View allAll Photos Tagged replicator
Estimated : € 30.000 - 40.000
Sold for € 102.340
The Renault Icons
Auction - Artcurial
Renault Manufacture
Flins-sur-Seine
Aubergenville - France
December 2025
- Chassis no. VFAD5030500086004
- Only two examples built by Alpine
- Model never released commercially
- Exceptional performance
- Magnificent original Ottoman Green paintwork
The Alpine A610 was the last model produced by the Normandy-based manufacturer before it went into hibernation in 1994, only to be revived a few years ago thanks to the determination of Carlos Tavares. A highly accomplished car, it was a powerful, fast and comfortable GT, but came with a hefty price tag. Faced with falling sales in mid-1993, the idea arose in Dieppe to replicate the commercial success of the A310 GT pack and the V6 turbo ‘Le Mans’, whose flared wings and very wide rims had appealed to customers.
In the autumn of 1993, Berex in Dieppe (the design and exploratory research office) studied a version of the A610 fitted with the wider wings of the ‘Le Mans’ model.
This version was to be fitted with attractive 8- and 10-inch-wide Gotti rims, and the power of the 250 hp V6 Turbo engine was increased to 280 hp through a slight increase in boost pressure, a different ECU chip and a new wastegate. Torque increased significantly, from 35.7 to 43 m.kg Din at 2900 rpm, giving the 3-litre V6 a more violent and aggressive character.
The torque increased significantly, from 35.7 to 43 m.kg Din at 2900 rpm, giving the 3-litre V6 engine a more violent and aggressive character. Dieppe manufactured its first 610 Evolution Le Mans in Ottoman Green number 592, which is the car presented here. A second was assembled shortly afterwards and, in a more traditional style for a Dieppe car, was painted in pearlescent electric blue number 543.
Both cars were then individually tested at the ‘mines’ and given the type designation D50305A, as the ‘Le Mans’ turbo V6s were D50205A. The Dieppe factory recently confirmed that there were indeed only two A610s of the ‘Le Mans’ evolution model.
Due to the cost of series homologation and the question of the gearbox's resistance to such power in severe use, Renault decided not to proceed. Production of the 610 ceased in 1994 after 818 units had been manufactured. It was not until 2018 that real Alpines were seen again coming out of the Avenue de Bréauté factory, which is scheduled to close in June 2026.
The blue A610 ‘Le Mans’ was the official car of Jacques Martin, managing director of the Dieppe factory from 1985 to 1998. It is still in Normandy at Alpine.
The second 610 Le Mans in Ottoman green is offered here, equipped according to its quality control sheet with an Espace radio system and prototype grey leather seats in a black interior identical to the limited edition ‘Magny Cours’. This is the most powerful road-going Alpine produced in the tradition of Jean Rédélé (beam chassis and polyester body), with only two examples ever made. It has only 42,466 kilometres on the clock and runs well but will require a complete overhaul. It started up without difficulty in front of us and idled perfectly, but the rear brake calipers need to be refurbished as they were found to be slightly out of balance during the technical inspection.
A particularly exclusive model, this 610 Evo is in near-new condition. It is a beautiful, powerful and fast GT car with a classy and discreet appearance. Due to its extreme rarity, it is particularly desirable for enthusiasts of the 1973 World Rally Champion brand.
It is a fine example of the quality of manufacturing and enthusiastic determination that could be produced by French industry and workers in 1994, in a different century.
Cool Town's replication of Ellen's set. Lights out---end of work day.
Keep Up With Us:
www.facebook.com/cooltownclaymation
Dan Berelowitz, Chief Executive Officer and Founder, International Centre for Social Franchising (ICSF), United Kingdom during the Session: "Skills Workshops: How to Replicate Your Model" at the Solutions Summit in Durban, South Africa, 2017. Copyright by World Economic Forum / Benedikt von Loebell
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Female Vancouver Magicians can perform Kreskin's FIND MY MONEY magic trick for under $150 per performance. Magic show replicates Amazin Kreskin's most famous trick for kids birthday party and family parties.
Vancouver BC Canada
tel 6 0 4 - 5 1 2 - 9 5 6 7
vanrescuers at yahoo dot com
Experimental replicates of Native cockles being assembled for deployment from our new generation raft prototypes.
It replicates the cool moist conditions found in tropical mountain regions between 1,000 metres (3,300 ft) and 3,000 metres (9,800 ft) above sea level, found in South-East Asia, Middle- and South America. It features a 42-metre (138 ft) "Cloud Mountain", accessible by an elevator, and visitors will be able to descend the mountain via a circular path where a 35-metre (115 ft) waterfall provides visitors with refreshing cool air.
In which I try to replicate what a synesthete would percieve as a series of sounds heard in an hotel bedroom at 6am on a snowy morning.
Just playing around on the very edges of an idea with this one.
An absorbing subject.
Manipulated in Paint Shop Pro.
I am working with a group of textile mates on this subject and you can see more of the work we are doing on angiestextilenotes.blogspot.com/
Trying to replicate the shots of cars you sometimes see in car magazines. The ordinary yet interesting background provides a natural enviroment and good contrast for the car.
Why a red focus? Several reasons. It happened to be in the right place. I always liked the styling. I still turn my head everytime I see one...even if it does not have my favorite alloys...
Project - Modern Married to Historical
Objective: Refining hand-building skills (slab, pinch and coil) to replicate a historical form while incorporating modern aesthetics.
Discussion: Examining historical ceramic works teaches us about cultures past, forming techniques and finishing techniques.
Vocabulary: form, positive form, negative form, organic form, geometric form, static form, dynamic form, relief, balance, symmetrical balance, asymmetrical balance, texture, additive, subtractive
Assignment:
Find a ceramic work that is at least 80 years old, sculptural or functional. Draw or bring an image to class. Be able to briefly describe which culture made this object, why it was made and techniques used to make it. You may choose to 1) maintain the historical form and create a contemporary surface on the piece or 2) create a modern form and incorporate the historical surface on the work. Your final piece should be 12 inches in any one direction.
Considerations:
How was the original work created?
Are there distinguishing markings or forms that tie it to a particular time or culture?
You may include non-ceramic materials.
Definitions:
Form - is the shape, visual appearance, constitution or configuration of an object.
Positive Form- in art relates to the solid pieces of material that displace or inhabit space.
Negative Form - in contrast to positive form is concerned with the empty space.
Organic Form - are pieces that don’t have perfect or uniform measurements. They lack clearly defined edges, and typically, they’re asymmetrical. They sometimes are called curvilinear or free form shapes for this reason.
Geometric Form - are shapes that are precise edged and mathematically consistent curves. They are simple volumes, such as cubes, cylinders and pyramids.
Static Form - Pertaining to or characterized by a fixed or stationary condition.
Dynamic Form - Form that conveys a sense of movement or change.
Relief - 3-D form rising from a 2-D surface.
Balance - Quality of stability and equilibrium controlled by location and emphasis of major parts of a design.
Symmetrical Balance - 2-D or 3-D form which is a mirror image on either side of a central axis.
Asymmetrical Balance - Balance achieved by different visual elements which command similar visual emphasis.
Texture - The tactile aspect of surface, actual or implied.
Additive - Pieces made by putting pieces together.
Subtractive - Creation by carving away from a large piece of material
Strobist info:
- Nikon SB600 at 1/16 power at waist height pointing up in front of the subject
- Nikon SB28 at 1/32 power on the ground pointing up behind the subject
Loving the brick-work WALLPAPER on the chimney breast.
Plenty of tips here for the budding interior designer wishing to replicate that "70's for the visually-impaired" look.
3D image in crystal. How is it done? Powerful laser beam is highly focused on a spot inside the crystal, melting microscopic piece of glass. The computerized system refocuses to burn another spot. This process is repeated thousands of times to create this amazing 3D image inside the glass.
ENGLISH
Casing for MakerBot Replicator 1 3d printer.
Keeps you 3d prints in a controlled temperature environment.
As a kit.
Easily assembled in 10min.
Make your own?
Download the files from: www.thingiverse.com/thing:38187
Get one made?
www.creativetools.se/casing-for-makerbot-replicator-1-3d-...
SVENSKA
Huv för MakerBoot Replicator 1 3d-skrivare.
Håller dina 3d utskrifter i
en kontrollerad varm miljö.
Leveras som en byggsats som enkeklt kan monteras på 10 minuter.
Gör en själv?
Ladda hem filerna från: www.thingiverse.com/thing:38187
Skaffa en färdig?
www.creativetools.se/plexiglashuv-for-makerbot-replicator...
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Sooner or later, you just know we need to buy one of these for making prototypes around the office. Yeah, prototypes, that's it....
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AND# #INTELLIGENCE# #TO# #MANIPULATE# #SUCH# #A# #CRAFT.# #IS-BES# #ON
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CREATED# #FOR# #THIS# #PURPOSE.
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AIRCRAFT,# #ANTIBIOTICS,# #AND# #OTHER# #TOOLS# #OF# #YOUR
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FIBERS# #222# #(FOOTNOTE)# #WITHIN# #THE# #WALLS# #OF# #THE# #CRAFT# #THAT
CONTROL# #SUCH# #THINGS# #AS# #COMMUNICATIONS,# #INFORMATION
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FAR# #SUPERIOR# #TO# #ANY# #ON# #EARTH# #AT# #THIS# #TIME# #AND# #HAVE
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Our Daily challenge: Attempt to replicate something that has been on ODC explore
A loose replication of [http://www.flickr.com/photos/53354298@N05] pianogram's cat nose - different creature with different markings and no cute little nose freckles, so not exact.
ENGLISH
Casing for MakerBot Replicator 1 3d printer.
Keeps you 3d prints in a controlled temperature environment.
As a kit.
Easily assembled in 10min.
Make your own?
Download the files from: www.thingiverse.com/thing:38187
Get one made?
www.creativetools.se/casing-for-makerbot-replicator-1-3d-...
SVENSKA
Huv för MakerBoot Replicator 1 3d-skrivare.
Håller dina 3d utskrifter i
en kontrollerad varm miljö.
Leveras som en byggsats som enkeklt kan monteras på 10 minuter.
Gör en själv?
Ladda hem filerna från: www.thingiverse.com/thing:38187
Skaffa en färdig?
www.creativetools.se/plexiglashuv-for-makerbot-replicator...
Replicating one of Da Vinci’s arched bridge designs from a pile of notched logs. Da Vinci created these designs for the Duke of Milan, Ludovico ‘Il Moro’ to facilitate rapid troop movements across rivers while carrying out surprise attacks. It took us four attempts to get the structure stable enough to bear our weight and one wonders how easy it would have been to build these bridges without access to both sides of the river or under a hail of arrows or flaming shot!
The rate of viral replication in productively infected CD4 cells is extremely high (one billion viral particles are produced every day). The immune system attempts to control the infection by producing vast numbers of cells, such as T helper cells. The battle between the viral infection and the cells of the immune system continues throughout the course of the infection. Eventually the virus' ability to damage the immune system exceeds the body's capacity to fight HIV.
Taken from the second level with a view of the ottoman that can also be substituted for additional seating.
I had to replace the springs with bigger ones and change the 1:200 geared motor to a 1:600 one. Now extrusion is constant and stable again :)
So back in the game of self replication I decided to print a opto-endstop bracket because it's small and yet looks nice.
The layers are very well aligned - even better than with the old extruder. I think thats because the old printing head had some slack that allowed it to move a little bit. So its position varied a little bit from layer to layer. To prevent this I made the PEEK insulator piec a little bit higher so it sticks half a mm and is held in its position tightly by the polymer guide. This is of only necessary because we use a non-standard shaped insulator piece that is only held in position by its T-shape. We've blogged about this a few weeks ago.
Things to improve: The tip of the new nozzle I made is not as long as the tip of the old extruder. So it tends to drag more material around. In the upper left corner of the picture you can see some of this dragged-around material that got burned and then got printed into the object. It does not look very nice but it does not change the functionality of the printed part.
After taking the part off the ABS sheet we use as a base material it turned out to be a little bent (about 1mm over 6cm) but it's hard to measure this. So I guess I'll have a look at the raft feature in enriques scripts next and decrease extrusion speed a little bit (now it's really solid no holes anywhere in the infill) because nopehead and others have reported that this should help to minimize the bending.
... and I covered what would've taken me months on the CupCake.
Honestly, all of these prints succeeded (except maybe the pi case in the back) on the first try. And I didn't have to watch the thing like a hawk. One after another without any tweaking or adjusting, print, print, print.
Prying off the prints without rafts is a challenge, though.
[Update] I'm referring to the original (wooden) Replicator and not the newer (metal) Replicator 2. Also, using an old hotel-room-key-card like a spatula is veyr helpful for getting the prints off the platform (assuming you can start some corner with a fingernail). Oh, and don't let that key get too warm... it will melt, and I think it may even then coat your platform with a nice slippery layer you don't want.
How to replicate a MySQL database on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.” www.flickr.com/photos/the_eye_of_the_moment
nrhodesphotos@yahoo.com
“The-Eye-of-the-Moment-Photos-by-Nolan-H.-Rhodes”
Reconstructed Earthworks replicating what the Lost Colony's fort would have looked like.
Located of Roanoke Island in North Carolina, the Roanoke Colony, or Lost Colony as it is also referred, was an early attempt to start an English settlement in North America. In 1587, Governor John White left 115 colonists at a hastily built settlement on Roanoke Island and returned to England for more supplies. When he returned three years later, the town was dismantled and there was no trace of any of the colonists. To this day, no one is quite sure what became of the "Lost Colony".
Today, a section of Roanoke Island has been set aside as Fort Raleigh National Historic Site, in the approximate location of the Lost Colony.