can be determined from the relative strengths of green and infrared light reflected; this shows in color infrared as a shift from red (healthy) towards magenta (unhealthy). Early color infrared films were developed in the older E-4 process, but Kodak later manufactured a color transparency film that could be developed in standard E-6 chemistry, although more accurate results were obtained by developing using the AR-5 process. In general, color infrared does not need to be refocused to the infrared index mark on the lens.
In 2007 Kodak announced that production of the 35 mm version of their color infrared film (Ektachrome Professional Infrared/EIR) would cease as there was insufficient demand. Since 2011, all formats of color infrared film have been discontinued. Specifically, Aerochrome 1443 and SO-734.
There is no currently available digital camera that will produce the same results as Kodak color infrared film although the equivalent images can be produced by taking two exposures, one infrared and the other full-color, and combining in post-production. The color images produced by digital still cameras using infrared-pass filters are not equivalent to those produced on color infrared film. The colors result from varying amounts of infrared passing through the color filters on the photo sites, further amended by the Bayer filtering. While this makes such images unsuitable for the kind of applications for which the film was used, such as remote sensing of plant health, the resulting color tonality has proved popular artistically.
Color digital infrared, as part of full spectrum photography is gaining popularity. The ease of creating a softly colored photo with infrared characteristics has found interest among hobbyists and professionals.
In 2008, Los Angeles photographer, Dean Bennici started cutting and hand rolling Aerochrome color Infrared film. All Aerochrome medium and large format which exists today came directly from his lab. The trend in infrared photography continues to gain momentum with the success of photographer Richard Mosse and multiple users all around the world.
Digital camera sensors are inherently sensitive to infrared light, which would interfere with the normal photography by confusing the autofocus calculations or softening the image (because infrared light is focused differently from visible light), or oversaturating the red channel. Also, some clothing is transparent in the infrared, leading to unintended (at least to the manufacturer) uses of video cameras. Thus, to improve image quality and protect privacy, many digital cameras employ infrared blockers. Depending on the subject matter, infrared photography may not be practical with these cameras because the exposure times become overly long, often in the range of 30 seconds, creating noise and motion blur in the final image. However, for some subject matter the long exposure does not matter or the motion blur effects actually add to the image. Some lenses will also show a 'hot spot' in the centre of the image as their coatings are optimised for visible light and not for IR.
An alternative method of DSLR infrared photography is to remove the infrared blocker in front of the sensor and replace it with a filter that removes visible light. This filter is behind the mirror, so the camera can be used normally - handheld, normal shutter speeds, normal composition through the viewfinder, and focus, all work like a normal camera. Metering works but is not always accurate because of the difference between visible and infrared refraction. When the IR blocker is removed, many lenses which did display a hotspot cease to do so, and become perfectly usable for infrared photography. Additionally, because the red, green and blue micro-filters remain and have transmissions not only in their respective color but also in the infrared, enhanced infrared color may be recorded.
Since the Bayer filters in most digital cameras absorb a significant fraction of the infrared light, these cameras are sometimes not very sensitive as infrared cameras and can sometimes produce false colors in the images. An alternative approach is to use a Foveon X3 sensor, which does not have absorptive filters on it; the Sigma SD10 DSLR has a removable IR blocking filter and dust protector, which can be simply omitted or replaced by a deep red or complete visible light blocking filter. The Sigma SD14 has an IR/UV blocking filter that can be removed/installed without tools. The result is a very sensitive digital IR camera.
While it is common to use a filter that blocks almost all visible light, the wavelength sensitivity of a digital camera without internal infrared blocking is such that a variety of artistic results can be obtained with more conventional filtration. For example, a very dark neutral density filter can be used (such as the Hoya ND400) which passes a very small amount of visible light compared to the near-infrared it allows through. Wider filtration permits an SLR viewfinder to be used and also passes more varied color information to the sensor without necessarily reducing the Wood effect. Wider filtration is however likely to reduce other infrared artefacts such as haze penetration and darkened skies. This technique mirrors the methods used by infrared film photographers where black-and-white infrared film was often used with a deep red filter rather than a visually opaque one.
Another common technique with near-infrared filters is to swap blue and red channels in software (e.g. photoshop) which retains much of the characteristic 'white foliage' while rendering skies a glorious blue.
Several Sony cameras had the so-called Night Shot facility, which physically moves the blocking filter away from the light path, which makes the cameras very sensitive to infrared light. Soon after its development, this facility was 'restricted' by Sony to make it difficult for people to take photos that saw through clothing. To do this the iris is opened fully and exposure duration is limited to long times of more than 1/30 second or so. It is possible to shoot infrared but neutral density filters must be used to reduce the camera's sensitivity and the long exposure times mean that care must be taken to avoid camera-shake artifacts.
Fuji have produced digital cameras for use in forensic criminology and medicine which have no infrared blocking filter. The first camera, designated the S3 PRO UVIR, also had extended ultraviolet sensitivity (digital sensors are usually less sensitive to UV than to IR). Optimum UV sensitivity requires special lenses, but ordinary lenses usually work well for IR. In 2007, FujiFilm introduced a new version of this camera, based on the Nikon D200/ FujiFilm S5 called the IS Pro, also able to take Nikon lenses. Fuji had earlier introduced a non-SLR infrared camera, the IS-1, a modified version of the FujiFilm FinePix S9100. Unlike the S3 PRO UVIR, the IS-1 does not offer UV sensitivity. FujiFilm restricts the sale of these cameras to professional users with their EULA specifically prohibiting "unethical photographic conduct".
Phase One digital camera backs can be ordered in an infrared modified form.
Remote sensing and thermographic cameras are sensitive to longer wavelengths of infrared (see Infrared spectrum#Commonly used sub-division scheme). They may be multispectral and use a variety of technologies which may not resemble common camera or filter designs. Cameras sensitive to longer infrared wavelengths including those used in infrared astronomy often require cooling to reduce thermally induced dark currents in the sensor (see Dark current (physics)). Lower cost uncooled thermographic digital cameras operate in the Long Wave infrared band (see Thermographic camera#Uncooled infrared detectors). These cameras are generally used for building inspection or preventative maintenance but can be used for artistic pursuits as well.
Représentation du célèbre créateur de mode Karl Lagerfeld et sa chatte Choupette réalisée par Tokidoki.
The Split Man sculpture represents the mental state of the dysfunctional human (here represented as a 30 year old). This human (male or female) is falling apart because he/she cannot or will not dedicate his or her life to one goal, consequently can’t create his/her true self, and, by failing to apply that true self, achieve self-realization. Failure to make the goal a reality results in en-darkenment, to wit, (energy) depression. Achievement of the goal results in en-lightenment, to wit, (energy) elation, and the experience of rapturous joy.
The Split Man wants to die, in fact, needs to die. He/she needs to return to his/her original state in order to recover his/her essential self, therefore his or her unique life purpose (read: dharma). It’s the 100% application of life purpose (or dharma) that leads to the experience of the true self.
In short, the Split Man has not discovered his/her unique creative thrust, hence is depicted without a penis (i.e. lingam); and it’s killing him/her. If and when the Split Man discovers his/her creative thrust, then the penis descends, true creative interaction begins and the awesome sense of creative participation in and oneness with the universe perfected is experienced.
snatching defeat from the jaws of victory?
this landscape represents a virtual 100% defeat for the indigenous biological communities of south australia - but what have we (the victors) gained?
biodiversity has crashed from hundreds of plants and dozens of animals to half a dozen exotic weeds supporting a monoculture of sheep
the topsoil washed away decades ago, or blew across the tasman sea to stain the snowcaps of new zealand's alps pink (this actually happens!)
now as we experience the worst drought ever recorded in southern australia, we are faced not just with economic disaster, but with a landscape where the original vegetatation has been 95% removed, and so discover that we have no biological capital to fall back on! this landscape is not robust - as the state heats up and dries out, where will the few remaining original species go - how will they cross these vast, barren wastelands?
i am not blaming the pastoralists - almost all of the ones i've met have sincerely wanted to undo the damage done in earlier eras when it was assumed the europeanization of australia was not only inevitable, it was god ordained!
in fact, the entire australian community bears the responsibility for finding a new way of living with this most ancient of lands, rather than despite it...
ps - i haven't colour-treated this image, and no, it didn't rain...
This is actually a Canadian built Bolingbroke, RCAF serial ‘10201’, which is now fitted with a genuine MkI Blenhiem nose. It represents ‘L6739’, a MkI of 23sqn in September 1939.
This was its first Legends after it was rebuilt as a MkI.
2015 Flying Legends Airshow.
Duxford, Cambridgeshire, UK.
12-7-2015
The following info is from the Flying Legends website:-
“The Bristol Blenheim Mk.I is a truly unique British aircraft. As a type the aircrafts history is long and formative and an important milestone in the history of British aviation. Designed as a small airliner in the early 1930s by Frank Barnwell, Chief Designer of the Bristol Aircraft Company, it was funded by Lord Rothermere who named it ‘Britain First’. It proved much faster than the latest biplane fighters, with a speed of over 300mph, and Rothermere promptly donated it to the nation.
Barnwell then redesigned the aircraft as a bomber and it became the first stressed skin aircraft with hydraulic actuated undercarriage, flaps and turret to be accepted by the Royal Air Force. It was the fastest bomber of the day and it became the backbone of the RAFs light bomber force. At the start of WWII the RAF had 1089 Blenheim’s in service more than any other type.
The Blenheim bore the brunt of daylight operations during the early war years, whilst other bombers were switched to night operations, and the crews paid a heavy price. Many Blenheim’s were lost not only to fighters but to anti-aircraft fire especially when attacking ships. Even so it was well liked by its crews and Churchill paid homage to their bravery comparing them to the ‘Charge of the Light Brigade’.
The Blenheim was pressed into many roles for which it was not primarily designed, such as long range and night fighter duties. It became the first radar equipped night fighter and got the first kill using that equipment.
The first Blenheim project a Canadian licensed built MKIV, which they called Bolingbroke, was recovered in a derelict state and restored to fly after a twelve year rebuild by a small dedicated team led by a licensed aircraft engineer. It made its debut in May 1987 only to be destroyed in an accident exactly one month later, suffice to say that the accident was not due to a mechanical fault.
Determined not to be without a Blenheim another airframe was found and the same team gave themselves five years to complete the project with the aircraft flying in May 1993, it became the only flying example of a Blenheim representing the light bombers of the early war years. Flying for ten years from Duxford on behalf of the late Graham Warner, the aircraft was well known on the air show circuit and flew with great success building an enviable serviceability record amongst the vintage aircraft fraternity.
In August 2003 the aircraft suffered an accident whilst landing at Duxford, again through no mechanical fault with the aircraft, and suffered significant damage. The aircraft was dismantled with the ownership subsequently transferring to Blenheim (Duxford) Ltd in December 2003.
It was decided that the aircraft could be repaired and work started with a team jointly made up of full time staff and the original and some new volunteers. Initially work concentrated on the centre section and fuselage and it was at this stage a feasibility study was carried out to see if the aircraft could be converted to Blenheim MkI status. A MkI nose had come into possession of the team and it was realised that the production break at the rear of the fuselage was the same for all marks of Blenheim so the decision was made to go ahead with the conversion. The conversion did cause some headaches in that although the main fling controls are in the same position in the British and Canadian variants it is in the positioning of the ancillary controls such as throttles, pitch, carburetor and hydraulic controls, the positioning of instruments and the rerouting of hydraulic and electrical lines that would take time.
The MkI nose had been donated to the team and had an interesting history in its own right; it had been obtained by a Bristol employee Ralph Nelson after WWII and converted to a car. He had mounted it on an Austin Seven chassis and with help of colleagues completed the conversion. The car was battery powered and he drove the vehicle around Bristol until 1957 when it was damaged by fire. The conversion necessitated the nose being modified to create doors and interior fittings so basically destroyed the stress skin construction, so after jigging to maintain its integrity a considerable amount of manufacture of new airframe parts had to be carried out including reskinning. Fortunately Ralph had kept a considerable amount of the interior fittings and most of the control systems including the seat and these were refurbished and refitted.
A data plate in the nose revealed its build number and that it had been built by AVRO. Contact with Avro’s heritage Centre showed that the aircraft serial was L6739 being issued to 23 Squadron on 2nd September 1939. It fought throughout the Battle of Britain as a night fighter before being struck off charge in December 1940 after being damaged. Further research revealed that it had carried the codes YP-Q and a photo was found of it ground running at Wittering in February 1940. This has enabled the aircraft to be painted in the authentic colours worn in 1939-1940 and fitted with the MKI(f) gun pack.
The Mercury engines were overhauled in house being stripped down to their component parts and checked for wear and damage and reassembled. All ancillary items such as magnetos, carburettors, pumps and the many items that make up the engines examined and checked for airworthiness before being fitted.
After 11 years of painstaking work, on the 20th November 2014 Chief Pilot John Romain and James Gilmour as Flight Engineer took Blenheim MkI(f) on its maiden flight at Duxford for a successful 26 minute test flight, following some minor adjustments a further two test flights were carried out.
The Blenheim received its full Permit to fly at the end of 2014, enabling the aircraft to be ready for the 2015 season.”
These represent the second set of images from a long, day trip to the Blue Ridge Parkway in western North Carolina with good friends, Alan Cressler and Steve Bowling.
For the full trip report, please go to Jim's Blog.
Represented by SL Talent.
© Copyright 2017 Barrie Spence. All rights reserved and moral rights asserted. Theses images are not in the public domain and may not be used without licence.
Comments are very welcome and very much appreciated, but any with linked/embedded images will be removed.
MWFW 2015 Presents Represent
Models SCALA
Photorapher: Kodaijin Starfall
Website: sirenproductionsl.com
Facebook: www.facebook.com/pages/Siren-Productions-SL/9057300461180...
Matryoshka Dolls representing Expedition 55 crew members Norishige Kanai of the Japan Aerospace Exploration Agency (JAXA), left, Roscosmos cosmonaut Anton Shkaplerov, center, and NASA astronaut Scott Tingle are seen at a Karaganda Airport welcome ceremony in Kazakhstan on Sunday, June 3, 2018. Shkaplerov, Tingle, and Kanai are returning after 168 days in space where they served as members of the Expedition 54 and 55 crews onboard the International Space Station. Photo Credit: (NASA/Bill Ingalls)
so i guess i am back after 3 years basically and i feel stronger than ever. this comeback phase of me represents a quantum leap to another personality (multi personalities to be accurate)
and that i will represent my older personality, just tweaked and modified to face this incorporate capitalism-enslaved and give a voice to the unheard , the uncool, the freaks and the bad kids.
Let the Ra-volution begin
inspirations:
Steve Klein,
Andy Warhol
the song Frozen (1997) www.youtube.com/watch?v=pbhByOf6dnY
the song When Doves Cry (1984) www.youtube.com/watch?v=sQp-yh1e-nY
portfolio shoot with model Lova in Bohuslän, Sweden
Lova is represented by Avenuemodeller
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Deux fontaines symétriques représentant Neptune et Amphitrite sont disposées dans les angles qui relient les basses face aux pavillons latéraux. Elles sont dans un style rococo qui rompt avec l'architecture classique de la place.
Elles sont surmontées d'un portique en ferronnerie de Jean Lamour, qui permettaient de masquer les remparts et les fossés. Formant un profil concave, dit « en tour creuse », ces portiques présentent une arcade principale flanquée de deux baies latérales plus petites. L'ouverture des cintres est de 15,30 m et leur hauteur de 10,40 m . Ils forment un avant-plan devant des massifs d'arbres.
Amphitrite (détail)
En 1750, un projet de deux fontaines présentées par Guibal à Stanislas, celui-ci étant jugé trop cher il est décidé de les réaliser en plomb plutôt qu'en bronze. Les fourneaux destinés à la fonte des statues sont construits, avec un certain cérémonial le 29 novembre 1751 sur un terrain de Guibal. La première pierre de ces édifices a été cédée au Musée lorrain par son petit-fils.
Les grilles et fontaines ont été les premiers éléments de la place classés aux monument historique le 12 juillet 1886M .
Du côté de l'opéra, à droite quand on regarde l'arc de triomphe, la fontaine Amphitrite est agrémentée d'une statue dont la nudité choquait l'aumônier de Stanislas. Les deux fontaines latérales ont été supprimées en 1771 (ou 1791 ?) pour ouvrir un accès vers le parc de la Pépinière.
De l'autre côté, la fontaine Neptune présente une statue du dieu brandissant un trident et surplombant des enfants à cheval sur des dauphins. Les deux baies latérales encadrent deux autres fontaines. Dans la petite fontaine de gauche, on voit un enfant qui pleure. Il avait à l'époque une écrevisse qui lui pinçait le doigt ; celle-ci a disparu aujourd'hui. Une reproduction par moulage est exposée au Musée des monuments français du palais de Chaillot.
The BYU Cougars football team is the college football program representing Brigham Young University, a private university owned by The Church of Jesus Christ of Latter-day Saints (LDS Church) and located in Provo, Utah, United States. The Cougars began collegiate football competition in 1922, and have won 23 conference titles and 1 national title. The team has competed in several different athletic conferences during its history, but since July 1, 2011, it has competed as an Independent. The team plays home games at the 63,470-person-capacity LaVell Edwards Stadium on the university's campus.
BYU has had 18 final season rankings in the Top 25. The team has made 33 Bowl appearances with a record of 13–19–1.
Team awards for the BYU Cougars include 23 conference titles and one national championship in 1984. For player awards, BYU has produced 51 All-Americans (13 Consensus All-Americans), and one Heisman Trophy winner (Ty Detmer in 1990). Other BYU players finishing in the top ten in Heisman voting include Gary Sheide (8th in 1974), Gifford Nielsen (6th in 1976), Marc Wilson (3rd in 1979), Jim McMahon (5th in 1980, 3rd in 1981), Steve Young (2nd in 1983), Robbie Bosco (3rd in 1984 and 1985), and Ty Detmer (9th in 1989, Winner in 1990, 3rd in 1991). Detmer also won the Maxwell Award (best football player) in 1990.
Four BYU players have won the Davey O'Brien Award (best quarterback)—Jim McMahon, Steve Young, and Ty Detmer twice—more than any other school; and seven players have won the Sammy Baugh Trophy (best passer): Steve Sarkisian (1996), Gary Sheide (1974), Marc Wilson (1979), Jim McMahon (1981), Steve Young (1983), Robbie Bosco (1984), and Ty Detmer (1991). Luke Staley won the Doak Walker Award (best running back) and Jim Brown Trophy (best running back) in 2001. Two players earned the Outland Trophy (best interior lineman): Jason Buck (1986) and Moe Elewonibi (1989).
For coaching, LaVell Edwards received the Bobby Dodd Coach of the Year Award in 1979, the AFCA (Kodak) Coach of the Year Award in 1984, and the Amos Alonzo Stagg Award (career achievement) in 2003.
Six player have been inducted into the College Football Hall of Fame (Gifford Nielsen in 1994, Marc Wilson in 1996, Jim McMahon in 1999, Steve Young in 2001, Gordon Hudson in 2009, and Ty Detmer in 2011) and LaVell Edwards was inducted as a coach in 2004.
en.wikipedia.org/wiki/BYU_Cougars_football
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
"The Gothic tower of the Holy Gate, also called Mikulovická, represents one of the most important parts of the historical fortifications of the city of Kadana. It was the main gate, separating the Old Town of Kadaňské from the New Town on the west side.
The Holy Gate was built at the end of the 13th century as part of the massive city fortifications, which surrounded the entire royal city in two to three belts. During visits to Kadana, many Czech monarchs passed through the gate, such as Wenceslas II. (1287, 1295, 1297), Charles IV. (1367, 1374), Wenceslas IV. (1374), Ferdinand I. (1534, 1562), Maximilian II. (1562) and Joseph II. (1779). From the Holy Gate, the merchant route continued towards Přísečnica in the Ore Mountains and to Saxony, or Poohřím to Cheb and Nuremberg.
Around the year 1500, at the instigation of Jan Hasištejnský of Lobkowicz, a leading Czech aristocrat and humanist, the suburban district of Nové Město Kadaňské began to emerge right in front of the Holy Gate. At that time, the gate was still called Mikulovická, because the road leading from it led to Mikulovice . The name was changed to the Holy Gate only in 1532, because from there it was possible to reach the pilgrimage church of the Fourteen Saints. Helpers under the Holy Mountain in Kadani. On June 14, 1639, at two o'clock in the morning, the city of Kadaň was attacked by about 300 Swedish horsemen, who conquered the suburbs and began to attack the Holy Gate, setting fire to the straw in front of it and shelling it. After several attacks, the Swedes gave up the siege due to the large number of dead and wounded. However, the city later succumbed to the Swedes, even on March 25, 1641, General Johan Banér personally passed through the Holy Gate.
In the passage there is a latticed baroque niche. It originally housed a late-Gothic statue of the Black Mother of God (today in the Chomutov museum), which was installed here at his own expense in 1738 by the Kadanz burgher of arms, Franz Max Köllisch from Köllischsheim.
The Holy Gate used to have a complexly structured forecourt, popularly called Šance. This consisted of the first gate, which used to be decorated with a relief with a now unknown biblical motif. This gate was also covered by a circular bastion with eight embrasures. Between the first gate and the Holy Gate in the tower there was a second gate. The bastion was demolished together with the circular bastion in 1842. The Holy Gate got its present form between 1877 and 1878, when it was also supplemented with a new clockwork. A statue of Emperor Joseph II was erected in 1882 in the forecourt of the gate. and this public space has been called Josefské náměstí ever since.
Kadaň (Czech pronunciation: [ˈkadaɲ]; German: Kaaden) is a town in Chomutov District in the Ústí nad Labem Region of the Czech Republic. It has about 18,000 inhabitants. It lies on the banks of the Ohře river. Kadaň is a tourist centre with highlights being the Franciscan Monastery and the historical square with late Gothic Town Hall Tower. The historic town centre is well preserved and is protected by law as an urban monument reservation.
The name is most likely derived from the personal name Kadan, meaning "Kadan's (court)".
Kadaň is located about 13 kilometres (8 mi) southwest of Chomutov and 31 km (19 mi) northeast of Karlovy Vary. It lies on the border between the Most Basin and Doupov Mountains. The northern tip of the municipal territory extends into the Ore Mountains. The highest point is the hill Dubový vrch at 691 m (2,267 ft) above sea level, located on the southern border of the territory. A notable feature is also the Úhošť hill, which is together with its surroundings protected as a national nature reserve.
Kadaň is situated on the banks of the Ohře river. On the Ohře, there is Kadaň Reservoir with an area of 67.2 ha (166 acres). It was completed in 1972. Its main purpose is to ensure a minimum flow under the reservoir, but it also serves for the energy use and for recreation and water sports.
In the Bronze Age, the plateau on the Úhošť hill was inhabited, on which there was a Celtic hillfort. According to some theories, the Wogastisburg Castle stood here, which was the scene of the Battle of Wogastisburg between Franks and Slavs in 631.
The first written mention of Kadaň is from 1183. it was probably founded as a market settlement during the colonization of the area at the turn of the 11th and 12th centuries. In 1186, Duke Frederick donated the settlement to the Knights Hospitaller. Around 1260, Kadaň was promoted to a free royal town and the castle was built. An extensive fire in 1362 destroyed the town and the castle, but everything was restored and supplemented with better fortifications. However, King Charles IV granted it several municipal rights (a vineyard, and an annual market) that made it flourish again.
In 1421, during the Hussite Wars, the town was conquered by the Hussites, who controlled it until the end of the wars. From the mid-15th century, the town was pledged to various creditors of the royal chamber. The most notable of them was the Lobkowicz family, who held the town from 1469 to 1519. Jan Hasištejnský of Lobkowicz founded the Franciscan Monastery and the Church of the Fourteen Holy Helpers.
In 1534, "Kadaň religious peace" was negotiated here between Württemberg Protestants and Emperor Ferdinand I for the Catholic side. After the Battle of White Mountain in 1620, violent re-Catholicization began in Kadaň. During the Thirty Years' War, in 1631, 1635 and 1648, Kadaň suffered from fires and plundering by various armies. The Kadaň Castle remained a ruin until the second half of the 18th century, when it was rebuilt into barracks by Empress Maria Theresa.
The last great fire damaged the town in 1811. After the Revolution of 1848, the town became a district centre. The institute of the district town lasted in Kadaň for 110 years when it was affiliated with Chomutov District.
After Czechoslovakia was established in 1918 and Kadaň became its part, most of the Sudeten German disagreed with this decision. On 4 March 1919, they demonstrated for self determination and joining Austria. The Czechoslovak military forces were sent in and tried to control the crowd by shooting. The result of the so-called Kadaň massacre was at least 25 dead and dozens injured.
After the Munich Agreement in 1938, Kadaň was annexed by Nazi Germany and administered as part of Reichsgau Sudetenland. The local Czechs were forced to move to central Czechoslovakia and the Jewish community was sent to concentration camps in Germany. The synagogue was burned down during the Kristallnacht of 9 November 1939. According to Beneš decrees, after World War II, the German population was expelled and the area was re-settled by Czechs.
Bohemia (Latin Bohemia, German Böhmen, Polish Czechy) is a region in the west of the Czech Republic. Previously, as a kingdom, they were the center of the Czech Crown. The root of the word Czech probably corresponds to the meaning of man. The Latin equivalent of Bohemia, originally Boiohaemum (literally "land of Battles"), which over time also influenced the names in other languages, is derived from the Celtic tribe of the Boios, who lived in this area from the 4th to the 1st century BC Bohemia on it borders Germany in the west, Austria in the south, Moravia in the east and Poland in the north. Geographically, they are bounded from the north, west and south by a chain of mountains, the highest of which are the Krkonoše Mountains, in which the highest mountain of Bohemia, Sněžka, is also located. The most important rivers are the Elbe and the Vltava, with the fertile Polabean Plain extending around the Elbe. The capital and largest city of Bohemia is Prague, other important cities include, for example, Pilsen, Karlovy Vary, Kladno, Ústí nad Labem, Liberec, Hradec Králové, Pardubice and České Budějovice, Jihlava also lies partly on the historical territory of Bohemia." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
The SGM-6 represents the state of the art in Hadratian tactical air defense. The SGM-6 uses a continuous wave missile engagement radar to guide its SARH missiles to their targets. Utilizing the chassis from AMT-15 Vikros, the SGM-6 has impressive mobility when compared to contemporary systems but suffers a complex radar that requires extended periods to configure before it can be used.
The A(T)-75 is a radar guided 75mm autocannon designed to provide high value assets with point defense against enemy air attack, The cannon is fed by twin revolving magazines.
Both the SGM-6 and A(T)-75 can both be tied into the large MR-18 mobile search radar for early warning of incoming targets.
Lisbon Portuguese: Lisboa, is the capital and the largest city of Portugal, with a population of 552,700 within its administrative limits in an area of 100.05 km². Its urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the 11th-most populous urban area in the European Union. About 2.8 million people live in the Lisbon Metropolitan Area (which represents approximately 27% of the country's population). It is continental Europe's westernmost capital city and the only one along the Atlantic coast. Lisbon lies in the western Iberian Peninsula on the Atlantic Ocean and the River Tagus. The westernmost areas of its metro area is the westernmost point of Continental Europe.
Lisbon is recognised as a global city because of its importance in finance, commerce, media, entertainment, arts, international trade, education and tourism. It is one of the major economic centres on the continent, with a growing financial sector and one of the largest container ports on Europe's Atlantic coast. Lisbon Portela Airport serves over 20 million passengers annually, as of 2015, and the motorway network and the high-speed rail system of Alfa Pendular link the main cities of Portugal. The city is the 7th-most-visited city in Southern Europe, after Istanbul, Rome, Barcelona, Madrid, Athens and Milan, with 1,740,000 tourists in 2009. The Lisbon region contributes with a higher GDP PPP per capita than any other region in Portugal. It also ranks as the 10th highest GDP of metropolitan areas in the EU amounting to 110 billion euros and thus €39,375 per capita, 40% higher than the average European Union's GDP per capita. The city occupies 32nd place of highest gross earnings in the world. Most of the headquarters of multinationals in the country are located in the Lisbon area. It is also the political centre of the country, as its seat of Government and residence of the Head of State.
Lisbon is one of the oldest cities in the world, and the oldest in Western Europe, predating other modern European capitals such as London, Paris and Rome by centuries. Julius Caesar made it a municipium called Felicitas Julia, adding to the name Olissipo. Ruled by a series of Germanic tribes from the 5th century, it was captured by the Moors in the 8th century. In 1147, the Crusaders under Afonso Henriques reconquered the city and since then it has been a major political, economic and cultural centre of Portugal. Unlike most capital cities, Lisbon's status as the capital of Portugal has never been granted or confirmed officially – by statute or in written form. Its position as the capital has formed through constitutional convention, making its position as de facto capital a part of the Constitution of Portugal.
Lisbon enjoys a Mediterranean climate. Among all the metropoleis in Europe, it has the warmest winters, with average temperatures 15 °C (59 °F) during the day and 8 °C (46 °F) at night from December to February. The typical summer season lasts about six months, from May to October, although also in April temperatures sometimes reach around 25 °C (77.0 °F).
Sculpture showing boat designs, four large steel chains and silhouettes of faces to represent the town's fishing fleet and blast furnace. It is the first of two of Randall's sculptures celebrating the history of fishing and steelmaking in Redcar, the first is Lifelines, standing 1 km to the east. The name Sinterlation, comes from sinter, a granulated material applied to the top of a blast furnace
Redcar is a seaside town on the Yorkshire Coast in the Redcar and Cleveland unitary authority in the ceremonial county of North Yorkshire, England. It is located 7 miles (11 km) east of Middlesbrough.
The Teesside built-up area's Redcar subdivision had a population of 37,073 at the 2011 Census. The town is made up of Coatham, Dormanstown, Kirkleatham, Newcomen, West Dyke, Wheatlands and Zetland.
It gained a town charter in 1922, from then until 1968 it was governed by the municipal borough of Redcar. Since the abolition of County Borough of Teesside, which existed from 1968 until 1974, the town has been unparished.
Redcar occupies a low-lying site by the sea; the second element of its name is from Old Norse kjarr, meaning 'marsh', and the first may be either Old English (Anglo-Saxon) rēad meaning 'red' or OE hrēod 'reed'. The town originated as a fishing hamlet in the 14th century, trading with the larger adjacent hamlet of Coatham. Until the mid-19th century it was within the parish of Marske-by-the-Sea – mentioned in the Domesday Book of 1086.
Numerous ships have foundered off the Redcar coastline and many of their wrecks still exist. The Zetland is the world's oldest surviving lifeboat. It was built by Henry Greathead of South Shields and is housed in a volunteer-led sea-front museum. The lifeboat was first stationed at Redcar in 1802.
As seaside holidays became fashionable in the early 19th century, Redcar's facilities expanded. By 1841, Redcar had 794 inhabitants. In 1846, work was completed on the Middlesbrough and Redcar Railway and the presently named Redcar Central station, created to attract tourism and trade.
Redcar's population expansion corresponded with Middlesbrough's, with the discovery in 1850 of iron ore in the Eston area of Cleveland Hills. Redcar prospered as a seaside town drawing tourists attracted by eight miles of sands stretching from South Gare to Saltburn-by-the-Sea.
Plans for a pier were drawn up in 1866, but lay dormant until prompted by the announcement of plans to build a pier at Coatham in 1871. Coatham Pier was wrecked before it was completed when two sailing ships were driven through it in a storm. It had to be shortened because of the cost of repairs and was re-opened with an entrance with two kiosks and a roller-skating rink on the Redcar side, and a bandstand halfway along its length.
Redcar Racecourse was created in 1875. Redcar Pier, another pier as well as Coatham Pier, was built in the late 1870s. In October 1880 the brig Luna caused £1,000 worth of damage to this pier. In New Year's Eve 1885 SS Cochrane demolished the landing stage. and in 1897 the schooner Amarant went through the pier. A year later, its head and bandstand burned down.
In October 1898 the Coatham Pier was almost wrecked when the barque Birger struck it and the pier was thereafter allowed to disintegrate. An anchor from the Birger can be seen on the sea front pavement close to the Zetland Lifeboat Museum.
In 1907 a pavilion ballroom was built on Redcar Pier behind the entrance kiosks and in 1928 it was extended. A glass house for concerts was added to the remains of Coatham Pier's entrance. The presently named Redcar East railway station was built in 1929.
In 1929 Coatham Pier's glasshouse was replaced by the New Pavilion theatre. After the war, comedian and entertainer Larry Grayson coined his catchphrase "Shut that Door!" while performing there, since the stage door was open to the cold North Sea breeze.
Redcar Pier was deliberately breached (sectioned) in 1940 to prevent its use by enemy invasion forces. As a result of sectioning, damage by a mine explosion and deterioration it was never reconnected and instead allowed to become even more dilapidated.
In 1964 the New Pavilion Theatre was transformed into the Regent Cinema. The Redcar Pier pavilion continued in use after the war but storm damage led to it being declared unsafe and it was demolished in 1980–1981.
The town's main employers in the post-war era were the nearby Teesside Steelworks at Warrenby, founded by Dorman Long in 1917, and the ICI Wilton chemical works. The steel produced at Dorman Long was used to build the Sydney Harbour Bridge, Tyne Bridge, Auckland Harbour Bridge and many others. Both the Warrenby and Lackenby sites became part of Tata Steel when Corus was taken over in 2007, but continued to trade under the Corus name until at least February 2008. SSI bought the plant from Tata Steel in February 2011, for £320 million.
After a two-year hiatus following the mothballing of the plant in February 2010, steel was once again being made at Redcar. The Thai owners of the former Corus Plant at Lackenby, Sahaviriya Steel Industries (SSI), re-ignited the blast furnace, one of the largest in Europe, on 15 April 2012.
On 18 September 2015, production was paused due to the decline in steel prices. On 28 September 2015, the plant was "mothballed" amid poor steel trading conditions across the world and a drop in steel prices. On 2 October, the owner of the site, SSI UK, entered liquidation. On 12 October 2015 the administrator announced that there was no realistic prospect of finding a buyer and the ovens would be extinguished.
Wards periodically change, as of 2018 the town is made up of Coatham, Dormanstown, Kirkleatham, Newcomen, West Dyke, Wheatlands and Zetland. Redcar is made up of areas that do not lend their name to a ward: Warrenby, Lakes Estate, Redcar East, The Ings, Ings Farm, Mickledales and Westfield.
On 5 May 2011 Redcar elected its councillors to Redcar & Cleveland Borough Council. There was a by-election on 18 November 2011 for two vacant seats in the Zetland ward, held onto by the Liberal Democrats, and on 19 January 2012 there was a by-election for a vacant seat in Newcomen ward subsequently gained by Labour from the Liberal Democrats.
Redcar was formerly a township and chapelry in the parishes of Marske and Upleatham, in 1866 Redcar became a separate civil parish. A district in Redcar's name formed in 1885. Three years after the district was formed, the centuries-old Yorkshire authority was replaced by the North Riding of Yorkshire county council. The district became an urban district in 1894.
The settlement's town charter occurred in 1922, the district was able to be styled as a municipal borough and the settlement as a town. On 1 April 1974 the parish was abolished and merged with Teesside and Marske. On 1 April 1968 the municipal borough was abolished merged into the County Borough of Teesside, part also went to Saltburn and Marske by the Sea Urban District. This removed it from the administrative county however still ceremonially in the area. In 1961 the parish had a population of 31,460.
The 1974 reform created the non-metropolitan County of Cleveland, under the Langbaurgh non-metropolitan district. The county was also inserted into the North East England region. After further changes in 1996, the district became a unitary authority called Redcar & Cleveland in the ceremonial county of North Yorkshire, the county straddling two regions of England.
The North East England region was sub-divided into combined authorities, in May 2017 the Tees Valley area voted for their first mayor. The Conservative candidate, Ben Houchen, won the election and is now in his second term.
From 1987 to 2001, the local Member of Parliament (MP) was Mo Mowlam. From 2001 to 2010 the MP was Vera Baird. In the 2010 general election there was a swing to the Liberal Democrats with Ian Swales being elected. But, in the 2015 general election, Anna Turley, a Labour MP, won back Redcar. In the snap 2017 general election, Anna Turley held onto that seat. In the general election on 12 December 2019, Anna Turley lost her seat to Conservative candidate Jacob Young with a majority of 3,527 votes. Young becomes the third conservative MP to represent Redcar, the first being Royal Naval Commander Robert Tatton Bower 1931 to 1945 and Scarborough businessman Wilfred Proudfoot between 1959 and 1964 when Redcar was part of the Cleveland constituency.
The Palace Hub, on the beach front, was built by Redcar and Cleveland Council for the creative and cultural sector of the town. An art gallery and business start up centre are located in the building. The main library is in the Redcar Heart building in the centre of the town and there is a long-standing Redcar Literary Institute, which was founded in 1896.
Redcar is home to the Tuned In! Centre, which opened in 2011 and overlooks the sea front. The multi purpose venue hosts live music as well as creative workshops for young people. The annual event Clubland on the Beach, which showcases dance acts attracting visitors from across the country, has been held at Majuba Road in Redcar for the past three years.
The town has had several parks built for tourism: Coatham Enclosure, Locke Park, Zetland Park, Lily Park, an Amusement Park with a roller coaster, and a small sea front park known locally as Titty Bottle Park. The Amusement Park near the railway closed decades ago, and Titty Bottle Park was absorbed into the redeveloped sea front around Redcar Beacon.
At the west end of High Street is a Grade II listed clock tower, a memorial to King Edward VII who was a regular visitor to Redcar. The tower has now been refurbished.
Construction of the Redcar Beacon started in 2011. In 2013, when the building had been completed, it was nominated for the Building Design Carbuncle Cup for worst new building. It came third in the whole of the UK. In December 2015, the Beacon was damaged by winds from Storm Desmond, with several large pieces of panelling falling onto the beach below. It was also damaged in winter 2016, where a panel from the top fell off in a storm.
There are 23 listed buildings in Redcar. The Grade I Listed Sir William Turner's Hospital in Kirkleatham was built between 1674–1676 and listed on the 14 June 1952.
On the Esplanade is the Grade II-Listed Zetland Lifeboat Museum housing the world's oldest lifeboat Zetland Lifeboat.
The Victorian, former Coatham Hotel stands on Newcomen Terrace sea front.[36][37] The ballroom of the hotel was home to the Redcar Jazz Club, a venue for the up-and-coming bands of the late 1960s and early 1970s.
In the south-east of Redcar is an aircraft listening post built in 1916 during the First World War as part of a regional defence system to detect approaching aircraft, principally Zeppelins, and give early warning.It is an example of an acoustic mirror, of which other examples can be found along the east coast of Britain. The mirror was used up until the invention of radar and although it was built on open fields today a modern housing estate now surrounds it. Only the concrete sound mirror remains and is now a Grade II listed building.
To the east of Redcar is the grade II* listed Church of St Peter, designed by Ignatius Bonomi and built 1822–29. In 1818, Lord Dundas gave land for a church, St Peters. The foundation stone was laid by Lady Turner of Kirkleatham in 1823. Initially it was a daughter church of Marske, but became an independent parish in 1867. It has a window commemorating local benefactor Sir William Turner.
Redcar has two railway stations, on the Tees Valley line, with trains operated by Northern and TransPennine Express, namely Redcar Central and Redcar East. A third station Redcar British Steel, which closed in December 2019, served the steelworks.
The main roads through the town are the A1085 and the A1042, with the A174 bypassing. Redcar is served primarily by Arriva North East buses, connecting Redcar with the surrounding towns and villages.
The Pangea North and CANTAT-3 submarine telecommunication cables both come ashore between Redcar and Marske-by-the-Sea.
See also: List of schools in Redcar and Cleveland
The town's further education college is Redcar & Cleveland College.
The town's secondary schools are: Outwood Academy Redcar, Sacred Heart Catholic Secondary and Rye Hills Academy.
There are eleven primary schools in Redcar: Coatham, Dormanstown, Green Gates, Ings Farm, John E Batty, Lakes, Newcomen, Riverdale, St Benedict's, Wheatlands and Zetland.
Local news and television programmes are provided by BBC North East and Cumbria and ITV Tyne Tees, the local television station TalkTeesside also broadcasts to the area. Television signals are received from the Bilsdale TV transmitter.
Local radio stations are BBC Radio Tees, Heart North East, Capital North East, Smooth North East, Greatest Hits Radio Teesside, and Zetland FM, a community based radio station which broadcast from its studios on Newcomen Terrace in the town.
The town is served by the local newspapers, East Cleveland Herald & Post which is published by the TeessideLive. The Northern Echo also covers the area.
In Coatham is Cleveland Golf Club, the first golf club to be formed in Yorkshire. It was established in 1887 and is a links course. Also in Coatham is Redcar Cricket Club, which play in the NYSD league, and Redcar Running Club.
In association football, Redcar Athletic currently compete in the Northern League Division One while Redcar Town play in Northern League Division Two. Redcar Rugby Union Football club play at Mackinlay Park.
Redcar Racecourse is one of nine thoroughbred horse racecourses in Yorkshire. There is also a motorcycle speedway racing team, the Redcar Bears racing in the SGB Championship. The race track is at the South Tees Motorsport Park in Southbank Street, South Bank and is unusual in that one bend is more highly banked than the other. The team was formerly captained by 1992 World Champion Gary Havelock and was formerly managed by his father Brian.
The town is set to host the 2022 Tour of Britain stage four, UCI Europe Tour cycling race. The town was previously set to host a stage of the Tour de Yorkshire, the event was affected by the COVID-19 pandemic.
Notable people
Gertrude Bell, colonial administrator and contemporary of Lawrence of Arabia spent her youthful years at Red Barns House in Coatham,[ which became, for a time, the Red Barns Hotel and a listed building.
The surviving negatives of Redcar photographer Alfred Edward Graham (1882–1945) were acquired by Redcar Urban District Council's Library and Museum Committee and are now held by the Redcar and Cleveland Museum Service.
Rex Hunt, governor of the Falkland Islands during the 1982 invasion by Argentina, attended Coatham School.
The former Secretary of State for Northern Ireland, Mo Mowlam, represented Redcar parliamentary constituency in the House of Commons.
Film and television actors Pip Donaghy June Laverick, and Wendy Hall, and actor/director/producer Robert Porter were all born in Redcar.
Actor and radio actor Felicity Finch, famous for her part in the Archers BBC Radio 4 drama series, playing Ruth Archer, was also born and grew up in Redcar.
Singer David Coverdale, lead singer with Deep Purple and Whitesnake lived in Redcar as a youth and worked in the Gentry clothes shop on Coatham Road.
Chris Norman, founder member and former lead singer of Smokie was born in Redcar.
Pete York, drummer with the Spencer Davis Group and session drummer was born in Redcar.
Paralympian, Baroness Tanni Grey-Thompson, originally from Wales, lived in Redcar for a number of years with her husband and daughter.
2011 and 2016 UCI Downhill World Champion Danny Hart was born in and currently lives in Redcar, he is frequently nicknamed "The Redcar Rocket" by commentators.
David Wheater, Bolton Wanderers and England national football team central defender, grew up and still lives in Redcar.
Snooker player Mike Dunn was born in Middlesbrough but lives in Redcar.[citation needed]
Jordan Jones, Rangers FC and Northern Ireland national football team midfielder was born in Redcar
Hayden Hackney, Middlesbrough F.C. midfielder was born in Redcar
Dylan Cartlidge, singer and multi-instrumentalist grew up in Redcar
Film and television
A location from the film Atonement
In 2006, Redcar was used as a location for the film adaptation of the Ian McEwan novel Atonement. The Coatham Hotel, Regent Cinema, a section of Newcomen Terrace and part of the beach were dressed as 1940s Dunkirk. Filming took place across three days in August 2006, with local men playing the soldiers.
In 2010, Redcar was featured on the Channel 4 television programme The Secret Millionaire. David Jamilly a humanitarian, philanthropist and self-made millionaire, visited the Redcar community and gave £25,000 to Zoë's Place for a sensory room, £25,000 to Redcar Amateur Boxing Club to start an Olympic fund, and £25,000 to Sid's Place for special counselling.
There was a subsequent visit on 14 May to a screening at Redcar's cinema, attended by the mayor and mayoress along with all the charities and people involved. The feature of the documentary involved the closure of the nearby Corus steelworks as well as the charities. On 9 December 2011, Jamilly opened the new Redcar Education Development centre in Park Avenue, Redcar. The centre provides day care for adults with learning difficulties. He also opened the Redcar Primary Care Hospital on 9 December 2011 and the new Sid's Place on 15 December 2011.
The town was filmed for the 2018 BBC television documentary The Mighty Redcar. The four-part series followed young people from Redcar and surrounding towns as they completed their studies and looked for work.
North Yorkshire is a ceremonial county in the Yorkshire and the Humber and North East regions of England. It borders County Durham to the north, the North Sea to the east, the East Riding of Yorkshire to the south-east, South Yorkshire to the south, West Yorkshire to the south-west, and Cumbria and Lancashire to the west. Northallerton is the county town.
The county is the largest in England by land area, at 9,020 km2 (3,480 sq mi), and has a population of 1,158,816. The largest settlements are Middlesbrough (174,700) in the north-east and the city of York (152,841) in the south. Middlesbrough is part of the Teesside built-up area, which extends into County Durham and has a total population of 376,663. The remainder of the county is rural, and the largest towns are Harrogate (73,576) and Scarborough (61,749). For local government purposes the county comprises four unitary authority areas — York, Middlesbrough, Redcar and Cleveland, and North Yorkshire — and part of a fifth, Stockton-on-Tees.
The centre of the county contains a wide plain, called the Vale of Mowbray in the north and Vale of York in the south. The North York Moors lie to the east, and south of them the Vale of Pickering is separated from the main plain by the Howardian Hills. The west of the county contains the Yorkshire Dales, an extensive upland area which contains the source of the River Ouse/Ure and many of its tributaries, which together drain most of the county. The Dales also contain the county's highest point, Whernside, at 2,415 feet (736 m).
North Yorkshire non-metropolitan and ceremonial county was formed on 1 April 1974 as a result of the Local Government Act 1972. It covered most of the North Riding of Yorkshire, as well as northern parts of the West Riding of Yorkshire, northern and eastern East Riding of Yorkshire and the former county borough of York. Northallerton, as the former county town for the North Riding, became North Yorkshire's county town. In 1993 the county was placed wholly within the Yorkshire and the Humber region.
Some areas which were part of the former North Riding were in the county of Cleveland for twenty-two years (from 1974 to 1996) and were placed in the North East region from 1993. On 1 April 1996, these areas (Middlesbrough, Redcar and Cleveland and Stockton borough south of the River Tees) became part of the ceremonial county as separate unitary authorities. These areas remain within the North East England region.
Also on 1 April 1996, the City of York non-metropolitan district and parts of the non-metropolitan county (Haxby and nearby rural areas) became the City of York unitary authority.
On 1 April 2023, the non-metropolitan county became a unitary authority. This abolished eight councils and extended the powers of the county council to act as a district council.
The York and North Yorkshire Combined Authority held its first meeting on 22 January 2024, assumed its powers on 1 February 2024 and the first mayor is to be elected in May 2024.
The geology of North Yorkshire is closely reflected in its landscape. Within the county are the North York Moors and most of the Yorkshire Dales, two of eleven areas in England and Wales to be designated national parks. Between the North York Moors in the east and the Pennine Hills. The highest point is Whernside, on the Cumbrian border, at 2,415 feet (736 m). A distinctive hill to the far north east of the county is Roseberry Topping.
North Yorkshire contains several major rivers. The River Tees is the most northerly, forming part of the border between North Yorkshire and County Durham in its lower reaches and flowing east through Teesdale before reaching the North Sea near Redcar. The Yorkshire Dales are the source of many of the county's major rivers, including the Aire, Lune, Ribble, Swale, Ure, and Wharfe.[10] The Aire, Swale, and Wharfe are tributaries of the Ure/Ouse, which at 208 km (129 mi) long is the sixth-longest river in the United Kingdom. The river is called the Ure until it meets Ouse Gill beck just below the village of Great Ouseburn, where it becomes the Ouse and flows south before exiting the county near Goole and entering the Humber estuary. The North York Moors are the catchment for a number of rivers: the Leven which flows north into the Tees between Yarm and Ingleby Barwick; the Esk flows east directly into the North Sea at Whitby as well as the Rye (which later becomes the Derwent at Malton) flows south into the River Ouse at Goole.
North Yorkshire contains a small section of green belt in the south of the county, which surrounds the neighbouring metropolitan area of Leeds along the North and West Yorkshire borders. It extends to the east to cover small communities such as Huby, Kirkby Overblow, and Follifoot before covering the gap between the towns of Harrogate and Knaresborough, helping to keep those towns separate.
The belt adjoins the southernmost part of the Yorkshire Dales National Park, and the Nidderdale AONB. It extends into the western area of Selby district, reaching as far as Tadcaster and Balne. The belt was first drawn up from the 1950s.
The city of York has an independent surrounding belt area affording protections to several outlying settlements such as Haxby and Dunnington, and it too extends into the surrounding districts.
North Yorkshire has a temperate oceanic climate, like most of the UK. There are large climate variations within the county. The upper Pennines border on a Subarctic climate. The Vale of Mowbray has an almost Semi-arid climate. Overall, with the county being situated in the east, it receives below-average rainfall for the UK. Inside North Yorkshire, the upper Dales of the Pennines are one of the wettest parts of England, where in contrast the driest parts of the Vale of Mowbray are some of the driest areas in the UK.
Summer temperatures are above average, at 22 °C. Highs can regularly reach up to 28 °C, with over 30 °C reached in heat waves. Winter temperatures are below average, with average lows of 1 °C. Snow and Fog can be expected depending on location. The North York Moors and Pennines have snow lying for an average of between 45 and 75 days per year. Sunshine is most plentiful on the coast, receiving an average of 1,650 hours a year. It reduces further west in the county, with the Pennines receiving 1,250 hours a year.
The county borders multiple counties and districts:
County Durham's County Durham, Darlington, Stockton (north Tees) and Hartlepool;
East Riding of Yorkshire's East Riding of Yorkshire;
South Yorkshire's City of Doncaster;
West Yorkshire's City of Wakefield, City of Leeds and City of Bradford;
Lancashire's City of Lancaster, Ribble Valley and Pendle
Cumbria's Westmorland and Furness.
The City of York Council and North Yorkshire Council formed the York and North Yorkshire Combined Authority in February 2024. The elections for the first directly-elected mayor will take place in May 2024. Both North Yorkshire Council and the combined authority are governed from County Hall, Northallerton.
The Tees Valley Combined Authority was formed in 2016 by five unitary authorities; Middlesbrough, Redcar and Cleveland Borough both of North Yorkshire, Stockton-on-Tees Borough (Uniquely for England, split between North Yorkshire and County Durham), Hartlepool Borough and Darlington Borough of County Durham.
In large areas of North Yorkshire, agriculture is the primary source of employment. Approximately 85% of the county is considered to be "rural or super sparse".
Other sectors in 2019 included some manufacturing, the provision of accommodation and meals (primarily for tourists) which accounted for 19 per cent of all jobs. Food manufacturing employed 11 per cent of workers. A few people are involved in forestry and fishing in 2019. The average weekly earnings in 2018 were £531. Some 15% of workers declared themselves as self-employed. One report in late 2020 stated that "North Yorkshire has a relatively healthy and diverse economy which largely mirrors the national picture in terms of productivity and jobs.
Mineral extraction and power generation are also sectors of the economy, as is high technology.
Tourism is a significant contributor to the economy. A study of visitors between 2013 and 2015 indicated that the Borough of Scarborough, including Filey, Whitby and parts of the North York Moors National Park, received 1.4m trips per year on average. A 2016 report by the National Park, states the park area gets 7.93 million visitors annually, generating £647 million and supporting 10,900 full-time equivalent jobs.
The Yorkshire Dales have also attracted many visitors. In 2016, there were 3.8 million visits to the National Park including 0.48 million who stayed at least one night. The parks service estimates that this contributed £252 million to the economy and provided 3,583 full-time equivalent jobs. The wider Yorkshire Dales area received 9.7 million visitors who contributed £644 million to the economy. The North York Moors and Yorkshire Dales are among England's best known destinations.
York is a popular tourist destination. A 2014 report, based on 2012 data, stated that York alone receives 6.9 million visitors annually; they contribute £564 million to the economy and support over 19,000 jobs. In the 2017 Condé Nast Traveller survey of readers, York rated 12th among The 15 Best Cities in the UK for visitors. In a 2020 Condé Nast Traveller report, York rated as the sixth best among ten "urban destinations [in the UK] that scored the highest marks when it comes to ... nightlife, restaurants and friendliness".
During February 2020 to January 2021, the average property in North Yorkshire county sold for £240,000, up by £8100 over the previous 12 months. By comparison, the average for England and Wales was £314,000. In certain communities of North Yorkshire, however, house prices were higher than average for the county, as of early 2021: Harrogate (average value: £376,195), Knaresborough (£375,625), Tadcaster (£314,278), Leyburn (£309,165) and Ripon (£299,998), for example.
This is a chart of trend of regional gross value added for North Yorkshire at current basic prices with figures in millions of British pounds sterling.
Unemployment in the county was traditionally low in recent years, but the lockdowns and travel restrictions necessitated by the COVID-19 pandemic had a negative effect on the economy during much of 2020 and into 2021. The UK government said in early February 2021 that it was planning "unprecedented levels of support to help businesses [in the UK] survive the crisis". A report published on 1 March 2021 stated that the unemployment rate in North Yorkshire had "risen to the highest level in nearly 5 years – with under 25s often bearing the worst of job losses".
York experienced high unemployment during lockdown periods. One analysis (by the York and North Yorkshire Local Enterprise Partnership) predicted in August 2020 that "as many as 13,835 jobs in York will be lost in the scenario considered most likely, taking the city's unemployment rate to 14.5%". Some critics claimed that part of the problem was caused by "over-reliance on the booming tourism industry at the expense of a long-term economic plan". A report in mid June 2020 stated that unemployment had risen 114 per cent over the previous year because of restrictions imposed as a result of the pandemic.
Tourism in the county was expected to increase after the restrictions imposed due the pandemic are relaxed. One reason for the expected increase is the airing of All Creatures Great and Small, a TV series about the vet James Herriot, based on a successful series of books; it was largely filmed within the Yorkshire Dales National Park. The show aired in the UK in September 2020 and in the US in early 2021. One source stated that visits to Yorkshire websites had increased significantly by late September 2020.
The East Coast Main Line (ECML) bisects the county stopping at Northallerton,Thirsk and York. Passenger service companies in the area are London North Eastern Railway, Northern Rail, TransPennine Express and Grand Central.
LNER and Grand Central operate services to the capital on the ECML, Leeds Branch Line and the Northallerton–Eaglescliffe Line. LNER stop at York, Northallerton and on to County Durham or spur over to the Tees Valley Line for Thornaby and Middlesbrough. The operator also branch before the county for Leeds and run to Harrogate and Skipton. Grand Central stop at York, Thirsk Northallerton and Eaglescliffe then over to the Durham Coast Line in County Durham.
Northern operates the remaining lines in the county, including commuter services on the Harrogate Line, Airedale Line and York & Selby Lines, of which the former two are covered by the Metro ticketing area. Remaining branch lines operated by Northern include the Yorkshire Coast Line from Scarborough to Hull, York–Scarborough line via Malton, the Hull to York Line via Selby, the Tees Valley Line from Darlington to Saltburn via Middlesbrough and the Esk Valley Line from Middlesbrough to Whitby. Last but certainly not least, the Settle-Carlisle Line runs through the west of the county, with services again operated by Northern.
The county suffered badly under the Beeching cuts of the 1960s. Places such as Richmond, Ripon, Tadcaster, Helmsley, Pickering and the Wensleydale communities lost their passenger services. Notable lines closed were the Scarborough and Whitby Railway, Malton and Driffield Railway and the secondary main line between Northallerton and Harrogate via Ripon.
Heritage railways within North Yorkshire include: the North Yorkshire Moors Railway, between Pickering and Grosmont, which opened in 1973; the Derwent Valley Light Railway near York; and the Embsay and Bolton Abbey Steam Railway. The Wensleydale Railway, which started operating in 2003, runs services between Leeming Bar and Redmire along a former freight-only line. The medium-term aim is to operate into Northallerton station on the ECML, once an agreement can be reached with Network Rail. In the longer term, the aim is to reinstate the full line west via Hawes to Garsdale on the Settle-Carlisle line.
York railway station is the largest station in the county, with 11 platforms and is a major tourist attraction in its own right. The station is immediately adjacent to the National Railway Museum.
The main road through the county is the north–south A1(M), which has gradually been upgraded in sections to motorway status since the early 1990s. The only other motorways within the county are the short A66(M) near Darlington and a small stretch of the M62 motorway close to Eggborough. The other nationally maintained trunk routes are the A168/A19, A64, A66 and A174.
Long-distance coach services are operated by National Express and Megabus. Local bus service operators include Arriva Yorkshire, Stagecoach, Harrogate Bus Company, The Keighley Bus Company, Scarborough & District (East Yorkshire), Yorkshire Coastliner, First York and the local Dales & District.
There are no major airports in the county itself, but nearby airports include Teesside International (Darlington), Newcastle and Leeds Bradford.
The main campus of Teesside University is in Middlesbrough, while York contains the main campuses of the University of York and York St John University. There are also two secondary campuses in the county: CU Scarborough, a campus of Coventry University, and Queen's Campus, Durham University in Thornaby-on-Tees.
Colleges
Middlesbrough College's sixth-form
Askham Bryan College of agriculture, Askham Bryan and Middlesbrough
Craven College, Skipton
Middlesbrough College
The Northern School of Art, Middlesbrough
Prior Pursglove College
Redcar & Cleveland College
Scarborough Sixth Form College
Scarborough TEC
Selby College
Stockton Riverside College, Thornaby
York College
Places of interest
Ampleforth College
Beningbrough Hall –
Black Sheep Brewery
Bolton Castle –
Brimham Rocks –
Castle Howard and the Howardian Hills –
Catterick Garrison
Cleveland Hills
Drax Power Station
Duncombe Park – stately home
Eden Camp Museum –
Embsay & Bolton Abbey Steam Railway –
Eston Nab
Flamingo Land Theme Park and Zoo –
Helmsley Castle –
Ingleborough Cave – show cave
John Smith's Brewery
Jorvik Viking Centre –
Lightwater Valley –
Lund's Tower
Malham Cove
Middleham Castle –
Mother Shipton's Cave –
National Railway Museum –
North Yorkshire Moors Railway –
Ormesby Hall – Palladian Mansion
Richmond Castle –
Ripley Castle – Stately home and historic village
Riverside Stadium
Samuel Smith's Brewery
Shandy Hall – stately home
Skipton Castle –
Stanwick Iron Age Fortifications –
Studley Royal Park –
Stump Cross Caverns – show cave
Tees Transporter Bridge
Theakston Brewery
Thornborough Henges
Wainman's Pinnacle
Wharram Percy
York Castle Museum –
Yorkshire Air Museum –
The Yorkshire Arboretum
Le registre supérieur représente le monde divin sous forme humaine. Des symboles astraux représentent la Lune et le Soleil, qui est parfois figuré avec un visage. Le signe de Tanit, parfois sous forme humaine, est parfois figuré avec un cortège de divinités romaines dont Mercure, Cupidon ou Vénus représentés sur les deux côtés du fronton de la chapelle figurant le dédicant. Le personnage central tient une corne d'abondance d'où sortent gerbes de blé, raisins et grenades.
Le registre médian est occupé par un élément d'inspiration gréco-romaine, avec colonnes et fronton d'édifice.
Le dédicant est situé au milieu : il est debout dans ce qui semble être un temple ou une chapelle, avec colonnes et fronton.
Le dernier registre figure parfois des Atlantes portant l'étage supérieur comportant la chapelle, accompagnés parfois d'une scène de sacrifice, auquel est destiné un bœuf. Le sacrificateur est parfois figuré, comme sur l'une des stèles du musée du Bardo.
After seeing similar shots from other members, I knew when I got engaged that I would have one of my own. My fiancee really likes this word, so we found a dictionary with it in the right place for this composition. It was difficult to compose this shot the way I wanted to and still achieve the traditional heart shape, but then I realized that it more accurately represented most relationships: unique, not easy, and never perfect.
Representing a fusion of modern style and traditional chikan hand embroidery in this White Cotton saree keeping you comfortable throughout the day . Beautifully embroidered pallu with broad bordering as well as distinct motifs on the skirt . You can customise it’s blouse piece as per your desired design with its embroidered sleeves .
Product code: A100104
#3750 and #1361 both represent the K4s class late in their careers. Both engines are virtually identical with the exception of their tenders. #3750 is equiped with a PRR 110P75a class tender while #1361 is equiped with a PRR 130P75 class.
These two LEGO models of Pennsylvania RR class K4s #3750 and #1361 are perhaps my most ambitious project to date. I've spent months researching and studying the K4s in order to make the most accurate and detailed engine I've built. The boiler design was inspired by my friend and fellow train builder in PennLUG, Nate Brill. What has turned out to be the most difficult part of building these models is the working Walschaerts Valve Gear. My goal was to try and build working valve gear with out modifying any parts, and to keep it as small and proportionate to the rest of the locomotive as possible. This required several weeks of trial and error but I'm reasonably happy with the final result.
Video of my K4s #1361 running at BrickMagic 2012 taken by Bob Hayes
The Pennsylvania RR's K4 class Pacifics were one of the cornerstones of their passenger service for 41 years from when the first engine entered service in 1916 through the final active K4's retirement 1957. The K4's performed their duties with a superb combination of speed, power and grace. K4's pulled the fastest and most prestigious trains of the Pennsylvania Railroad for many decades, with 425 being built between 1914 and 1928 by both Baldwin Locomotive Works and through Pennsy's own Juniata Shops in Altoona. In the mid 1930s, as the passenger consists grew longer and heavier, Pennsy would double and even triple head the K4s. The K4s class has become an icon of the Pennsylvania RR.
There are only two surviving K4s class locomotives, #1361 and #3750. Number 3750 is on display at the Railroad Museum of Pennsylvania in Strasburg. # 3750 was a typical workhorse, with only two unusual events in its long and productive life.The first came early in its lifewhen it pulled President Harding's funeral train.
The second was more unusual. After its retirement from active service in 1957, it remained in storage, first at West Philadelphia enginehouse, then at Northumberland, along with other historic equipment that was destined to become the core of the Museum's holdings. However, the Pennsylvania Railroad, apparently chagrined that the first K4 ever built, #1737, had been scrapped because it was worn out, and decided to "undo" history by placing #1737's number plates onto #3750. #3750 in its masquerade avoided being sent to the scrapper's torch along with hundreds of other K4 locomotives.
Upon the PRR's historic collection being acquired by the newly commissioned Railroad Museum of Pennsylvania it arrived at the Museum along with other historic equipment in 1968 as a "ringer" for No. 1737. This was rectified when the newly formed Friends of the Railroad Museum performed the first of several laborious restorations of this beloved locomotive in the 1980s. Subsequently, the true No. 3750 plates were obtained, and this wonderful locomotive is now secure for future generations to admire.
Number 1361's fame came after her retirement in 1957. For nearly 30 years, #1361 stood on display at the top of the world-famous Horseshoe Curve In Altoona PA. In 1985, the City of Altoona, Conrail, and the Railroaders Memorial Museum made arrangements to move the locomotive from the Horseshoe Curve to the Museum. The engine was moved to Altoona on September 5, 1985, and work to restore the locomotive began in April of 1986. With the help of teams of volunteers, #1361 was restored to working order in just one year's time. In April 1987, #1361 pulled its first passenger train in over thirty years. In May 1987, Altoona City and Conrail named the steam locomotive the "Spirit of Altoona". The engine later encountered extensive problems of age and wear, requiring major rebuilding. #1361 is under ownership of the Railroaders Memorial Museum at Altoona who is currently working to restore the engine to operation once more.
Governor Robert Casey signed a bill proclaiming the K-4 to be Pennsylvania's Official State Steam Locomotive in March of 1988.
#3750 at the Railroad Museum of Pennsylvania in Strasburg PA
Greg Mitchell Photography and Tactile Photo are exclusively represented by Hammond Art Consuting Services: for consultation, design, delivery and installation on commercial, healthcare and hospitality projects, please contact Alan Hammond at (916) 205-3925 or visit their website at www.hammondartconsulting.com
Description
The Site is about 45minutes drive from Amman, and about 50 kms.to the west of Amman and 10 km. north of the Dead Sea. For the three past year and a half, the Jordanian Department of Antiquities has systematically surveyed and partially' excavated a series of ancient sites that collectively represent one of the most important archaeological discoveries in modem Jordan — the settlement and region of Bethany (or Beth abra), where John the Baptist lived and baptized. The Bethany area sites formed part of the early Christian pilgrimage route between Jerusalem, the Jordan River, and Mt. Nebo. The area is also associated with the biblical account of how the Prophet Elijah (Mar Elias in Arabic) ascended to heaven in a whirlwind on a chariot of fire, after having parted the waters of the Jordan River and walked across it with his anointed successor the Prophet Elisha. The site of this Bethany east of the Jordan River is not to be confused with the Bethany near Jerusalem, which was the home town of Lazarus. John 1:28 explicitly mentions Bethany cast of the river as the place where John the Baptist lived and baptized ("...Bethany beyond the Jordan, where John was baptizing") while John 10:40 mentions an incident when Jesus escaped from hostile Jews in Jerusalem and "went away again across the Jordan to the place where John at first baptized..." The DOA team, headed by Cultural Resources Management department has now identified nearly 20 related sites within an area stretching some four kilometers east of the Jordan River. More sites remain to be discovered through systematic surveying. After excavations and conservation work is completed at the sites, the region will be prepared for tourist and pilgrimage trips, probably including visits to the Jordan River itself and the spot where tradition believes that Jesus was baptized and the Jordan River was crossed by Joshua, Elijah and Elisha. The site of Bethany, as mentioned in the book of John, is also known by other names. It is called Beth-Abara or Bethabara (Beit el-'Obour in Arabic) meaning 'house of the crossing', referring to the Joshua and Elijah crossings of the river, and Arabic Bible translations call it Beit 'Anya. Some Greek Bible texts call it Bethania. and in the Old Testament the same area is also referred to as Beth-Barah in Judges 7:24-25, the place where Gideon defeated the Midianites and sled two of their leaders or princes. These same fords across the Jordan are thought to be the place referred to in Judges 12:4-6, where Jephthah the Gileadite seized these fords during his battle against the Ephraimites (Gilead is the area roughly between the Amman region and the Yarmouk River, in the north of what is today Jordan). The Bethany area was known as Bethennabris in the Roman period. The 6th Century AD Byzantine Madaba mosaic map of the Holy Land labels it as 'Ainon where now is Saphsaphas'. The name Saphsaphas ('the place of willows') (also, Saphsas or Sapsas), comes from the Arabic word for willow tree. The Madaba map depicts a ferry crossing Just north of the Bethany area (one of two such ferries on the map), corresponding to the location of the current King Hussein Bridge (also known as the Allenby Bridge). Bethany/Bethabara may also have referred to a region, rather than only a specific settlement. Western travelers to the region at the turn of the century reported that the Greek Orthodox clerics and monks who lived in the south Jordan Valley, and the native ghoranis themselves, referred to the whole area around the river and east to the start of Wadi Kharrar as Bethabara, It seems that the original settlement in the 1st and 2nd Centuries AD was known as Bethany. but in the 3rd Century AD it was more commonly known as Bethabara, and by the 6th Century AD it had become known as Aenon and Saphsapha (or Sapsas, Sapsafas). John the Baptist's town The main complex being investigated comprises structures on and around a small natural hill located two kilometres east of the Jordan River, adjacent to the spring and small oasis at the head of the Wadi Kharrar. The hill has long been known as Elijah's Hill. or Jabal Mar Elias or Tell Mar Elias in Arabic. The current excavations have identified a settlement that was inhabited from the time of Christ and John the Baptist (early Roman era), throughout most of the Byzantine period, into the early Islamic era, and again in Ottoman centuries. The site was also visited by scholars earlier this century; the late director of antiquities Lankester Harding identified Byzantine remains on the surface, and the survey team of James Saner, Kheir Yassine and Moliawiyah lbrahim in the 1980s collected pottery there dating from the early Roman through the late Byzantine periods. A visit to the area by Father Michcle Piccirillo of the Franciscan Archaeological Institute also confirmed the presence of much early Roman pottery on the plateau immediately south of Bethany, pointing to the existence of a Roman era village at the time of Christ. The later settlement from the Byzantine era continued to use these pools, and also comprised new structures such as churches and other buildings with plain white and colored mosaic floors, some with crosses in the mosaics .The early Roman era cisterns were modified during the Byzantine period, with internal walls added and the steps removed in places. Several 5th-6th Century AD Byzantine churches have been excavated, one with an inscription mentioning ROTORIUS as the "head of the monastery", though this person is not known from any other ancient sources. The hill at the heart of Bethanv was already revered in antiquity as a holy site marking the spot from which Elijah ascended to heaven (2 Kings 2:5-14); perhaps that is why John the Baptist lived and baptized there, for the personalities, lifestyles, and missions of John and Elijah are frequently associated in the New Testament. The Byzantine writers Jerome and Eusebius mentioned 'Bethabara beyond the Jordan' in the 4th Century as a pilgrimage destination where people went to be baptized in the same waters that John the Baptist used for his mission. Pilgrims' accounts as early as the 4th and 6th Century' AD mention the hill at Bethany east of the river where Elijah ascended to heaven. In the late 3rd or early 4th Century' AD, according to much later sources from the I1th and 14th Centuries. Helena, the mother of Emperor Constantine, is said to have crossed the Jordan River and visited Elijah's Hill and the cave where John the Baptist lived, and built a church there to commemorate John the Baptist. Byzantine era writers also called the hill 'Hermon Hill'. Stone and mud structures on the summit of Elijah's Hill and on adjacent hills to the south and east date from the mid-to-late Ottoman period (16th-ISth Centuries), when Greek Orthodox monks established a monastery' at the site comprising different structures for worship, residence, and accommodating visiting pilgrims. The Madaba map depicts two concentric circles at the site, which have variously been interpreted as symbols for the hill itself, the nearby caves, or the spring. Pilgrim's route The 20 sites identified from the Jordan River to Wadi Kharrar and eastwards to Wadi Gharahah formed stations along the pilgrim's route from Jerusalem to the Jordan River and finally to Mount Nebo. That itinerary commemorated places associated with the lives of some of the greatest prophets, including Moses, Joshua. Elijah. Elisha, John the Baptist and Jesus Christ. When the French priest-scholar Denis Buzy visited the area in 1930. he reported seeing white mosaic cubes along most of the route from the river to the start of Wadi Kharrar at Bethany.Tile exact place of Jesus' baptism is not known), and is assumed to have occurred in the Jordan River at or near the site now called el-Maghtas in Arabic. Whether Jesus entered the water from the east or west banks of the river when he was baptized by John, and whether his 40 days of wanderings in the wilderness (desert) occurred east or west of the river, remain very much debated today. The biblical texts are not precise on the locations of these events. Some scholars even question whether Jesus was baptized in the river itself. The river in antiquity was often not easily accessible, due to flooding and its setting down within a deep gorge, so John routinely baptized at his lace of residence at Bethany. John the Baptist's settlement at Bethany is now well identified, as arc a string of associated sites marking the sacred nature of the area cast of the river. It is generally assumed that the steps leading down to the river from the west bank of the river reflected the fact that most Byzantine and more recent pilgrims arrived at the river from Jerusalem, and entered the water from the west bank, as the Madaba map indicates. The primary evidence for Roman and Byzantine era sacred and secular structures associated with the baptism of Jesus and the mission of John the Baptist now appear to be clustered mostly on the east bank. The evidence from Byzantine and medieval days also indicates that this tradition was the dominant one throughout most of recorded history since the days of the Baptist. The ongoing survey and excavations along the Wadi Kharrar in Jordan, by a Department of Antiquities team headed by Cultural Resources Management , have identified the remains of several churches and other structures between Bethany and the river. The 20 sites identified from the Jordan River to Wadi Kharar and eastwards to Wadi Gharabah formed stations along the pilgrim's route from Jerusalem to the Jordan River and finally to Mount Nebo. The remains of a large church immediately adjacent to and east of the river include fine colored stone pavements and mosaics, Corinthian capitals, and column drums and bases, all from the [ate Byzantine period. This church may have been built in the Byzantine period to mark the exact spot where people believed that Jesus was baptized. and where John lived and preached his baptism of repentance and forgiveness of sins. This site also has Islamic era pottery from the 8th-9th Centuries AD, indicating the continued use of the pilgrim's route, or merely the crossing of the river at these fords, in early Islamic centuries. This church is also possibly to be associated with the legend of the life of St Mary the Egyptian, a former prostitute whose repentant transformation and miraculous conversion at the Church of the Holy Sepulcher in Jerusalem was recounted in Greek by Sofronius the Patriarch of Jerusalem. He said that the voice of the Virgin Mary told her to cross the Jordan River in order to "find rest", and at the river she stayed at the Church of John the Baptist. She lived for 47 years in this area. Before dying she was found by the monk Zosima, to whom she told her story, and when she died Zosima buried her with the assistance of a lion, according to the legend. The presence of lions in the Jordan Valley is attested in biblical passages, and a lion or leopard is depicted on the Madaba mosaic map. Jeremiah 49:19 uses the phrase "...like a lion coming up from the jungle of the Jordan." The writings of the anonymous Pilgrim of Bordeaux in 333 AD give the location of the site of Jesus' baptism as five Roman miles (7400 metres) north of the Dead Sea shore, which is the area near where Wadi Kharrar enters the Jordan River. Church writers and pilgrims in the 5th-to-7th Centuries AD mentioned churches in the lower Jordan River-Bethany region commemorating the baptism of Christ. The pilgrim Theodosius was the first to mention a church at the Jordan River built at the end of the 5th Century by the Emperor Anastasius (491 - 518 AD) to commemorate St John the Baptist. Built on arcades and square in shape, the church had a marble column with an iron cross marking the spot where the people then thought that Jesus had been baptized. The pilgrim Arculf in the 7th Century mentioned seeing the ruins of the church at this spot on the east bank, a wooden cross in the river, and steps leading into the water from the west bank. Another nearby chapel was said to have marked the spot where Jesus' clothes were kept while he was being baptized. Sacred caves About a kilometre east of the river, just beyond the thick belt of trees and bushes called "the jungle of the Jordan" or "the pride of the Jordan" in the Bible (Jeremiah 12:5; Zecharaiah 11:3), the landscape suddenly changes into a soft, chalky but stark whitish marl, a barren area called the 'wilderness' in the Bible. Here the survey team identified at least two natural caves that had been transformed into hermits' and monks' cells and small churches or chapels, and other caves certainly remain to be identified. One cave had three apses inside it. Many ancient texts from the Byzantine and Crusader eras mention the presence of Christian hermit monks living in caves and cells in this area, alongside springs. John Moscus, writing in his 7th Century book The Spiritual Meadow, mentions a monastic complex (or laura) in this area with many cells inhabited by hermits, built near a cave after a vision by a monk from Jerusalem who was on a pilgrimage to Sinai via Aila/Aqaba. The monk suffered a fever and took refuge in one of these caves east of the river. John the Baptist appeared to him in a vision and told him to cancel his trip and stay in the cave, saving that "this little cave is greater than Mount Sinai. Our Lord Jesus Christ himself has come in here to pay me a visit." The feverish monk recovered and in gratitude converted the cave into a church for the hermits living in the area. John Moscus said that the area was called the Laura of Saphsaphas, or Sapsas. The traveler Antonin de Plaisance in 570 AD mentioned a 'fountain' some two miles east of the river, thought to be the spring at Bethany. The monk Epiphanius, writing in the late 8th or mid-9th century AD, mentions a cave located near a spring nearly three miles east of the river, where John the Baptist lived and baptized. The early 12th Century traveler Abbot Daniel mentions a grotto of St. John the Baptist, and in 1157 Jean Phocas wrote about a shrine and cave of John the Baptist located east of the river. In ancient accounts both John and Elijah are associated with caves and springs in this area. (Some scholars believe that this is also the area where Elijah sought refuge, upon God's command, and was fed meat and bread by the ravens even' morning and evening ( I Kings 17:2-7). If so, the biblical Brook of Cherith (or Kerith Ravine) might be associated with the Wadi Kharrar. though most scholars associate it with Wadi Yabis, in the north Jordan River Valley. Thus, from the 4th through the 12th Centuries AD, for which there is documented textual evidence, there was a consistent tradition locating John the Baptist's home town of Bethany at and around the spring source of Wadi Kharrar, some 2-3 kilometres east of the Jordan River, in an area that was dotted with caves. Early Christian tradition also consistently recognized the sacred associations of the territory east of the river with the baptism of Jesus. This is why Christian monks, hermits and monasteries have been attested east of the river since the earliest Christian centuries. In fact, the entire area of Bethany from the river to Elijah's Hill is owned by the Greek Orthodox Church, affirming the church's recognition of the sacred nature of this terrain. (Scholars and Greek Orthodox church officials both note, however, that the precise spot of Jesus' baptism in the river is difficult to determine, in part because the course of the Jordan River has changed over time; this is also why we have different accounts in ancient texts of Bethany's distance from the river.) Fragmentary remains of several other small structures with tiles, pottery and cut stones — possibly churches or monks' residences — have been identified between the river and Bethany. Denis Blizy in 1931 traced the remains of hundreds' of small dwellings or buildings along a 500-metre-long stretch of the south bank of Wadi Kharrar, which he identified as remains of the 1st Century AD village of Bethany. Another traveler to this region in search of John the Baptist's village of Bethany was Father R.P. Federlin, who explored the area from his base in Jerusalem in 1899 onwards. He thought that Bethany was located at Tell el- Medesh, a few kilometres north of Bethany, cast of the river. He had walked through the Wadi Kharrar and documented some of the ancient remains, including nicely cut building stones on Elijah's Hill and adjacent hills. Buzy in the 1930s said that the stones mentioned by Federlin were no longer there, because they had been used by Greek Orthodox monks at the site who were building new facilities for themselves and/or for pilgrims. The Greek Orthodox Church has long officially sanctioned the presence of monks in ascetic cells (units smaller than monasteries) east of the river, and church documents attest that three monks lived in the area between Bethany and the river in 1905. The Monastery of St. John was also located cast of the river in the Bethany area, probably close to the river than to Elijah's Hill, but its remains have not yet been conclusively identified. It is likely to be one of the sites being excavated. Pilgrims' facilities East of Bethany, on Wadi Gharabah, are the remains of the water channel that reached Bethany itself and, and also served several pools and a large rectangular building measuring some I8 x 30 metres. It is believed that this was a Byzantine pilgrims' station for use by travelers on the road between Jerusalem, Mt Nebo and Madaba. East of this site the ancient route reached the Byzantine town of Livias, now called Tell Rama, which has surface evidence of pottery or mosaic stone cubes from the Byzantine and early Islamic eras, but has never been excavated The excavations and surveys are continuing, as are conservation and protection measures to preserve the well- being of this important area, which promises to become a focal point of tourism . Jordan's slogan for the Millennium "Jordan - the River and the Land of the Baptism", which would stress the Bethany and Jordan River are as well as Mekawir (ancient Machaerus), the hilltop Herodian fortified palace south of Madaba and east of the Dead Sea, where John the Baptist was imprisoned and beheaded. Priority for protection measures The Jordanian government has pondered several options for the development and protection of the sites. A royal commission for the protection and development of the site is responsible for any long-term decisions on it. Among the proposals suggested to date is a three-pronged approach that would designate the immediate area of Bethany and Elijah's Hill as a holy area, the zone around it and the associated sites along the pilgrim's route a protected area, and the wider environment for several kilometres in each direction a nature reserve. The land in question is all registered in the name of the Greek Orthodox Church; and the Jordan Valley Authority and the Department of Antiquities both share jurisdiction in terms of licensing any construction or development. The basic principle being followed to date is that any development of the area for tourism and pilgrimage should comprise minimum construction or alteration of the landscape, and the placement of visitor services well away from the core of the site. Given the unique spiritual and environmental character of the site, its moving natural beauty, and its international, importance, the challenge of excavating and protecting it while also allowing visitors access to it is a major test of Jordan's role as privileged custodian of a unique holy place that is sacred to the world 2.5 billion Christians and Muslims One of the urgent priorities for the development and conservation of this unique area is to formulate a long-term strategy for the protection of the antiquities and the very dramatic and well preserved natural environment.
La baie représente de droite à gauche le donateur, Louis de Bourbon, comte de Vendôme, sa sœur, son père et son frère, agenouillés avec leurs conjoints. Le tympan représente une scène de jugement dernier.
Date : 1417.
C'est une verrière composée de quatre lancettes trilobées et d'un tympan à quatorze ajours.
La verrière se décompose en quatre niveaux :
Un niveau inférieur porte les armes des membres de la famille représentés au-dessus ;
Un niveau intermédiaire représente les membres de la famille de Louis de Vendôme avec leurs saints patrons ;
Un niveau supérieur représente le Christ couronnant sa Mère, entouré de saint Jean-Baptiste et saint Jean l'Évangéliste ;
Le tympan représente le jugement dernier.
Ces vitraux étaient déjà endommagés avant le XVIIIe siècle, ils furent partiellement restaurés en 1592. Ils ont ensuite disparu en grande partie au moment de la Révolution, en particulier les membres de la famille de Louis de Vendôme. Les personnages ont été refaits en 1920 par le peintre-verrier Albert-Louis Bonnot en s'inspirant des dessins de la collection Gaignières.
Detail of the Golden Window, one of the final pair of nave windows representing the soul's final journey into Heaven. This window was designed by Lawrence Lee and represents the Heavenly City, studded with gemstones and with a large figure of Archangel Michael at the centre. At the base a shadowy Christ-like figure appears to welcome us.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
This head representing a man of regular features has been discovered on 1901, August. It must have come from a statue about 2 m tall.
The forehead of the portrayed man is low; his hair is arranged in a raw of short locks regularly arched from a “pincers” motif at the inner corner of the right eye. This detail is present on the portraits of Augustus, and was adopted, with some variations, by his successors.
Some small locks turned in the direction of the center of the face are reminiscent of representations of Gaius Caesar (20 BCE - 4 CE), the adopted son of Augustus and his intended heir, and other private portraits from the same period.
This hairstyle and the classical features of the portrait suggest its assignment to the years 25 BC – 35 AD during the reigns of Augustus and Tiberius. It resembles their portraits, but the face is not theirs.
One may suppose that the subject was a member of the local aristocracy whose loyalty to the values of the “Principatus” was equally proclaimed by deliberate imitation of the appearance and coiffure of the men of the imperial family.
Source: Museum information note
Roman bronze portrait
About 25 BC – 35 AD
From Torino
Torino, “Museo di antichità”
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Sony α7 II
Minolta 100-200m lens
William Alexander Madocks (1773-1828) was an English landowner who represented Boston, Lincolnshire in Parliament. He also became interested in Wales, where his family had held property since the 12th century, and decided to develop the Glaslyn estuary. He dammed the river with a mile-long causeway called the Cob, reclaiming Traeth Mawr and forcing the redirected Glaslyn river to naturally dredge out a deep port. The new city, Portmadoc (Porthmadog), became a major slate exporter after Madocks got his plan for a railway from Blaenau Ffestiniog to Portmadoc approved by Parliament, defeating rival railways proposed by George Overton, William Provis, and Meyer Rothschild. Madocks also built the "model town" of Tremadog, an early planned community. However, Madocks did not live to see his dream fully realized, as he died of jaundice while visiting Paris on family vacation around Europe. His wife and children returned to Britain to resolve his debts, and did see the Ffestiniog Railway open. This bust of Madocks stands at the Porthmadog end of the Cob next to the old customs house and the Ffestiniong Railway's Porthmadog Harbour Station.
Porthmadog is a coastal town and community in the Eifionydd area of Gwynedd, Wales, and the historic county of Caernarfonshire. It lies 5 miles (8 km) east of Criccieth, 11 miles (18 km) south-west of Blaenau Ffestiniog, 25 miles (40 km) north of Dolgellau and 20 miles (32 km) south of Caernarfon. The community population of 4,185 in the 2011 census was put at 4,134 in 2019. It grew in the 19th century as a port for local slate, but as the trade declined, it continued as a shopping and tourism centre, being close to Snowdonia National Park and the Ffestiniog Railway. The 1987 National Eisteddfod was held there. It includes nearby Borth-y-Gest, Morfa Bychan and Tremadog.
Porthmadog came about after William Madocks built a sea wall, the Cob, in 1808–1811 to reclaim much of Traeth Mawr from the sea for farming use. Diversion of the Afon Glaslyn caused it to scour out a new natural harbour deep enough for small ocean-going sailing ships, and the first public wharves appeared in 1825. Quarry companies followed, with wharves along the shore almost to Borth-y-Gest, while slate was carted from Ffestiniog down to quays along the Afon Dwyryd, then boated to Porthmadog for transfer to seagoing vessels.
In the later 19th-century, Porthmadog flourished as a port, its population rising from 885 in 1821 to over 3,000 by 1861. The rapidly growing cities of England needed high-quality roofing slate, which was brought to the new port by tramway from quarries in Ffestiniog and Llanfrothen.[6] The Ffestiniog Railway opened in 1836, followed by the Gorseddau Tramway in 1856 and the Croesor Tramway in 1864. By 1873 over 116,000 tons (117,800 t) were exported through Porthmadog in over a thousand ships. Several shipbuilders were active at this time. They were known particularly for their three-masted schooners called Western Ocean Yachts, the last of which was launched in 1913.
By 1841 the trackway across the reclaimed land had been straightened. It would develop into Stryd Fawr, the main commercial street of the town, with a range of shops and public houses and a post office, but the open green retained. A mineral railway to Tremadog ran along what would become Heol Madog. To the north was an industrial area of foundries, timber saw mills, slate works, a flour mill, a soda-pop plant and gasworks.
Porthmadog's role as a commercial port, already reduced by the opening of the Aberystwith and Welsh Coast Railway in 1867, was effectively ended by the First World War, when the lucrative German market for slate collapsed. The 19th-century wharves survive, but the slate warehouses have been replaced by holiday apartments and the harbour is used by leisure yachts.
The Cob is a prominent embankment built across the Glaslyn estuary in 1811 by William Madocks to reclaim land at Traeth Mawr for agriculture. It opened with a four-day feast and Eisteddfod celebrating the roadway connecting Caernarfonshire to Meirionnydd, which figured in Madocks's plans for a road from London to his proposed port at Porthdinllaen. Three weeks later, the embankment was breached by high tides and Madocks's supporters had to drum up money and men from all Caernarfonshire to repair the breach and strengthen the whole embankment. By 1814 it was open again, but Madocks's finances were in ruins. By 1836 the Ffestiniog Railway had opened its line across the embankment. It then become the main route for Ffestiniog slate to reach the new port at Porthmadog. In 1927 the Cob was breached again and took several months to repair. In 2012, 260 metres of the embankment were widened on the seaward side of the Porthmadog end to allow a second platform to be added to the Ffestiniog Railway's Harbour Station.
The former tollhouse at the north-western end of the Cob has slate-clad walls. It is one of few buildings to retain the interlocking slate ridge-tiles devised by Moses Kellow, manager of Croesor Quarry. The toll was abolished in 2003 when the Welsh Assembly Government bought the Cob.
Pen Cei, to the west of the harbour was a centre of the harbour's commercial activities. Boats were built and repaired. There were slate wharves for each quarry company with tracks connecting to the railway. Bron Guallt, built in 1895, was the Oakeley Quarry shipping agent's house. Grisiau Mawr ("Big Steps") connected the quay to Garth and houses were built for the ship owners and sea captains. A School of Navigation was also built.
Melin Yr Wyddfa ("Snowdon Mill") on Heol Y Wyddfa is a former flour mill built in 1862. A scheme of renovation and conversion to luxury flats began there, but has yet to reach completion.
The Welsh Highland Heritage Railway, not to be confused with Welsh Highland Railway, is a three-quarter-mile (1.2 km) heritage railway. It includes an award-winning miniature railway, a heritage centre, a shop and a cafe.
Kerfoots, in a Victorian building on Stryd Fawr, is a small department store founded in 1874. It contains a unique spiral staircase, chandeliers and slender cast-iron columns to support the upper floors. The Millennium Dome, constructed by local craftsmen in 1999 to mark the store's 125th anniversary, is made of stained glass depicting scenes from Porthmadog in 1874.
The Royal Sportsman Hotel (Welsh: Gwesty'r Heliwr) on Stryd Fawr was built in 1862 as a staging post on the turnpike road to Porthdinllaen. The arrival of the railway five years later brought rising numbers of tourists, and the hotel soon became famous for its liveried carriage and horses to take guests to local sightseeing spots. The building is of Ffestiniog slate; the original stone and slate fireplaces remain.
The War Memorial stands on top of Ynys Galch, one of the former islands reclaimed from Traeth Mawr. Taking the form of a Celtic cross and standing 16 feet (4.9 m) high, it was fashioned from Trefor granite and unveiled "in memory of ninety-seven fallen war heroes of Madoc Vale" in 1922.
On Moel y Gest, a hill above the town, is an Iron Age stone-walled hill fort.
Notable people
The local artist Rob Piercy (born 1946), was named Welsh Artist of the Year in 2002. Porthmadog-born painter Elfyn Lewis (born 1969), won the National Eisteddfod of Wales Gold Medal for fine art in 2009 and the Welsh Artist of the Year prize in 2010.
Three members of hip-hop band Genod Droog were from Porthmadog. *Welsh singer Duffy (born 1984), shot her first video Rockferry in the town. Supergrass have filmed a video at Morfa Bychan and Portmeirion for the song "Alright", which featured in the 1995 album I Should Coco. Part of the movie Macbeth (1971) was filmed at Black Rock Sands, as well as the cover art photography for the Manic Street Preachers 1998 album This Is My Truth Tell Me Yours.
Morfa Bychan was the home of David Owen (1712–1741), a blind harpist and composer, who died aged just 29.[84] Tradition has it that on his death bed he called for his harp and composed the air Dafydd y Garreg Wen. Words were added a century later by John Ceiriog Hughes (1832–1887).[85]
The Welsh-language poet William Ambrose (1813–1873), (bardic name Emrys), was minister of the Independent chapel in the town up to his death.
The ashes of the poet R. S. Thomas (1913–2000) are buried in the churchyard of St John's Church in Ffordd Penamser. An earlier poet raised in the town was Mary Davies (1846–1882), who wrote in Welsh.
T. E. Lawrence (1888–1935), known as Lawrence of Arabia, was born at what is now Lawrence House in Tremadog. He became renowned for his role in the Arab Revolt of 1916 and for his vivid writings about his experiences.
To finance the construction and repairs to the Cob, William Madocks (1773–1828), let out his own house in Tremadog. His first tenant was the vegetarian poet Percy Bysshe Shelley (1792–1822), who antagonised locals by criticising the production of sheep for consumption and running up debts with local merchants. Shelley made a hasty departure after an alleged attempt on his life by a nocturnal intruder, without paying his rent or contributing to the fund set up to support Madocks. During his tenancy, Shelley had written Queen Mab.
The Spooner family contributed a major amount to developing railways in the area over more than 70 years in the 19th century.
WWE Wrestler Mason Ryan (born 1982), real name Barri Griffiths is from the area.
Sport
Porthmadog Football Club, founded in 1872, is one of the oldest in Wales. It plays at Y Traeth. The club won the North Wales League in 1902/1903 and reached the final of the Welsh Amateur Cup in 1905/1906. It again won the league championship in 1937/1938 and was Welsh Amateur Cup winner in 1955/56 and 1956/57. It was league champion for three successive seasons in 1966/69, and twice so in the 1970s. In 1989/1990 it topped the Welsh Alliance League and gained a place in the new Cymru Alliance. The club became an inaugural member of the League of Wales in 1992, in the first season finishing ninth. The following year Porthmadog striker Dave Taylor was the highest scoring player in Europe. The club nearly folded in 1995/96 for financial reasons and lost its place in the League of Wales in 1998. It played the following year in the Cymru Alliance, winning the League Cup, but not until 2002/03 did it gain a 19-point lead over its nearest rivals to regain the Welsh Premier League. The club was heavily fined and had points deducted by the Football Association of Wales in 2007 after a referee was racially abused by a supporter, but an appeal to an independent tribunal reduced the fine and the points were reinstated. In the 2008/2009 season Porthmadog narrowly avoided relegation, finishing 16th.
Clwb Rygbi Porthmadog, based at Clwb Chwaraeon Madog, plays rugby union in WRU Division 3 North organised by the Welsh Rugby Union, having gained promotion from the Gwynedd league in the 2011/2012 season.
Porthmadog Golf Club at Morfa Bychan opened in 1906 on land rented from a farmer. The original tenancy agreement stipulated that golfers must take no game, hares, rabbits or wildfowl and pay compensation for any sheep or cattle killed or injured. The landlord agreed not to turn on to the land any bull or savage cattle. Created by James Braid, five times winner of the British Open, the course is a mixture of heath and links. The first nine holes head inland over heathland. The final nine, heading back towards the sea, are pure links. The 14th hole, "The Himalayas", is a 378 yards (346 m) par 4 with a huge natural bunker hiding the green from the tee.
Porthmadog Sailing Club, formed in 1958, initially operated from a marquee in a field. In 1964 the club merged with Trawsfynydd Sailing Club and a clubhouse was built. Weekend dinghy racing is run and facilities are provided for cruisers.
Madoc Yacht Club, founded in 1970, is based in the former harbourmaster's office and has an extensive cruising and racing programme, including two races to Ireland. In 2001 a Celtic longboat was purchased and a sea-rowing section formed, which now has four boats. The club competes as part of the Welsh Sea Rowing Association
Glaslyn Leisure Centre on Stryd y Llan has a 25-metre swimming pool and sports hall, badminton, squash and tennis courts, a sauna, a five-a-side football pitch and a dance studio.
Sea angling is popular in the coast villages. Borth-y-Gest offers flounder, bass, mullet, whiting and mackerel. Morfa Bychan provides bass, flounder, eel, whiting and occasional turbot. Bass, flounder and huge schools of whiting are found at Black Rock Sands, along with thornback ray, mackerel and garfish. Bass, flatfish, eel and some very large mullet can be caught in Porthmadog Harbour, in the heart of the town, though care must be taken to avoid taking the poisonous lesser weever.
Glaslyn Angling Association controls fishing rights on most of Afon Glaslyn up to Beddgelert. It mainly holds sea trout, but salmon and brown trout appear. The river had suffered from acid rain and afforestation, but its water quality has improved. Glan Morfa Mawr Trout Fishery at Morfa Bychan is stocked with rainbow trout
A cycle route crosses the Cob as part of Lôn Las Cymru, the Welsh national route from Holyhead in the north to either Cardiff or Chepstow in the south. It is 250 miles (400 km) long and crosses three mountain ranges.
Tremadog's quality rock climbing brings climbers from all over Britain, the dolerite cliffs often being dry when it is too wet to climb in the mountains of Snowdonia. Craig Bwlch y Moch is seen as one of the best crags in Wales.
A fell race on the slopes of Moel y Gest known as "Râs Moel y Gest" is held each year, starting in the town.
Bathing is popular at the broad beach of Black Rock Sands, with a predicted water quality of "excellent". Borth-y-Gest has a sand-and-pebble beach where bathing is safe inshore, but there are fast currents further out.
Gwynedd is a county in the north-west of Wales. It borders Anglesey across the Menai Strait to the north, Conwy, Denbighshire, and Powys to the east, Ceredigion over the Dyfi estuary to the south, and the Irish Sea to the west. The city of Bangor is the largest settlement, and the administrative centre is Caernarfon. The preserved county of Gwynedd, which is used for ceremonial purposes, includes the Isle of Anglesey.
Gwynedd is the second largest county in Wales but sparsely populated, with an area of 979 square miles (2,540 km2) and a population of 117,400. After Bangor (18,322), the largest settlements are Caernarfon (9,852), Bethesda (4,735), and Pwllheli (4,076). The county has the highest percentage of Welsh speakers in Wales, at 64.4%, and is considered a heartland of the language.
The geography of Gwynedd is mountainous, with a long coastline to the west. Much of the county is covered by Snowdonia National Park (Eryri), which contains Wales's highest mountain, Snowdon (Yr Wyddfa; 3,560 feet, 1,090 m). To the west, the Llŷn Peninsula is flatter and renowned for its scenic coastline, part of which is protected by the Llŷn AONB. Gwynedd also contains several of Wales's largest lakes and reservoirs, including the largest, Bala Lake (Llyn Tegid).
The area which is now the county has played a prominent part in the history of Wales. It formed part of the core of the Kingdom of Gwynedd and the native Principality of Wales, which under the House of Aberffraw remained independent from the Kingdom of England until Edward I's conquest between 1277 and 1283. Edward built the castles at Caernarfon and Harlech, which form part of the Castles and Town Walls of King Edward in Gwynedd World Heritage Site. During the Industrial Revolution the slate industry rapidly developed; in the late nineteenth century the neighbouring Penrhyn and Dinorwic quarries were the largest in the world, and the Slate Landscape of Northwest Wales is now a World Heritage Site. Gwynedd covers the majority of the historic counties of Caernarfonshire and Merionethshire.
In the past, historians such as J. E. Lloyd assumed that the Celtic source of the word Gwynedd meant 'collection of tribes' – the same root as the Irish fine, meaning 'tribe'. Further, a connection is recognised between the name and the Irish Féni, an early ethnonym for the Irish themselves, related to fían, 'company of hunting and fighting men, company of warriors under a leader'. Perhaps *u̯en-, u̯enə ('strive, hope, wish') is the Indo-European stem. The Irish settled in NW Wales, and in Dyfed, at the end of the Roman era. Venedotia was the Latin form, and in Penmachno there is a memorial stone from c. AD 500 which reads: Cantiori Hic Iacit Venedotis ('Here lies Cantiorix, citizen of Gwynedd'). The name was retained by the Brythons when the kingdom of Gwynedd was formed in the 5th century, and it remained until the invasion of Edward I. This historical name was revived when the new county was formed in 1974.
Gwynedd was an independent kingdom from the end of the Roman period until the 13th century, when it was conquered by England. The modern Gwynedd was one of eight Welsh counties created on 1 April 1974 under the Local Government Act 1972. It covered the entirety of the historic counties of Anglesey and Caernarfonshire, and all of Merionethshire apart from Edeirnion Rural District (which went to Clwyd); and also a few parishes of Denbighshire: Llanrwst, Llansanffraid Glan Conwy, Eglwysbach, Llanddoged, Llanrwst and Tir Ifan.
The county was divided into five districts: Aberconwy, Arfon, Dwyfor, Meirionnydd and Anglesey.
The Local Government (Wales) Act 1994 abolished the 1974 county (and the five districts) on 1 April 1996, and its area was divided: the Isle of Anglesey became an independent unitary authority, and Aberconwy (which included the former Denbighshire parishes) passed to the new Conwy County Borough. The remainder of the county was constituted as a principal area, with the name Caernarfonshire and Merionethshire, as it covers most of the areas of those two historic counties. As one of its first actions, the Council renamed itself Gwynedd on 2 April 1996. The present Gwynedd local government area is governed by Gwynedd Council. As a unitary authority, the modern entity no longer has any districts, but Arfon, Dwyfor and Meirionnydd remain as area committees.
The pre-1996 boundaries were retained as a preserved county for a few purposes such as the Lieutenancy. In 2003, the boundary with Clwyd was adjusted to match the modern local government boundary, so that the preserved county now covers the two local government areas of Gwynedd and Anglesey. Conwy county borough is now entirely within Clwyd.
A Gwynedd Constabulary was formed in 1950 by the merger of the Anglesey, Caernarfonshire and Merionethshire forces. A further amalgamation took place in the 1960s when Gwynedd Constabulary was merged with the Flintshire and Denbighshire county forces, retaining the name Gwynedd. In one proposal for local government reform in Wales, Gwynedd had been proposed as a name for a local authority covering all of north Wales, but the scheme as enacted divided this area between Gwynedd and Clwyd. To prevent confusion, the Gwynedd Constabulary was therefore renamed the North Wales Police.
The Snowdonia National Park was formed in 1951. After the 1974 local authority reorganisation, the park fell entirely within the boundaries of Gwynedd, and was run as a department of Gwynedd County Council. After the 1996 local government reorganisation, part of the park fell under Conwy County Borough, and the park's administration separated from the Gwynedd council. Gwynedd Council still appoints nine of the eighteen members of the Snowdonia National Park Authority; Conwy County Borough Council appoints three; and the Welsh Government appoints the remaining six.
There has been considerable inwards migration to Gwynedd, particularly from England. According to the 2021 census, 66.6% of residents had been born in Wales whilst 27.1% were born in England.
The county has a mixed economy. An important part of the economy is based on tourism: many visitors are attracted by the many beaches and the mountains. A significant part of the county lies within the Snowdonia National Park, which extends from the north coast down to the district of Meirionnydd in the south. But tourism provides seasonal employment and thus there is a shortage of jobs in the winter.
Agriculture is less important than in the past, especially in terms of the number of people who earn their living on the land, but it remains an important element of the economy.
The most important of the traditional industries is the slate industry, but these days only a small percentage of workers earn their living in the slate quarries.
Industries which have developed more recently include TV and sound studios: the record company Sain has its HQ in the county.
The education sector is also very important for the local economy, including Bangor University and Further Education colleges, Coleg Meirion-Dwyfor and Coleg Menai, both now part of Grŵp Llandrillo Menai.
The proportion of respondents in the 2011 census who said they could speak Welsh.
Gwynedd has the highest proportion of people in Wales who can speak Welsh. According to the 2021 census, 64.4% of the population aged three and over stated that they could speak Welsh,[7] while 64.4% noted that they could speak Welsh in the 2011 census.
It is estimated that 83% of the county's Welsh-speakers are fluent, the highest percentage of all counties in Wales.[9] The age group with the highest proportion of Welsh speakers in Gwynedd were those between ages 5–15, of whom 92.3% stated that they could speak Welsh in 2011.
The proportion of Welsh speakers in Gwynedd declined between 1991 and 2001,[10] from 72.1% to 68.7%, even though the proportion of Welsh speakers in Wales as a whole increased during that decade to 20.5%.
The Annual Population Survey estimated that as of March 2023, 77.0% of those in Gwynedd aged three years and above could speak Welsh.
Notable people
Leslie Bonnet (1902–1985), RAF officer, writer; originated the Welsh Harlequin duck in Criccieth
Sir Dave Brailsford (born 1964), cycling coach; grew up in Deiniolen, near Caernarfon
Duffy (born 1984), singer, songwriter and actress; born in Bangor, Gwynedd
Edward II of England (1284–1327), born in Caernarfon Castle
Elin Fflur (born 1984), singer-songwriter, TV and radio presenter; went to Bangor University
Bryn Fôn (born 1954), actor and singer-songwriter; born in Llanllyfni, Caernarfonshire.
Wayne Hennessey (born 1987), football goalkeeper with 108 caps for Wales; born in Bangor, Gwynedd
John Jones (c. 1530 – 1598), a Franciscan friar, Roman Catholic priest and martyr; born at Clynnog
Sir Love Jones-Parry, 1st Baronet (1832–1891), landowner and politician, co-founder of the Y Wladfa settlement in Patagonia
T. E. Lawrence (1888–1935), archaeologist, army officer and inspiration for Lawrence of Arabia, born in Tremadog
David Lloyd George (1863–1945), statesman and Prime Minister; lived in Llanystumdwy from infancy
Sasha (born 1969), disc jockey, born in Bangor, Gwynedd
Sir Bryn Terfel (born 1965), bass-baritone opera and concert singer from Pant Glas
Sir Clough Williams-Ellis (1883–1978), architect of Portmeirion
Owain Fôn Williams, (born 1987), footballer with 443 club caps; born and raised in Penygroes, Gwynedd.
Hedd Wyn (1887–1917), poet from the village of Trawsfynydd; killed in WWI
July was a busy, colorful month.
Pictures represent many different places - Redwood City, Newport Beach, Morro Bay, San Francisco, Palo Alto, Menlo Park, Mt. Shasta, Klamath Falls, Crater Lake, Tule Lake, Monte Sereno, Calaveras County, Alpine County and Arnold. Looks like my travels are over for a while as I start a new job on Monday.
1. Arnold Rim Trail, 2. The Mountains of Alpine County, 3. Calaveras State Park - The Big Tree & Me, 4. Cornsilk, 5. The Ring of Fire, 6. A Bevy of Blonde Beauties at Crater Lake, 7. Ripples & Reflections, 8. Night Photography #2 - Blues on Friday Night, 9. All the Lights On, 10. Welcome to Oregon - Prepare to Be Bugged !, 11. Mt. Shasta - East Side, 12. Blue Damselfly, 13. Crater Lake - The Bluest Blue, 14. Shasta Lake - Drought Year !, 15. Commitment #6 - Love Never Fails, 16. Commitment #5 - Healthy Eating, 17. Commitment #4 - Gardening, 18. Commitment #3 - Save the Bay, 19. Commitment #2 - Waiting to Ripen, 20. Tenderness - A Study of Rodin's "The Kiss", 21. Texture #7 - Agapanthus Blooms, 22. Texture #6 - Swagger, 23. Dusk at Morro Bay, 24. Texture #5 - Spinach Salad, 25. Texture #4 - Day at the Ballpark, 26. Texture #3 - Bison Burger, It's What's For Dinner, 27. Texture #2 - Field of Lavender, 28. Texture #1 - Corn on the Cob, 29. Cormorant in Morro Bay, 30. Golden Sunset - Morro Bay, 31. Red, White & Blue, 32. Newport Beach Back Bay Hazy Afternoon, 33. God Bless America, 34. Center #3 - Just the Nose, 35. Center #2 - Just a Fig
Disney villains, represent!
The characters: Mother Gothel (Tangled); Jafar (Aladdin), and Ursula (The Little Mermaid). Anyone know who the cosplayers are? Or could someone forward a copy of this to them? Thanks.
Edit: Mother Gothel is Desiree (Fushicho Cosplay)
UPDATE: These Disney villains were used in a Hubpage article on photography genres you may not know about. It's an interesting article.
portfolio shoot with model Annie in Bohuslän, Sweden
Annie is represented by Avenuemodeller
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