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INTERNATIONAL SPACE STATION
WHY IS THE SKY BLUE? IT IS A COLOSSAL MIRROR INSTALLED FIFTEEN YEARS AGO
These were taken from my first visit to "Star Trek: The Experience" in 2004.
I just recently found out that they have closed the attraction, so even though these aren't the best photos, I really want to share them.
These were taken with my Pentax K-1000........pre-digital.
Designing an upcoming freeware scenery kit for Microsoft Flight Simulator that replicates the experience of flying near Mount St. Helens as she was before May 18, 1980.
Using sourced USGS DEM data from 1978 and a 1-meter resolution aerial from 1972, I have been able to translate that to Flight Simulator X's native scenery format.
At the Art Institute this afternoon they had artist throughout the museum re-creating the masterpieces in the collection. Quite a cool treat to watch them at work.
Marble. Replicated in 1901 of William Wetmore Story's "Angel of Grief", 1894 (Rome). Replaced in 1908 after the earthquake. Fully restored 2001. Stanford University
A recent commission to replicate a child's drawing onto a pair of handmade sterling silver cuff links.
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
I started a new flickr group, called "Star Trek: The Experience; Las Vegas Hilton".
I added the photos I already had in my photostream, and then revisited my archive photo disks for more to add.
Commissioner Edwin Mendez-Santiago (NYC Department for the Aging) with Commissioner Joyce Gallagher (Chicago Department for the Aging)
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
For one of my classes, used Illustrator for the first time and recreated a GQ magazine cover from 2008.
The final product looks legit, happy :D.
Pyramid Bricks - carved by hand
Copyrighted Image. All Rights Reserved. May not be replicated, duplicated, transmitted or referenced in any way without express permission from the Photographer, David Newton.
Cool Town's replication of Ellen's set
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BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
20 of these were replicated from a picture a designer gave us. They are solid walnut with 5/8” brushed nickel foot rails, covered with a textured vinyl. We can create your vision from scratch, or replicate something you find in a magazine. Please call for pricing and shipping information. design-char.com
BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.
Gwrych Castle is a Grade I listed country house in north Wales, one of the first attempts at replicating true medieval architecture in Europe. It stands in 250 acres of gardens and grounds and has extensive views over former parkland including a deer park and the Irish Sea.
Gwrych Castle was built by Lloyd Hesketh Bamford Hesketh, heir of the Lloyds of Gwrych, from c.1810, incorporating his family’s ancestral home, with the work continuing over four decades. The castle then passed to the Earls of Dundonald by marriage to the Bamford Hesketh heiress, Winifred. During World War II the castle was requisitioned as part of Operation Kindertransport and in 1946 was sold by the Dundonald family, ending nearly 1000 years of continuous family ownership. In1948, the castle was purchased by Leslie Salts who opened it as the ‘Showplace of Wales’ for a period of twenty years.
Following Salt’s sale in 1968, the castle was operated as a medieval entertainment centre with jousting, banquets and markets taking place in the grounds. This also heralded a period of slow decline which saw the building shut to the public in 1985 and the final joust taking place in 1987. In 1990, an American property purchased the estate with a view for creating an opera centre and hotel – nothing materialised. Instead, the castle was asset-stripped and vandalised to the point that its very future was uncertain.
In 2018, through the intervention of the National Heritage Memorial Fund and the Richard Broyd Charitable Trust, the castle was purchased by Gwrych Castle Preservation Trust, on behalf of the nation.
A video that shows most of the ceremony, with most of the troops and attendees in it, parts not also in photos, is at: www.youtube.com/watch?v=h6T1JgD1MgI&t=20s
As a part of the Star Spangled 200 festivities honoring the bicentennial of the War of 1812, on September 11, 2014 five hundred members of the Maryland National Guard (MDNG) 175th Infantry Regiment (Fifth Maryland) along with Maryland Defense Force members replicated the six mile route that the Maryland Militia took two hundred years ago to fight off invading British troops. The march began in Baltimore City’s Patterson Park, and the route was along Eastern Avenue into Baltimore County to Battle Acre Park in Dundalk, Maryland U.S.A..
The Maryland National Guard's 229th Army Band and the Maryland Defense Force Band performed during the ceremony. The event included a wreath-laying ceremony with British Embassy personnel, high ranking military members, and Maryland and Baltimore County government personnel. Baltimore County dedicated a new mural to commemorate the County's role in the War of 1812. The mural overlooks the newly renovated County park, which is on the site of the Battle of North Point, a crucial military engagement in which U.S. soldiers stalled British land forces so American troops could fortify Fort McHenry plus any Baltimorean who could help was fortifying Hampstead Hill/Patterson Park to save Baltimore from capture. Thankfully to the sacrifices of those who defended Baltimore, a great American victory was won that influenced the states to come together as a unified nation.
The "Home of the Brave" mural features the Battle of North Point engagement, with American troops holding formation, blocking British troops from advancing toward Fort McHenry. This panel is flanked by portraits of the battle's military leaders, U.S. General John Stricker and British General Robert Ross. Another panel highlights the historic Todd's Inheritance homestead, showing rural life in eastern Baltimore County during the early 1800's. A final scene shows a celebration ceremony held in 1839, just 25 years after the Battle of North Point was waged on the site.
The "Home of the Brave" mural was designed and painted by artist Marshall Adams and is a project of the Baltimore County Commission on Arts and Sciences in partnership with the Dundalk Renaissance Corporation. Funding was provided through grants from The Citizens of Baltimore County and the Maryland State Arts Council.
It was an intensely sunny day in Dundalk. The 200th March of the Defenders was kicked off by a large celebration in Baltimore City's Paterson Park. I had figured that all the major politicians, news people, spectators, and all would only attend the Baltimore City part of the event. Only the City politicians and most spectators stayed in town, and I was sunny-day-surprised when more and more people kept coming into Baltimore County's Battle Acre Park. When I saw some British military march up, I knew it was gonna be more than I had hoped for. I began seeing high ranking U.S. soldiers come in to the park. Then Maryland's Governor went strolling past me, and the local politicians were real happy to be there.
Just before the marching hundreds arrived, about seven military photographers - American and British ones - spread out on the scene. Several civilian pro-photographers came on board the scene. I knew that that dozen or so other photogs would be after shots of the very most important I attendees and parts of the ceremony. I determined that the best thing for me was to try and get at least one good, recognizable photo of everyone there - especially the 500+ in U.S. Army camo fatigues. I got about 90% of the people there in my photography of that mighty fine day.
I also covered several angles of view of the neighborhood, for people who lived in the area long ago and barely recall - or never knew - where Battle Acre is. I shot it all to bring us as close to being there as we can. I wanted as many different groups of soldiers as I could, so old friends can see each other's photos from that day. A big enough great day in all our lives there.
The Blue Angles flew over a few times, as they went to and from practicing air show maneuvers for their upcoming shows over Baltimore that Saturday and Sunday.
Hundreds of times, since the 1950's, I have ridden past Battle Acre Park. I recall being about 8-yrs-old in '58 and looking out my father's car window at the overgrown mess that was Battle Acre and being offended by the look of it all. I rarely ever looked over at the park after that. So I am quite well pleased to see what people, businesses & government have done by fixing up the memorial for a battle that helped keep America free.
Photography by David Robert Crews {a.k.a. ursusdave}
Modifying a christmas star design from thingiverse to take in a string of fully addressable led's.. need to go back and fix the points so they stick together better but this shows the basic look of it.
A friend took this nice picture while I took pictures and used a MagicShifter to illuminate the interior of my new printer. Because the while LED is so small but very bright you get this nice lensflare ;)
Cool Town version of Ellen
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BOXPOP® REPLICATES HARRY’S HOUSE
Austin, Texas
situation
You may be familiar with Harry Styles. Former boyband member turned soloist debonair popstar. Performer with a magnetizing presence on and off the stage. Conductor of electrifying concerts to sold-out arenas. That Harry Styles. Having just released a highly acclaimed studio album, and currently in the midst of a whirlwind world tour, it could be said that Mr. Styles is enjoying a moment of unprecedented global popularity. One prominent stop of this continent-trekking tour was the Moody Center in Austin, TX this October. A town renowned for its own eclectic fair, this sold out arena was packed to the brim with the Styles faithful. Often camping out the day (or days) before gates opened, once admitted into the arena, there were hours of downtime for fans before Harry would take the stage. Hoping to occupy the time and attentions of devoted concertgoers, Hannah Baker of the Moody Center concocted an interactive set piece in miniature. Looking to recreate scenes from Style’s music videos, the Moody Center entrusted BoxPop® and the Britten Events team to replicate Harry’s House into an experiential event that would promote fan engagement and let them envision themselves as extras on a Harry Styles music video production.
solution
The Britten team started with a 20-foot single container as the template for this set design. A drop stage door was cut and installed along the container length, allowing the full interior to be viewed and utilized. Next a finished partition was framed through the center of the container, creating two juxtaposed sets that could be viewed simultaneously. On the right was a finished bedroom scene, complete with brooding navy floral wallpaper, a clean white coiffured accent wall, complete with installed flooring. This bedroom set was later staged with furnishings to round out the retro inspired, cozy aesthetic interior. The left side was a true spectacle. Drawing direct inspiration from the Harry’s House album cover, the team recreated an inverted living room scene. Complete with a fully carpeted ceiling with lounge chair, midcentury modern couch, and end table with lamp mounted upside down, the result was an upending experience that paid close homage to the album artwork. Accented with a groovy, amorphous meld of vibrant sherbet oranges, sweet reds, and bubblegum pinks, the exterior of the container was befitting of the 70’s inspired, forward blended palette and aesthetic of Harry Styles himself.
impact
The result was a widely popular space for Styles fans to photograph and experience. Inserting themselves into either half of the presentation, concertgoers could envision one another as cast members within the highly curated world of a Harry’s House reality. Perfect for selfie’s along with actual interaction with the set pieces, it was an immediate draw for fans who sought to deepen their concert experience and was a magnetizing focal point for entrants looking for something to do before the show. A substantial addition for the Moody Center venue, this curated portable set piece was a highly successful element of fan engagement, connecting individuals with the mood and vision of Style’s new album, and helped to enrich the concertgoing experience.