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BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Replication of a stone street - each of the rails has a depiction of a local "craft" at the top there is one for a prostitute. Also this is a menagerie of three different types of homes - Jewish, Arabic and Christian.
Nike Air Max 90 Premium, Men’s Size 9, Bright Crimson, Black, 700155-604, Running Shoes, Size 7Y, 833376-100, UPC: 00884751915673, 2018, low top running shoes, “Air Max” Pack, Lace up closure, Cushioned collars, all-over graphics, patent leather, replicating the sneaker’s Air Max logo, embroidered Swoosh on tongue tag, Padded tongue, NIKE Air Max logo graphic detail, Cushioned inner sole, Retro silhouette,
Traction rubber air bubble outsole, visible Air Unit in the Heel and forefoot,
Nike Air Max 90 Premium, Men’s Size 9, Bright Crimson, Black, 700155-604, Running Shoes, Size 7Y, 833376-100, UPC: 00884751915673, 2018, low top running shoes, “Air Max” Pack, Lace up closure, Cushioned collars, all-over graphics, patent leather, replicating the sneaker’s Air Max logo, embroidered Swoosh on tongue tag, Padded tongue, NIKE Air Max logo graphic detail, Cushioned inner sole, Retro silhouette,
Traction rubber air bubble outsole, visible Air Unit in the Heel and forefoot,
Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
I was trying to replicate one of the first pictures I ever took when I was a 10 year old kid with a 110 pocket camera. I took a pic of my friends little siblings in the tub, but was told, only faces, no bodies, this was the result. Maybe I have improved a little in the last 3 decades.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
My attempt at replicating the famous photo by Boris Ignatovich (I placed a copy of his pic here). As I look at it from the vanatage point of today, I see him juxtaposing the "iron heel"; of the oppressive Russian state, the old imperial state or what was left of it, with a quaint strolling couple, a girl and a man in military uniform holding hands. They were the Leningrad for him, the Soviet future: the Soviet Adam and Eve on their way home to make new Soviet men and women. These tweo could have been my parents. In my picture, instead of a young Soviet couple, I have a lone tourist with a back pack trekking towards the Hermitage. The city is St. Petersburg all over again. A lot of water has flowed under its bridges...
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Replicating the dynamic natural qualities of sun and moon lighting, the TrueLumen™ LED strips combine the life-sustaining wavelengths of light with the efficiency of LED technology into a low profile, sleek lighting system. The powerful LED chips add the natural shimmering effect and rippling glow found on natural coral reefs while producing virtually no heat and consuming very little electricity. TrueLumen™ LED strips are available in 3 color spectrum combinations - 12,000k Daylight, 453nm Actinic, Rose, Rose/White or a 12,000k/Actinic Blue combination.
Borrowing a Replicator from Makerbot. What a great upgrade from the Thingamatic that we have at NYC Resistor.
Replicating the iconic Cobb and Co teams of Australia's history, Longreach's tourist operater races its team back towards town.
These are the most widely replicated of Prieur’s statuettes. There is an implicit contrast between social types, that of the fashionable gentleman holding gloves (see 64.101.1565) and that of the simple but chic countrywoman lifting her skirt while offering an apple (in some cases a basket is slung over her same left arm). The dancing forms as well as the red translucent lacquer patination were generically inspired by Giambologna and his followers in Florence.
Invented in the William Pepper Laboratory at the University of Pennsylvania by Drs. Edward Steers, Elwood L. Foltz and Betty S. Graves, 1959. This inoculum replicating apparatus for the routine testing of bacterial susceptibility to antibiotics advanced the study and detection of antibiotic resistance in human pathogens. A modified version of the device, found worldwide, remains in use in today's microbiology laboratories. In 1960, Steers headed up the Bacteriology (Microbiology) Section of the William Pepper Laboratory.
Raspberry Pi Case
www.thingiverse.com/thing:24721
Printed in translucent PLA on MakerBot Replicator.
HBP set to 60C with painter's tape surface.
I tried to replicate the general look of the B4. I experimented with colours - this bogies has dark grey jumpers and brown headlamp bricks holding on the side frames but the other bogie features all black to one side and red headlamps on the other. I've not made my miond up yet.
Trying to replicate a Stewart Bale shot.
The original shot looked like it was shot in the morining, winter time, so I didn't get the same sort of light. The angle is a bit different too, and the platform my not be right. I was keen to use this train, and I like the people in this shot.
I had to get permission to wander about this platform, and unfotunately didn't have permission to shoot on the others, So I couldn't get any examples of the other kinds of trains.
I think this does show how lime st looks now, and I understand there will be more changes to coincide with the capital of culture.