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Taken at Butlins on a recent holiday. Canon 6D, 100mm F2.8 L macro.

HONEY THE CEILING IS BLEEDING AGAIN

 

CANNON FLAPS

 

DECONSTRUCT // RECONSTRUCT

Replicated Cherokee Farmhouse at Red Clay State Park, Bradley County TN

Prototipo final impreso en 3D

Replicated Cherokee Barn at Red Clay State Park, Bradley County TN

BOXPOP® REPLICATES HARRY’S HOUSE

Austin, Texas

 

situation

You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.

 

solution

The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.

 

impact

The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.

 

britteninc.com/portfolio/harry-styles-event-britten-inc

For one of my classes, used Illustrator for the first time and recreated a GQ magazine cover from 2008.

 

The final product looks legit, happy :D.

One of the ways to replicate weightlessness on Earth is to

dive into water. Mission-X participants had the chance to try it for the

first time in their lives assisted by expert divers in a pool.

Credits: ESA–N. Vicente

Inspired by Jacquie's wavy quilting, I tried some of the decorative stitches on my machine. appliqueaddict.blogspot.com/

Here's something I've been working on the past few weeks: a project called Creepy Creeps from Below the Surface (or CCBS, see where I got that from?), where I replicate my favourite Bionicle villains of all time, the Barraki, in CCBS! I wanted to keep as close to the original set's appearance as possible, down to replicating the limb lengths and colours in the right places, but doing that only using CCBS parts (aside from the head, weapons and sometimes the feet).

 

Here is the third Barraki: Ehlek! He was originally my first Barraki set. This Ehlek is probably a bit bigger than his original incarnation due to using 2 CCBS bones instead of a Technic liftarm for his body (a technique I'd used on Takadox as well). I was going to use Ehlek's original feet for this, but I didn't have any in my collection so kinda had to settle for Beast feet given I couldn't find a custom solution I liked.

BOXPOP® REPLICATES HARRY’S HOUSE

Austin, Texas

 

situation

You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.

 

solution

The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.

 

impact

The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.

 

britteninc.com/portfolio/harry-styles-event-britten-inc

edit: WHY IS THIS PHOTO GETTING 100+ VIEWS A DAY ALL OF A SUDDEN?!!

 

Was replicating a photo for a competition. If you zoom in close enough you can see a pretty clear picture of the original in my setup.

 

Light Setup

My third MakerBot since 2009.

BOXPOP® REPLICATES HARRY’S HOUSE

Austin, Texas

 

situation

You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.

 

solution

The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.

 

impact

The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.

 

britteninc.com/portfolio/harry-styles-event-britten-inc

Modifying a christmas star design from thingiverse to take in a string of fully addressable led's.. need to go back and fix the points so they stick together better but this shows the basic look of it.

BOXPOP® REPLICATES HARRY’S HOUSE

Austin, Texas

 

situation

You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.

 

solution

The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.

 

impact

The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.

 

britteninc.com/portfolio/harry-styles-event-britten-inc

New extruders, thermocouples, heated bed, and replacement metal arms, but @makerbot replicator finally prints reliably

I copied the picture I was trying to replicate earlier.

I think this one's better

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.” www.flickr.com/photos/the_eye_of_the_moment

nrhodesphotos@yahoo.com

“The-Eye-of-the-Moment-Photos-by-Nolan-H.-Rhodes”

 

The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.

 

In this first trial shoot I am using Loli Nori's really amazing charcoal "Drow" skin, which she (for some reason best known to her alone) is giving away as a freebie at the Bare Rose Mall. This skin is simply the best skin that I have seen anywhere in Second Life. Sadly, I do not use it on a regular basis since the dark tone sort of stops Alpha from being the "look alike" avatar that I prefer her to be. I am not too sure that this skin will actually get Alpha into the range of the Valley's threshold since it is actually very "humanly" expressive. It is why it is such a gorgeous skin in the first place...

More prep for the workshop. Took a quick trip out to Purgatory Chasm intending to take some shots replicating (some of) the circumstances of the workshop, which will be at Letchworth State Park in NY. Unfortunately I found the chasm to be a bit overgrown for my purposes, causing the bottom to be in deep shade, and the upper parts a mix of direct sun and dappled light. Dappled forest light is about the toughest sort of scene to capture with this blue-sensitive process, as it's a mix of bright sun and deep shadows where the elements are largely green and brown (warm colors not really captured by basic emulsions). So I took a couple shots just because I was there, which confirmed my suspicion that I'd have to find better scenes with the students. Then the next day, I went up to Halibut Point State Park in Rockport and found a bit better luck there.

 

Between the two days I did confirm that I'll likely use my Intrepid 4x5 with my FLM carbon travel tripod and Acratech ballhead, as the combination is MUCH lighter than the Speed Graphic and heavier duty CF tripod I'd intended to use. I'll take them as backup, as they're more rugged. But as I'll be clambering around the gorges at Letchworth with a camera and tripod on my back, I think the weight savings will pay me back quickly. We'll see how it goes.

This photo is a replication of the Moholy-Nagy painting “AXL II2”.

In photoshop I used the polygonal lasso tool to trace the shapes of the original art. Using the paint fill tool I and the colour sampler I was able to add the colours to my replica. I used a tea stain brush to get the 'washed' effect on the entire piece and the bits of grey showing in the black circle. I also added the noise filter on a low value.

Printed on my MakerBot Replicator XL.

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”

“The Eye Moment photos by Nolan H. Rhodes”

nrhodesphotos@yahoo.com

www.flickr.com/photos/the_eye_of_the_moment

 

standard settings but with 3 shells instead of 2 for added strength

Replication of drawings from children who were sent to Auschwitz and drew on the walls of the camps barracks.

These last three futures I've done (self replicating robots, grey goo and the hermit octopus) are the most contemporary.

 

They're also often quite dystopian when we see them in popular culture.

 

I don't intend these three to read like that; there's a whole world in the black space outside these dioramas, and no assumptions about who or what else is out there. Just that a lot of things are happening.

 

Get past the superficial naivety of B Movies and what's most naive is the assumption of the cataclysmic domination of humanity by an antagonist.

 

Life will go on, we're just terrified it won't be us.

 

The way we think about this tends to be like the current in popular discourse that went "Russia is going to bury us! Oh. Well if they can't, Japan sure will! Oh... well now China is going to bury us!". The last time this adversarial stance was actually useful was World War II. It's as dated as the quintessentially British (and presumably army surplus) shade of green these newspaper kiosks come in.

 

Somehow the dystopian political and economic night terrors that come from this have a habit of not coming to pass. Climate change, corruption, and current intellectual property laws are all much bigger and more tangible crises than nationalistic insecurities.

 

The world is interesting, and getting more so.

A graphic design replication assignment

Replicating Norfolk Southern ES44AC #8102, this model is seen at Hesston Steam Museum.

Ramsay Sign Co. installs the historically replicated "candlestick" neon blade sign on the historic 7th Street Theatre in Hoquiam, WA. This is a replication of the original sign from 1928 which was on the building for less than 20 years.

  

Administrators can configure new replication jobs to ensure that content is always made available to remote locations

I just read today about Cyanotypes in Mr.Waterslide's photostream and how they seem to be discriminated against in today's photography world. I realized that I had some old, ca. 1914 cyanotypes from an album of a woman who rode along on a cross country automobile trip with one of the first women to do so.

 

So I plan on doing a series of Cyanotype-like replications of photographs that I already have. I really love the deep turquoise color of the Cyanotype, and I'm basing all of these replications on the charicteristics that my old cyanotypes have.

 

Personally, I find it a very unique alternative to Black and White and Sepia.

 

Read what Mr.Waterslide has to say about Cyanotypes here:

www.flickr.com/photos/82329524@N00/131720578/in/set-72157...

www.chiprintgroup.com/cd-dvd-replication/ - Chicago Print Group can help with CD/DVD duplication and replication services when you need help storing and archiving large amounts of data without compromising quality. We can duplicate hundreds of discs for you and have them printed and packed in a short amount of time, all in a highly cost-effective way.

Contact Us:

Chicago Print Group, Inc

Tel: (312) 251-1962

E-mail: quotes@chiprintgroup.com

www.chiprintgroup.com/

Replication of 1st birthday dress with coordinating cupcakes for client

  

Haven't tracked down the cause of this perimeter retraction issue while printing with the latest PLA. Documenting it here for the moment.

 

Strange how it seems to be Z-height dependent.

 

Update: Turns out this was caused by a sticky filament spool.

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