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BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Commissioner Edwin Mendez-Santiago (NYC Department for the Aging) with Commissioner Joyce Gallagher (Chicago Department for the Aging)
Over the recent long weekend I taught everyday and on this day we were looking at how to shoot and compose shots knowing how they will be later put together.
This is a series of shot taken when the huge swell was smashing into a rock wall.
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All images are © Matt Lauder Photography, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my written consent.
Cool Town's replication of Ellen's set
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Riley Brady's research involves replicating an oligotrophic environment and documenting how hard clams interact with seagrass. He will be researching the affect of water column circulation by hard clams, mainly concentrating on their nutrient output to gain better insight into how this influences the growth of eelgrass and the appearance of algae. A difficult obstacle to overcome within this experiment involves creating a successful environment that replicates natural conditions and is capable of sustaining the plants and organisms that will be used. Here, he is measuring salinity in one of his replicated environments.
Location: Outdoor lab - IMS. Photo credit: E. Woodward, UNC Institute of Marine Sciences
Learn more about Riley's project here: ims.unc.edu/home/teaching/2014-research-experience-underg...
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
In this first trial shoot I am using Loli Nori's really amazing charcoal "Drow" skin, which she (for some reason best known to her alone) is giving away as a freebie at the Bare Rose Mall. This skin is simply the best skin that I have seen anywhere in Second Life. Sadly, I do not use it on a regular basis since the dark tone sort of stops Alpha from being the "look alike" avatar that I prefer her to be. I am not too sure that this skin will actually get Alpha into the range of the Valley's threshold since it is actually very "humanly" expressive. It is why it is such a gorgeous skin in the first place...
Modifying a christmas star design from thingiverse to take in a string of fully addressable led's.. need to go back and fix the points so they stick together better but this shows the basic look of it.
This is Kissinger with the O'Connors elevating turret toop roof. Please do not copy, use or replicate this image in any way without permission.
I did these for a BF member who provided me with some free parts for one of my builds...
There are two small areas where the drill bit wandered - that black anodizing is hard stuff to get through! - and I touched them up with a Sharpie. Can you find them?
Today I decided to mess around with replicating the look of a Junichi Nakahara girl.
I am still waiting on a rather special obi (well actually three) to arrive that I plan on using for a Junichi Nakahara inspired kitsuke ensemble.
When I received my bulk lot of goodies a few weeks ago, I found a children's obiage. It was so small and cute, I figured it would be perfect to use as a hair accessory for my ensemble.
Well today it got the better of me and I decided to mess around and see how to go about styling my hair. It's messy, but I think I worked out the basic idea. You can't see very well but I have a cute comb behind the obiage wedged into the rest of my puffy hair on top.
After I did my hair, I did the obligatory make up and then just threw on my eri-sugata and my early showa striped kimono that already had a black collar sewn on when I bought it 3 or more years ago. I think this idea has been lurking in the back of my mind since I bought it actually..?
Now I cant wait for those obi to arrive so I can have a fun time getting completely dressed up!
* The picture on the right is not mine, it is a print for sale I found here.
Replicating the guy running in the field with a kite photo. But instead of a guy I used my wife and instead of the kite I used nothing, cause I don't have a kite.
Ishihara A Kitchen
Two completely restored and updated historic homes on a beautiful 5 acre parcel in the heart of Waimea. The work was permitted and all inspections performed and passed. All materials used in the renovation are top quality, installed by a professional contractor. All plumbing supply and drain lines are new and code-approved. All new electrical wiring, service equipment and breaker panels. Appliances are new KitchenAid, Viking, Kenmore Elite, etc. New cabinets with black granite countertops. Kohler plumbing fixtures and Restoration Hardware light fixtures thruout. All new doors, true to period, and windows completely rebuilt using antique glass and hardware. Gingerbread replicated exactly to match original workmanship and materials. Original Douglas Fir T&G wood floors. One house has new septic system, the other was rebuilt w/ new cap and plumbing inlet. Mature trees and landscape complete this beautiful property. Property was previously zoned for village commercial, owner down-zoned to Ag 5. Currently used as pasture; ready for your horses and kids.
Zulu Traditional Male Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
New extruders, thermocouples, heated bed, and replacement metal arms, but @makerbot replicator finally prints reliably
Trying to replicate a Stewart Bale shot.
The original shot looked like it was shot in the morining, winter time, so I didn't get the same sort of light. The angle is a bit different too, and the platform my not be right. I was keen to use this train, and I like the people in this shot.
I had to get permission to wander about this platform, and unfotunately didn't have permission to shoot on the others, So I couldn't get any examples of the other kinds of trains.
I think this does show how lime st looks now, and I understand there will be more changes to coincide with the capital of culture.
#27: I realized the other day that by manually triggering my flash during a long exposure I could "replicate" myself, so tonight I decided to give it a try.
PS4 or Xbox One, regardless of what you play on, Grand Theft Auto is one of the most played video games. And with GTA: V’s recent release, there is a lot of buzz about cars.
Everyone who plays has their favorite cars to boost and cruise around Los Santos and Blaine County. It’s a...
videogamedemons.com/our-latest-articles/grand-theft-auto-...
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
Human culture is built on a history of replication. We copy to learn, to assimilate, to preserve and to magnify. How is this behaviour being transformed by advances in technology and what is the value of the authentic or the original today? For this Friday Late, audiences watched dance pieces to examine how human error impacts repetition and examine the role of copying in preserving cultural heritage. From architecture to online identities, we welcomed visitors to explore duplication in the digital age.
Photos © Hydar Dewachi.
hydardewachi.com
This photo is a replication of the Moholy-Nagy painting “AXL II2”.
In photoshop I used the polygonal lasso tool to trace the shapes of the original art. Using the paint fill tool I and the colour sampler I was able to add the colours to my replica. I used a tea stain brush to get the 'washed' effect on the entire piece and the bits of grey showing in the black circle. I also added the noise filter on a low value.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Replication of drawings from children who were sent to Auschwitz and drew on the walls of the camps barracks.