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Nobody ever accomplishes everything they expect to do in a day. The only way to do it all is to have yourself cloned. Well that's exactly what I'm having done. In a secret lab on the 100th sub-level of a facility in Palo Alto, California a new Me is growing in a test tube -- grown from my own DNA. Only this isn't an exact duplicate. This Perry has all my flaws removed. It will be the ultimate Perry!
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Strobist:
AB800 @ 1/4 power aimed straight up near floor.
White foam board positioned overhead to reflect light back down.
Triggered by Yonguo RF 602.
i replicated (as best i could) the marinated hanger steak ssäm that i had at momofuku ssäm bar in NYC a few weeks ago. a couple of friends came over for dinner on the porch, and it was delicious.
Captured on Ilford delta film at the Hoe memorial. Excellent atmosphere portrayed by this film - something digital cannot replicate
www.scottcalnon-photography.com
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Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Best viewed in large
View as a Slide Show Please
flickriver.com/photos/velurajah/popular-interesting/
www.flickr.com/gp/velurajah/pp84gZ
Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province.Thailand Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province.
Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province., founded in 1350, was the second capital of the Siamese Kingdom. It flourished from the 14th to the 18th centuries, during which time it grew to be one of the world’s largest and most cosmopolitan urban areas and a center of global diplomacy and commerce. Ayutthaya was strategically located on an island surrounded by three rivers connecting the city to the sea. This site was chosen because it was located above the tidal bore of the Gulf of Siam as it existed at that time, thus preventing the attack of the city by the sea-going warships of other nations. The location also helped to protect the city from seasonal flooding.
The city was attacked and razed by the Burmese army in 1767 who burned the city to the ground and forced the inhabitants to abandon the city. The city was never rebuilt in the same location and remains known today as an extensive archaeological site.
At present, it is located in Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province. The total area of the World Heritage property is 289 ha.
Once an important center of global diplomacy and commerce, Ayutthaya is now an archaeological ruin, characterized by the remains of tall prang (reliquary towers) and Buddhist monasteries of monumental proportions, which give an idea of the city’s past size and the splendor of its architecture.
Well-known from contemporary sources and maps, Ayutthaya was laid out according to a systematic and rigid city planning grid, consisting of roads, canals, and moats around all the principal structures. The scheme took maximum advantage of the city’s position in the midst of three rivers and had a hydraulic system for water management which was technologically extremely advanced and unique in the world.
The city was ideally situated at the head of the Gulf of Siam, equidistant between India and China and well upstream to be protected from Arab and European powers who were expanding their influence in the region even as Ayutthaya was itself consolidating and extending its own power to fill the vacuum left by the fall of Angkor. As a result, Ayutthaya became a center of economics and trade at the regional and global levels and an important connecting point between the East and the West. The Royal Court of Ayutthaya exchanged ambassadors far and wide, including with the French Court at Versailles and the Mughal Court in Delhi, as well as with imperial courts of Japan and China. Foreigners served in the employ of the government and also lived in the city as private individuals. Downstream from the Ayutthaya Royal Palace, there were enclaves of foreign traders and missionaries, each building in their own architectural style. Foreign influences were many in the city and can still be seen in the surviving art and in the architectural ruins.
The Ayutthaya school of art showcases the ingenuity and the creativity of the Ayutthaya civilization as well as its ability to assimilate a multitude of foreign influences. The large palaces and the Buddhist monasteries constructed in the capital, for example at Wat Mahathat and Wat Phra Si Sanphet, are testimony to both the economic vitality and technological prowess of their builders, as well as to the appeal of the intellectual tradition they embodied. All buildings were elegantly decorated with the highest quality of crafts and mural paintings, which consisted of an eclectic mixture of traditional styles surviving from Sukhothai, inherited from Angkor, and borrowed from the 17th and 18th-century art styles of Japan, China, India, Persia, and Europe, creating a rich and unique expression of cosmopolitan culture and laying the foundation for the fusion of styles of art and architecture popular throughout the succeeding Rattanakosin Era and onwards.
Indeed, when the capital of the restored kingdom was moved downstream and a new city built at Bangkok, there was a conscious attempt to recreate the urban template and architectural form of Ayutthaya. Many of the surviving architects and builders from Ayutthaya were brought in to work on building the new capital. This pattern of urban replication is in keeping with the urban planning concept in which cities of the world consciously try to emulate the perfection of the mythical city of Ayodhaya. In Thai, the official name for the new capital at Bangkok retains “Ayutthaya” as part of its formal title.
Criterion (iii): The Historic City of Ayutthaya bears excellent witness to the period of development of a true national Thai art.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.” www.flickr.com/photos/the_eye_of_the_moment
nrhodesphotos@yahoo.com
“The-Eye-of-the-Moment-Photos-by-Nolan-H.-Rhodes”
#3DBenchy printed on a MakerBot Replicator Desktop 5th Generation 3D printer.
The 3D-model: 3dbenchy.com/download
The 3D-printer: www.creativetools.se/index.php?route=product/search&f...
One of several 3D printers sold at the B&H Superstore in NYC.
I liked the free grape-flavored candy better than that "other" flavor I tried.
Nice prints of various fun models. They didn't made the designs, as I recall; I believe these are free (?) for download from somewhere.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Captured this image at Marie Selby Botanical Gardens In Sarasota, FL. I love the two new leaves, the repeating patterns, shape and texture of this plant. The soft light was a bonus. Finished in LRCC and Luminar...
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
This cake replicates the deliciousness of the Pear Frangipane Tarts you see in French bakeries.
From the ecookbook, The Global Pastry Table, pastries & desserts with international style for the modern kitchen, by Gayle Gonzales of Pastry Studio blog.
Available on iTunes for the iPad: itunes.apple.com/us/book/the-global-pastry-table/id682684...
Kindle version available at Amazon: www.amazon.com/dp/B00E54MT10
Replicating an advertising source image for teaching lighting technique. This is a beauty dish, ever so slightly up and to the right of camera (check those nose shadows and catchlights :)
Replication (kind of) for this weeks theme - Shame they were all copying each other and dying off!!
3 weeks too late for photographing me thinks!!
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Six-part work composed of six dioramas – Supper, Accusers, Cleansing, Ritual, Entropy, Doubt – in fibreglass, iron, oxidized metal, wood, polystyrene, sticky tape
This work appears as six shoulder-height iron cuboids, as if a paean to austere Minimalism. But through apertures, one can see dioramas inside each cuboid that stage different situations that Ai had to endure. The artist and his guards are replicated in fibreglass, in miniature.
[Ai of the tiger, RA blog]
On Sunday 3 April 2011, Ai was arrested at Beijing airport as he prepared to travel to Taipei. He was illegally detained at a secret location for 81 days. Initially handcuffed, he was accompanied 24 hours a day by two guards who were forbidden to communicate with him. The only source of ventilation for his windowless room was a small wall fan.
Ai memorised every detail of the cell, whose walls and every piece of whose furniture were wrapped in plastic. On his release on 22 June 2011 he was forbidden to discuss his incarceration and was placed on parole for twelve months; in addition to this his passport was withheld. Despite this restriction Ai re-created six models of his cell, all half actual size, and populated them with figures of himself engaged in different activities under the watchful eyes of his guards. The dioramas of S.A.C.R.ED. reveal how degrading Ai's detntion was and leave little doubt that the intense and claustrophobic experience he underwent was designed to break his spirit and discourage him from publicly challenging the Chinese authorities.
Following Ai's release, his company Fake Design Ltd was formally charged with tax evasion. The authorities fined the company nearly £1.5 million and gave 15 days to pay. The public offered their unsolicited support by giving him money towards settling the tax demand. Some threw donations over the wall of his studio compound while others contributed online. Ai responded with I.O.U., a work in which he wrote promissory notes to each of these 30,000 donors. These notes were in turn scanned and turned into wallpaper.
[Royal Academy]
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Portman's attempt at replicating the atrium formula on Times Square is a spectacular dud. When he was announced as the architect back in 1972, maybe it all made sense: Times Square was low-rent, tawdry, and (as a million articles on 1970s films will tell you) disreputable to the better classes but thrilling to those seeking drugs, sex, danger, or all of the above. Perhaps flattening several historic theaters and walling off that entire world to create an arid box of nothingness was necessary to attract business travelers, a keystone of any developer-minded approach to "revitalizing" the area. When it opened in 1985, Paul Goldberger was unsparing, calling the building "tired," "worn out," "bombastic," "unremarkable," and "dull" - "An Edsel In New York." He also pointed out the fundamental compositional problem that the cylindrical bundle of elevators is simply the wrong size for the space it's in, making for an ungainly and awkward effect where you expect soaring grace or at least impish flitters.
Today, the district is thoroughly transformed into a theme park (the theme is "gaudy flagship stores") but probably about as visually varied and well-trafficked as it was forty years ago. It somehow becomes apparent that at either point in time, it would have been more interesting to let the street in than to keep it out. If you're going to keep it out, the result should be a delirious surprise, like the building's Atlanta sister; either the budget, the cost of New York land, or architectural imagination failed somewhere. To be fair, if the present interior screams out to be cast as the headquarters of a bland dystopian bureaucracy in some near-future sci-fi film, it's partly because at some point someone came through and ripped out Portman's hanging plants. But when the most spatially interesting part of a $400 million building are the massively oversized and dramatic fire stairs, something has gone awry.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU