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ReServe staffer Jess Geevarghese with Commissioner Edwin Mendez-Santiago (NYC Department for the Aging)
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
taro replicates the internet meme of the 'haters gonna hate'. part of the taro goes pop! series.
you can read more about taro the shiba on his blog: tar0shiba.tumblr.com/
or follow taro on twitter: twitter.com/_tar0_
I replicated this painting so that all of my posterity and wife's relatives could have a copy of this painting or "touched up photo".
The SD card slot in my Makerbot Replicator1 died a few months ago, couldn't find a replacement. But on ebay there was a "Geeetech MightyBoard LCD 2004 Controller with SD card slot for MakerBot". It works! It's a different layout though, so doesn't fit.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
In this first trial shoot I am using Loli Nori's really amazing charcoal "Drow" skin, which she (for some reason best known to her alone) is giving away as a freebie at the Bare Rose Mall. This skin is simply the best skin that I have seen anywhere in Second Life. Sadly, I do not use it on a regular basis since the dark tone sort of stops Alpha from being the "look alike" avatar that I prefer her to be. I am not too sure that this skin will actually get Alpha into the range of the Valley's threshold since it is actually very "humanly" expressive. It is why it is such a gorgeous skin in the first place...
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
I had to replicate a scene from a movie, it was more of a trial and error learning experience. My respects to the camera and editor men/women that shot and edited this scene professionally.
I'm am testing this modification to see if you can get the benefit of 3-point leveling on the Makerbot Replicator. The early experiments seem to be working well, but I think the front spring needs to be replaced with something slightly shorter.
Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 25, 2018. BLM photo: Matt Christenson
A quiet oak savanna in southwest Oregon has a World War II story to tell.
It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.
Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.
The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.
At Camp White, in the heart of the Rogue River Valley, it got loud very quick.
Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.
And then the troops arrived.
The newly reinstated 91st Division went on 91-mile-long hikes.
They fired bazookas, mortars and tanks.
And they attacked concrete pillboxes built to replicate Nazi bunkers.
Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.
The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.
After decades of private cattle farming, Camp White’s pillboxes now rest on public land.
Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Trying to get the right combination of "stick" to hold the tissue paper down, on the right subsurface material, with the right glue, so it holds in place while plastic is deposited but can be removed when completed.
That's a mouthful!
Nobody had caught Lindsey making her patented sour face for 12 years, until now. Until I came along.
This is my replication of Mastromatleo's work. i think that it is focused on the aspect of senses therefore features such as the mouth and res are emphasised. As I have begun to look at this subject and eyes, I thought that this photographer would be good to research and make connections to. i have discovered new techniques such as photoshopping and managed to teach myself new skills within the software.
I took my photographs using an iPhone camera as I wanted to experiment with my outcomes. Using studio lighting I decided to keep it at an angle rathe than straight on to create shadows to make the photos more atmospheric. I also edited them and reduced the saturation by 100% to create a black and white effect, again to male it more atmospheric and tonal.
In my work you can see that I have used basic elements such as form and tone. I decided to take them in portrait so that more of the subject is shown and in focus. I kept the model positioned in the middle centre of the photographs so that that's what is getting the attention of the viewer. using a blank, simple background also helped to prevent this problem.
The great thing about the die cast models available these days is that they offer great detailing and features in an affordable model and they rarely use adhesives for assembly. The bad thing is that they never seem to come in the color that you need. The first thing you need to do is find a model that comes closest to what you want. For this Right On! Replica Project I used a die cast Maisto® brand Jeep® Wrangler® Sahara model #31662 in 1:18 scale Once you’ve done that it’s time to dive in and make the changes you need to personalize it to your requirements.
Visit www.rightonreplicas.com
replicated my scarlet cake from the other week after all the commotion it created, skye collections created this topper (wasn't thrilled with the topper of the erral cake but LOVE this!!!!) think this one came out cleaner than the first one too!!
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Replicating one of Da Vinci’s arched bridge designs from a pile of notched logs. Da Vinci created these designs for the Duke of Milan, Ludovico ‘Il Moro’ to facilitate rapid troop movements across rivers while carrying out surprise attacks. It took us four attempts to get the structure stable enough to bear our weight and one wonders how easy it would have been to build these bridges without access to both sides of the river or under a hail of arrows or flaming shot!
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Chester Zoo's Spirit of the Jaguar exhibit is home to five magnificent Jaguars. Their rainforest and savannah-themed enclosures replicate the range of habitats occupied by Jaguars in the wild.
Providing the animals with such stimulating environments promotes natural behaviours like climbing, stalking and swimming - which they especially enjoy!
Jaguars’ coats are usually golden with an intricate pattern of black spots, ringed by dark rosettes. ‘Melanistic’ Jaguar, Pele, has an increased amount of dark pigmentation, making his fur black. If you look closely, you can still the typical rosette markings on Pele’s coat.
To further encourage their Jaguars to behave naturally, keepers provide a variety of environmental enrichment including scent trails, scatter feeds, climbing poles, and hiding food (such as chicken, rabbit, beef or fish) around their enclosures. Wild Jaguars are opportunistic hunters, preying on a wide variety of mammals, reptiles and fish.
Cattle-ranching now dominates much of the Jaguars savannah habitats, where they have adapted to prey on domestic cattle - unfortunately bringing them into direct conflict with farmers.
Chester Zoo’s Jaguar and People Conservation Programme works to address human-Jaguar conflict and we also provide grants each year to support various Jaguar conservation projects.
Species Information
Where they live: Central and South America – from Mexico to Argentina.
Habitat: Lush rainforest, swamplands, scrubland, savannas. They always live within easy access of water.
Size:
Length (including tail): up to 241cm Shoulder height: up to 76cm
Weight: 85– 158kg
Conservation status: IUCN Red List: Near Threatened
Threats: Hunting for their pelts for the fur trade and by farmers in retaliation for attacks on livestock. Habitat loss and deforestation due to agricultural and urban development. Such developments also have an impact on jaguar food sources, reducing the amount of prey available.