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And this is how I envisioned my Lego R35 GTR to be! Featuring transparent clear headlight pieces (webrick) and 3d printed Advan wheels.
You saw this version briefly at the end of the finale, so let’s break this down. This build was inspired by some of my favorite body kits out there and some actual irl builds. In my video series, I featured pictures of a street GT3 build by @wowagt3rs. It was my first time seeing the GT3 kit for this car, and I loved it. Especially with the Advan GT Beyond’s, which I have on the passenger side of the car. So, from the GT3 kit, I replicated the front fenders, rear fender vents, and the front/rear bumper. I excluded the front canards for a cleaner look, but that’s also because it would’ve been difficult to do well in Lego. They also had the Liberty Walk type 2 hood, which ended up being my favorite out of all the options I saw out there. My second option would have just been the stock one.
Going back to the rear fenders, they were initially inspired by the Pandem v2 kit. I like how it extends the body lines similar to the R34 GTR. There were several options for the front grill, but I went with the Rocket Bunny v1 because I like the angled tiles inside. And lastly, the side skirts were inspired by Varis.
Speaking of Varis, the other irl build that I got inspiration from was @dustiinw’s GTR with the Varis kit and Advan R6 wheels. I absolutely love the millennium jade color on his car. I really wanted to build this car in that color, but the closest thing would be Lego sand green. And that’s more of a pistachio color, so I ended up choosing the classic white. Which you can never go wrong with. What other color would you like to see this in?
Version: v1.0
Scale: ~1:17
Inspiration: @wowagt3rs @dustiinw @nissan @nismo @libertywalkusa @pandemusa @varis_japan @yokohamawheelusa
Do Hu Suh created works replicating his parents' traditional Keorean House in Seoul and his own Western-style apartment in New York.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
replicated fromthe bettter homes and gardens wedding special but wuthout the roses, 120 profiteroleswith cutard dipes in white chocolate and covered in toffee (louisa morris's toffee recipe)
With this assignment, I had chosen to replicate the works of Julia Margaret Cameron, an 1815-1879 photographer who had taken pictures mostly of women from what I can perceive. I liked the idea that Cameron had the intent to only photograph her friends and family in her photography activities rather than taking to public and photographing strangers in turn for money. This was one way in which I replicated her work, by choosing one of my close friends and offering to take her picture. With this pose, it is stated that Cameron would often photograph with the intent to capture qualities of innocence and virtue. In this case, I had chosen to take a candid photograph of my friend who was admiring lights, and rather than in a studio-like setting, I had chosen to go out into public to enjoy the majority of the natural world, and with this, I had told my friend to just act joyful as I would photograph her. This is turn created for a really nice photograph, capturing the innocence in which was just admiring the natural lights and beauty of the mall on a cold night. With a twist, this photo was based off if her famous image of then celebrity Dame Alice Ellen Terry, where she was photographed at a wall with no expression on her face but at the same time not looking at the camera. I had noticed that the background was mostly blurred out and somehow focused purely on the portrait figure of the person. Through this, I blurred part of the background out so that the natural image of the person would come out more thoroughly, and imitated the pose with the position of the hands. I had toned down the highlights of the picture to show the lines and natural structure of the person since silvertonish filter i had put on really lightened the natural features. The reasoning for the silver toning was to create a more realistic picture within the era of the 1850s, showing the black and white colors and had turned down shadows and contrasts to give the picture more of a blocky, static, and pixelating feel, which would in turn replicate the photo more from the 1800’s.
This replicated the couples original wedding cake.
This cake is a 6 inch and 10 inch for total servings of 53.
Billed at wedding cake pricing
Denna video visar uppackningen och demonstration av en MakerBot Replicator personliga FDM 3D-skrivare.
Vi är svenska återförsäljare av personliga 3D-skrivare. Kontakta info@creativetools.se eller 035-77 77 880 för mer information.
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This video shows the unboxing, setup and a short demonstration of the MakerBot Replicator personal 3D printer.
We are Swedish resellers of MakerBot. (info@creativetools.se / +46 35-77 77 880)
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Replication of Christopher Hart's drawing of a shaggy puppy, from his book Cartoon Cute Animals - for learning purposes only.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Replication of a Berliner "Hinterhof" courtyard. Berlin is famous for its courtyards and many of them have been renovated and turned into art centers, cafes, shopping places. One of the most famous would be the Hackeschen Höfe in Berlin Mitte.
Denna video visar uppackningen och demonstration av en MakerBot Replicator personliga FDM 3D-skrivare.
Vi är svenska återförsäljare av personliga 3D-skrivare. Kontakta info@creativetools.se eller 035-77 77 880 för mer information.
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This video shows the unboxing, setup and a short demonstration of the MakerBot Replicator personal 3D printer.
We are Swedish resellers of MakerBot. (info@creativetools.se / +46 35-77 77 880)
Putting this up for a photo challenge, Rochesterians, this door is located at the Olmsted County History Center. I thought it was a good subject and I'd come back at a better time of day for another shot, but now the "Duplicate (Fix) This Photo Game is here...see the discussion group here:
www.flickr.com/groups/rochesterians/discuss/7215762511790...
Earlier this week we mentioned the Universal Construction Kit - a free downloadable selection of adaptors for some of the world's best loved construction kits. The only problem was that you needed a 3D printer to make them.
Well now you have the chance to get your very own 3D printer for your home.
According to their website, ' The MakerBot Replicator™ is the ultimate personal 3D printer, with single or dual extrusion (2-color printing)--and a bigger printing footprint, giving you the superpower to print things BIG!'
Have a look at what can be achieved in the video below. (And sorry but it will set you back $1,749). bit.ly/H9eF3W
Karla Kirkegaard has built her scientific life around viruses, but not in the way most people imagine. She is not driven by fear of them so much as by a deep and almost artistic curiosity about how they work. For her, viruses are not faceless enemies. They are puzzles of staggering elegance, each with its own strategies for persistence, replication, and escape. She has spent decades at Stanford University untangling those strategies, particularly for RNA viruses like poliovirus, and in doing so has illuminated some of the most fundamental processes in molecular biology.
Kirkegaard’s path into virology was not linear. Trained as a chemist, she brought to biology the mindset of someone accustomed to working at the smallest scales. She understood molecules as structures that could be reasoned about, manipulated, and coaxed into revealing their secrets. When she turned her attention to viruses, she brought the same precision and inventiveness. Her work often crossed disciplinary boundaries, moving from the design of molecular tools to probing the inner workings of cells under siege.
Much of her career has been devoted to understanding how viruses replicate and spread within a host. In the case of poliovirus, her research has shown how quickly these pathogens can adapt, shuffling their genetic material in ways that allow them to escape immune defenses or develop resistance to drugs. She has been a leader in studying recombination and quasispecies dynamics, concepts that have reshaped how scientists think about viral populations. Rather than existing as identical copies, viruses exist in swarms of slightly different forms, some of which may be better suited to survive sudden threats. This insight, drawn from careful experiments, has rippled across virology and influenced how we respond to emerging infections.
Kirkegaard’s lab has also contributed to the idea that blocking viral spread within the body can be as important as stopping replication itself. In some of her most striking work, she demonstrated that poliovirus can move directly from one cell to another, bypassing the extracellular space where immune defenses might intercept it. This mode of transmission, once controversial, has now become an important consideration in understanding and controlling viral diseases.
Her influence extends beyond her own research. Kirkegaard has been an admired mentor to generations of young scientists, known for her insistence on rigor, her openness to unconventional ideas, and her ability to frame a problem in a way that makes others want to solve it. In the lab, she cultivates an atmosphere that is both demanding and deeply supportive. The people who train with her often carry her approach forward into their own careers, multiplying her impact.
She is also a gifted communicator, able to explain complex virology in ways that are clear without sacrificing nuance. Whether speaking to students, colleagues, or the public, she conveys the wonder of discovery alongside its practical urgency. The viruses she studies may be deadly, but she refuses to describe them only in terms of threat. They are also among the most ingenious creations of nature, and understanding them is part of understanding life itself.
The portrait captures her in a rare moment of stillness. Leaning casually against the wall of a sunlit hallway at Stanford, she looks toward the camera with the quiet assurance of someone who has spent a lifetime deep in the details of her craft. The shadows fall in sharp geometric patterns, a reminder of the ordered structures she studies, yet her expression is warm and human. It is easy to imagine her turning back to a conversation about an experiment, a molecular pathway, or a student’s new idea.
Karla Kirkegaard’s career is a testament to what happens when intellectual precision meets an unrelenting fascination with the natural world. In her hands, the study of viruses becomes not just an exercise in defense but a sustained exploration of how life operates at its most elemental level.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
well it might be, Reminds me of that doco about fake Warhols last week.
Update: it's not Banksy,. see comments.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
偽日記，活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期：2015/03/3 - 2015/03/28
開幕酒會：2015/03/7 (六) 19:00
展覽地點：VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址：http://www.vtartsalon.com/
聯絡電話：02-2597-2525
EMAIL：info@vtartsalon.com
「若時間是這一片海，我們在記憶中推引與淹沒。」
陳文祺，現任實踐大學媒體傳達設計學系（所）主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置，作品懸空浮出牆面，以標本盒凝結影像與文字的圖文日誌，呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡，討論時空與人的存在關係，回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中，藝術家將活版鉛字結合黑白影像，將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式；在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶， 作品體現後設認知（metacognition）如何成形為人為的偽造，影像的作舊感混淆並打破時間感，它從未橫跨過去與未來的視野，也不存在於現在。活版鉛字復刻出墨味與字模，一字一魂的敲打墨印於無酸厚紙，凹陷的墨字詩句是活字的殘留物，文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也，若以人為中心，人為的一切無一真實；過去曾是真理的今天可能成了謬誤，而今天是為謬誤的在明日可能是真理。對於真實，人們早已似回應納西瑟斯（Narcissus）的回聲（echo）中迴響空谷；「偽日記」中對於影像的真實如同記憶的可信度，看似完整與客觀的拍攝，經由書寫，讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡，100見裝置懸浮於半空，適切地貼近觀看與閱讀，於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中，最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片，在今日數位化的介面，古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作，將內心感受與對物、我的關注與歷程，皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊；每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制，閱讀每一篇日記裡的視點與時空概念，圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受，萬物與時間是凝結的，弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像，當感知能夠製造與複製，攝影恰是複製時空的影像片段，文字勾畫已過去的感受，而鉛字本為大量複製的特質，在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是，即使我們認為這一切的凝結，時間也重來沒有停滯過，一切記錄都是真實無關，只是製造著真實的過去。藝術家反覆辯證著影像和時空關係，將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition：2015/03/3 - 2015/03/28
Opening：2015/03/7 (Sat) 19:00
Location：VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website：http://www.vtartsalon.com
Tel：02-2597-2525
EMAIL：info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
Replicated and donated as a memorial of those who lost their lives in wars. This replication sits on the north bank of the columbia river where US 97 intersects WA 14. Occasionally, if the weather allows, Mt Hood in Oregon will show up in the background.
Replication of original etched window bug for corner of glass on a rare Ferrari. It's a tiny, tiny, detail.
If / Magazin-Reihe
> A. E. van Vogt / The Replicators
> Ron Goulart / Reporter at Large
> E. Clayton McCarty / Small One
> Basil Wells / Blind Alley
> C. C. MacApp / Gree's Commandos
> J. L. Frye / Zombie
> Frederik Pohl and Jack Williamson / Starchild (Part 2 of 3)
Cover: Richard McKenna
(Cover illustrates "Small One")
Editor: Frederik Pohl
Galaxy Publishing Corporation / USA 1965
Reprint / Comic-Club NK 2020
ex libris MTP