View allAll Photos Tagged replicator
Taken from the second level with a view of the ottoman that can also be substituted for additional seating.
I had to replace the springs with bigger ones and change the 1:200 geared motor to a 1:600 one. Now extrusion is constant and stable again :)
So back in the game of self replication I decided to print a opto-endstop bracket because it's small and yet looks nice.
The layers are very well aligned - even better than with the old extruder. I think thats because the old printing head had some slack that allowed it to move a little bit. So its position varied a little bit from layer to layer. To prevent this I made the PEEK insulator piec a little bit higher so it sticks half a mm and is held in its position tightly by the polymer guide. This is of only necessary because we use a non-standard shaped insulator piece that is only held in position by its T-shape. We've blogged about this a few weeks ago.
Things to improve: The tip of the new nozzle I made is not as long as the tip of the old extruder. So it tends to drag more material around. In the upper left corner of the picture you can see some of this dragged-around material that got burned and then got printed into the object. It does not look very nice but it does not change the functionality of the printed part.
After taking the part off the ABS sheet we use as a base material it turned out to be a little bent (about 1mm over 6cm) but it's hard to measure this. So I guess I'll have a look at the raft feature in enriques scripts next and decrease extrusion speed a little bit (now it's really solid no holes anywhere in the infill) because nopehead and others have reported that this should help to minimize the bending.
... and I covered what would've taken me months on the CupCake.
Honestly, all of these prints succeeded (except maybe the pi case in the back) on the first try. And I didn't have to watch the thing like a hawk. One after another without any tweaking or adjusting, print, print, print.
Prying off the prints without rafts is a challenge, though.
[Update] I'm referring to the original (wooden) Replicator and not the newer (metal) Replicator 2. Also, using an old hotel-room-key-card like a spatula is veyr helpful for getting the prints off the platform (assuming you can start some corner with a fingernail). Oh, and don't let that key get too warm... it will melt, and I think it may even then coat your platform with a nice slippery layer you don't want.
Reconstructed Earthworks replicating what the Lost Colony's fort would have looked like.
Located of Roanoke Island in North Carolina, the Roanoke Colony, or Lost Colony as it is also referred, was an early attempt to start an English settlement in North America. In 1587, Governor John White left 115 colonists at a hastily built settlement on Roanoke Island and returned to England for more supplies. When he returned three years later, the town was dismantled and there was no trace of any of the colonists. To this day, no one is quite sure what became of the "Lost Colony".
Today, a section of Roanoke Island has been set aside as Fort Raleigh National Historic Site, in the approximate location of the Lost Colony.
Reconstructed Earthworks replicating what the Lost Colony's fort would have looked like.
Located of Roanoke Island in North Carolina, the Roanoke Colony, or Lost Colony as it is also referred, was an early attempt to start an English settlement in North America. In 1587, Governor John White left 115 colonists at a hastily built settlement on Roanoke Island and returned to England for more supplies. When he returned three years later, the town was dismantled and there was no trace of any of the colonists. To this day, no one is quite sure what became of the "Lost Colony".
Today, a section of Roanoke Island has been set aside as Fort Raleigh National Historic Site, in the approximate location of the Lost Colony.
These were taken from my first visit to "Star Trek: The Experience" in 2004.
I just recently found out that they have closed the attraction, so even though these aren't the best photos, I really want to share them.
These were taken with my Pentax K-1000........pre-digital.
INTERNATIONAL SPACE STATION
WHY IS THE SKY BLUE? IT IS A COLOSSAL MIRROR INSTALLED FIFTEEN YEARS AGO
Replicating a now well and truly dead scene of an Arriva 280 Service standing outside Oxford Railway Station Terminus having arrived from Aylesbury.
Preserved N168PUT depicting a very accurate looking scene of a regular service bus of nearly twenty years prior.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
I started a new flickr group, called "Star Trek: The Experience; Las Vegas Hilton".
I added the photos I already had in my photostream, and then revisited my archive photo disks for more to add.
At the Art Institute this afternoon they had artist throughout the museum re-creating the masterpieces in the collection. Quite a cool treat to watch them at work.
Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.
Strange how it seems to be Z-height dependent.
Update: Turns out this was caused by a sticky filament spool.
A recent commission to replicate a child's drawing onto a pair of handmade sterling silver cuff links.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Commissioner Edwin Mendez-Santiago (NYC Department for the Aging) with Commissioner Joyce Gallagher (Chicago Department for the Aging)
Human culture is built on a history of replication. We copy to learn, to assimilate, to preserve and to magnify. How is this behaviour being transformed by advances in technology and what is the value of the authentic or the original today? For this Friday Late, audiences watched dance pieces to examine how human error impacts repetition and examine the role of copying in preserving cultural heritage. From architecture to online identities, we welcomed visitors to explore duplication in the digital age.
Photos © Hydar Dewachi.
hydardewachi.com
For one of my classes, used Illustrator for the first time and recreated a GQ magazine cover from 2008.
The final product looks legit, happy :D.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Cool Town's replication of Ellen's set
Keep Up With Us:
www.facebook.com/cooltownclaymation