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Gwrych Castle is a Grade I listed country house in north Wales, one of the first attempts at replicating true medieval architecture in Europe. It stands in 250 acres of gardens and grounds and has extensive views over former parkland including a deer park and the Irish Sea.
Gwrych Castle was built by Lloyd Hesketh Bamford Hesketh, heir of the Lloyds of Gwrych, from c.1810, incorporating his family’s ancestral home, with the work continuing over four decades. The castle then passed to the Earls of Dundonald by marriage to the Bamford Hesketh heiress, Winifred. During World War II the castle was requisitioned as part of Operation Kindertransport and in 1946 was sold by the Dundonald family, ending nearly 1000 years of continuous family ownership. In1948, the castle was purchased by Leslie Salts who opened it as the ‘Showplace of Wales’ for a period of twenty years.
Following Salt’s sale in 1968, the castle was operated as a medieval entertainment centre with jousting, banquets and markets taking place in the grounds. This also heralded a period of slow decline which saw the building shut to the public in 1985 and the final joust taking place in 1987. In 1990, an American property purchased the estate with a view for creating an opera centre and hotel – nothing materialised. Instead, the castle was asset-stripped and vandalised to the point that its very future was uncertain.
In 2018, through the intervention of the National Heritage Memorial Fund and the Richard Broyd Charitable Trust, the castle was purchased by Gwrych Castle Preservation Trust, on behalf of the nation.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
replicated fromthe bettter homes and gardens wedding special but wuthout the roses, 120 profiteroleswith cutard dipes in white chocolate and covered in toffee (louisa morris's toffee recipe)
With this assignment, I had chosen to replicate the works of Julia Margaret Cameron, an 1815-1879 photographer who had taken pictures mostly of women from what I can perceive. I liked the idea that Cameron had the intent to only photograph her friends and family in her photography activities rather than taking to public and photographing strangers in turn for money. This was one way in which I replicated her work, by choosing one of my close friends and offering to take her picture. With this pose, it is stated that Cameron would often photograph with the intent to capture qualities of innocence and virtue. In this case, I had chosen to take a candid photograph of my friend who was admiring lights, and rather than in a studio-like setting, I had chosen to go out into public to enjoy the majority of the natural world, and with this, I had told my friend to just act joyful as I would photograph her. This is turn created for a really nice photograph, capturing the innocence in which was just admiring the natural lights and beauty of the mall on a cold night. With a twist, this photo was based off if her famous image of then celebrity Dame Alice Ellen Terry, where she was photographed at a wall with no expression on her face but at the same time not looking at the camera. I had noticed that the background was mostly blurred out and somehow focused purely on the portrait figure of the person. Through this, I blurred part of the background out so that the natural image of the person would come out more thoroughly, and imitated the pose with the position of the hands. I had toned down the highlights of the picture to show the lines and natural structure of the person since silvertonish filter i had put on really lightened the natural features. The reasoning for the silver toning was to create a more realistic picture within the era of the 1850s, showing the black and white colors and had turned down shadows and contrasts to give the picture more of a blocky, static, and pixelating feel, which would in turn replicate the photo more from the 1800’s.
This replicated the couples original wedding cake.
This cake is a 6 inch and 10 inch for total servings of 53.
Billed at wedding cake pricing
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Replication of Christopher Hart's drawing of a shaggy puppy, from his book Cartoon Cute Animals - for learning purposes only.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Replication of a Berliner "Hinterhof" courtyard. Berlin is famous for its courtyards and many of them have been renovated and turned into art centers, cafes, shopping places. One of the most famous would be the Hackeschen Höfe in Berlin Mitte.
Denna video visar uppackningen och demonstration av en MakerBot Replicator personliga FDM 3D-skrivare.
Vi är svenska återförsäljare av personliga 3D-skrivare. Kontakta info@creativetools.se eller 035-77 77 880 för mer information.
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This video shows the unboxing, setup and a short demonstration of the MakerBot Replicator personal 3D printer.
We are Swedish resellers of MakerBot. (info@creativetools.se / +46 35-77 77 880)
This is my best bet at replicating the original design with the palette I chose. I think it's too much... might try to incorporate some of that secondary square design into the square block layout of the first mock up I made.
Made with iPad apps Procreate, PhotoWizard, and Aquarella HD. Similar methods and appearance to the next abstract that I loaded early this morning (just after midnight). Still experimenting.
Earlier this week we mentioned the Universal Construction Kit - a free downloadable selection of adaptors for some of the world's best loved construction kits. The only problem was that you needed a 3D printer to make them.
Well now you have the chance to get your very own 3D printer for your home.
According to their website, ' The MakerBot Replicator™ is the ultimate personal 3D printer, with single or dual extrusion (2-color printing)--and a bigger printing footprint, giving you the superpower to print things BIG!'
Have a look at what can be achieved in the video below. (And sorry but it will set you back $1,749). bit.ly/H9eF3W
My latest creation, which is a model of the Northumbria Blood Bank Nissan Juke in 1/43 scale. A replication of the real vehicle.
Trying to replicate a 1930s photo of a huge fleet of black, early Bugs travelling through Berlin when the little car was termed the KdF-wagen. KdF = Strength Through Joy.
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
well it might be, Reminds me of that doco about fake Warhols last week.
Update: it's not Banksy,. see comments.
I was trying to replicate a photo I had seen in either one of my magazines or groups I follow on facebook. The concept is to freeze a flower in layers of ice and then photograph the flower in the ice. Either I didn't use the right type of flower or didn't layer it correctly as it didn't come out like it did in the article. i think I will go back and find it and try to redo it but I do like the petals just peeking out of the ice in this one.
If you like this you might enjoy visiting my website at photosbysylvia.zenfolio.com/</a
Replicated and donated as a memorial of those who lost their lives in wars. This replication sits on the north bank of the columbia river where US 97 intersects WA 14. Occasionally, if the weather allows, Mt Hood in Oregon will show up in the background.
Slovakian army soldiers, replicating Afghan National Army (ANA), pull security behind boulders during a military advisory team (MAT) training exercise at the Joint Multinational Readiness Center in Hohenfels, Germany, Sept. 24, 2012. This exercise is designed to replicate the Afghanistan operational environment in order to prepare MATs and police advisory teams for counterinsurgency operations with the ability to train, advise and enable the ANA and the Afghanistan National Police.
Replication of original etched window bug for corner of glass on a rare Ferrari. It's a tiny, tiny, detail.
If / Magazin-Reihe
> A. E. van Vogt / The Replicators
> Ron Goulart / Reporter at Large
> E. Clayton McCarty / Small One
> Basil Wells / Blind Alley
> C. C. MacApp / Gree's Commandos
> J. L. Frye / Zombie
> Frederik Pohl and Jack Williamson / Starchild (Part 2 of 3)
Cover: Richard McKenna
(Cover illustrates "Small One")
Editor: Frederik Pohl
Galaxy Publishing Corporation / USA 1965
Reprint / Comic-Club NK 2020
ex libris MTP
Mayor Stephanie Rawlings-Blake Announces Expansion of Program Credited With Reducing Gun Violence in City Neighborhoods
New study shows the Safe Streets Baltimore program is a successful replication of Chicago’s CeaseFire violence prevention initiative.
BALTIMORE, MD (January 11, 2011)—Today, Mayor Stephanie Rawlings-Blake announced the expansion of the successful Safe Streets Baltimore initiative. A Request for Proposals (RFP) was approved this morning by the Board of Estimates. The expansion of Safe Streets Baltimore is supported by the release today of a new study by researchers at the Johns Hopkins Bloomberg School of Public Health demonstrating the program’s effectiveness.
In September, the Health Department announced that Safe Streets received a $2.2 million grant from the U.S. Department of Justice’s Office of Juvenile Justice and Delinquency Prevention (OJJDP). The three-year award is part of OJJDP’s Community-Based Violence Prevention Demonstration Program, which provides funding for multi-strategy, multi-disciplinary approaches to reduce gun violence. The funding will also be used to expand the Safe Streets Baltimore initiative to two additional communities that are disproportionately impacted by violence. Interested community groups can review the RFP at baltimorehealth.org/rfp.html.
“Safe Streets is an important component of our citywide strategy to reduce homicides and gun violence, and a key to our plans to grow the city,” Mayor Rawlings-Blake said. “By expanding this effective initiative, we help people build social capital and empower communities.”
While the new funding supports the addition of new communities to Safe Streets Baltimore, the City needs partners to provide support in order to continue operating the program in its current locations in McElderry Park and Cherry Hill. Mayor Rawlings-Blake called on local faith, non‑profit, and business communities to lend their support to this vital initiative.
Safe Streets Baltimore was launched by the Baltimore City Health Department in 2007 as a replication of Chicago’s CeaseFire program. The evidence-based, public health initiative targets high-risk youth ages 14 to 25 and employs and trains outreach professionals to de-escalate and mediate disputes that might otherwise result in serious violence. Staff members serve as positive role models and direct youth toward services and opportunities to live productive, violence-free lives. In addition, staff work to mobilize neighborhoods to promote nonviolence.
At this morning’s press conference, researchers from the Johns Hopkins Bloomberg School of Public Health released a study demonstrating the effectiveness of Safe Streets Baltimore. The study is slated for publication in a future edition of the Journal of Urban Health. The authors have received permission from the journal to release the findings in advance of publication.
From July 2007 through December 2010, outreach staff mediated 276 disputes, ranging from one to four mediations per month in each of the four neighborhoods where the program was implemented. The vast majority of these disputes involved situations where the risk of gun violence was high, such as disputes between armed gang members. Outreach workers at each of the sites were working closely with 35 to 60 high-risk youth at any given time. Safe Streets Baltimore also held monthly events to promote non-violence. These events typically attracted between 100 and 200 people with the goal of promoting alternatives to resolving conflicts.
“This study demonstrates clearly that a public health intervention can be a successful means for reducing youth violence,” said Commissioner of Health Dr. Oxiris Barbot. “Thanks to the recent award from the Office of Juvenile Justice and Delinquency Prevention (OJJDP), we are excited to expand this program to other communities and extend our message that gun violence is not acceptable.”
The Johns Hopkins researchers identified specific programmatic factors related to success in reducing violence. “The results suggest that the number of conflicts mediated by the outreach workers was associated with greater program impact on homicides,” said Daniel Webster, lead author of the study and deputy director of the Johns Hopkins Center for the Prevention of Youth Violence.
Other key findings of the study include:
In all four neighborhoods (McElderry Park, Elwood Park, Madison-Eastend, and Cherry Hill) the program was associated with a statistically significant decline in either homicides or nonfatal shootings, or both.
Overall, researchers estimated the program prevented at least 5 homicide incidents and 35 nonfatal shooting incidents. Had there not been increases in homicides following program implementation in Madison-Eastend and a neighborhood bordering Elwood Park—which were likely unrelated to the program—the program is estimated to have prevented 15 homicides in four of the most violent neighborhoods in Baltimore.
In the South Baltimore neighborhood Cherry Hill, the program was associated with a 56 percent decline in homicides and a 34 percent decline in nonfatal shootings.
The program was associated with a 34 percent drop in nonfatal shootings in Elwood Park.
Researchers estimated that Safe Streets Baltimore was responsible for a 26 percent reduction in homicides in McElderry Park over the nearly three and a half years the program was in place. This site did not experience a homicide during the first 23 months of program implementation.
The study was funded primarily through a grant from the Centers for Disease Control and Prevention to Johns Hopkins through the CDC’s designated Academic Centers of Excellence in the prevention of youth violence.
The annual cost of operating a Safe Streets Baltimore site is approximately $375,000. Safe Streets Baltimore is currently located in two communities: McElderry Park and Cherry Hill, however funding for these sites ends in June. The Health Department will use these positive evaluation results to seek additional funding for sustaining these sites.
To view the full report, for more information on the Safe Streets program, or to find out how to apply to become a Safe Streets site, please visit the Health Department’s Website, www.baltimorehealth.org/safestreets.
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Visit our Website @ www.baltimorecity.gov
We replicated the couples original wedding cake and added a little modern twist by stacking it and putting on a monogram.
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