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Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
Acrylic marker and ink on paper 9.85" x 13.85" May 8, 2025. www.saatchiart.com/en-jp/art/Drawing-Self-replicating-Sur...
Replication of drawings from children who were sent to Auschwitz and drew on the walls of the camps barracks.
I did these for a BF member who provided me with some free parts for one of my builds...
There are two small areas where the drill bit wandered - that black anodizing is hard stuff to get through! - and I touched them up with a Sharpie. Can you find them?
I had to replace the springs with bigger ones and change the 1:200 geared motor to a 1:600 one. Now extrusion is constant and stable again :)
So back in the game of self replication I decided to print a opto-endstop bracket because it's small and yet looks nice.
The layers are very well aligned - even better than with the old extruder. I think thats because the old printing head had some slack that allowed it to move a little bit. So its position varied a little bit from layer to layer. To prevent this I made the PEEK insulator piec a little bit higher so it sticks half a mm and is held in its position tightly by the polymer guide. This is of only necessary because we use a non-standard shaped insulator piece that is only held in position by its T-shape. We've blogged about this a few weeks ago.
Things to improve: The tip of the new nozzle I made is not as long as the tip of the old extruder. So it tends to drag more material around. In the upper left corner of the picture you can see some of this dragged-around material that got burned and then got printed into the object. It does not look very nice but it does not change the functionality of the printed part.
After taking the part off the ABS sheet we use as a base material it turned out to be a little bent (about 1mm over 6cm) but it's hard to measure this. So I guess I'll have a look at the raft feature in enriques scripts next and decrease extrusion speed a little bit (now it's really solid no holes anywhere in the infill) because nopehead and others have reported that this should help to minimize the bending.
At least it has no moving parts. This still doesn't prevent it from failing to work. I, for one, do not fear the rise of our robot overlords.
This is a photo I replicated for my photo class for our photo project.
It is originally by Walker Evans
here it is
www.mischiefmydear.com/dramatispersonae/wp-content/upload...
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Cool Town's replication of Ellen's set
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In the mid to late 1970s I was employed as a Residential Social Worker at a long-stay children and young person home in a south London borough. During my stay there I took many hundreds of photos of the youngsters in my care and of the activities in which we were involved.
This is the first rally that I took "C" and "D" along when I was exhibiting some of my engines, we stayed overnight at my parent's house a few miles away. Although "D" looks bored out of his mind he probably wasn't as he and "C" became two of my regular rally attendees. They hadn't yet got used to me pointing a camera at them.
You can read some of my experiences whilst working at the home on my Wordpress blog:
opobs.wordpress.com/category/the-london-years/
This image is the copyright of © Michael John Stokes; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at mjs@opobs.co.uk for permission to use any of my photographs.
PLEASE NOTE: Before adding any of my photographs to your 'Favorites", please check out my policy on this issue on my profile.
Just trying to replicate Michael Levin's style.
Wasn't dark enough (or, I didn't have enough ND filter - two 4 stop and my circular polorizer)
More pics at:
Replication of im# 5434 - former site of rust camp. Taken from within fred harvey (Xanterra) Mule corral looking north. 12 mar 1985. Nps, cleeland.
Commissioner Edwin Mendez-Santiago (NYC Department for the Aging) addresses the conference after dinner at the Harvard Club, midtown Manhattan
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Replicating a flood or objects waterlogged after a fire (from water sprinklers or fire hoses), variety of objects typically found in museum/office situation were soaked in tubs of cold water all morning before the afternoon salvage session.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Black and white or colour?
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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Grey goo is a hypothetical end-of-the-world scenario involving molecular nanotechnology in which out-of-control self-replicating robots consume all matter on Earth while building more of themselves, a scenario known as ecophagy.
Lots of replicated bags and watches were selling here. If I had a real LV bag or what, I won't willing to bring that with me cause that's so "fake" in Greece :p
Carhenge, which replicates Stonehenge, consists of the circle of cars, 3 standing trilithons within the circle, the heel stone, slaughter stone, and 2 station stones, and the Aubrey circle, named after Sir John Aubrey who first recognized the earthworks and great stones as a prehistoric temple in 1648. It was not until excavations undertaken in the 1920's that they were found to be holes cut to hold timber uprights. A total of 56 holes were discovered and named the Aubrey Holes in honor of John Aubrey's observation.
The artist of this unique car sculpture, Jim Reinders, experimented with unusual and interesting artistic creations throughout his life. While living in England, he had the opportunity to study the design and purpose of Stonehenge. His desire to copy Stonehenge in physical size and placement came to fruition in the summer of 1987 with the help of many family members.
Thirty-eight automobiles were placed to assume the same proportions as Stonehenge with the circle measuring approximately 96 feet in diameter. Some autos are held upright in pits five feet deep, trunk end down, while those cars which are placed to form the arches have been welded in place. All are covered with gray spray paint. The honor of depicting the heel stone goes to a 1962 Caddy.
Part of the hallway restoration was to raise the sagged ceiling, add aircell insulation and new gyprock ceiling and then replicate the timberwork, so we have it coming and going. There is still a lot to do. Chase in the wiring, patch the cracks, widen the bathroom doorway, add cornices, replace the doors, painting, new light fitting and floor covering. It will keep me busy for a few weekends to come.
Replicate of StarCraft II Nexus built by me in Minecraft.
By day
With the aid of MCEdit, mod: zombe, mod: toomanyitems.
Pic of a nexus: starcraft.wikia.com/wiki/File:Nexus_SC2_DevRend2.jpg
Replicating the Dutch master, photographers have been able to duplicate his style of lighting. In photoshop you neither have a model, nor can you arrange the lights. All you have is a 2D image. But it can be done in any version.
The tutorial is here : photoshopper27.blogspot.com/2010/10/rembrandt-style-of-li...
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Replicating one of Da Vinci’s arched bridge designs from a pile of notched logs. Da Vinci created these designs for the Duke of Milan, Ludovico ‘Il Moro’ to facilitate rapid troop movements across rivers while carrying out surprise attacks. It took us four attempts to get the structure stable enough to bear our weight and one wonders how easy it would have been to build these bridges without access to both sides of the river or under a hail of arrows or flaming shot!
I spent my afternoon greasing my bike's chain with Rock 'N' Roll Lube. Dang good stuff, got all the crap off my chain and made it purr like a kitten.
How I love Mountain Biking. It's so fun. Going down a hill on two wheels at 40 mph, darting through trees and up and down dirt paths is bliss. It rivals that of snowboarding in my life. I got this bike for cheap, a Specialized. 100 bucks for a good bike in great condition. And now it is in condition to go mountain biking once again.
For this shot, I couldn't decide between the two so I put them together in a way I copied from one of my contacts. I thought it was a cool Idea so this is my replication of what she did. AlleyRichelle's shot is way more beautiful.
Replicating the image of Hans (Sadloafer). A wonderful view from Thorpe Hesley looking towards the Church at Wentworth. The eagle-eyed will spot the much photographed tree (Hans,Ken and me) in 3/4 distance) Thanks to Hans (Sadloafer) and Ken (Adobeman) for another pleasant sojourn on a beautiful late Spring evening.
2012 © David White Photography. Please do not use without permission.