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3D image in crystal. How is it done? Powerful laser beam is highly focused on a spot inside the crystal, melting microscopic piece of glass. The computerized system refocuses to burn another spot. This process is repeated thousands of times to create this amazing 3D image inside the glass.
ENGLISH
Casing for MakerBot Replicator 1 3d printer.
Keeps you 3d prints in a controlled temperature environment.
As a kit.
Easily assembled in 10min.
Make your own?
Download the files from: www.thingiverse.com/thing:38187
Get one made?
www.creativetools.se/casing-for-makerbot-replicator-1-3d-...
SVENSKA
Huv för MakerBoot Replicator 1 3d-skrivare.
Håller dina 3d utskrifter i
en kontrollerad varm miljö.
Leveras som en byggsats som enkeklt kan monteras på 10 minuter.
Gör en själv?
Ladda hem filerna från: www.thingiverse.com/thing:38187
Skaffa en färdig?
www.creativetools.se/plexiglashuv-for-makerbot-replicator...
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
All of my images can be purchased...... Visit my website, coastal and countryside images at......
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My most popular photos on Flickr...
www.flickriver.com/photos/imagesofwales/popular-interesting/
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
My replication of the William-Adolphe Bouguereau painting "A Young Girl Defending Herself Against Eros"
Sooner or later, you just know we need to buy one of these for making prototypes around the office. Yeah, prototypes, that's it....
Carhenge, which replicates Stonehenge, consists of the circle of cars, 3 standing trilithons within the circle, the heel stone, slaughter stone, and 2 station stones, and the Aubrey circle, named after Sir John Aubrey who first recognized the earthworks and great stones as a prehistoric temple in 1648. It was not until excavations undertaken in the 1920's that they were found to be holes cut to hold timber uprights. A total of 56 holes were discovered and named the Aubrey Holes in honor of John Aubrey's observation.
The artist of this unique car sculpture, Jim Reinders, experimented with unusual and interesting artistic creations throughout his life. While living in England, he had the opportunity to study the design and purpose of Stonehenge. His desire to copy Stonehenge in physical size and placement came to fruition in the summer of 1987 with the help of many family members.
Thirty-eight automobiles were placed to assume the same proportions as Stonehenge with the circle measuring approximately 96 feet in diameter. Some autos are held upright in pits five feet deep, trunk end down, while those cars which are placed to form the arches have been welded in place. All are covered with gray spray paint. The honor of depicting the heel stone goes to a 1962 Caddy.
ENGLISH
Casing for MakerBot Replicator 1 3d printer.
Keeps you 3d prints in a controlled temperature environment.
As a kit.
Easily assembled in 10min.
Make your own?
Download the files from: www.thingiverse.com/thing:38187
Get one made?
www.creativetools.se/casing-for-makerbot-replicator-1-3d-...
SVENSKA
Huv för MakerBoot Replicator 1 3d-skrivare.
Håller dina 3d utskrifter i
en kontrollerad varm miljö.
Leveras som en byggsats som enkeklt kan monteras på 10 minuter.
Gör en själv?
Ladda hem filerna från: www.thingiverse.com/thing:38187
Skaffa en färdig?
www.creativetools.se/plexiglashuv-for-makerbot-replicator...
Replicating one of Da Vinci’s arched bridge designs from a pile of notched logs. Da Vinci created these designs for the Duke of Milan, Ludovico ‘Il Moro’ to facilitate rapid troop movements across rivers while carrying out surprise attacks. It took us four attempts to get the structure stable enough to bear our weight and one wonders how easy it would have been to build these bridges without access to both sides of the river or under a hail of arrows or flaming shot!
The rate of viral replication in productively infected CD4 cells is extremely high (one billion viral particles are produced every day). The immune system attempts to control the infection by producing vast numbers of cells, such as T helper cells. The battle between the viral infection and the cells of the immune system continues throughout the course of the infection. Eventually the virus' ability to damage the immune system exceeds the body's capacity to fight HIV.
Taken from the second level with a view of the ottoman that can also be substituted for additional seating.
... and I covered what would've taken me months on the CupCake.
Honestly, all of these prints succeeded (except maybe the pi case in the back) on the first try. And I didn't have to watch the thing like a hawk. One after another without any tweaking or adjusting, print, print, print.
Prying off the prints without rafts is a challenge, though.
[Update] I'm referring to the original (wooden) Replicator and not the newer (metal) Replicator 2. Also, using an old hotel-room-key-card like a spatula is veyr helpful for getting the prints off the platform (assuming you can start some corner with a fingernail). Oh, and don't let that key get too warm... it will melt, and I think it may even then coat your platform with a nice slippery layer you don't want.
How to replicate a MySQL database on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Reconstructed Earthworks replicating what the Lost Colony's fort would have looked like.
Located of Roanoke Island in North Carolina, the Roanoke Colony, or Lost Colony as it is also referred, was an early attempt to start an English settlement in North America. In 1587, Governor John White left 115 colonists at a hastily built settlement on Roanoke Island and returned to England for more supplies. When he returned three years later, the town was dismantled and there was no trace of any of the colonists. To this day, no one is quite sure what became of the "Lost Colony".
Today, a section of Roanoke Island has been set aside as Fort Raleigh National Historic Site, in the approximate location of the Lost Colony.
These were taken from my first visit to "Star Trek: The Experience" in 2004.
I just recently found out that they have closed the attraction, so even though these aren't the best photos, I really want to share them.
These were taken with my Pentax K-1000........pre-digital.
INTERNATIONAL SPACE STATION
WHY IS THE SKY BLUE? IT IS A COLOSSAL MIRROR INSTALLED FIFTEEN YEARS AGO
Replicating a now well and truly dead scene of an Arriva 280 Service standing outside Oxford Railway Station Terminus having arrived from Aylesbury.
Preserved N168PUT depicting a very accurate looking scene of a regular service bus of nearly twenty years prior.
I started a new flickr group, called "Star Trek: The Experience; Las Vegas Hilton".
I added the photos I already had in my photostream, and then revisited my archive photo disks for more to add.
At the Art Institute this afternoon they had artist throughout the museum re-creating the masterpieces in the collection. Quite a cool treat to watch them at work.
Well i got to meet Sebastian Boyesen today , how happy am i to inspire such an Artist ~ The book will be published around June 25th before the ceremony at the Sixbells memorial park
www.bbc.co.uk/iplayer/episode/b00szzhv/Angel_of_the_Valleys/
While i was at The Miner today was talking to a local who's Husbands father and his brother died in the disaster
Sorry for the poor quality low resolution uploads as you may have gathered this is my first commission for a book on the mining disaster.
This image is copyrighted to David Smith; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at daismiff39@hotmail.com for express permission to use any of my photographs.
Tragedy at Six Bells
By David John Withers, Brynmawr
My father worked in the colliery all his life and I sort of followed him into the pit. I went to work in Six Bells Colliery at 17 years of age.
When I first went on the 0.18 coal face as a collier's helper I was introduced to my 'batty' Reggie Poe who showed me the tools we were using and two chalk marks 15 yards apart on the coal face. This was our working place, 15 yards long by 4-foot-6 deep by 5 feet high. I thought 'bloody hell' - it seemed a huge amount of coal to shift.
Although the other coal faces in our district were more modern with hydraulic roof supports, we were still using the older friction posts and linked bars. I've still got the scars where one of the bars came down on me!
We had quite a few problems with gas on the 0.18 coal face and the dust was killing. At times the conveyor would start up and you couldn't see each other until the dust settled down.
As boys we often refused to go onto the face because of the amounts of dust there - being youngsters we stuck together even when the officials threatened to send us home. It wasn't much of a threat as I was only earning about £6 odd!
I had been working about two years when the explosion happened. I was working on the 0.18 face at Six Bells on the 'turning shift' and arrived at the colliery on the bus to see the place in turmoil and heard that an explosion had happened. As the explosion had occurred at our place of work, we offered to go down and help as we knew the place, but the Rescue Brigade had it under control and wouldn't let us go down.
It's hard to say my feelings about it all. We knew there was gas there and they said a spark had set it off. I had mostly enjoyed the colliery up to then. I remember four of the men who died - I used to give them snuff with powdered bark mixed in as a joke - there was a good spirit amongst the men at the pit.
Once the explosion had happened it put me off. I finished and I put my notice in soon after. I was too young to lose my life in the colliery. If I had been working the day shift that week it would have been me. The explosion opened my eyes to the dangers and I went into the construction industry instead - I was always good with my hands. The pit made me grow up.
The deaths of 45 men killed 50 years ago in a colliery explosion have been remembered with a service at the site.
A gas explosion ripped through the Six Bells colliery near Abertillery, Blaenau Gwent at 10.45am on 28 June 1960.
The Archbishop of Canterbury, Dr Rowan Williams, led a service of remembrance at the site.
He also unveiled a memorial to the tragedy, a 20m high sculpture of a miner by Sebastian Boyesen.
A recent commission to replicate a child's drawing onto a pair of handmade sterling silver cuff links.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.