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A reproduction of a John William Watterhouse sketch. I was working more on my ability to render cloth than anything... it's ok.. not thrilled with it.
Forklift needed to hold up the corner of the porch so we could tear out a rotten carrier beam and replace it.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
In all domains of life, DNA synthesis occurs bidirectionally from
replication origins. Researchers at UOW are working on copying DNA. Photo shows (front) Nicholas Dixon, (clockwise) Aaron Oakley, Zhi Qiang Xu and Slobodan Jergic.
We have just started a project to learn more about editing software and surrealism as a general topic. This photograph was taken as a replication shot of one of Julie De Waroquier "Inner World" images called "Reality Wont Let Me Dream".
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
The internet is great. But sometimes you just can't find the answer to you question, like how do I convince Slic3r to work with my Makerbot Replicator (original)?
[Slic3r works well with the Lulzbot, but often takes FOR-EVER to print to file, even slower than MakerWare!]
Aside from choosing "MakerWare (Makerbot)" from the pop-up in the General Printer Settings, You'll want to set the bed size to 225x145 and the center 0x0.
But the real trick is getting the start-up. Under Custom G-code I used this content (mostly stolen from ReplicatorG):
M103 (disable RPM)
M73 P0 (enable build progress)
G21 (set units to mm)
G90 (set positioning to absolute)
(**** begin homing ****)
G162 X Y F2500 (home XY axes maximum)
G161 Z F1100 (home Z axis minimum)
G92 Z-5 (set Z to -5)
G1 Z0.0 (move Z to "0")
G161 Z F100 (home Z axis minimum)
M132 X Y Z A B (Recall stored home offsets for XYZAB axis)
(**** end homing ****)
G1 X-110.5 Y-74 Z150 F3300.0 (move to waiting position)
G130 X20 Y20 Z20 A20 B20 (Lower stepper Vrefs while heating)
M6 T0 (wait for toolhead, and HBP to reach temperature)
G130 X127 Y127 Z40 A127 B127 (Set Stepper motor Vref to defaults)
(**** end of start.gcode ****)
I still need to figure out the end-of-print content.
Don't forget the filament thickness.
And you may want to convert from gcode to x3g using GPX (www.thingiverse.com/thing:81425)
e.g.:
gpx -g -m r1d ../your.gcode
Mind you I've tried none of this with dualstrusion yet. Probably much more agony awaiting me.
UPDATE:
This code works fine for the end of a print:
M73 P100 ( End build progress )
G0 Z150 ( Send Z axis to bottom of machine )
M18 ( Disable steppers )
M109 S0 T0 ( Cool down the build platform )
M104 S0 T0 ( Cool down the Right Extruder )
M104 S0 T1 ( Cool down the Left Extruder )
G162 X Y F2500 ( Home XY endstops )
M18 ( Disable stepper motors )
M70 P5 ( We <3 Making Things!)
M72 P1 ( Play Ta-Da song )
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Replication of drawings from children who were sent to Auschwitz and drew on the walls of the camps barracks.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
In this first trial shoot I am using Loli Nori's really amazing charcoal "Drow" skin, which she (for some reason best known to her alone) is giving away as a freebie at the Bare Rose Mall. This skin is simply the best skin that I have seen anywhere in Second Life. Sadly, I do not use it on a regular basis since the dark tone sort of stops Alpha from being the "look alike" avatar that I prefer her to be. I am not too sure that this skin will actually get Alpha into the range of the Valley's threshold since it is actually very "humanly" expressive. It is why it is such a gorgeous skin in the first place...
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.” www.flickr.com/photos/the_eye_of_the_moment
nrhodesphotos@yahoo.com
“The-Eye-of-the-Moment-Photos-by-Nolan-H.-Rhodes”
A copy of “AXL II2” by László Moholy-Nagy made with Adobe Photoshop as part of my Replication assignment for my CS4231 Module.
The Painting can easily be broken into separate layered shapes, which made replicating it's structure and layout within Photoshop very simple. I used the shape tools to create new shape objects and the free transform tools to manipulate the objects into the sizes I wanted, then used the colour-picker tool to get all of my shapes as close to the original colours as possible. I still wanted to replicate that canvas texture in the original, so I found an image of some parchment paper and overlayed it on top of all the shapes with low opacity and some noise to help give it a rougher finish.
Trying to get the right combination of "stick" to hold the tissue paper down, on the right subsurface material, with the right glue, so it holds in place while plastic is deposited but can be removed when completed.
That's a mouthful!
Replication of drawings from children who were sent to Auschwitz and drew on the walls of the camps barracks.
We filmed at a Halloween Attraction known as Spooky Woods (spookywoods.com). Crazy awesome place. Suppose to be the 2nd scariest haloween attraction in the U.S. I believe it!!
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
A replicate of Cambodia's temple in Chiang Mai, Thailand... dont have to go to Cambodia for it anymore...
I love the RepRap logo!
Printed using ABS at 230C with a 0.4mm nozzle, layer height 0.35mm, fully solid no sparse infill. It took about 5 hours and 40 minutes to print the 39 layers.
For this part we would have paid about 50 euro at a local rapid prototyping company. More than for all the 2.5kg of raw ABS we bought in the RRRF Store. I think the material cost for it are only a few dollars. I'll have to weight it and calculate the exact costs :)