View allAll Photos Tagged replicator
Replicating the dynamic natural qualities of sun and moon lighting, the TrueLumen™ LED strips combine the life-sustaining wavelengths of light with the efficiency of LED technology into a low profile, sleek lighting system. The powerful LED chips add the natural shimmering effect and rippling glow found on natural coral reefs while producing virtually no heat and consuming very little electricity. TrueLumen™ LED strips are available in 3 color spectrum combinations - 12,000k Daylight, 453nm Actinic, Rose, Rose/White or a 12,000k/Actinic Blue combination.
Borrowing a Replicator from Makerbot. What a great upgrade from the Thingamatic that we have at NYC Resistor.
Replicating the iconic Cobb and Co teams of Australia's history, Longreach's tourist operater races its team back towards town.
Invented in the William Pepper Laboratory at the University of Pennsylvania by Drs. Edward Steers, Elwood L. Foltz and Betty S. Graves, 1959. This inoculum replicating apparatus for the routine testing of bacterial susceptibility to antibiotics advanced the study and detection of antibiotic resistance in human pathogens. A modified version of the device, found worldwide, remains in use in today's microbiology laboratories. In 1960, Steers headed up the Bacteriology (Microbiology) Section of the William Pepper Laboratory.
Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
A video that shows most of the ceremony, with most of the troops and attendees in it, parts not also in photos, is at: www.youtube.com/watch?v=h6T1JgD1MgI&t=20s
As a part of the Star Spangled 200 festivities honoring the bicentennial of the War of 1812, on September 11, 2014 five hundred members of the Maryland National Guard (MDNG) 175th Infantry Regiment (Fifth Maryland) along with Maryland Defense Force members replicated the six mile route that the Maryland Militia took two hundred years ago to fight off invading British troops. The march began in Baltimore City’s Patterson Park, and the route was along Eastern Avenue into Baltimore County to Battle Acre Park in Dundalk, Maryland U.S.A..
The Maryland National Guard's 229th Army Band and the Maryland Defense Force Band performed during the ceremony. The event included a wreath-laying ceremony with British Embassy personnel, high ranking military members, and Maryland and Baltimore County government personnel. Baltimore County dedicated a new mural to commemorate the County's role in the War of 1812. The mural overlooks the newly renovated County park, which is on the site of the Battle of North Point, a crucial military engagement in which U.S. soldiers stalled British land forces so American troops could fortify Fort McHenry plus any Baltimorean who could help was fortifying Hampstead Hill/Patterson Park to save Baltimore from capture. Thankfully to the sacrifices of those who defended Baltimore, a great American victory was won that influenced the states to come together as a unified nation.
The "Home of the Brave" mural features the Battle of North Point engagement, with American troops holding formation, blocking British troops from advancing toward Fort McHenry. This panel is flanked by portraits of the battle's military leaders, U.S. General John Stricker and British General Robert Ross. Another panel highlights the historic Todd's Inheritance homestead, showing rural life in eastern Baltimore County during the early 1800's. A final scene shows a celebration ceremony held in 1839, just 25 years after the Battle of North Point was waged on the site.
The "Home of the Brave" mural was designed and painted by artist Marshall Adams and is a project of the Baltimore County Commission on Arts and Sciences in partnership with the Dundalk Renaissance Corporation. Funding was provided through grants from The Citizens of Baltimore County and the Maryland State Arts Council.
It was an intensely sunny day in Dundalk. The 200th March of the Defenders was kicked off by a large celebration in Baltimore City's Paterson Park. I had figured that all the major politicians, news people, spectators, and all would only attend the Baltimore City part of the event. Only the City politicians and most spectators stayed in town, and I was sunny-day-surprised when more and more people kept coming into Baltimore County's Battle Acre Park. When I saw some British military march up, I knew it was gonna be more than I had hoped for. I began seeing high ranking U.S. soldiers come in to the park. Then Maryland's Governor went strolling past me, and the local politicians were real happy to be there.
Just before the marching hundreds arrived, about seven military photographers - American and British ones - spread out on the scene. Several civilian pro-photographers came on board the scene. I knew that that dozen or so other photogs would be after shots of the very most important I attendees and parts of the ceremony. I determined that the best thing for me was to try and get at least one good, recognizable photo of everyone there - especially the 500+ in U.S. Army camo fatigues. I got about 90% of the people there in my photography of that mighty fine day.
I also covered several angles of view of the neighborhood, for people who lived in the area long ago and barely recall - or never knew - where Battle Acre is. I shot it all to bring us as close to being there as we can. I wanted as many different groups of soldiers as I could, so old friends can see each other's photos from that day. A big enough great day in all our lives there.
The Blue Angles flew over a few times, as they went to and from practicing air show maneuvers for their upcoming shows over Baltimore that Saturday and Sunday.
Hundreds of times, since the 1950's, I have ridden past Battle Acre Park. I recall being about 8-yrs-old in '58 and looking out my father's car window at the overgrown mess that was Battle Acre and being offended by the look of it all. I rarely ever looked over at the park after that. So I am quite well pleased to see what people, businesses & government have done by fixing up the memorial for a battle that helped keep America free.
Photography by David Robert Crews {a.k.a. ursusdave}
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Raspberry Pi Case
www.thingiverse.com/thing:24721
Printed in translucent PLA on MakerBot Replicator.
HBP set to 60C with painter's tape surface.
Tank a tenuta di luce, per sviluppare singole lastre a luce soffusa o di sicurezza rossa.
Replicabile anche in formati più piccoli (4x5" o 5x7").
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Flat-films processor 8x10 "- Internal view with plate lying (on yellow card ...)
Light-tight tank, to develop single plates in soft ambient light or red safelight.
Replicable even in smaller sizes (4x5 "or 5x7").
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
I tried to replicate the general look of the B4. I experimented with colours - this bogies has dark grey jumpers and brown headlamp bricks holding on the side frames but the other bogie features all black to one side and red headlamps on the other. I've not made my miond up yet.
Replicating the dynamic natural qualities of sun and moon lighting, the TrueLumen™ LED strips combine the life-sustaining wavelengths of light with the efficiency of LED technology into a low profile, sleek lighting system. The powerful LED chips add the natural shimmering effect and rippling glow found on natural coral reefs while producing virtually no heat and consuming very little electricity. TrueLumen™ LED strips are available in 3 color spectrum combinations - 12,000k Daylight, 453nm Actinic, Rose, Rose/White or a 12,000k/Actinic Blue combination.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Las pulseras son un modelo de Mike Battaglia www.thingiverse.com/thing:24844
Impresas en PLA con la Replicator 2
The port helm station (one on either side of the platform) was replicated in all its little details using lemon and pomelo wood. To make the set of two 2 1/2 inch wheels I used lignum vitae wood. The wood of life. Some of it grows in Hawaii and it is a very dense, dark green oily wood with a lilac scent when cutting or sanding. Because of its properties, lignum vitae was often used, during the middle ages, for the construction of precision instruments. John Harrison, the famous English clockmaker (1693-1776) used lignum vitae for the construction of the first marine chronometer. He spent a lifetime perfecting the marine chronometer in order to win a 20.000 Pound Sterling prize offered by the Longitude Act of 1714 for the invention or method capable of calculating longitude within 1/2 degree (30 miles).
Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
A modern re-enactment at Auchmithie of days gone by, when the womenfolk of the village would carry their men out to their fishing boats to save the men from getting their feet wet. This is from August, 2004.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
This has been my favorite dress for a long time, but due to frequent wear, it's colour had worn out and I know I will be throwing (donate/recycle) it away soon. As a keepsake, I made a Barbie-sized replicate for my daughters' barbie dolls.. It turned out quite neat, isn't it? :) Check out my FB to see the process of making this dress: www.facebook.com/IrisCreation