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DNA replication is one of several central genetic processes that demand an association between proteins and DNA. With images such as this, the scanning transmission electron microscope (STEM) has revealed many of the details of DNA replication in the tumor virus SV40. Twelve subunits of a protein known as T antigen assemble themselves in two ringlike hexamers around the DNA, precisely at the origin of replication.
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Makerbot 5th Gen Replicator + mainboard Rev-G.
Not many changes from the previous version. Mostly a minor layout change in the stepper driver subsystem. The J8 header is for the Z axis safety limit switch. Curious what other limit switch signals might be present in that connector??
We chose a grasscloth wallpaper to replicate what was originally in this room. We have designed it for use as a more formal living room. No TV. Instead, we will gather around the piano for family sing-alongs or light a fire and enjoy family reading time. We are refurbishing a vintage couch and two chairs that were originally in this room. Also, many of the books in here have been rescued by me, as I am physically unable to get rid of a book.
It is a replicator device I constructed to copy 35mm films to digital camera.
It consists of parts of two enlargers set on the same optical bench. on the right side is a filmholder, condenser and 100W lamp to illuminate the negative. on the left there is a macroadapter, Industar 100 110/4 objective and canon 350D body.
There is no glass between the film and objective, however the glass on the other side of the film sometimes creates Newton rings.
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
A cup and dish shaped in the Adobe Creative Cloud logo and 3D printed using a MakerBot Replicator 2. Original 3D data from Photoshop file.
3D-printed on a MakerBot Replicator 3D printer.
For more information creative-tools.com
I had my 2nd annual BYOTTHOTMFT (Bring Your Own Thing to Hang on This MF'ing Tree) tree trimming part this past Saturday. Thanks to everyone who came out and for all the amazing homemade ornaments. Highlights: Dolapo's battery powered sweater, HarryH's attempt at a bacon weave, McSimmons' spread, broken glass in my shoes, Jason's Bartles & Jaymes, eggnog and brandy, PIBs!, fake moustaches, brass monkeys, Nate.W getting slapped in the face, rad snowboard videos and running into Krucoff at Tile Bar wearing the oven mitts he stole from my kitchen (ha!)
Last year (2007!) pics here:
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
This image is copyrighted to David John Cole; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at davidjcole1965@sky.com for express permission to use any of my photographs. Sorry, but this photograph can only be viewed large if you are one of my contacts!
The MakerBot Filament Case for safe and clean storage of MakerBot XXL or XL filament spools. Fits perfectly with the MakerBot Replicator Z18 Filament Cart.
http:\\makerbot.creativetools.se
Here's something a little more up-to-date! I've been trying very hard to keep everything BR blue, stick to the period, keep focussed...but I've wanted one of these for a while. Memories of riding them around the Valleys whilst at uni in South Wales, maybe. I placed an ad on one of the N gauge Facebook groups to see if anyone happened to have one they were looking to move on...and low and behold, it was in my hands the next day :D
Now it wouldn't be fun if I couldn't do a bit of weathering, even if they are kept relatively clean. So the underframe and snow ploughs got a wash of gunky black brown, mixed up from oil paints. This was also applied thinly around the door frames and other areas dirt tends to collect on these units, using a block of sponge and a cotton bud to try and replicate the cleaning process on a real unit. Powders were then applied where needed, especially on the roof area. I also used some ground up pencil lead applied with a finger to simulate the warn metal you see on one half of the corridor connector on the nose - although this isn't particularity obvious on the photos. I also changed the couplings between the carriages to one short and one long of the Dapol solid buckeyes, which has brought them closer together and caused no issues on my Kato test loop.
The photos show up where I'd gone a bit overboard on one of the doors - now rectified! Overall I'm happy - it was a different challenge to the other stuff I've done recently, and one that I enjoyed.
Dimensions L: 28 W: 7 H: 9 Inches
The C.S.S. Virginia was a confederate ironclad warship that fought the U.S.S. Monitor in the Battle of Hampton Roads during the Civil War in 1862. It played a major role in the Civil War defending the Gosport Navy Yard from the Union invasion. It is available as a FULLY ASSEMBLED model ready to be proudly display as a piece of history.
Master craftsmen using historical photographs, drawings or original plans meticulously handcraft these highly detailed wood models from scratch. They are built to scale with high-grade wood such as: western red cedar, rosewood, and mahogany. They are 100% hand built individually using plank-on-frame construction method and are similar to the building of actual ships. Each model requires hundreds of hours to finish and must go through a demanding quality control process before leaving the workshop.
The C.S.S. Virginia magnificent features include intricate details such as: wooden planked deck, upper wooden deck, planked lifeboats, metal anchors, smoke stack with metal rings, wooden cannons, wooden rudder and Confederate flags.
This is an “Exclusive Edition” of the C.S.S. Virginia, where each model has unique laser cut serial number. This allows us to identify production date, material used and all other production information of a model.
The model is painted in black with wooden deck to replicate the original ship colors. The model is secured tightly on a black solid wood base with a brass nameplate with the words “C.S.S. Virginia.” It’ll make a perfect gift for home or office decorator, boat enthusiast, or passionate collector.
History: CSS Virginia was the first steam-powered ironclad warship of the Confederate States Navy, built during the first year of the American Civil War; she was constructed as a casemate ironclad using the raised and cut down hull of the scuttled USS Merrimack. Virginia was one of the participants in the Battle of Hampton Roads, opposing the Unions USS Monitor in March, 1862. The battle is chiefly significant in naval history as the first battle between ironclads.
The 3D-printed trophy for The Master Plan robot contest. Because this contest is small compared to the big things our teams will do in their careers, our trophy is small too.
For more info see: www.ucs.louisiana.edu/~jev9637/MCHE470.html
I used a solar panel and audacity to capture the bitstream from the original dvd player's remote control.
Then I started with some code from the arduino forum and managed to replicate the pulses.
Thanks to falconphysics and instructables: www.instructables.com/id/Cheap,-Easy-Light-Probe/
Thanks to PlastBox on the arduino forum: www.arduino.cc/cgi-bin/yabb2/YaBB.pl?num=1219758914/4
Stepper subsystem (left side) remains the same basic design as before (minor layout changes but same ICs).
Some of Albury's most iconic buildings replicated in miniature form as part of AlburyCity's creative graffiti management strategy.
Six Roads and Maritime Services and Essential Energy utility boxes are 'wrapped' in images of buildings such as the Murray Conservatorium, Mates building and the Albury Post Office.
Photos of the building were taken by Charles Sturt University students as part of an exhibition at the LibraryMuseum. These images have been enlarged and wrapped around the boxes to create the illusion of a 'mini-me' of the real structures.
The famous Replicator avatar of Grendel's Children. I did not use one in its entirety but assembled the elements of several of them around Alpha; since in their original state these avatars diverge too far from the human and would probably fall outside the Uncanny Valley's threshold.
I have replaced the "Drow" skin with the "Forge" skin designed by Vry Offcourse. This is not really a "nude" skin in that it covers the entire body with metal plates... I think this skin does actually bring Alpha closer into the threshold range.
About RajaRani Temple
Rajarani Temple is an 11th century Hindu temple dedicated to Lord Siva located in Bhubaneswar, the capital city of Orissa, India. Originally it was known as Indreswara and serves as a shrine to Shiva. It is known as 'love temple', covered with coyly erotic carvings of women and couples. The temple is aesthetically endearing with its graceful sculptures.
Architecture
Rajarani Temple stands on a raised platform. Its spire is decorated with clusters of turrets (replication of the spire itself) emerging form the rib of the spire. The sculptures have a depth that was lacking in the Mukteswara Temple sculptures. The Jagamohana (porch) though demonstrating a pyramidal structure is yet to take on as a complete structure of its own. It bears signs of repair in 1903 when it collapsed into ruins. Guardians of the Eight Directions project from the base of the temple in the eight directions, starting from the gateway in a clockwise direction around the porch and the deul to end back at the torana (entrance).
The temple was constructed of dull red and turbid yellow sandstone locally called "Rajarani". The slightly projected entrance is flanked by round thick columns entwined by naga on the left. The 18m(55 ft) vimana (tower) is clustered by miniature towers with double crowning elements and appears round, like the towers of Khajuraho temples. The flat ribbed crowning amalaka and kalasa on the tower are surrounded by four squatting figures.
Blue woodlouse from Santa Barbara County, California.
The blue color is due to an iridovirus infection which at advanced stages has viral particles accumulate in such large quantities that crystalline structures are formed. These crystals produce intense blue or purple color in heavily infected individuals.
Iridoviruses replicate in the cytoplasm of infected cells. They were named for Iris, the Greek goddess of the rainbow, due to the "rainbow like" iridescence observed in heavily infected invertebrates. Iridovirus IV31 is known to infect woodlice.
Pathogenesis is temperature dependent, therefore, iridoviruses are limited to poikilothermic hosts. In lethal infections, insects become flaccid and iridescent 7-10 days post-infection but death may take 3 weeks or longer. More on Iridoviruses.
In this picture of Dalkeith’s newly refurbished Corn Exchange, I am replicating a fantastic old sketch of the Corn Exchange used as a cover of J. C. Carrick’s book ‘Around Dalkeith and Camp Meg’. Originally opened in 1854, the building is of major historic importance in the town and it is just great to see it looking so beautifully restored. It is even better that part of the building is being devoted to the Dalkeith History Society Museum.
I’ve now managed to have a good look at the work that has been done and it is really impressive. In keeping with the use of that original illustration on Carrick's book, the building quite literally stands for history in Dalkeith! It is another feature for Dalkeith to be proud.
John Charles Carrick, MA. BD, is one of the famous names who has interested me in the last few years and so I was really pleased to discover that he was one of the very first to respond positively to Andrew Hope’s letters written in May 1895, seeking subscriptions for the Dalkeith Memorial Fountain to Robert Burns. He was also one of the speakers at the Dalkeith Burns Club’s supper at the Cross Keys in 1896 – the centenary year of the Bard’s death.
Rev. Carrick was the Minister of Newbattle Church from 1885, having earlier served as Assistant at both Newbattle and St Giles, Edinburgh. Born in Glasgow in 1860, he was educated at both Glasgow and Edinburgh Universities and became a prolific author on theological, historical and literary topics. He also edited the Scots Magazine from 1883-1900. He resigned from Newbattle through ill health in 1912 and moved to Liberton.
One hundred and three years ago this month (April 1913), Rev. Carrick was involved in a proposal by Ayr Burns Club to have a bust of Burns in St Giles Cathedral, Edinburgh. Following a suggestion made by Sherriff Guy when proposing the Immortal Memory at the Ayr Club and as an outcome of correspondence between Rev. Carrick, a special meeting of the Club was held on 3 April 1913 at the King’s Arms Hotel, Ayr – Mr J. T. Gouldie, the club president was chair. As with the Dalkeith Burns Monument, it was proposed that subscriptions should be invited from kindred clubs and admirers of the poet with a view to the erection of a suitable bust and that an appeal should be made. Rev Carrick was described to be devoting the proceeds of a new book to the bust fund. The title of the book was ‘Ayr Fort. The Tower of S. John the Baptist at Ayr’.
I have yet to find out what happened to the idea of a bust of Burns at St. Giles but I did visit St Giles a few years ago to photograph the magnificent memorial window dedicated to the Bard and have written separately on the Dalkeith Burns Monument page about it.
Rev. J. C. Carrick was just 54 years old when he died in March 1914 at Liberton.
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