Fake Vintage Photos
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Crazy Tuesday
Spoon Reflections
Colored pencils reflection
in a highly polished stainless steel
serving spoon
The Church of the Gesù was based on the Church of the Gesù in Rome. Construction began in 1864, and the church opened on July 10, 1865. The Gesù witnessed the first "electric candle " lit in Canada in 1878.
The Gesù in Montreal is a not an exact replica of the Gesù in Rome. It is nevertheless a large church of about 4,400 square metres (47,000 sq ft) with a vault height of 22.9 metres (75 ft) above ground level. This is the only entirely baroque-style church in Montreal. The church was to be topped by two bell towers on either side of the entrance. The bases were constructed, although the towers were never completed for financial reasons. A large part of the funds raised for construction of the church were used instead to support the Collège Sainte-Marie.
The vault of the Gesù consists of five arches. It is adorned with frescoes by American painter Daniel Muller, who replicated work from the German school of Düsseldorf, depicting the life of Jesus. In this church, there is a statue of Notre-Dame-de-Liesse, brought from France in 1877, which contains the ashes of the original statue burned during the French Revolution.
The basement of the Gesù was converted into an auditorium and is one of the oldest cultural centers in Montreal. It has played an important role in Montreal's cultural life, welcoming both local and foreign actors, including the Compagnons de Saint-Laurent, under the direction of Father Émile Legault, and the Théâtre du Nouveau Monde. Info. on Wikipedia.
Steamtown National Historic Site (NHS) is a railroad museum and heritage railroad located on 62.48 acres (25.3 ha)[2] in downtown Scranton, Pennsylvania, at the site of the former Scranton yards of the Delaware, Lackawanna and Western Railroad (DL&W). The museum is built around a working turntable and a roundhouse that are largely replications of the original DL&W facilities; the roundhouse, for example, was reconstructed from remnants of a 1932 structure. The site also features several original outbuildings dated between 1899 and 1902
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I couldn't resist to take a selfie at (or rather under) the Cloud Gate, a sculpture by Anish Kapoor installed in the Millennium park in Chicago, IL, U.S.A. It is definitely one of the most intriguing modern sculptures I've seen installed in public spaces.
Plimoth Plantation in Plymouth, MA is a living history museum that replicates the first settlement by the Mayflower pilgrims
When I was little, my dad used to whistle "whipper will, whipper will!" We would watch birds and try to replicate their songs. He passed when I was very young but I still recall whistling with him. Last year, while I was unemployed, my husband bought me the 150-600 mm lens so that I might give a go at photographing birds. Its been the joy of a lifetime. If I could, I would be amongst the birds every day! These are feathers I have collected from our place - I've probably met the owners of each them…
Be well and thanks for visiting!
PosEd- "Dreamer" is an new main-store SINGLES pose release. Again, for photo purposes the second pose was replicated. Includes dock with fallen leaves as well as options for removing them too which makes it perfect for your Fall photos. Available now in-world and on MP.
@http://maps.secondlife.com/secondlife/Gold%20Nook/59/90/3001
@https://marketplace.secondlife.com/p/PosEd-Dreamer/22771515
Today, I'm focusing on "the styles". My inspiration for this image is Ralph Lentjes, @ralphlentjes. I attempted to replicate one of his pictures without using his prompt, so I wrote my own, hopefully with good results. I panned right to include the mountains (replaced "Lady on the beach" against "mountain"), did some upscaling, and minimal post-processing in Photoshop. The intriguing part of this is that I have added my own styles to this exact prompt. These images will be presented separately. This is Style raw.
Midjourney prompt in the tags
there they are, all my braincells replicated in a silo. happy new year everyone!! i love how time rolls like a wave around this big ball we all live on, striking the midnight hour according to pleats folded on the planet. ok, so i love this!....went out to dinner tonight and discovered a 13 yr old had accidentally walked off with my coat. got it when they drove back but i had done the same thing at the exact hour on christmas eve last week. so coat theft is the new must-have biorythm. love you all, thanks for a year of gobsmack amazing images. you make me happy.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
A close up from the last shot from Seacliff of St Baldreds Boat a monument off the point at Seacliff.
It looks like a lighthouse but isn't, but is a nice feature. Its about 15 feet high I think so that gives a sense of scale. I have walked out to it and its a long and tricky walk with massive rocks to contend with and as Darren Muir can vouch for make sure the tide is staying out...
Added a touch of motion blur and boosted the colours to replicate my old arty style.
The Ranch originally consisted of 160 acres and was owned by Juan Romero, a native American who is believed to have lived in the village next to the Carmel Mission. In 1852 he deeded the property to William Curtis, a Monterey storekeeper, for $300. In the 1850's, the property became one of the first of the early California dairies. The creamery, which supplied the county with cheese and butter, now houses the restaurant. The barns were used for hay and milking. During this time, the Martin family, who owned the ranch for 60 years, also farmed potatoes for the Sierra gold miners.
Clint Eastwood bought the ranch in 1986, rescuing the property from an impending fate as a condominium development. He sought out the best craftsmen for renovation who have replicated moldings, doorframes and hardware to match the style of the original buildings. Each structure reflects a different architectural period: from the 1840's feel of the restaurant and dance barn to the century old Martin Farmhouse and Bunkhouse.
This view replicates what is probably the most iconic photograph taken in the Cradle Mountain National Park. Everyone who has heard of Cradle Mountain has seen a photo of the famous boatshed alongside Dove Lake with the mountain behind. And almost everyone who visits here has taken a photograph from this spot.
But this is the last photograph I will show that can be considered a normal tourist shot. Ideally, this photograph would have been taken in a glorious golden sunset with glass-smooth water (thanks to a long exposure). But as you saw in my photograph yesterday the weather had other ideas, and any use of a tripod was ruled out by the strong winds. And of course the snow storm replaced the sunset. Never mind. You can find plenty of those scenes on the internet anyway.
Chingford, London.
A warm period at the time, and you can see from this the reservoirs are far from full.
In the top right, you can see a line of pylons following the River Lea.
I took a picture from here around the same time last year, but I can't replicate the scene; nearly 13 years on the trees in the foreground have grown so much, that most of this view is now screened.
Replicated painted wall deterioration as part of the 19th Sydney Biennale {19BOS} by Christine Streuli "Gradually Real" 2014
Cockatoo Island, Sydney, April 2014
2014.0417
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This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
I have set myself the task of trying to replicate Edward Weston's worklow in his vegetable still lifes/portraits. He shot them in natural light, in a large metal funnel with closed down apertures and long shutter durations. He then contact printed the 8x10 negatives.
I acquired a funnel, and in today's first step I explored the lighting with a digital camera. I started outdoors in direct sunlight, but eventually arrived at a place where there was no direct sunlight, but simply bounce-light picked up indoors, with the soft light from the funnel providing highlights.
Weston did not crop, since he was contact printing, and was working in a 4x5 aspect ratio, My pepper is stubby, and does not like 4x5, so I will have to find a taller skinnier pepper for the large format film shot. Also, the "interesting" peppers tend to get culled before they reach the shelf in the produce department...
I owe all of this to @Linda McClendon who posted a beautiful cabbage leaf in the style of Edward Weston a week or two ago...
The Palace of Stirling Castle was built by King James V in the mid-sixteenth century. The King had just returned from France and wanted new accommodation to rival what he had seen on the Continent. This etching shows the view along the southern side of the Palace. Cameron concentrated on depicting the ornate façade with its tall grilled windows and grotesque carved figures. These Renaissance sculptures were probably carved by a Frenchman, and would have been an attempt by King James V to replicate the type of work that he has seen at Loches and Blois in France. Today the Palace is considered one of the finest Renaissance buildings in Scotland, and the sculptures are among the best examples of French stone carving in the country.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
Marius Els did an example of using under the brush tool :symmetry and making Mandalas. Since I never used this variant of the brush tool here is my piece called Dream Replication. Enjoy!
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
“The Eye Moment photos by Nolan H. Rhodes”
Theeyeofthemoment21@gmail.com
www.flickr.com/photos/the_eye_of_the_moment
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.” www.flickr.com/photos/the_eye_of_the_moment
There's a scene in this video of Odex walking in an office (almost the Backrooms?) that I wanted to try out (specifically at 1:20):
www.youtube.com/watch?v=sknq2H4z0lw
First off, the robot itself is very cool but the lighting in that scene is very interesting. I couldn't replicate it exactly but I found my own take on it.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
Capture while the arclight was replicating in the frog road tunnel. Hope everyone is having a wonderful Wednesday. :-)
#lightpaintingbrushes
I would say that observations of patterns is my true quest as a nature photographer. I don't look for certain patterns, I just look, and when I see a pattern that strikes me, thats when I pull my camera out of its pouch. The pattern of the Shawnee Hills are observed from the Union County Wildlife Preserve in southern Illinois was duplicated in the clouds hovering above.
www.facebook.com/neilholmanphotograghy/?ref=aymt_homepage...
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs